Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
May 23, 1799.
Call Number:
Bunbury 799.05.23.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Dr. Slop, short and fat, seated in an arm-chair (centre) holding in his left hand the book containing the form of excommunication, points with his right at Obadiah who is disappearing (left), one leg and his back alone being visible. A handkerchief hangs over the doctor's cut right thumb. Behind him on the left stands Mr. Shandy, in dressing-gown and night-cap, smoking a long pipe, he is frowning and holds out his left hand in protest at the doctor's curses. Uncle Toby, his crutch under his left arm, stands on the right. pointing with his left hand at a map of Flanders which hangs on the wall over Dr. Slop's head. He turns to speak to Corporal Trim, who stands (right) at attention in profile to the left holding a long broom."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 30 Jan. 1773 by J. Bretherton. Cf. no. 5214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Text below title: Vide Tris. Shandy, vol. 2d., Four lines of prose below image, two on either side of title: "May all the angels & archangels, principalities and powers, & all the heavenly armies curse & damn him ...", One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., Temporary local subject terms: Maps: Flanders -- Male costume: Dressing gown and night cap -- Man-servant -- Male headdress: Pig-tail -- Furniture: Ladder-back chairs -- Household utensils -- Medical -- Dr. Slop., and Watermark.
Publisher:
Publish'd as the act directs by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Military uniforms, British, Physicians, Servants, Maps, Chairs, and Brooms & brushes
"No.1: A small dinner-table, largely covered by a pale leg of mutton behind which sits the irate husband, carving-knife and fork in hand. His wife opposite (right) glares at him, two youths look anxious. He says: "Its rod! not fit to eat! - these are the blessed effects of boiling Mutton in a clath!!" A dog watches him. On the wall (right) is a framed picture of 'Peace and Concord', two allegorical figures."--British museum online catalogue
Alternative Title:
Dinner spoiled
Description:
Title etched below image., Series title and number etched above image., Earlier state, with date in imprint, of no. 9622 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Earlier state of print described in: Grego, J. Rowlandson the caricaturist, v. 2, page 14.
Publisher:
Pubd. Oct. 1st, 1799, by R. Akerman, N. 101 Strand
Title from item., Temporary local subject terms: Street scenes -- London: Grosvenor Square -- Music: private performances -- Violin -- Cello -- Newsboys -- Trades: milkmaids -- Fish-wives -- Bills: bill to supress Sunday newspapers -- Sunday Observance Act., Plate slip on top and in lower right corner resulting in poor quality of impression in these areas., and Watermark.
Publisher:
Pub. June 25, 1799, by S.W. Fores, 50 Piccadilly
Subject (Name):
Westminster, Robert Grosvenor, Marquis of, 1767-1845
Title from item., Temporary local subject terms: Street scenes -- London: Grosvenor Square -- Music: private performances -- Violin -- Cello -- Newsboys -- Trades: milkmaids -- Fish-wives -- Bills: bill to supress Sunday newspapers -- Sunday Observance Act., Printmaker's and subject's name printed on mat below image., 1 print : etching ; sheet 26 x 39 cm., Laid paper, hand-colored. Sheet trimmed within plate mark, matted to 47 x 62 cm., and Watermark.
Publisher:
Pub. June 25, 1799, by S.W. Fores, 50 Piccadilly
Subject (Name):
Westminster, Robert Grosvenor, Marquis of, 1767-1845
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Printmaker from British Museum catalogue., Temporary local subject terms: Ghosts -- Interiors: bedroom -- Furniture: canopy bed with ornamental bedposts -- Nightstand -- Wine glasses -- Glass: wine bottles -- Wine: burgundy -- Chamberpot -- Pocket watch -- Male dress: nightcap -- Miss Gubbins (fl. 1799)., From Minto Wilson collection, with his stamp on verso., and Watermark: Strasburg lily.
Publisher:
Pubd. May 15, 1799, by S.W. Fores, 50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and William Augustus, Prince, Duke of Cumberland, 1721-1765
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 May 1799]
Call Number:
Bunbury 799.05.23.04+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on a socially aspirational family: a youth is being examined by a tutor for admission to Cambridge university; the tutor, in academic robes, is seated at a table pointing at a large mathematical volume resting beside a globe; the youth stands counting on his fingers while his eager father, wearing countryman's boots, urges him on; on the left a woman, probably the tutor's housekeeper, holds two volumes, one lettered "Longinus", and on the right an elegant undergraduate stands smiling; on the wall behind are portraits of "Dr Allcock" and "Mrs Allcock", a Roman bust with turned down mouth on the lintel above the door, and a frame with the plan and elevation of a building."--British Museum online catalogue
Description:
Title from caption below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 3 Jan. 1774 by J. Bretherton. Cf. no. 4727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed within plate mark on upper edge., and Watermark: I. Taylor.
Publisher:
Printed and publish'd as the act directs, May 23 1799, by S.W. Fores, No. 50 Piccadilly
"Satire on French everyday life: a large kitchen a clergyman stands talking to the innkeeper who wears large wooden shoes stuffed with wool and a hat with a large brim, his long hair hangs loose; a lrge dog sits at the clergyman's feet. On the left, a thin postillion standing tall takes a pinch of snuff from his box while a woman beside him bows to the clergyman, tucking her hands in her apron pockets; in front of her a boy in wooden shoes, hands in pockets, stares at the clergyman. Behin an old woman wearing glasses sits at a table by the fireplace with a glass and bottle in front of her; a large pot hangs over the fire. On the wall are pasted notices, including an "Ordonnace de Monsgr Le Duc de Choiseul Grand Maitre des Postes et Relais de France Sa Majesty ...", popular religious prints and another of LouisXV "le bien Aimé" 1771."--British Museum online catalogue
Alternative Title:
Cuisine de la poste
Description:
Title from caption below image., Later printing. Date of printing based on watermark., Temporary local subject terms: Kitchens: French kitchen -- French poodle -- Furniture: Paper sheet pictures -- Snuff box -- Cure., and Watermark: J. Ruse 1799.
Publisher:
Pubd. accordg. to act of Parlt. Feby. 1st, 1771, by John Harris, Sweetings Alley, Cornhill
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1799]
Call Number:
Bunbury 799.02.03.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Obadiah (left) mounted on the coach-horse at full gallop attempts to pull up his horse, leaning back in the saddle, his cap in his right hand. On the ground is Dr. Slop's pony. Behind the pony on the right. Dr. Slop lies on his back; a spotted dog prances over him. The doctor lies under a sign-post terminating in a hand pointing "To Shandy Hall". Behind the coach-horse, which is wearing blinkers, is the angle of a high garden wall, in the distance (right) is a church spire among trees."--British Museum online catalogue, description of an earlier state
Alternative Title:
Overthrow of Doctor Slop
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 3 February 1773 by J. Bretherton. Cf. No. 5215 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Four lines of text below image, two on either side of title: "When Obadiah & his coach horse turn'd the corner rapid, furious, pop, full upon him ..." Vide vol. 1st, Tristram Shandy., One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., and Watermark.
Publisher:
Publish'd as the act directs, 3d February 1799, by J. Harris, Sweetings Alley, Cornhill
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Horseback riding, Accidents, Dogs, and Traffic signs & signals
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
May 23, 1799.
Call Number:
Bunbury 799.05.23.07+
Image Count:
1
Resource Type:
still image
Abstract:
"Uncle Toby (right) marches from right to left, a crutch under his left arm, pointing with his right crutch towards the fortifications (left) built on the bowling green, where the 'Gate of St Nicolas' is flanked on each side by a jack-boot. In his left hand he holds the 'London Gazette'. Trim, holding up a pickaxe, marches in front of his master. He has a long pig-tail, and a pad is tied over his left knee. On the ground behind is a grenadier's cap. Behind Uncle Toby is the sentry-box, in it is pasted up the plan of a fortification. The background is a rough paling behind which are trees. Shandy Hall appears behind the Gate of St. Nicolas. Beneath the design is engraved, "What an honest triumph in my Uncle Toby's Eyes as he march'd to the Ramparts with the Gazette in his hand & Trim with a pickaxe ready to execute the Contents; what intense pleasure in his Eyes as he stood over the Corporal! Heaven! Earth! Sea!"--British Museum online catalogue, description of an earlier state
Alternative Title:
Siege of Namur by Captain Shandy and Corporal Trim
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 26 January 1773 by J. Bretherton. Cf. no. 5213 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Text below title: Tris. Shan., One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., and Watermark.
Publisher:
Publish'd as the act directs by S.W. Fores, No. 50 Piccadilly