Manuscript on parchment of Leonardo Bruni, De bello italico adversus gothos, in the Italian version by Ludovico Petroni made in 1456. Preceded by the letter of Leonardo Bruni to Giuliano Cardinal Cesarini (1398-1444).
Description:
Binding: 18th-19th centuries, Italy. "Alla rustica" with grey-green paper added over the spine and part of the boards. Edges yellow., Partial border in inner margin of white vine-stem ornament, f. 1r, on blue, green and pink ground with white and blue dots. In lower border terminals extending in ink hair spray with green, pink and blue flowers and gold balls frame central medallion with a crude outline drawing of a head in profile (later addition?). Two decorated initials, 4- to 3-line, gold on blue, pink and green grounds with white vine-stem ornament. On f. 1r initial joined to partial border. Heading on f. 1r in red., and Script: Written by a single scribe in fere-gothic script, above top line.
Subject (Geographic):
Rome--History
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature--15th century, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Nonius Marcellus, De compendiosa doctrina.
Description:
Binding: Twentieth century, after 1926, England. Dark green pigskin, gold-tooled with the arms of C. H. St. John Hornby on the upper side; title on spine. Edges gilt., Folio 1r with partial border in upper and inner margins; white vine-stem ornament on blue, green and pink ground with grey and pale yellow dots, terminating in penwork with gold balls. At the left upper corner vine-stem ornament is inhabited by a red-winged putto being attacked by a bird. Historiated initial, 9-line, gold, against a blue, green and pink ground with white vine-stem ornament, and a medallion with the profile of a man, dressed in a red and green cap and red robes against blue ground. Numerous small initials, 4-line, gold on blue, pink and green or blue and pink rectangular grounds with white and pale yellow filigree., Purchased from Davis and Orioli in 1955 by L. C. Witten, who sold it that same year to Thomas E. Marston., and Script: Written in a small upright humanistic cursive script by a single scribe who began copying the text with a single line of majuscules; written below top line.
Subject (Name):
Nonius Marcellus,--4th cent
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Theology--Early works to 1800
Manuscript on paper (coarse; remains of deckle edges) of 1) Cicero, De oratore I-III. 2) Cicero, Pro T. Annio Milone. 3) Cicero, Pro Q. Ligario.
Description:
Binding: Fifteenth century, Italy. Stays cut from parchment manuscripts (text washed) inside the quires and also outside the first two. Original sewing on three tawed skin, slit straps attached to wooden boards. Beaded, chevron, natural, pink, and green endbands are sewn on tawed skin cores. Covered in dark brown calf with narrow corner tongues and blind- tooled with two circles and corners of rope interlace in a central panel with concentric frames, one with beaded zigzag ribbon tools similar to those on Marston MSS 38 and 68, and gilt annular dots. Spine: double fillets at head and tail and outlining the bands; panels diapered with double fillets. Two fastenings, the catches on the lower board; the straps and clasps probably later additions., Collection of Sir Thomas Phillipps (no. 2814). Passed from the collection of Giuseppe (Joseph) Martini to H. P. Kraus, who sold it to Thomas E. Marston in 1955., Partial border, f. 1r, white vine-stem ornament on blue, green and pink ground with white and pale yellow dots. At the terminals, gold balls with hair-line extensions. Illuminated initial, 4-line, gold on blue, green and red ground as above joined to the border. In lower margin, wreathed medallion for arms (drawn with a compass), blank. Five smaller initials, 4- and 3-line, gold on blue, green and red rectangular grounds with white or pale yellow filigree and white dots. Headings and colophons in red., Script: Written in a neat upright humanistic cursive by a single scribe., and Watermarks: Briquet Echelle 5904, Briquet Fleur 6306, and similar to Briquet Ciseaux 3668.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Speeches, addresses, etc., Latin
Manuscript on parchment of 1) Curtius Rufus, Historia Alexandri Magni, translated into Italian and supplemented with material from Plutarch by Pier Candido Decembrio. 2) Pier Candido Decembrio, Comparazione di Cesare e d'Alessandro Magno.
Description:
Binding: 15th-16th centuries, Italy. Sewn on four tawed skin, slit straps laid in channels on the outside of wooden boards and pegged. Gilt edges. Covered in brown goatskin with corner tongues, and blind-tooled with a ropework star inside painted (red) and blind-tooled circles inside a floral border, all with metallic annular dots. There are traces of four leaf-shaped fastenings, the catches on the lower board, the upper one cut in for fabric straps attached with star-headed nails. Rebacked twice., One illuminated intial, 6-line, gold against blue, green and pink ground with white vine-stem ornament, extending into inner margin to form a partial border; terminating at top and bottom in pen inkspray with buds in green and pink and gold balls with hair-line extensions. Plain initials, 3- to 2-line, in blue, mark text divisions; headings in pale red., Purchased from Lathrop C. Harper in 1949 by Thomas E. Marston., and Script: Written by a single scribe in a slightly rounded humanistic bookhand with many cursive elements, below top line.
Subject (Name):
Caesar, Julius, Decembrio, Pier Candido,--1399-1477, Plutarch, and Rufus, Curtius
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature--15th century, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Naldo Naldi, Oratio ad Andream Vendraminium (doge of Venice 1476-78).
Description:
Binding: 15th-16th centuries, Italy. Sewn on three tawed skin, slit straps laced through tunnels in the edge of beech boards to channels on the outside and nailed. Gilt edges. Fragment of head endband. The spine is lined with tawed skin between supports. Covered in red silk with traces of four fastenings on each board., One illuminated initial of average quality, 3-line, gold against blue ground with gold filigree. Filled with half-length portrait of the doge dressed in red robes and a red hat against green ground. Dedication, 5 lines, in alternating lines of gold and blue majuscules followed by the first three lines of text in red majuscules., Script: Written in a round humanistic hand, below top line, by the poet Tommaso Baldinotti of Pistoia (1451-1511)., and The margins of f. 1 have been trimmed away from the written space, which was then mounted on another piece of parchment conjugate to the front pastedown; hence, any marginal decoration, which may have included a coat of arms, is now lost.
Subject (Geographic):
Venice (Italy)
Subject (Name):
Naldi, Naldo,--1439-ca. 1520 and Vendramin, Andrea,--1392-1478
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Speeches, addresses, etc., Latin (Medieval and modern)
Aquila, Romanus Cicero, Marcus Tullius Martianus Capella Priscian, fl. ca. 500-530 Rutilius Lupus, Publius
Published / Created:
[ca. 1425-30]
Call Number:
Marston MS 278
Image Count:
5
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment, composed of two distinct parts. Part I: 1) Cicero, Partitiones oratoriae. 2) Cicero, Topica. Part II: 3) P. Rutilius Lupus, De figuris sententiarum et elocutionis. 4) Aquila Romanus, De figuris sententiarum et elocutionis. 5) Martianus Capella, De figuris sententiarum et elocutionis, extracts. 6) Priscian, De figuris numerorum (quos antiquissimi habent codices), sections 1-10 only and omitting portions of the long Greek quotations.
Description:
Binding: Nineteenth century, France. Bound in red goatskin, blind- and gold-tooled, by L. Guetant. Gilt edges., Part I: Illumination in the early style of Bartolomeo di Antonio Varnucci (1410-79). Two large illuminated initials (ff. 1r and 37v), 5-line, gold on blue, green and peach ground with white vine-stem ornament, touched with green and white dots. On f. 1r a partial border incorporating a butterfly, grasshopper, moth, and a flying putto with bow and arrow who appears to be propelled by lozenge-shaped blue clouds. 25 small initials, 2-line, gold on blue, green and peach ground with white vine-stem ornament and white dots. Headings in pale red, the first on f. 1r partially obscured by the decoration. Part II: Display headings and key grammar words in majuscules; no decoration or rubrication., and Script: Part I (ff. 1-64): Written in a well formed round humanistic script by a single scribe, above top line. Part II (ff. 65-114): Scribe 1 wrote arts. 3-4 in a neat round humanistic script, above top line. Scribe 2 added arts. 5-6 in an upright humanistic script bordering on cursive; he also added the Greek words in the margins for arts. 3-4.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Rhetoric, and Speeches, addresses, etc., Latin
Manuscript on parchment of 1) Plato, Phaedo, translated into Latin by Leonardo Bruni and preceded by his prefatory letter to Pope Innocent VII. 2) Xenophon, Hiero (Tyrannus), translated into Latin by Leonardo Bruni and preceded by his prefatory letter to Niccolo Niccoli.
Description:
Binding: Between 1800 and 1810, Italy. Rigid vellum case with the title gold-tooled on a label on the spine: "Leon. Aret. Opus". Gilt edges and faint lettering on the head edge., Decorated in the early style of Gioacchino de' Gigantibus. On f. 1r a partial border in upper, lower and inner margins, white vine-stem ornament on blue, green and dark pink with grey dots on blue grounds, blue dots on pink grounds, and gold balls. In lower border, medallion framed by gold interlace bands and supported by two putti wearing red necklaces, with a coat of arms, now erased, on green ground. Four illuminated initials, 7- to 5-line, in gold, framed in yellow, on blue, green and red grounds, with dots as above. Initial on f. 1r, inhabited by standing putto wearing a red necklace, is joined to the border. Other initials have vine-stem decoration extending into the margins and terminating with groups of three gold balls. Headings and names of interlocutors in red., Purchased from L. C. Witten in 1954 by Thomas E. Marston., and Script: Written by a single scribe in a somewhat angular humanistic bookhand.
Subject (Name):
Hieron--I,--Tyrant of Syracuse,--d. 467 or 466 B.C, Innocent--VII,--Pope,--1336-1406, Niccoli, Niccolò,--ca. 1364-1437, and Plato
Subject (Topic):
Biography--To 500, Dialogues, Greek, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Philosophy, Ancient
Manuscript on parchment of Diogenes Laertius, Vitae et sententiae philosophorum, translated into Latin by Ambrogio Traversari and preceded by his dedicatory letter to Cosimo de' Medici.
Description:
Binding: Fifteenth century, Italy. A hybrid Italo-Greek binding. Sewn or resewn (the sewing is too tight to determine with certainty) on five tawed skin, slit straps. Wooden boards which are not flush at head and tail are grooved on the edges. Beaded Western endbands added. Covered in dark brown calf, blind-tooled with a triple cross made up of gilt annular dots and rope interlace in a central panel within concentric frames alternately made up of a beaded zigzag ribbon and feathered rinceau. Similar tools are used on Marston MSS 39 and 68. Spine: bands outlined and panels diapered with triple fillets. Traces of four braid-and-pin fastenings, the pins in the edges of the lower board instead of the upper board as is usual in Greek bindings. "Diogenes ***" is added on the fore edge; "diogenes laergi" is written in batarde on a label under horn at the head of the upper board, possibly added in northern Europe., Script: Main text written in round humanistic bookhand by a single scribe., Some worming at beginning of text., and The decoration consists of a 3/4 border, f. 1r, of intricate white vine-stem ornament curling around thin gold bars (doubled in inner and lower margins) on a blue, green and pale pink ground dotted with white, yellow and blue, and gold balls. Incorporated into the lower border are a medallion (blank) framed by a laurel wreath and two narrow gold bands, a stag, and a putto with multi-colored wings in blue, green and dark red. In the inner margin are two birds in brown, orange and white. Ten illuminated initials, 9- to 4-line, gold on blue, green and pale pink background with white vine-stem ornament. Numerous smaller initials, 3- to 2-line, gold on blue and pink or green and pink grounds with white and gold filigree. Headings in black majuscules. Running headlines, in red, on ff. 1-4 only.
Subject (Name):
Diogenes Laertius and Medici, Cosimo de',--1389-1464
Subject (Topic):
Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Philosophy, Ancient