"The Prince of Wales stands full-face, in shirt and nightcap, his back to the bridal bed (right) in which the Princess lies with an expression of smiling expectancy. The Prince stands dismayed, with his right fingers to his mouth. On a table beside him (left) are two (?) mustard-pots and a bottle of 'Cantharides'. On the wall showing between the curtains of the bed is a picture of Leda and the swan. The bed is ornate with fringed curtains, and the Prince of Wales' feathers and motto at the head. Her stockings, shoes, a garter, and a garment draped over a chair are beside the Princess; the Prince's clothes lie at his feet."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Publisher's advertisement following imprint: who has just fitted up his exhibition in an entire novel stile, admittance one shilling., Temporary local subject terms: Furnishings: bed curtains -- Pictures amplifying subject: Leda and the swan -- Medicinal: cantharides potion -- Prince of Wales's marriage, 8 April 1795., Watermark: Strasburg lily with initials GR and date 1794 below., and Printseller's stamp in lower right corner: S.W.F.
Publisher:
Pub. April 15, 1795, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Marriage, Allegorical prints, Bedrooms, Canopy beds, Interiors, and Sleepwear
"Twelve single figures arranged in two rows, their complacent soliloquies etched above their heads, e.g. [3] An ugly woman dressed in a travesty of the fashion, with one large feather in her hair, large ear-rings, and an enormous oval miniature slung from her neck, holds up a small parasol, projecting at an angle from its clumsy stick. She says: "True happiness undoubtedly consists in an elegant taste for the Bon Ton." [4] A stout ugly woman says: "Though I am none of your flan dan Ladies I believe I can buy one half of them." One of a set."--British Museum online catalogue
Description:
Title from caption below image., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Design consists of twelve figures in two rows, each with lines of text etched above., Sheet trimmed within plate mark on right and left edges., Plate numbered in upper right corner: Vol. 1, pl. 15., and Restrike. Watermark: J. Whatman 1824.
Publisher:
Pubd. Jany. 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Jewelry, Military uniforms, and British
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Title from caption below image., Restrike. Date of printing based on watermark., Publisher's advertisement following imprint: Folio's of caracatures [sic] lent out for the evening., Design consists of twelve figures in two rows, each with lines of text etched above., Plate numbered in upper right corner: Vol. 2, pl. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Preachers -- Pulpits., and Watermark: Fellows 1823.
Publisher:
Pubd. April 16th, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
"Mrs. Clarke and four other women stoop down and directs blasts from large posteriors, defined by tight dresses, against the sails of a windmill (right) which pivot upon the head of the Duke of York. The four sails are inscribed respectively, Army, State, Navy, Church. The mill, on a low hill to which a winding path ascends, is Commission Warehouse. The names of the five meretricious-looking women are inscribed on their posteriors. One clutching a tree, on the extreme left, and advantageously placed on a hillock, is Carey. She says: If this wont raise the Wind, I do not know what will, This is not the first time I have employed my bottom to raise the Wind. The other four are close together: Cressaid, Sutherland, Cook, and Clarke, who says: Aye and no bad way to raise an Army-also. Between the women and the mill stands a dismayed little man with arms extended; he says: O ho this will not bring Grist to my Mill I must put a stop to this; and remove this Mill to Charing Cross."--British Museum online catalogue
Description:
Title from caption below item., Printmaker identified In British Museum catalogue., Sheet trimmed to plate mark on three sides., and Watermarks: Budgen 1805.
Publisher:
Published by S. W. Fores 50 Piccadilly
Subject (Geographic):
England
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Clarke, Mary Anne Thompson, 1776-1852
"Groups of dancers practise figures of a cotillion in a ballroom with a small musician's gallery supported on pillars, in which are an oboist, two violinists, and a harpist, playing intently and paying no attention to a man who stands below, with outstretched arms, shouting directions. The room is lit by candles in wall brackets. In the centre of the balcony is an oval medallion: a man plays a lyre and three nude nymphs dance. Several of the dancers hold papers of directions headed 'Cotilion', with a description of figures '1' to '8'. The scene is one of confusion. On the left persons stand inspecting the dancers. One man only is dressed as a blood of the period with cropped hair, high-collared waistcoat, 'hanging collar', and long breeches (see British Museum Satires No. 8040, &c). He stands (left) superciliously inspecting the dancers through an eye-glass."--British Museum online catalogue and The pictures in the image amplify the subject: Nymphs dancing to music of lyre
Alternative Title:
Rehearsing a cotillion
Description:
Title from text below image., Imperfect; sheet trimmed within plate mark and mutilated on lower edge with partial loss of imprint statement. Missing text supplied from impression in the British Museum., Mounted on modern secondary support., Watermark., and Figures identified by ms. notes in pencil at bottom of sheet.
Title from item., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject headings: Allusion to Marie Antoinette, Queen of France, 1755-1793 -- Allusion to Marquise de Vasse, fl. 1789 -- Allusion to the Marquise de Vasse, fl. 1789 -- Allusion to the French Revolution -- Flight of French immigrants -- Scatology -- French officers -- Signs: signpost -- Boulogne -- Dover -- Allusion to spa -- French revolutionary flag -- Boats: row-boat -- French National Guards -- Naval uniforms: sailors -- Coast of France -- Allusion to Spain?, and Watermark.
Publisher:
Pubd. July 29 by S. Fores, No. 3 Piccaddily [sic]
Subject (Name):
Calonne, Charles Alexandre de, 1734-1802, Broglie, Victor François, Duc de, 1718-1804, Breteuil, Louis Auguste Le Tonnelier, baron de, 1730-1807, Montmorency Luxembourg, Anne-Charles-Sigismond, duc de, 1737-1803, Montmorency Luxembourg, Madeleine-Suzanne-Adèlaide de Voyer d'Argenson de Palmy, duchesse de, 1752-1813, Massereene, Clotworthy Skeffington, Earl of, 1743-1805, Polignac, Yolande-Martine-Gabrielle de Polastron, duchesse de, 1749?-1793, Polignac, Diane, comtesse de, Lamotte, Jeanne de Luz de Saint-Remy de Valois, comtesse de, 1756-1791, and Lamotte, Marc-Antoine-Nicolas, comte de
Title etched below image., Numbered 'Plate 12' in upper left corner., Placement instructions 'Page 26' in upper right corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., Temporary local subject terms: Sight-seeing -- Pictures: portraits -- Picture frames -- Allusion to cuckolds -- Fireplaces: grate., and Watermark: 1798.
"British troops are about to march through a large fortified gate leading from open country (left) to the town of Buenos Ayres, where confused street-fighting is in progress. Can are fired from the battlements of the gate at the soldiers, some of whom lie dead or wounded. In the foreground an officer (mounted), in conversation with others, asks: "where is the General"; others say: "go look for the General"; "Find the General"; "why the General is lost". A Highland officer, taking snuff (right), slyly; "I dare say he is varra safe." From the country (left) three mounted men gallop, all saying, "I come for Orders". In the background Whitelocke's head and shoulders are seen peeping over a hillock on the extreme left. He says: "He that fights and runs away, May live to fight another day, But he thats in the Battle slain, Will never live to fight again". In the distance, behind him, are tiny (British) soldiers in close formation. In the city men are firing and hurling stones from the roofs of flat-roofed houses on British soldiers in the plaza. On the wall (right) is a placard: 'Lost, or Mis-led a General officer Who ever can [give] Information ... ampl[y] rewarded.'"--British Museum online catalogue
Alternative Title:
Symptoms of courage
Description:
Title etched below image., "G. Whiteliver" is a pseudonym. Questionable attribution to Isaac Cruikshank from the British Museum online catalogue, registration no.: 1868,0808.7629., Variously attributed to either Isaac or George Cruikshank; see British Museum catalogue., Title is a direct reference to an Isaac Cruikshank print, published by S.W. Fores in 1790, entitled "Symptoms of courage, or, The tables turned." Cf. No. 7667 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark at top edge., and Penciled note in an unidentified hand: relates to Genl. Whitelock's conduct at Buenos Ayres, S. America.
Publisher:
Pub. by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Argentina and Buenos Aires.
Subject (Name):
Whitelocke, John,
Subject (Topic):
History, Campaigns & battles, Soldiers, British, Military officers, Scottish, Ethnic stereotypes, Gates, and Signs (Notices)
"Six country people surround a flaming bowl on a small round table. A man jocosely holds a terrified cat over the bowl to force it to pull out a raisin. A man wearing a shirt or surplice stands with both arms held up, from one hand dangles a (?) burnt rag. A mastiff (right) snarls at the cat."--British Museum online catalogue
Description:
Title from item., Printmaker identified in the British Museum catalogue and from original drawing in the Huntington Library., One of a series of Drolls., Plate numbered '165' in lower left corner., Temporary local subject terms: Snap dragon -- Punch bowl., and Watermark.
Publisher:
Publish'd Decr. 12th 1795 by Laurie & Whittle, No. 53 Fleet Street, London
Subject (Topic):
Games, Beverages, Bowls (Tableware), Tables, Pets, Cats, and Dogs