"The Emperor of China (left) reclines on a mattress on a low dais, smoking a long pipe and contemptuously watching, out of his slit-like eyes, Lord Macartney, who kneels on one knee, holding out the King's letter, which is signed 'GR \ WP [Pitt] Sec.' The Emperor emits a puff of smoke from a twisted mouth in a subtly insulting manner. Behind him stand two impassive mandarins, their folded hands concealed in their voluminous sleeves. Beside the dais (right) stands a soldier in armour, holding a sword in his clasped hands. The Chinese have pointed beards and moustaches, and long claw-like fingernails. Over the dais is an ornate canopy in the manner of a Chinese pagoda, ornamented with a dragon. Macartney, wearing the insignia of the Bath, kneels in profile to the left, indicating with his left hand a number of presents which have been placed at the Emperor's feet. Five members of his suite prostrate themselves behind Macartney, their heads touching the floor so that their faces are hidden and the backs of their breeches are ludicrously conspicuous. Behind are others bringing presents, the two most prominent are identified as Sir George Staunton, secretary to the Embassy, and Huttner, who published a German account of the expedition. Staunton, who is not caricatured but does not conspicuously resemble his portrait (by Engleheart, 1792, engraved C. Picart), stands full face behind Macartney, holding the string of a toy balloon decorated with the royal arms, to which is attached, in place of a basket, a cock standing on a pair of breeches. Huttner holds a magpie in a wicker cage. Men crowd behind them carrying, one, a toy coach complete with six horses, driver, postilion, &c, the whole on a small wheeled platform; another, a rocking-horse; a third holds a weathercock in one hand, a British flag in the other. The objects on the ground are: a volume of 'Boydell's Shakespeare' on which is a rat-trap; a bat, trap, and ball, dice-box and dice, a battledore and shuttlecock (on which is a crown); an oval miniature of George III, to which is attached a child's coral and bells; a toy windmill; a magic-lantern with a 'slider' (cf. BMSat 6287) which projects at each side showing devils, in the lantern is a figure of Punch; the model of a man-of-war flying a British flag, and an E.O. table."--British Museum online catalogue
Alternative Title:
Reception of the diplomatique & his suite at the Court of Peking and Reception of the diplomatique and his suite at the Court of Peking
Description:
Title etched below image.
Publisher:
Pubd. Septr. 14th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Macartney, George Macartney, Earl, 1737-1806, Pitt, William, 1759-1806, Staunton, George, Sir, 1737-1801, and Hüttner, Johann Christian, 1766-1847
"The King steps forward to embrace the Prince of Wales, who throws himself into his father's arms, saying, "against Heaven - and before thee, and am no more worthy------" (the words fade out). George III wears court dress, the Prince's dress is tattered and dishevelled, his pocket hangs inside out, the garter at his knee - 'Honi soit' - is loose. Behind the King stands the Queen on the door-step, half-smiling, her arms outstretched. Two pleased princesses look over her shoulder. Just outside the door stand Pitt and Moira watching the reconciliation, Pitt with a benign expression, Moira more doubtfully; both wear footmen's court-livery, of military cut; Moira wears jack-boots. Pitt holds a paper: 'New Union Act Britains best Hope', implying that he is the author of the 'Union'. Moira holds Pitt's arm. Beside the house (r.) are a tree and a balustrade, against which grow a rose-bush and a thistle. After the title: '"And he arose and came to his Father, and his Father saw him, & had compassion, & ran, & fell on his Neck, & kissed him. - Read the Parable. Verse 16th to 24th.'"--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Biblical Quotation: Parables, 'Prodigal Son', verses 16-24 -- Emblems: Rose-bush and thistle -- Reconcilliation: George III and Prince of Wales, Nov. 12, 1804 -- Acts: Union, 1784., and Ms. annotations along the top margin identfiy figures within the print; mounted to 32 x 43 cm.
Publisher:
Publishd. Novr. 20th, 1804, by H. Humphrey, 27 St. James's Str
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"A large rattlesnake with the head of Fox, its tail coiled round an oak tree with rattle erect, rears itself towards a plump squirrel with the head of the Duke of Bedford, which is springing from the tree into Fox's open mouth. Fox fixes his protruding eyeballs upon the squirrel, a fang issues from his mouth. There is a landscape background. ..."--British Museum online catalogue
Alternative Title:
Republican rattlesnake fascinating the Bedford squirrel
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of text below title: The rattle snake is a creature of the greatest subtilty; when it is desirous of preying upon any animal ..., Sheet trimmed within plate mark., and Temporary local subject terms: Rattlesnakes -- Squirrels.
Publisher:
Pubd. Novr. 16th, 1795, by H. Humphrey, New Bond St.
Subject (Name):
Fox, Charles James, 1749-1806 and Bedford, Francis Russell, Duke of, 1765-1802
"Fox as a colossal Hercules, hairy and savage, bestrides the English Channel, supporting between the toes of his right foot the flag of 'Libertas'; his left foot is planted near a castle on a cliff flying the Union Jack. He wears a fox's skin over his shoulders, the head forming a cap, with a ragged coat and breeches. His arms and legs are bare; the large brush of his fox's skin almost sweeps the Channel. He flourishes his 'Whig-Club' (cf. BMSat 8996) above his head, saying, "Invade the Country, hay? - let them come, - thats all! - Zounds, where are they? - I wish I could see 'em here, thats all! - ay! ay! only let them come, - that's all!!!" The channel is filled with a fleet of men-of-war with ship's boats in the foreground, all making from France to England, and drawn by strings which Fox holds in his left hand."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Giants -- Ships: French fleet -- Flags: French flag -- Union Jack -- Puns: Whig club -- Foxes -- Clubs: reference to Whig Club -- Invasions.
Publisher:
Pubd. Feby. 19th, 1797, by H. Humphrey, New Bond Street
"The King sits impassively in his badly damaged state coach, which is being assailed by a mob; facing him sit two courtiers in abject terror. Pitt (right), dressed as the coachman, drives furiously, lashing the horses, the hind legs only of the wheelers being visible on the extreme right. These are trampling on Britannia who lies prostrate, her shield and broken spear beneath her. Four footmen in striped liveries stand behind, one holding the straps; the others hold each other's waists: Loughborough, the Lord Chancellor, wearing his wig, stands next the coach; behind him is Grenville, then Dundas, wearing a plaid and with a bottle projecting from his coat-pocket. Last is Pepper Arden wearing a judge's wig. All, like Pitt, wear jockey-caps. Lord Lansdowne (right), a sansculotte, composedly fires a blunderbuss point-blank through the coach window, aiming at the King. Fox and Sheridan, facing Lansdowne, run beside the coach, holding on to it. Both are tattered ruffians brandishing clubs, but wear breeches. The other three assailants cling to the spokes of the back wheel to stop the coach: (left to right) the Duke of Grafton, neatly dressed and wearing a cocked hat with tricolour cockade, Lord Stanhope, and little Lord Lauderdale, both wearing bonnets-rouges. Behind, a sea of heads indicates the mob; they carry a tricolour flag inscribed 'Peace and Bread' and a loaf draped with black and spiked on a pitchfork. A cat, stones, and eggs shower on the coach, the crown on the top of which is broken."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Mob -- Attack on George III's coach on October 29, 1795 -- Coaches: royal state coach -- Crowns: broken crown -- Guns: blunderbass -- Domestic service: footmen -- Hats: jockey caps -- Bonnets rouges., and Mounted.
Publisher:
Pubd. Novr. 1st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, William Wyndham Grenville, Baron, 1759-1834, Melville, Henry Dundas, Viscount, 1742-1811, and Alvanley, Richard Pepper Arden, Baron, 1745-1804
Subject (Topic):
Assassination attempts, Britannia (Symbolic character), Carriages & coaches, Cats, Coach drivers, Crowds, Riots, Sansculottes, and Servants
Two stout ladies, dressed in long gowns, confront each other. Mrs. Fitzherbert (left) with her second the Prince of Wales faces in a confident manner the scowling and clumsy Mrs. Schwellenberg whose second, Pitt offers her a lemon. The furious German woman holds a massive sceptre in both her hands raised above her head ready to strick her opponent. All the figures have speech bubbles above their heads referencing the rights of the people, the Prince's morganatic marriage, Catholics, and the issue of money going to Germany
Alternative Title:
Political heat for Rege & Grege and Political heat for Rege and Grege
Description:
Title etched below image., Printmaker from later state. Cf. Works of James Gillray, the caricaturist with the history of his life and times. London, Chatto and Windus, [1873?], p. 107., Sheet trimmed within plate mark with loss of subtitle., Earlier state, with the Prince of Wales's uncensored speech. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7501., and Watermark: L Taylor.
Publisher:
Pubd. Feby 1, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Lee, Nathaniel, 1653?-1692., George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Fitzherbert, Maria Anne, 1756-1837, and Schwellenberg, Elizabeth Juliana, ca 1728-1797
Subject (Topic):
Marriage, Regency, Censorship, Crucifixes, Fighting, Lemons, Royal marriages, British, and Scepters
Two stout ladies, dressed in long gowns, confront each other. Mrs. Fitzherbert (left) with her second the Prince of Wales faces in a confident manner the scowling and clumsy Mrs. Schwellenberg whose second, Pitt offers her a lemon. The furious German woman holds a massive sceptre in both her hands raised above her head ready to strick her opponent. All the figures have speech bubbles above their heads referencing the rights of the people, the Prince's morganatic marriage, Catholics, and the issue of money going to Germany
Alternative Title:
Political heat for Rege & Grege and Political heat for Rege and Grege
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state with the Prince's speech censored., Temporary local subject terms: Morganatic marriages: Prince of Wales's to Mrs. Fitzherbert -- Ficticious duels: Mrs. Fitzherbert and Mrs. Schwellenberg -- Allusion to Regency crisis, 1788 -- Lemons -- Literature: travesty of Nathaniel Lee's The rival queens., Watermark: Portal & Bridges., and Mounted to 27 x 38 cm.
Publisher:
Pubd. Feby 1, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Lee, Nathaniel, 1653?-1692., George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Fitzherbert, Maria Anne, 1756-1837, and Schwellenberg, Elizabeth Juliana, ca 1728-1797
Subject (Topic):
Marriage, Regency, Censorship, Crucifixes, Fighting, Lemons, Royal marriages, British, and Scepters
"Pitt (left), as a toreador, rides a rearing white horse (of Hanover) with a spear directed horizontally against a buil (John Bull) snorting fire and bleeding from many wounds. He wears a short tunic and sash; his saddle-cloth is a leopard-skin on which is a crest: the white horse of Hanover enclosed in a Garter ribbon inscribed 'Honi soit qui mal y pense', and surmounted by a crown. He looks alarmed and spurs his horse viciously. Two tiers of spectators in an arc of the arena are freely sketched. In the upper row George III looking through a glass is in the centre, on his left is the Queen, on his right Loughborough. The man next the Queen is (?) Grenville. In the lower tier Fox is conspicuous with (?) the Prince of Wales on his left; Sheridan stands behind them. The other spectators are members of the Opposition or ragamuffins. Those who can be identified are (right to left): Stanhope, Derby, Grafton, Lansdowne. A chimney-sweep applauds with brush and shovel. ..."--British Museum online catalogue
Description:
Title etched below image., Three lines of text beginning to the left of title and continuing below it: Description from the royal bull fight of 1795. Then entered a bull of the true British breed ..., Sheet trimmed within plate mark., and Temporary local subject terms: Opposition -- Treason -- Emblems : the White Horse of Hanover -- Male costume: toreador.
Publisher:
Pubd. Novr. 21st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, William Petty, Marquis of, 1737-1805, Smith-Stanley, Edward, 1752-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
"A scene in Carlton House. The Prince of Wales, seated in a chair, holds a stout, good-looking lady (Mrs. Sawbridge) across his knees and chastises her with upraised hand; she holds out her arms imploringly. Alderman Sawbridge (right) faces her in profile to the left, playing a fiddle and dancing; from his pocket hangs a piece of music inscribed 'The Reform', a new Motion. On the extreme left Lady Archer stands in profile to the right, holding a driving-whip, and pointing angrily at the injured lady. A little girl (Sawbridge) stands full-face, clasping her hands in horror at the treatment of her mother. Behind are a number of onlookers: a very fat lady in profile to the left is Miss Vanneck. Mrs. Fitzherbert watches, not displeased; Fox, his arm round her shoulder, gazes amorously at her. George Hanger stands in profile to the left. The other figures are less characterized but a profile head (right) resembles Lord Derby. On the wall (right) is part of a three quarter length portrait, the head cut off by the upper edge of the design, inscribed 'Sir G° Van-Ne[ck]'. Beside it is a stag's head on which hangs a man's hat, just above Sawbridge. After the title is etched 'A Hint for a new Reform'. 'Black Jack' is Sawbridge, who was swarthy, and a consistent advocate of Parliamentary Reform. In the background (right) are persons dancing."--British Museum online catalogue
Alternative Title:
Black Jacks delight
Description:
Title etched below image. and Attributed to Gillray in the British Museum catalogue and by Wright.
Publisher:
Pub'd April 25, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Smith-Stanley, Edward, 1752-1834, Fitzherbert, Maria Anne, 1756-1837, Sawbridge, John, 1732?-1795, Sawbridge, Anne Stephenson, Archer, Sarah West, Lady, 1741-1801, Neck, Gertrude van, -1798, Neck, John, 1732-1795, and Fox, Charles James, 1749-1806
Subject (Topic):
Couples, Dance, Musical instruments, Pleading (Begging), Spanking, and Politics and government