A Hyde Park scene illustrating the development in costume since the plate for 1818 (See British Museum satire 13055). The figures seem to be portraits as well as types. The men wear exaggerated hats. A dandy on the left has his hands in his trouser pockets. Collars are more pointed, and cravats and coat collars are higher. The women's dresses are still high-waisted, but now reach to the feet and more bell-shaped. The women no longer tip-toe and the stoop, less pronounced. Those riding and driving in the middle distance include Lord Petersham (left) who drives a high gig, with a groom at his side. The Persian Ambassador is riding with two of his suite (right). See British Museum catalogue
Alternative Title:
Monstrosities of 1819 and 1820
Description:
Title from caption below image. and Plate numbered "Pl. 3" in upper left corner.
Publisher:
Pubd. Novr. 29th, 1819 by G. Humphrey 27 St. James's Street
"A Park promenade, with wind-swept fashionables. In the foreground (left) are three tiny children, almost hidden by their huge wide-brimmed straw hats, below which ankle-length drawers are seen. With them is a wasp-waisted lady also in a big flat hat, and with inflated sleeves connected by a tiny corsage. A soldier wearing a flat cap looks down on the roof of hats with astonishment. A dandy resembling one of the Crowquills in BM Satires 15156, and holding a similar cane, is arm-in-arm with a tall man draped in high-collared and tasselled cape reaching to the ground. They meet and address two ladies. A grotesquely obese woman ogles a passer-by. The new developments in costume are trousers pinched at the knee, and inflated above and below it, and for women large flat hats with flexible brims (cf. BM Satires 15017, 15059), much-defined breasts, and draped shoulder-capes tied at the back, with a general impression of swirling draperies."--British Museum online catalogue
Alternative Title:
Monstrosities of 1825 and 6
Description:
Title from caption below image., Sheet trimmed within plate mark., Temporary local subject terms: Fashion -- French., and Watermark: J. Whatman 1827.
Publisher:
Pubd. Feby. 10th 1826, by G. Humphrey 24 St. James's Strt. St. James's
Title from central prominent design., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Dick and Jenkins enjoying "life" in the Elysian fields
Description:
Title from caption below image., Sheet trimmed within plate mark., Plate from: Carey, D. Life in Paris. London : Printed for John Fairburn ..., 1822., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Crowds -- Fighting -- French soldiers.
Publisher:
Published Sept. 1, 1822 by John Fairburn, Broadway, Ludgate Hill
The mast slants across the deisgn backed by a sail bellying in the wind. W.B. [i.e. William Blockhead] sits miserably with closed eyes astride a spar, to which he has tied his right thigh. His right arm encircles the mast, and to his wrist is tied an open book: Wilt thou upon [the] high & giddy mast scale the ship[?] bays. O yes & rock his brain. Below is a dialogue between the Lleutenant and Blockhead
Alternative Title:
Enjoying the fresh air for the 304th time
Description:
Title from text above image., Print singed using Frederick Marryat's device: an anchor slanted diagonally., Artist identified in British Museum catalogue., Two columns of dialogue below image: Dialogue - Lieut. - Pray Mr. B. Did you call the master? B. no sir I thought ..., Plate numbered in upper right corner: P. 4., and For reissue by Thomas McClean in 1835, see no. 14093 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Great Britain
Subject (Topic):
Navy, Sea life, Reading, Sailors, British, and Ships
Title from text above image., Print signed using Frederick Marryat's device: an anchor slanted diagonally., Artist identified in the British Museum catalogue., Earlier state. For reissue published by Thomas McClean in 1835 cf. no. 14092 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Temporary local subject terms: Sailors -- Ships., and Watermark: J Whatman 1821.
"The Blockhead family, seemingly older by some ten years, admire W. B., now a sturdy young man, in smart tight-waisted lieutenant's uniform with knee-breeches. He looks over his shoulder at his reflection in a cheval-glass, beside which stands another young man dressed as a dandy (cf. No. 13029). A lap-dog shaved in the French manner looks at itself in the glass. Mr. B. sits delightedly in an arm-chair. Mrs. B., stouter and less fashionable, stands by W. B.; the toddling child of No. 14089, now a little girl, stands behind her. A tiny boy holds the sword and eclipses himself with the cocked hat. An elder daughter stands by her father's chair. Three admiring servants stand just inside the door: the fat cook (little altered), a neat maid, and a gawky footman. Below the design: '" Some are born great, some atchieve greatness" Twelfth Night"--British Museum online catalogue
Alternative Title:
Mr. B. promoted to Lieutenant and first putting on his uniform and Mr. B promoted to Lieut. and first putting on his uniform
Description:
Title from text above image., Print signed using Frederick Marryat's device: an anchor titled diagonally., Artist identified in British Museum catalogue., Citation from Shakespeare below image: 'Some are born great, some atcheive [sic] greatness" -Twelfth Night., Plate numbered in upper right corner: P. 7., and For 1835 reissue by Thomas McClean, see no. 14096 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
"A boarding party on the deck of a French ship engaged in a furious mêlée. Mr. B. lunges forward, piercing an officer through the heart with his sword. A burly sailor stretches over his head to strike aside a spear which a Frenchman is about to plunge into the boy. Men are partly hidden by smoke; cannon-balls are in the air, dead or dying men on the ground. Frenchmen use muskets, English sailors axes and swords. Below: '"the pulse's maddening play That thrills the wanderer of the trackless way That for it self can woo the approaching fight And turn what some deem danger to delight No dread of death, if with us die our foes Save that it seems e'en duller than repose," Byron."--British Museum online catalogue
Description:
Title from text above image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Artist identified in the British Museum catalogue., Two columns of verse below image: "the pulse's maddening play that thrills the wanderer of the trackless way ... Byron., Plate numbered in upper right corner: P. 5., and Earlier state. For 1835 reissue by Thomas McClean cf. no. 14094 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. by G Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Topic):
Naval warfare, Ships, French, Sailors, and British