"The three Bow Street Justices sit at a rectangular table (left); Addington in the chair, the scales of Justice, evenly balanced, above his head; on his right and on the extreme left, Bond(?) is writing: 'Wright. W. against [?]...'. The third sits resting his chin on his hands, which are supported on the head of his cane; he gazes fixedly at the culprit. 'Lying-Jack' stands in a rectangular pen formed of posts and rails immediately in front of the justices, his elbows resting on the rail, his hands clasped, his knees bent, tears falling. He says: "Oh! God dang it, - your Worship, do take bail, your Honor tw'ant my fault please your Majesty, that I com'd the Black-guard over him: - God dang it, didn't he say that his thing was printed before mine? & that all my things were only Copies & piracies? - God dang it, your Worship, Ax Almon ye Bookseller if I was a Blackguard all the while I was a Porter! - or ax ye people where I & Wife kept a small-coal Cellar in Leather Lane if I'm a Blackguard! - God dang it, was I act like a Blackguard when I let that Cooper the Printer, pull me by the Nose, only for saying he was a Liar? - god dang it, your honor, was it like a Blackguard when I offer'd to beg Ridgeway's pardon, after he had kick'd my own Arse in my own Shop? - but I sees how the Booksellers all hates me! & wants to ruin me! - & says I lives by only Copying other peoples works your Worship! - 'tho' I only 'bridges 'em! - yes your Worship, they all hates me; & respires against me: & calls me Lying-Jack, your honor, - & Filching Jack the Plagurist! - & Stock'ee Jack the Informer! your honor - ah Gad dang it! Gad dang it, - they'll be my ruin your Honor! Gad dang it Gott damn. . . .[The last words dwindle into illegibility]" From his pocket hangs a paper: 'Speech of the Lord Chanr of Ireland'. Beside him, outside the dock, is a large bundle of books tied together, the wrapper inscribed 'Ways & Means'; these are: 'Sandford & Merton', 'G Nicol... Abridgd Embassy to China', 'D. Cox, Piracy', 'Harpers Pamphlet', 'Philanthropic Society'. Against the bundle lies a porter's knot (a pad for the shoulders attached to a ring which goes over the head) inscribed: 'Lying-Jack his Knot'. With this are the implements of a blacksmith : hammer, pliers, and horse-shoe. On the wall behind him are three bills: 'Lying Jack the Thief Taker'; 'Perjury'; 'Injuntion [sic] of the Court of Chancery agains Lying Jacks copy', and a map: 'Original Map of the Island of St Domingo by W. Faden. Charing Cross.'"--British Museum online catalogue
Alternative Title:
Lying Jack the blacksmith at confession and Lying Jack the bookseller at confession
Description:
Title etched below image; the word "bookseller" is scored through and the word "blacksmith" is etched above, inserted with a caret., Printmaker from British Museum catalogue., Text following imprint: Price 6 d., for the benefit of the Philanthropic Society., One line of text below title: Scene: Bow Street, with Lying Jack answering a charge of abuse & blackguardism., Sheet trimmed to plate mark on bottom edge., and Temporary local subject terms: Interiors: Bow Street Court -- Emblems: scales of Justice -- Blacksmith's tools -- Bundle of books -- Porter's knot.
"A burlesque of the trial of O'Connor at Maidstone (22 May), parts of the court being hidden by the large labels which issue from the mouths of prisoner and witnesses. The presiding judge (Buller) looks down with horror at the witnesses, the other judges are hidden. O'Connor (not caricatured), wearing leg-irons, stands at the bar; his hands are clasped, and he bends forward in profile to the left, making a confession which, though condensed, does not differ substantially from that made by him, McNevin, and Emmet, and published in the Report of the Secret Committee made to the Irish House of Commons on 21 Aug. ('Lond. Chron.', 27 Aug.), see BMSat 9244, &c. ... From O'Connor's pocket hangs a paper: 'The Press by O'Connor' [inflammatory organ of the United Irishmen, see BMSat 9186]. Round his neck is a noose of rope held by the hand emerging from clouds of the (invisible) Justice; in her right hand are equally balanced scales. The witnesses to O'Connor's character are speaking simultaneously. Four stand in the foreground in profile to the right, behind a barrier, looking towards the judge across a table. Fox (right), nearest O'Connor and the spectator, holds the book to his lips, his raised left arm thrust forward in a rhetorical gesture. ... From his pocket projects a book: 'Letters to Lord Ed F. M O'Connor &c &c.' (cf. BMSat 9244). Next stands Sheridan, with a sly expression, holding the book, 'Four Evangelists', his hat in his left hand; he testifies ... Next is Erskine, kissing the book, with left arm raised oratorically ... Next (left) is the Duke of Norfolk, kissing the book, his expression and attitude suggesting embarrassment. ... On the extreme left and behind Norfolk is Grattan. ... Among a crowd of other heads, chiefly hidden by labels, is one resembling Tierney. Above this phalanx of Opposition witnesses is a crowded gallery. Three counsel (the Attorney-General (Scott), Solicitor-General (Mitford), and (?) Garrow), who sit beneath the judges, are divided from the witnesses by a table covered with papers, &c, one being conspicuous: 'Charges of High Treason against Arthur O'Connor, Oliver Bond Dr McNevin.'"--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v.1, p. 285., and Temporary local subject terms: Irish Rebellion, 1798 -- Trials: O'Connor's treason trial at Maidstone, May 1798 -- Judges -- Witnesses -- Emblems: scales of Justice -- Noozes -- Pamphlets: Reference to Character or the Innocent Imposture.
Publisher:
Pubd. Octr. 1st, 1798, by J. Wright, 169 Piccadilly
Subject (Geographic):
England and London
Subject (Name):
O'Connor, Arthur, 1763-1852, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, and Erskine, Thomas Erskine, Baron, 1750-1823
"Nelson, in naval uniform, stands knee-deep in water, among a swarm of crocodiles which he is dispatching with a club of 'British Oak', raised in his left hand. In the hook which replaces his right hand are cords attached to barbed hooks which transfix the jaws of nine (tricolour) crocodiles. In the foreground crocodiles are contorted in death-agony, one emits tiny crocodiles in a gush of water from its jaws. Two swim off (left). One disappears with tail erect. Behind (right) the jaws of a monster larger than the others gape from the water, emitting a fiery explosion. The crocodiles are tricolour, most shed tears. In the background the Nile winds inland, tiny crocodiles are indicated swimming in its mouth. Behind are pyramids, and on the shore the buildings and columns of Alexandria."--British Museum online catalogue
Alternative Title:
British hero cleansing [the] mouth of [the] Nile
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Victories: Nelson's victory in the battle of the Nile, 1 August 1798 -- Explosions -- Weapons: clubs -- Egypt: pyramids -- Alexandria -- Amputees -- Military uniforms: admiral's uniform.
Publisher:
Pubd. Octr. 6th, 1798, by H. Humphrey, 27 St. Jamess [sic] Street
"A British sailor, firmly planted astride the globe, is severely punishing Bonaparte, who, with one knee precariously on 'Turk[ey]' (Egypt), is about to fall backwards into space. Bonaparte wears a huge cocked hat, is naked from the waist, but wears sleeve-ruffles, according to the old gibe on the beggarly French fop. He is much emaciated, and gashed with wounds; 'Nelson' is inscribed on his solar plexus. Blood gushes from his nose. Jack Tar's right leg stretches across central Europe, the toe supported on 'Malta'. Clouds form a background."--British Museum online catalogue
Alternative Title:
Jack Tar settling Buonaparte
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Boxing -- Maps: globes -- Uniforms: sailor's uniform -- Jack Tar (Symbolic character)., and Watermark: J Whatman.
Publisher:
Pubd. Novr. 20th, 1798, by H. Humphrey, St. Jamess [sic] Street
"Britannia, buxom and beneficent, sits on one side of the 'Irish Channel'; on a smaller piece of ground stands Pat, his hands deep in his coat pockets, looking sideways towards Britannia. She sits with her shield and spear beside a pile of bales of goods and a cornucopia from which pour coins and jewels; she holds out a scroll: 'Union of Security Trade & Liberty'. She looks appealingly towards Pat, her right hand on her breast, one foot trampling on a book inscribed 'Discord' and a venomous snake. Tierney, Fox, and M. A. Taylor look out from behind bushes, gazing fixedly at Pat: Fox says, his hand before his mouth: "Hip! my old Friend Pat! - hip! - a word in your Ear! take care of yourself Pat! - or you'll be ruin'd past Redemption - dont you see that this damn'd Union is only meant to make a Slave of you! - do but look how that cursed Hag is forging Fetters to bind you, & preparing her knapsack to carry off your Property, & to Ravish your whole Country, Man, Woman & Child! - why you are blind sure! - rouse yourself Man! raise all the Lawyers & spur up the Corporations, Fight to the last drop of blood, & part with the last Potatoe to preserve your Property & Independence -" Tierney says "beware Pat", Taylor echoes "beware." Pat is a sturdy fellow with bare legs; his clothes are ragged, his broken spear lies beside him. Behind (right) is a building in flames. He says: "Plunder & Knapsacks! & Ravishments, & ruin of little Ireland! - why - by St Patrick, its very odd, now! for the old Girl seems to me, to be offering me her Heart & her Hand, & her Trade & the use of her Shelalee to defend me into the bargain! - by Jasus! if you was not my old friend, Charley, I should think you meant to bother me with your Whisperings to put the old Lady in a passion, that we may not buss one another, or be Friends any more.""--British Museum online catalogue
Alternative Title:
Whisper across the Channel
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Irish Sea -- Irish Union, 1798 -- Pat Bull -- Expressions of speech: Irish 'Bother'.
Publisher:
Pubd. Decr. 24th, 1798, by H. Humphrey, 27 St. James Street
Subject (Name):
Fox, Charles James, 1749-1806, Tierney, George, 1761-1830, and Taylor, Michael Angelo, 1757-1834
"John Bull, gross and obese, seated at a table covered with the emblems of naval victory, looks towards British admirals, who advance towards him wearing aprons over their uniforms, but with stern expressions, holding out dishes containing captured French ships. John, knife in his right hand, about to swallow a French ship speared on his fork, says: "What! more Frigasees? - why you sons o' bitches, you, where do ye think I shall find room to stow all you bring in? - " In the foreground is Nelson, in profile to the left, his face bearing scars; from his pocket hangs a 'List of French Ships Taken Burnt & destroy[ed]'. His dish is 'Fricassée à la Nelson'. Howe, full-face, is the centre of the group with 'Fricando à la Howe'. Warren holds up 'Desert à la Warren'. Behind Nelson (right) is Duncan, whose dish contains 'Dutch Cheese [bis] à la Duncan'. The other three are less characterized, their dishes are: 'a la Gardiner', 'à la Bridport', and 'à la Vincent'. Behind appears the head of an eighth officer. On the wall behind John Bull hangs a hat with a ribbon inscribed 'Nelson'; it obscures a print of 'Buonaparte in Egypt'. On the floor stands a large frothing jug of 'True British Stout', decorated with the Royal Arms. The table is laid with crossed cannons, a dish of battered ships: 'Soup and Bouilli'; and side-dishes containing small gunboats. Through an open window leaders of the Opposition are seen in flight, with upraised arms: Fox says, "Oh, Curse his Guts! he'll take a Chop at Us, next." Next him is Sheridan."--British Museum online catalogue
Alternative Title:
British cooks cramming old grumble-gizzard with bonne-chére
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Victories: Reference to Nelson's victory in the battle of the Nile, 1 August 1798 -- Military uniforms: admiral's uniform -- Food: fricasse of French ships -- Opposition: members of the Opposition -- Broadsides: Buonaparte in Egypt, covered with Nelson's hat -- Furniture: ornate chair -- Untensils: fork and knife -- Containers: jug -- Beer: True British stout -- Obesity.
Publisher:
Publishd. Octr. 24th, 1798, by H. Humphrey, St. James's Street
Subject (Name):
Nelson, Horatio Nelson, Viscount, 1758-1805, Howe, Richard Howe, Earl, 1726-1799, Duncan of Camperdown, Adam Duncan, Viscount, 1731-1804, St. Vincent, John Jervis, Viscount, 1735-1823, Warren, John Borlase, Sir, 1753-1822, Gardner, Alan Gardner, Baron, 1742-1809, Bridport, Alexander Hood, Viscount, 1726-1814, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Nicholls, M.P. for Tregony, sits in an arm-chair directed to the left; in his right hand is a tall staff in whose head is an eye; his left hand is thrust under his coat, which is buttoned. From a tricolour ribbon round his neck is suspended a small metal olive-branch. He wears his ordinary dress, his shrunken legs in wide half-boots. The portrait shows the notoriously ugly Nicholls, with his left eye closed, a projecting lower jaw, his upper lip drawn up in a permanent snarl. He sits on a square dais covered with a flowered carpet. Behind is a wall of heavy blocks of stone, in which (above his head) is a niche. In this stands a statue of Justice, her eyes covered by a bonnet-rouge, her scales and sword held up aggressively."--British Museum online catalogue
Description:
Title etched below image., Tenth plate in the series "French habits." First plate in the series has series title "Habits of new French legislators and other public functionaries.", Sheet trimmed within plate mark., and Temporary local subject terms: French costume: Directory judge -- Emblems: judge's staff and olive branch -- Figure of Justice -- Bonnet rouge.
Publisher:
Pubd. May 15th, 1798, by H. Humphrey, 27 St. James's Street
"Courtney sits heavily in an arm-chair directed to the right, his head in profile to the right; his hands rest on his knees. His dress is that of a Membre du Tribunal Criminel, except that his cloak is long instead of knee-length, and except for the colour of his official ribbon, which denotes the Tribunal Correctionnel. He wears a hat turned up in front with feathers and tricolour cockade; round his neck hangs from a ribbon the emblem of a bundle of lictor's rods, from which projects an axe. [The Membre du Tribunal Correctionnel wore a blue ribbon with white and red borders (as in this print), his bundle of rods had no axe. The Membre du Tribunal Criminel wore a red ribbon with blue and white borders. The Membre du Tribunal Civil wore a white ribbon, with red and blue borders, from which was suspended a silver eye. 'Costumes des Représentans du Peuple Français.'] His chair is on a round dais of stone blocks above a flagged floor. A wall behind is of large stones; a heavy fringed curtain is draped on the left. See BMSat 9196."--British Museum online catalogue
Description:
Title etched below image., Ninth plate in the series "French habits." First plate in the series has series title "Habits of new French legislators and other public functionaries.", Sheet trimmed within plate mark., and Temporary local subject terms: French costume: Directory judge.
Publisher:
Pubd. May 21st, 1798, by H. Humphrey, 27 St. James's Street
"Erskine stands directed to the right, a sheaf of papers in his right hand, his left held out in a declamatory gesture. He wears a long gown over a black tunic and sash, with a broad white collar. His advocate's wig has a red patch on the crown of his head. His shoes have bunches of tricolour ribbons. He stands on a flagged floor facing a part of the floor paved in black and white, where the judges may be presumed to sit; their presence is indicated by heavy cast shadows. The wall is pilastered."--British Museum online catalogue
Description:
Title etched below image., Seventh plate in the series "French habits." First plate in the series has series title "Habits of new French legislators and other public functionaries.", Sheet trimmed within plate mark., and Temporary local subject terms: French costume: Directory lawyer.
Publisher:
Pubd. May 21st, 1798, by H. Humphrey, 27 St. James's Street
"Sir William Pulteney sits directed to the left on the lowest of three large brass-bound treasure-chests. He wears a powdered wig, plain black coat and breeches, and top-boots. On the left side of his coat hangs a gold key, another is in his left hand. His right elbow rests on a chest and he looks through a single glass at a large open book: 'L'Etat de les Finances . . . République'. His hat and gloves are beside him. Behind is a pilastered wall and the corner (left) of a decorated ceiling. ..."--British Museum online catalogue
Description:
Title etched below image., Eleventh plate in the series "French habits." First plate in the series has series title "Habits of new French legislators and other public functionaries.", Sheet trimmed within plate mark., and Temporary local subject terms: French costume: Directory Treasurer.
Publisher:
Pubd. May 21st, 1798, by H. Humphrey, St. James's Street