V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dancing-master, playing his small fiddle or kit, dances, facing a stout 'cit' who dances between wife and daughter, holding their hands; another grown-up daughter dances opposite them beside the dancing-master. The 'cit's' leg is extended stiffly. The first daughter says: "Law Pa that's just as when you was drilling for the Whitechaple Volunteers-- only look how Ma and I & sister Clementina does it??--" Pa: "I say Mounseer Caper! don't I come it prime? Ecod I shall cut a Figor!!" The man answers: "Vere vell Sar, Ver Vell you vil danse a merveille vere soon!" On the left a tiny child imitates her father's step, supported by a little sister, while three rather older children dance in a ring. A plainly dressed maiden aunt sits in an armchair (right). A handsomely furnished drawing-room is suggested. The curtains are drawn, candles burn on the chimney piece. On the wall is a bust portrait of an austere-looking man."--British Museum online catalogue, descriptioin of an earlier state
Alternative Title:
Bobbin about to the fiddle. A family rehearsal of quadrille dancing, or, Polishing for a trip to Margate, Familly rehersal of quadrille dancing, and Polishing for a trip to Margate
Description:
Title etched below image., Attributed to Williams in description of earlier state in the British Museum catalogue., Later state; former plate number "390" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: London, Pubd. May 1817 by T. Tegg, 111 Cheapside. Cf. No. 12932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "194" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 48 in volume 3.
Publisher:
Thomas Tegg
Subject (Topic):
Children, Couples, Dance, Families, Musicians, and Parlors
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dancing-master, playing his small fiddle or kit, dances, facing a stout 'cit' who dances between wife and daughter, holding their hands; another grown-up daughter dances opposite them beside the dancing-master. The 'cit's' leg is extended stiffly. The first daughter says: "Law Pa that's just as when you was drilling for the Whitechaple Volunteers-- only look how Ma and I & sister Clementina does it??--" Pa: "I say Mounseer Caper! don't I come it prime? Ecod I shall cut a Figor!!" The man answers: "Vere vell Sar, Ver Vell you vil danse a merveille vere soon!" On the left a tiny child imitates her father's step, supported by a little sister, while three rather older children dance in a ring. A plainly dressed maiden aunt sits in an armchair (right). A handsomely furnished drawing-room is suggested. The curtains are drawn, candles burn on the chimney piece. On the wall is a bust portrait of an austere-looking man."--British Museum online catalogue, descriptioin of an earlier state
Alternative Title:
Bobbin about to the fiddle. A family rehearsal of quadrille dancing, or, Polishing for a trip to Margate, Familly rehersal of quadrille dancing, and Polishing for a trip to Margate
Description:
Title etched below image., Attributed to Williams in description of earlier state in the British Museum catalogue., Later state; former plate number "390" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: London, Pubd. May 1817 by T. Tegg, 111 Cheapside. Cf. No. 12932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "194" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Sheet trimmed within plate mark.
Publisher:
Thomas Tegg
Subject (Topic):
Children, Couples, Dance, Families, Musicians, and Parlors
"In a room, a group watching as a man sitting at a round table builds a house of cards, which tumbles down as a figure leans in at right, the man and a man standing in outdoor clothes behind looks at him with dismay; in the right foreground two young children build their own house on a small table; doors open onto garden in background."--British Museum online catalogue
Description:
Title engraved below image., Publisher inferred from another print in the series: The king and miller of Mansfied., One of a series of engravings after paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Sheet trimmed within plate mark resulting i`n loss of imprint.
Publisher:
Robert Sayer
Subject (Topic):
Chairs, Children, Dogs, Drawing rooms, Furniture, Interiors, Playing cards, Screens, Tables, and Toys
In a room, a small group of women and children watch as a man sitting at a round table builds a house of cards, which tumbles down as a figure leans in at the right; a man standing in outdoor clothes behind looks at him with dismay. On a chair on the right a lapdog jumps on the woman standing between the two young boys; in the left foreground two little girls build their own house on a small table; doors open onto garden in background; after a painting by Hayman for Vauxhall Gardens
Description:
Publication date from Carington Bowles's entry in Maxted, I. London book trades, 1775-1800., Sheet partially trimmed within plate mark., and Numbered in upper right corner: V. 6.
Publisher:
Printed for John Bowles at the Black Horse in Cornhil [sic], and Carington Bowles in St. Pauls Church Yard, London
"One of a set of eight plates, No. 7 (not mentioned by Grego) being missing, all having the same signatures. They may have been intended to burlesque Wheatley's 'Cries' (1793-7), from which they appear to derive. [The subjects are different from those of Wheatley, and there is no element of copying, but the group, with sentimental or humorous incident and architectural background, was Wheatley's innovation on the traditional single figure representing the 'Cries of London'. Cf. W. Roberts, 'The Cries of London', 1934, p. 12.] A ragged man, with traps of various patterns slung round him, and a trap in each hand, offers his wares to an old man (left) who looks from his bulk or stall, on which are a bird in a wicker cage and a rabbit in a hutch. A little boy and girl, hand in hand, stare intently at the rabbit. A dog snarls at two rats in one of the traps. A woman looks down from a casement window over the pent-house roof of the stall. In the background are a church spire and the old gabled houses characteristic of the slums of St. Giles and Westminster."--British Museum online catalogue
Description:
Title etched below series title and number., 1 print : etching with aquatint border on wove paper, hand-colored ; sheet 31 x 22 cm., Sheet trimmed within plate mark with loss of imprint., State with border removed., and Double window-mounted to 34 x 26 cm.
Publisher:
Pub. Jan. 1t., 1799, at R. Ackermann's, 101 Strand
Subject (Topic):
Birdcages, Children, Dogs, Houses, Men, Mousetraps, Peddlers, Prostitutes, Rabbits, Rats, and Street vendors
Plate [145] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Illustration to Bowyer's edition to Hume's 'History of England'; the king sitting in chair, holding Charles II in his lap, Henrietta Maria on her knees at left, clutching her husband's arm, guards standing at either side."--British Museum online catalogue
Alternative Title:
Charles the First taking leave of his children
Description:
Title from text below image., Sheet trimmed within plate mark on three sides., and Plate [145] in a volume bound to 50 cm.
Publisher:
Published as the act directs by R. Bowyer, Historic Gallery, Pall Mall
Subject (Name):
Charles I, King of England, 1600-1649, and Henrietta Maria, Queen, consort of Charles I, King of England, 1609-1669,
Volume 2, page 14. Etchings by Henry William Bunbury, Esq. and after his designs. Page 5. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A woman seated in profile to right, holding a handkerchief on her laps with both hands; a little girl standing next to her, almost in profile to left, putting both hands on the woman's lap and looking up towards her; to right, an older girl seated, holding a book open on her lap with both hands, looking up to the sky; to left, a boy seated, in profile to left, blowing a trumpet; in a roundel; after H Bunbury."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., State with dedication added above imprint statement. For an earlier state lacking this text, see British Museum online catalogue, registration no.: 1917,1208.953., Sheet trimmed to plate mark., Four lines of text below title: The shade of my mother hovers round me, when in a still evening I sit in the midst of her children, I wish that she could look down upon us, and see that I fulfil the promise I made her to be a mother to them. Sorrows of Werter, Dedication etched above imprint statement: To the Honble. Miss Grenville, this print after an original drawing by H. Bunbury Esqr. is with the greatest respect dedicated by her most obedient humble servant, W. Dickinson., Illustration to Goethe's The sorrows of young Werther., and Mounted on page 14 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd August 21st, 1783, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Volume 2, page 14. Etchings by Henry William Bunbury, Esq. and after his designs. Page 5. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A woman seated in profile to right, holding a handkerchief on her laps with both hands; a little girl standing next to her, almost in profile to left, putting both hands on the woman's lap and looking up towards her; to right, an older girl seated, holding a book open on her lap with both hands, looking up to the sky; to left, a boy seated, in profile to left, blowing a trumpet; in a roundel; after H Bunbury."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., State with dedication added above imprint statement. For an earlier state lacking this text, see British Museum online catalogue, registration no.: 1917,1208.953., Sheet trimmed to plate mark., Four lines of text below title: The shade of my mother hovers round me, when in a still evening I sit in the midst of her children, I wish that she could look down upon us, and see that I fulfil the promise I made her to be a mother to them. Sorrows of Werter, Dedication etched above imprint statement: To the Honble. Miss Grenville, this print after an original drawing by H. Bunbury Esqr. is with the greatest respect dedicated by her most obedient humble servant, W. Dickinson., Illustration to Goethe's The sorrows of young Werther., Mounted on page 5 of: Bunbury album., and 1 print : stipple engraving and etching on laid paper ; circular image 30.0 cm, on sheet 40.1 x 36.0 cm.
Publisher:
Publish'd August 21st, 1783, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
"Two designs on one plate. Above, a group of spectators seated in a gallery and watching a comedy, all intent and either amused or surprised. Below, a similar group, all of whom weep or look distressed. A man holds a smelling-bottle to a lady's nose (right). A play-bill is inscribed 'Romeo and Juliet' (reversed)."--British Museum online catalogue
Description:
Each title etched below corresponding image., Printmaker signature etched within top image in bottom right; imprint statement etched within lower image in bottom right., Reissue of a plate originally published by T. Rowlandson in 1787; publisher name changed in imprint statement and the year in printmaker signature and imprint changed from "1787" to "1789". Cf. Grego, J. Rowlandson the caricaturist v. 1, pages 217-19., Sheet trimmed within plate mark., Watermark: T Edmonds 1825., and Printmaker signature mostly obscured by hand coloring.
Publisher:
Publishd. as the act directs, Octr. 8th 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Topic):
Theater audiences, Children, Fans (Accessories), Monocles, Loss of consciousness, and Staffs (Sticks)
Copy (reversed) of the first state of Plate 7 of Hogarth's 'The Rake's Progress' (Paulson 138): A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Rake's progress. Plate 7 and His hours of joy are fled with rapid speed
Description:
Title from text engraved above image., "Plate 7"--Lower right below design., Verses below image in three columns, four lines each: His hours of joy are fled with rapid speed, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the seventh of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image and text on right.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Subject (Name):
Fleet Prison (London, England),
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers