Portrait of David Garrick in the role of Richard III, bust only, taken from Hogarth's painting of him awakening from his troubled dream in the tent before the battle of Bosworth Field; in oval in rectangular brick frame with tablet below
Description:
Title engraved in tablet within image., Printmaker active in Basle., After the painting in the Walker Art Gallery, Liverpool. See O'Connell, S. London 1753 (2004), pages 135-6., and For a discussion of the original print see: Paulson, R. Hogarth's graphic works (3rd ed.), no. 165.
Publisher:
publisher not identified
Subject (Name):
Garrick, David, 1717-1779, and Shakespeare, William, 1564-1616.
Subject (Topic):
Dramatic production, Actors, British, and Portrayals
A caricature of the scene in Act I of Hamlet, the aged ghost in armor on the left, confronting a dissipated looking Hamlet dressed in black who stands between two terrified soldiers who wear British military uniforms
Description:
Title from item., Twenty-eight underscores separate the two words in the title., and Probable a reissue of a 1779 print; traces remaining of a different title.
Publisher:
Publish'd 14 Augt. 1782, by W. Stewart, New Bond Street
"The actor George Frederick Cooke as Richard III, standing and turning with his right leg forward, arms to left, holding a scroll in his right hand, head turned and looking three-quarters to right, wearing regal red and gold costume with fur-trimmed robe, red hat with crown and feathers, purple breeches and spurred boots, sword at left hip."--British Museum online catalogue
Alternative Title:
Ha! Am I King? 'Tis so - but - Edward lives
Description:
Title etched within banners below image; the banner containing the actor's name is etched upon a vignette of theatrical attributes, while the banner containing lines from the play is etched beneath the vignette., "From a drawing in the possession of Thos. Harris Esq."--Etched at bottom of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 25 in an album with the spine title: Characatures by Dighton.
Publisher:
Pubd. Decr. 1st, 1800, by Dighton, Charg. Cross, No. 12
Subject (Name):
Cooke, George Frederick, 1756-1812, Cooke, George Frederick, 1756-1812,, Shakespeare, William, 1564-1616, Cooke, George Frederick, 1756-1812., Richard III, King of England, 1452-1485., and Shakespeare, William, 1564-1616.
Subject (Topic):
Performances, Characters, King Richard III, Actors, Literature, British, and Theatrical productions
Looking from the outside into the interior of Capulet's tomb, the viewer sees Juliet's despair as she hears the news of Romeo's death from Friar Lawrence. Outside on the right, Romeo lies dead on the ground
Description:
Title from item. and Sheet trimmed to plate mark.
Publisher:
Published according to act of Parlit. by John Boydell, engraver in Cheapside
Subject (Name):
Bellamy, George Anne, 1731?-1788, Garrick, David, 1717-1779,, and Shakespeare, William, 1564-1616.
One of a collection of four similar images; the others in this series are: Miss Hargraves as Amy; Madame Vestris as Don Giovani; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed from the same fabrics, were made by friends and exchanged as gifts. In this image, a full-length image of Edmund Kean as Othello constructed from parts of a print or prints while his costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming and small metal buttons. This image is the only one of the four mounted on a secondary sheet, this one ruled as if from a ledger
Description:
Title written at bottom of sheet., Statement of responsibility written at top of sheet; "the author" is unidentified., and Date of production from recipient's note on the verso of one of the collages and other internal evidence.
Subject (Name):
Kean, Edmund, 1787-1833, and Shakespeare, William, 1564-1616.
The courtroom scene from Act 4, Scene 1 of Merchant of Venice when Portia reminds Shylock that the bond only allows him a pound of flesh, and makes no allowances for blood. Shylock, standing with a knife in his right hand and scales in his right, registers the disappointment and shock in his expression as he stands before Portia disguised as Balthasar, holding the bond. They are flanked by Antonio and Bassanio. In the background, the judge sits at his bench, his finger to his forehead. Below the title, Portia's lines: Have by some surgeon, Shylock, on your charge to stop his wounds lest he should bleed to death. Followed by Shylock's lines: Is it so nominated in the bond?
Alternative Title:
Mr. Macklin and Mrs. Pope in the characters of Shylock and Portia
Description:
Title from item., Sheet trimmed within plate mark., and Date based on last performance date of Macklin and Pope in the The merchant of Venice.
Publisher:
publisher not identified
Subject (Geographic):
England and London
Subject (Name):
Macklin, Charles, 1697?-1797,, Pope, Elizabeth, approximately 1740-1797,, Shakespeare, William, 1564-1616., and Shylock (Fictitious character)
Subject (Topic):
Actors, British, Courtrooms, Portia (Fictitious character), and Theatrical productions
Roberts, Henry, approximately 1710-approximately 1790, printmaker
Published / Created:
[between 1783 and 1790]
Call Number:
763.00.00.128
Image Count:
1
Resource Type:
still image
Abstract:
The full length figure of Mr. Yates in the character of Launce from Two gentlemen of Verona stands center with his right hand holding the leash of his dog Crab while he points down to the dog with his left. Launce's shoes and hat lie on the ground in front and to the left while a tall staff stands in the ground to the right. Bushes and trees form the backdrop. Engraved below the image are 11 lines from Act II, Scene III beginning: Nay 'twill be this hour ere I have done weeping ...
Alternative Title:
Mr. Yates in the character of Launce in the Two Gentlemen of Verona with his dog Crab
Description:
Title from item., Publication date inferred from William Richardson's business address. See The London book trades, 1775-1800 / Ian Maxted, p. 187, Later state of a print originally published by Roberts in 1763. See British Museum catalogue., and Watermark: Strasburg lily with initials G R below.
Publisher:
Publish'd as the act directs, by W. Richardson, Antient & Modern Print Warehouse, 174 Strand
Subject (Name):
Yates, Richard, 1706?-1796, Shakespeare, William, 1564-1616., and Shakespeare, William, 1564-1616
Subject (Topic):
Performances, Characters, Launce, Actors, British, and Dogs
Theatrical scene from Shakespeare's Henry IV Part 2, Act V, Scene 5. Henry stands at the center of the scene delivering his public rebuke of Falstaff after Falstaff and his companions (Shallow, Pistol, and Bardolph) approach the King immediately following his coronation
Description:
Title from Shenner etching after this drawing., Date supplied by cataloger., and For further information, consult library staff.
Subject (Name):
Shakespeare, William, 1564-1616. and Henry IV, King of England, 1367-1413
Subject (Topic):
Falstaff, John, Sir (Fictitious character), Theatrical productions, and British