"A girl dressed in male clothing, starting with a startled expression and thrusting her right arm forward as she stands between two monks, others seen from behind exiting through a door ..., another ringing a bell through an arch at [left], the choir beyond; after Henry William Bunbury."--British Museum online catalogue, description of a later state
Description:
Title from later state., Artist from statement of responsibility on later state: H. Bunbury Esqr. delint., Printmaker identified as Dickinson in the British Museum online catalogue., Proof before letters. For a later state with title, statements of responsibility, verses, and imprint "London, Publish'd Octr. 20th, 1782, by W. Dickinson ..." below image, see British Museum online catalogue, registration no.: 1893,0731.62., Sheet trimmed within plate mark., and Mounted on page 123 of: Bunbury album.
Publisher:
W. Dickinson
Subject (Name):
Tencin, Claudine Alexandrine Guérin de, 1682-1749.
Subject (Topic):
Interiors, Abbeys, Monks, Doors & doorways, and Bells
Drawing in red chalk on hand-ruled paper by an unidentified artist, of the decorative cartouche for John Mitchell's Map of the British and French dominions in North America. Represented in the drawing are two Native American figures in the lower right corner, a colonial port scene in the lower left corner, and cherubs holding a British crest and flag at the top. Corn and palm trees form the side borders
Description:
John Mitchell (1711-1768), was a British botanist, physician, and cartographer. He created A Map of the British and French dominions in North America (London: Andrew Millar, 1755), also known as the Mitchell Map, later used in negotiating the 1783 Treaty of Paris., No linguistic content., Title devised by cataloger., and Place and date of creation supplied by cataloger.
Title devised by cataloger., Date based other drawings signed, dated, and executed by F. James for Harrison and Co., and Profile of a man in pencil on left margin.
Theatrical scene from Henry IV, Part 2, Act iii, scene 2. Justice Shallow and Justice Silence present to Falstaff the recruits they have round up from the countryside. The rotund Falstaff sits at a table covered with documents and points at one of the recruits while widely grinning
Description:
Title from W.N. Gardiner's published engraving after this drawing., Date supplied by cataloger., and For further information, consult library staff.
Subject (Name):
Shakespeare, William, 1564-1616.
Subject (Topic):
Falstaff, John, Sir (Fictitious character) and Theatrical productions
Theatrical scene from Henry IV, Part 2, Act iii, scene 2. Justice Shallow and Justice Silence present to Falstaff the recruits they have round up from the countryside. The rotund Falstaff sits at a table covered with documents and points at one of the recruits while widely grinning
Description:
Title from W.N. Gardiner's published engraving after this drawing., Date supplied by cataloger., and For further information, consult library staff.
Subject (Name):
Shakespeare, William, 1564-1616.
Subject (Topic):
Falstaff, John, Sir (Fictitious character) and Theatrical productions
Theatrical scene from Shakespeare's Henry IV Part 2, Act V, Scene 5. Henry stands at the center of the scene delivering his public rebuke of Falstaff after Falstaff and his companions (Shallow, Pistol, and Bardolph) approach the King immediately following his coronation
Description:
Title from Shenner etching after this drawing., Date supplied by cataloger., and For further information, consult library staff.
Subject (Name):
Shakespeare, William, 1564-1616. and Henry IV, King of England, 1367-1413
Subject (Topic):
Falstaff, John, Sir (Fictitious character), Theatrical productions, and British
A design by Bentley showing six older women on a balcony reaching out or looking in horror over the wall (draped in an embroidered cloth) at a scene below. A man peaks over the cornice; above his head a ribbon banner
Description:
Title from caption written by Horace Walpole on the mount in his portfolio of Bentley's drawings., With a ms. note in Horace Walpole's hand on lower right corner: RB sculps., With Horace Walpole's note in ink on verso: Mr. Bentley's first etching., Date based on publication date of Gray's work: Designs by Mr. R. Bentley, for six poems by Mr. T. Gray., Formerly mounted on the lower half of leaf 3 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760]., and Ms. note in ink in Horace Walpole's hand on verso: Mr. Bentley's first sketch.