A scene in a tavern with a pair of inebriated men sitting on a bench in front of fireplace, smoking pipes and drinking from tankards, a dog at their feet. Another man from the next booth leans over the wall to engage them in conversation which they seem not to enjoy. In the next booth (right) a group of four men play cards while a fifth looks on.
Description:
Title and date from dealer's description., Unsigned; attributed to Rowlandson., and With color tests on verso (not visible).
LWL Ptg. 100 Framed, on view in Administration Area
Image Count:
2
Resource Type:
still image
Abstract:
A view of the Thames from the right bank, nearly opposite Marble Hill Park. The white building visible through the trees on the right is Lady Suffolk’s House, Marble Hill. A sailboat floats on the water. A rider on horseback leads a second horse along the riverbank. Figures gather at leisure under the foreground tree, while across the river other stroll on paths through the lawn
Description:
Title from 2005 Christie's appraisal., Formerly attributed to Richard Wilson, now attributed to his circle., and Another version of this scene is in the National Gallery. This is reproduced in W.G. Constable, Richard Wilson, plate 57a. Horace Walpole records in his copy of the exhibition catalogue that Wilson exhibited a painting of the View of the Thames near Richmond at the Society of Arts 1762. This painting is not included in David Solkin’s Richard Wilson Online Catalogue Raisonné (Paul Mellon Centre for Studies in British Art).
Title devised by curator., Date of production based on artist's death date., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Subject (Topic):
Anatomists, Surgical instruments and apparatus, Human skeleton, and Grave robbing
This cityscape depicts a view of Westminster Bridge built in 1739-1750 with private funding under the direction of Swiss engineer Thomas Page. The painting features one of the stone arches that characterize the structure the bridge and frames a view of the city of Westminster in the distance. Abundant activity on the Thames includes several boats and barges loaded with goods. Figures on the bridge include a man on a ladder working on a lantern at the top of a pier
Alternative Title:
Westminister Bridge
Description:
Title from 2005 Christie's appraisal., A second, autograph copy of this composition is at the Yale Center for British Art. See https://collections.britishart.yale.edu/catalog/tms:365, and Temporary local subject terms: arches | architectural subject | baskets | bathers | boats | bridge (built work) | buildings | city | cityscape | costume | drinking | food | genre subject | leisure | men | nude | pipe | platform | river | smoking (activity) | swimmers | swimming | tankard | women.
A servant bows slightly as he greets three tourists: a larger woman leads the group only carrying a small purse and parasol. She is followed by a younger woman holding a small dog and a few pieces of luggage. At the end a man struggles with the burden of a heavy trunk
Description:
Title and date supplied by cataloger., Attributed to Thomas Rowlandson., and For further information, consult library staff.
A scene outside a posting inn: A man, his hat flying off, rides right to left clutching his horse round the neck as he has lost his stirrups. The horse is rearing, startled by the drum and fifes of a recruiting party in Guards' uniforms led by an officer with a drawn sword and followed by three recruits wearing ribbon favours in their hats. The rider is fashionably dressed in riding clothes, a pair of curling tongs falls from his pocket; a box which he was carrying has fallen to the ground and various articles of the barber's trade have fallen out: tresses of hair, a packet of "Powder", a comb, razor, &c. In the background is a three-storied inn, with bay-windows on all floors. Spectators watch from the windows. The sign hangs from a standard (right); behind (left) are outhouses inscribed "Licensed to [hire] post horses"; a coach stands in front of them
Description:
Title from print based on this drawing. See British Museum catalogue., Number inscribed on drawing in lower left corner: 474., and Original drawing for a mezzotint published by Carington Bowles, 20 May 1782. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, no. 6158.
Subject (Topic):
Barbers, Recruiting & enlistment, and Taverns (Inns)
Title and date supplied by curator., Verse below image., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Great Britain, Politics and government, Phlebotomy, Barbers, Barbershops, Peg legs, Shaving, Wigs, Donkeys, Swine, Monkeys, Cats, Elephants, Teeth, and Newspapers
A young mopping maid clumsily shoves an older gentleman whom reels away flailing his cane in the air. A second onlooker maid laughs at the awkward situation
Description:
Title and date supplied by cataloger., Attributed to Rowlandson., and For further information, consult library staff.
Subject (Topic):
Women domestics, Servants, Accidents, Clumsiness, and Mops & mopsticks
Page 459. Catalogue of the classic contents of Strawberry Hill.
Image Count:
1
Resource Type:
still image
Description:
Title supplied by curator., Statement of responsibility written in pencil below image, on mounting sheet. Artist "E.B." identified as E. Bell in local card catalog record., Date of production based on the 1842 publication date of the Strawberry Hill sale catalogue, into which this drawing was inserted as an illustration., Mounted below is a clipping bearing the quoted text: "There is but little in the grounds of Strawberry to detain the steps of the visitor, except its beautiful little Chapel in the garden: an edifice of as true Gothic taste and design., and Mounted on page 459 in an extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill.