Leaf 6. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A bull, snorting ferociously, has tossed a Spaniard high in the air, a shower of coins falls from his pockets. The bull is attempting to charge a Frenchman and an American (right), the latter being an Indian brave, holding a spear and wearing a girdle and head-dress of feathers; they shrink back in alarm, the American sheltering behind the Frenchman. But the bull is checked by a Scot in Highland dress, who holds its tail saying, "Luton, a-Ho" (Luton being one of the estates of Bute). Bute's waist is held by North, who says "Bushey Park, a Ho" (North lived at Bushey Park, Lady North being the Ranger of the Park), and North's by Lord Mansfield saying "Caen Wood a Ho" (Caen (or Ken) wood being the estate bought by Mansfield from Bute. Cf. British Museum Satires No. 4885). In the foreground (left) a Dutchman sits grinning on a cask inscribed "Hollands Gin"; he is about to light his pipe with a burning paper on which is inscribed "? TM", presumably representing the memorials of Yorke, see British Museum Satires No. 5568. ..."--British Museum online catalogue
Description:
Title etched below image., Restrike, with "Gillray fecit" added in lower right corner. For original issue of the plate, see no. 5624 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Eight lines of verse in two columns on either side of title: The bull see enrag'd, has the Spaniard engag'd ..., Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 29., and On leaf 6 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publish'd Jany. 4th, 1780, by W. Humphrey, No. 227 Strand [i.e. Field & Tuer] and Field & Tuer
Subject (Geographic):
United States
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, North, Frederick, Lord, 1732-1792, and Mansfield, William Murray, Earl of, 1705-1793
Subject (Topic):
John Bull (Symbolic character), History, and Bulls
"A bull, snorting ferociously, has tossed a Spaniard high in the air, a shower of coins falls from his pockets. The bull is attempting to charge a Frenchman and an American (right), the latter being an Indian brave, holding a spear and wearing a girdle and head-dress of feathers; they shrink back in alarm, the American sheltering behind the Frenchman. But the bull is checked by a Scot in Highland dress, who holds its tail saying, "Luton, a-Ho" (Luton being one of the estates of Bute). Bute's waist is held by North, who says "Bushey Park, a Ho" (North lived at Bushey Park, Lady North being the Ranger of the Park), and North's by Lord Mansfield saying "Caen Wood a Ho" (Caen (or Ken) wood being the estate bought by Mansfield from Bute. Cf. BMSat 4885). In the foreground (left) a Dutchman sits grinning on a cask inscribed "Hollands Gin"; he is about to light his pipe with a burning paper on which is inscribed "? TM", presumably representing the memorials of Yorke, see BMSat 5568. Beneath the design is engraved: "The Bull see enrag'd has the Spaniard engag'd, And gave him a Terrible Toss, As he mounts up on high, the Dollars see fly, To make the bold Britton rejoice, The Yankee & Monsieur, at this look quite queer, For they see that his Strength will prevail, If they'd give him his way, and not with foul play, Still tug the poor Beast by the Tail.""--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Earlier state of no. 5624 before verses and labels. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Temporary local subject terms: Capture of Omoa -- Native Americans -- Bulls -- American Revolution.
Publisher:
Pub'd 4th Jany. 1780. by W. Humphrey No. 227 Strand
Subject (Geographic):
United States
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Mansfield, William Murray, Earl of, 1705-1793, and North, Frederick, Lord, 1732-1792
Subject (Topic):
John Bull (Symbolic character), History, and Bulls
"A bull, snorting ferociously, has tossed a Spaniard high in the air, a shower of coins falls from his pockets. The bull is attempting to charge a Frenchman and an American (right), the latter being an Indian brave, holding a spear and wearing a girdle and head-dress of feathers; they shrink back in alarm, the American sheltering behind the Frenchman. But the bull is checked by a Scot in Highland dress, who holds its tail saying, "Luton, a-Ho" (Luton being one of the estates of Bute). Bute's waist is held by North, who says "Bushey Park, a Ho" (North lived at Bushey Park, Lady North being the Ranger of the Park), and North's by Lord Mansfield saying "Caen Wood a Ho" (Caen (or Ken) wood being the estate bought by Mansfield from Bute. Cf. BMSat 4885). In the foreground (left) a Dutchman sits grinning on a cask inscribed "Hollands Gin"; he is about to light his pipe with a burning paper on which is inscribed "? TM", presumably representing the memorials of Yorke, see BMSat 5568. ..."--British Museum online catalogue
Description:
Printmaker from British Museum catalogue., Title from item., Eight lines of verse in two columns on either side of title: The bull see enrag'd, has the Spaniard engag'd ..., Temporary local subject terms: America as an Indian -- France as a Frenchman -- Holland as a Dutchman -- Spain as a Spaniard -- Scotland as a Scotsman -- Holland: cask of gin -- Allusion to Omoa., 1 print on wove paper : etching, hand-colored ; sheet 25 x 36 cm., and Mounted to 37 x 56 cm.; sheet trimmed within plate mark.
Publisher:
Publish'd Jany. 4th, 1780, by W. Humphrey, No. 227 Strand
Subject (Geographic):
United States
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, North, Frederick, Lord, 1732-1792, and Mansfield, William Murray, Earl of, 1705-1793
Subject (Topic):
John Bull (Symbolic character), History, and Bulls
"Fox, as the Devil, has sprung into the air, supported by small feathered wings inscribed 'Honesty' and 'Humility' and by two stout crutches, which rest upon dark clouds. He has a heavy hairy body with cloven hoofs, and wears a bonnet rouge with tricolour cockade and the triple plume of the Prince of Wales. The two crutches have the heads, respectively, of Sidmouth (left) and Grenville. He wears a long narrow cloak with a tricolour collar; it is inscribed 'Loyalty, Independence & Public-Good'. The end of this is clutched by John Bull, a fat 'cit' (resembling John Gilpin, see BMSat 6886, &c), who is drawn up into the air, losing hat and wig. Fox says, looking over his right shoulder with a sinister grin: "Come along Johnny! - take fast hold of my Cloak, & I'll bring you to the land of Milk & Honey!!!" The terrified John answers: " - O yes, I will try to holdfast! - but I'm damnably afraid that your Cloak may slip off before we get there, & I may chance to break my Neck!" Below John's feet and at the base of the design (left), are the roofs of London, including the top of the gateway of St. James's Palace and the dome of St. Paul's. Fox is flying towards the façade of Carlton House, which emerges from clouds; over its roof rises a sun emitting rays, the disk inscribed 'New Constitution'. Above the colonnade is the inscription 'Carolus. II. Redimmus'. Resting on the clouds below Carlton House are three tiny scenes: 'Liberty': two gamblers throwing dice, one Sheridan the other the Prince; men watch them. 'Chastity', the Prince and Mrs. Fitzherbert, indicated by feathers in her hair, embrace on a sofa. 'Temperance', men carouse at a round table; one sprawls on the floor. Fox, as the Devil (cf. BMSat 6383, &c), under the cloak of patriotism, is carried to power by two props, Sidmouth and Grenville, on whose coalition with the Foxites the new Ministry, see BMSat 10531, &c, is. based. This relies not on St. James's but on Carlton House, the secrets of which, as in Le Sage's story, are revealed in three scenes satirizing the life of the Prince. The allegation that the new Ministry was subservient to Carlton House was natural, see BMSat 10252, &c, and recurs, see (e.g.) BMSats 10530, &c, 10543, 10697, but proved unfounded, see G. M. Trevelyan, 'Lord Grey of the Reform Bill', p. 153 f., and cf. BMSat 10526, &c."--British Museum online catalogue
Alternative Title:
Devil upon two sticks conveying John Bull to the land of promise
Description:
Title etched below image., Attribution following title: Vide le Sage., and Mounted to 45 x 31 cm.
Publisher:
Publishd. Feby. 8th, 1806, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Grenville, William Wyndham Grenville, Baron, 1759-1834
"Three burly French fishwives carry on their backs through the water three English visitors from a boat on the extreme right. Two other fishwives stand in the water by the boat trying to persuade a stout and angry lady to entrust herself to them; a Frenchman in the boat also addresses her. On the shore (left) a group of French people waits their arrival: foremost is a postilion standing in the huge milk-churn boots (worn only on horseback) which so much surprised English visitors. He holds out a paper inscribed 'Poste Royale'. A hotel servant holds back the postilion and proffers a card inscribed 'Hotel d'Angleterre'; he wears a nightcap with a bag-wig and ruffles and stands 'chapeau-bras'. Beside him is a rival tout, a dwarfish man or boy dressed in a slovenly manner, his feet in sabots stuffed with straw; he holds out a card inscribed 'Hotel.... Behind them' (left) are a monk and a fishwife with a basket on her back, her bare feet in sabots shaped like mules but stuffed with straw. A dog, grotesquely shaved in the French manner, completes the group. Cliffs (left) form a background. The foremost passenger is a typical John Bull wearing top-boots; he has an expression of fixed determination, his wig slips from his head and his hat is falling into the sea. Next is a lady wearing a riding-habit and a high-crowned hat. A younger man, fashionably dressed, with high hat, long breeches, and short boots, leers down at the woman who carries him. The fishwives are dressed alike with frilled muslin caps, loose jackets, and short petticoats; they wear ear-rings, and crosses hang from their necks."--British Museum online catalogue
Alternative Title:
Landing of Sir John Bull & his family at Boulogne sur Mer
Description:
Titles in French and English etched below image., Printmaker and artist from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: The Grand Tour.
Publisher:
Publishd. May 31st, 1792, by H. Humphrey, No. 18 Old Bond Street
"Pitt (right) stands stiffly in profile to the left, holding open a large sack-like wallet inscribed 'Requisition Budget'. He addresses John Bull, the central figure, a stout yokel, who holds out his breeches in his left hand to Pitt, while he touches his hat. The budget and the breeches pockets are full of guineas. Pitt says: "More Money, John! - more Money! to defend you from the Bloody, the Cannibal French - They're a coming! - why they'll Strip you to the very Skin - more Money. John! - They're a coming - They're a coming." Dundas, Grenville, and Burke kneel on the right, bending towards the 'Budget', each with his left hand in an opening in a vertical seam, eagerly grabbing guineas. Behind them is the stone archway of the 'Treasury', with its high spiked gate. Dundas, the most prominent, wears Highland dress and holds a Scots cap full of coins. Grenville wears a peer's robe; Burke is behind. They echo Pitt: Dundas says "Ay! Ay! They're a coming! They're a coming!" Grenville: "Yes! Yes, They're a coming." Burke: "Ay They're a coming." John says: " - a coming? - are they? - nay then, take all I've got, at once, Measter Billy! - vor its much better for I to ge ye all I have in the World to save my Bacon, - than to stay & be Strip'd stark naked by Charley, & the plundering French Invasioners, as you say". His coat and waistcoat are sound, but the pockets hang inside out, empty. His lank hair, knotted kerchief, and wrinkled gaiters denote the small farmer. Behind (left), on the shore, stands Fox looking across the water towards the fortress of 'Brest' flying a tricolour flag. He hails it with upraised arms, shouting: "What! more Money ? - O the Aristocrat Plunderer! - Vite Citoyens! - vite! - vite! depechez vous! - or we shall be too late to come inn for any Snacks of the I'argant! - vite Citoyens! vite! vite!""--British Museum online catalogue
Alternative Title:
John Bull giving his breeches to save his bacon
Description:
Title etched below image., Sheet trimmed to plate mark on left and bottom edges., and Temporary local subject terms: Yokels -- Money: guineas -- Treasury -- Male dress: Highland dress -- Budgets: Pitt's speech, Dec. 7, 1796
Publisher:
Pubd. Novr. 7th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Burke, Edmund, 1729-1797
"Pitt and Dundas (in tartan), back to back, vigorously ply long whips against a herd of swine with human faces whom they drive through broken palings from the enclosure in which they stand (right). On the extreme left is the corner of a pound through which poke the heads of two (normal) swine, ringed and shedding tears. The swine who are being flogged have, beside their human heads, ringed snouts, both heads being enclosed in a wooden triangle. The leaders are Fox, with Norfolk (cf. BMSat 9205) on his right and Bedford (cf. BMSat 8684) on his left, the others are less prominent: Erskine, Tierney, looking over Fox's back, Burdett, Derby, and Nicholls (left), while M. A. Taylor (right), smaller than the others, scampers to right instead of left. Beside the pound (left) stands a grinning yokel (John Bull); on its post is a placard: 'London Corresponding Society - or the Cries of the Pigs in the Pound'. The background is a row of conical haystacks behind which is a thatched and gabled farm-house. ..."--British Museum online catalogue
Alternative Title:
Swine flogg'd out of the farm yard and Swine flogged out of the farm yard
Description:
Title etched below image., Three columns of verse etched below title: Once a society of swine, liv'd in a paradice [sic] of straw, a herd more beautiful & fine, I'm sure Sir Joseph never saw ..., and Temporary local subject terms: Allusion to George III as Farmer George -- Allusion to the London Corresponding Society.
Publisher:
Pubd. June 22d, 1798, by H. Humphrey, 27 St. James Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, Nicholls, John, 1745?-1832, Erskine, Thomas Erskine, Baron, 1750-1823, and Taylor, Michael Angelo, 1757-1834
Subject (Topic):
John Bull (Symbolic character), Farms, Haystacks, and Swine
At the center of the sheet stands John Bull, hands clasped in prayer, as Sheridan and Fox force the bread of liberty into his wide open mouth as they pick his pocket. On either side of the three stands a gallows and the Temple Bar. In each of the four corners in similar scenes, labelled clockwise from upper left, Holland, Savoy, German & Prussia, red-capped French sansculottes try to force the bread of liberty down recognizable national stereotypes from these four nations as they loot the terrfied citizens
Alternative Title:
Sansculottes feeding Europe with the bread of liberty
Description:
Title from text in image., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark on bottom edge.
Publisher:
Pubd. Jany. 12st [sic], 1793, by H. Humphrey, N. 18 Old Bond Street
Subject (Geographic):
France
Subject (Name):
Fox, Charles James, 1749-1806 and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
John Bull (Symbolic character), Girondists, Sansculottes, Liberty, Liberty cap, Popes, History, and Foreign relations
"Pitt (right), as a butcher, stands arrogantly behind his block, holding up a leg of mutton to a hungry, lean, and dismayed John Bull, who stands with bent knees (left), his right hand groping in his breeches pocket. Pitt says: "A Crown, - take it, or leave't". His cleaver lies on his blood-stained block, on the front of which are two placards side by side: 'Prices of Provision. 1795 Journeymans Wages - 1795 Mutton 10 1/2d £b. Carpenters 12sh pr Week Lamb 11 D° Shoemakers 10sh D° Veal 11 1/2 D° Bakers 9sh D° Beef 12 D° Gardeners 8sh D° Small Beer - 2d pr Quart Smiths 8sh D° Bread 12d Husbandmen 7sh D° pr Quarter Loaf God save the King'. Behind Pitt is the pent-house roof of the shop or stall from the front of which hang joints of meat and pieces of offal. The lower story of a house forms a background (left). John Bull wears the dress and wrinkled gaiters of a yokel. ..."--British Museum online catalogue
Description:
Title etched below image., Four lines of verse, titled Billy the Butcher's Advice to John Bull, etched on a separate plate that is printed below the plate with the image: Since bread is so dear, (and you say you must eat) ..., and Mounted to 46 x 31 cm.
Publisher:
Pubd. July 6th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Geographic):
Great Britain, England, and London.
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Food prices, Butcher's shops, and Butchers
"Pitt (left), as a toreador, rides a rearing white horse (of Hanover) with a spear directed horizontally against a buil (John Bull) snorting fire and bleeding from many wounds. He wears a short tunic and sash; his saddle-cloth is a leopard-skin on which is a crest: the white horse of Hanover enclosed in a Garter ribbon inscribed 'Honi soit qui mal y pense', and surmounted by a crown. He looks alarmed and spurs his horse viciously. Two tiers of spectators in an arc of the arena are freely sketched. In the upper row George III looking through a glass is in the centre, on his left is the Queen, on his right Loughborough. The man next the Queen is (?) Grenville. In the lower tier Fox is conspicuous with (?) the Prince of Wales on his left; Sheridan stands behind them. The other spectators are members of the Opposition or ragamuffins. Those who can be identified are (right to left): Stanhope, Derby, Grafton, Lansdowne. A chimney-sweep applauds with brush and shovel. ..."--British Museum online catalogue
Description:
Title etched below image., Three lines of text beginning to the left of title and continuing below it: Description from the royal bull fight of 1795. Then entered a bull of the true British breed ..., Sheet trimmed within plate mark., and Temporary local subject terms: Opposition -- Treason -- Emblems : the White Horse of Hanover -- Male costume: toreador.
Publisher:
Pubd. Novr. 21st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, William Petty, Marquis of, 1737-1805, Smith-Stanley, Edward, 1752-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805