Title from caption etched above image., Plate from: The Butiad, or, Political register ... London : Printed for E. Sumpter, 1763., Copy of no. 4079-4 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Bedchamber -- Furnishings: bed curtain -- Emblems: Scotch bonnet for Lord Bute -- Wall mirror -- Female dress: stays., and Mounted to 31 x 44 cm.
Publisher:
E. Sumpter
Subject (Name):
Augusta, Princess of Wales, 1719-1772 and Bute, John Stuart, Earl of, 1713-1792
"An etching of Hogarth seated at a table, holding in one hand a port-crayon, in the other his print of "John Wilkes E", to which satire this is a rejoinder. Tied to Hogarth's right elbow, as if it were an impediment or guide in the use of his skill, is a bag marked "300£ per ann for distorting features"; he has a pug nose, and an impudent, hard look; his feet are cloven like a satyr's; one of his legs is that of a satyr, and it tramples on the cap and spear of Liberty. His dog 'Trump' squats under the table, on which is a paint-pot containing "Colours to blacken fair carachters [sic]". A palette and sheaf of brushes hang off the collar of the Hogarth's dog; on the palette is the "Line of Beauty". The bag refers to Hogarth's appointment as Serjeant-Painter to the King. Behind Hogarth, an ape appears in the act of drawing or measuring a "Line of Beauty" on a canvas set on an easel. Likewise behind on the left, an ugly, skeletal, old, one-eyed woman in a fontange, her lean bust much exposed, holds a mirror and a fan. The woman may be a reference to Mrs. Hogarth. An owl is drawn on the back of Hogarth's chair
Alternative Title:
Answer to the print of John Wilkes Esqr. by William Hogarth
Description:
Title engraved below image., Date from British Museum catalogue., "Price 6 pence"--Following imprint., and On page 294 in volume 3. Sheet trimmed to: 34.8 x 22.3 cm.
Publisher:
Sold in Leicester Fields
Subject (Name):
Wilkes, John, 1725-1797., Hogarth, Jane Thornhill, 1709?-1789, Hogarth, William, 1697-1764., and Hogarth, William, 1697-1764
"An etching of Hogarth seated at a table, holding in one hand a port-crayon, in the other his print of "John Wilkes E", to which satire this is a rejoinder. Tied to Hogarth's right elbow, as if it were an impediment or guide in the use of his skill, is a bag marked "300£ per ann for distorting features"; he has a pug nose, and an impudent, hard look; his feet are cloven like a satyr's; one of his legs is that of a satyr, and it tramples on the cap and spear of Liberty. His dog 'Trump' squats under the table, on which is a paint-pot containing "Colours to blacken fair carachters [sic]". A palette and sheaf of brushes hang off the collar of the Hogarth's dog; on the palette is the "Line of Beauty". The bag refers to Hogarth's appointment as Serjeant-Painter to the King. Behind Hogarth, an ape appears in the act of drawing or measuring a "Line of Beauty" on a canvas set on an easel. Likewise behind on the left, an ugly, skeletal, old, one-eyed woman in a fontange, her lean bust much exposed, holds a mirror and a fan. The woman may be a reference to Mrs. Hogarth. An owl is drawn on the back of Hogarth's chair
Alternative Title:
Answer to the print of John Wilkes Esqr. by William Hogarth
Description:
Title engraved below image., Date from British Museum catalogue., "Price 6 pence"--Following imprint., and Mounted on sheet: 36.2 x 23.2 cm.
Publisher:
Sold in Leicester Fields
Subject (Name):
Wilkes, John, 1725-1797., Hogarth, Jane Thornhill, 1709?-1789, Hogarth, William, 1697-1764., and Hogarth, William, 1697-1764
"An etching comprising several allegorical and grotesque figures assembled on clouds or on smoke, before the gaping jaws of a monster, which, in the manner of medieval representations of the Mouth of Hell, emits flames. In front of this is a wolf in sheep's clothing, i.e., a fleece shaped like a clergyman's canonicals, and bearing on its head a church. The next figure is that of horned owl with spectacles, a satyr's leg and hoof, and a wooden leg; in one hand, or harpy's claw, this creature holds a balance, in which "honesty", inscribed on a deed(?) is outweighed by a bag of money, on which is marked '£100800'; in the other claw is a scroll, inscribed, "Mongri(or "a") Farca." A fox follows, offering a bag marked, "10,000". The head of a bishop in a mitre appears behind. In the middle of the design the Princess of Wales, as a sphinx-like she-goat, looks at the above-named figures, and is ridden by the Earl of Bute, as a he-goat, with a jack-boat, alluding to John Stuart, Earl of Bute, on one of his legs. A cerberus-like monster, or three centaurs, with zanies' trappings, and holding marrow-bones and cleavers which are beaten together, is followed by an old man who sounds a drum. Another old man advances eagerly from our right; his profile resembles that of the Duke of Newcastle, but probably was not intended to do so; he wears armour, and an enormous wig; he has a flame-like sword in one hand, and extends the other hand, which is like a claw; he has likewise a satyr's leg."--British Museum catalogue
Description:
Title etched above image., A copy of print no. 169 of the illustrations to: Political and satirical history., Later used as an illustration to: The British antidote to Caledonian poison., Sheet trimmed within plate mark with loss of text?, Copy of no. 4078 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and On page 264 in volume 3. Sheet trimmed to:
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Corruption, Dogs, Caricatures, Clergy, Hell, Monsters, and Supernatural beings
"An etching comprising several allegorical and grotesque figures assembled on clouds or on smoke, before the gaping jaws of a monster, which, in the manner of medieval representations of the Mouth of Hell, emits flames. In front of this is a wolf in sheep's clothing, i.e., a fleece shaped like a clergyman's canonicals, and bearing on its head a church. The next figure is that of horned owl with spectacles, a satyr's leg and hoof, and a wooden leg; in one hand, or harpy's claw, this creature holds a balance, in which "honesty", inscribed on a deed(?) is outweighed by a bag of money, on which is marked '£100800'; in the other claw is a scroll, inscribed, "Mongri(or "a") Farca." A fox follows, offering a bag marked, "10,000". The head of a bishop in a mitre appears behind. In the middle of the design the Princess of Wales, as a sphinx-like she-goat, looks at the above-named figures, and is ridden by the Earl of Bute, as a he-goat, with a jack-boat, alluding to John Stuart, Earl of Bute, on one of his legs. A cerberus-like monster, or three centaurs, with zanies' trappings, and holding marrow-bones and cleavers which are beaten together, is followed by an old man who sounds a drum. Another old man advances eagerly from our right; his profile resembles that of the Duke of Newcastle, but probably was not intended to do so; he wears armour, and an enormous wig; he has a flame-like sword in one hand, and extends the other hand, which is like a claw; he has likewise a satyr's leg."--British Museum catalogue
Description:
Title etched above image., A copy of print no. 169 of the illustrations to: Political and satirical history., Numbered '4' in upper right corner., Illustration to: The British antidote to Caledonian poison., "Price six pence."--Following imprint which is mostly burnished from the plate in this state., and With annotations in Bowditch's hand, identifying the figures depicted; mounted on a sheet 33.2 x 45.5 cm.
Publisher:
[...] in Fleet Street
Subject (Geographic):
Great Britain.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Corruption, Dogs, Caricatures, Clergy, Hell, Monsters, and Supernatural beings
"Satire on alleged political corruption during the premiership of Lord Bute: copy in reverse of one compartment of "Places (being a Sequel to the Posts) a Political Pasquinade (see British Museum registration number 1868,0808.4321): Lord Sandwich, holding his cricket bat, presides over the Admiralty board whose members are asleep in their chairs; two sailors are turned away at the Pay Office while Henry Fox converses with venal politicians; a gentleman in a long wig presides over the Treasury board consisting of five Scots seated at a table covered with empty money bags, an empty chest lying on the floor; seven recipients of government pensions present themselves, among them 'M.', Arthur Murphy (?), 'Orator S', Tobias Smollett, 'H', William Hogarth at his easel wearing a fool's cap, his dog at his feet, 'P.W.', Paul Whitehead, deputy wardrobe keeper to the king, standing beside a coat on a stand"--British Museum onlne catalogue
Description:
Title engraved above image., Lettered with captions above title: Satire's a harmless quiet thing - 'Tis application makes the sting., Lettered at lower edge of image: 'A friend at Court is better than a penny in a purse'., and On page 296 in volume 3. Sheet trimmed to: 12.5 x 15 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Whitehead, Paul, 1710-1774, Hogarth, William, 1697-1764, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Smollett, T. 1721-1771 (Tobias),, and Murphy, Arthur, 1727-1805
"Satire on alleged political corruption during the premiership of Lord Bute: copy in reverse of one compartment of "Places (being a Sequel to the Posts) a Political Pasquinade (see British Museum registration number 1868,0808.4321): Lord Sandwich, holding his cricket bat, presides over the Admiralty board whose members are asleep in their chairs; two sailors are turned away at the Pay Office while Henry Fox converses with venal politicians; a gentleman in a long wig presides over the Treasury board consisting of five Scots seated at a table covered with empty money bags, an empty chest lying on the floor; seven recipients of government pensions present themselves, among them 'M.', Arthur Murphy (?), 'Orator S', Tobias Smollett, 'H', William Hogarth at his easel wearing a fool's cap, his dog at his feet, 'P.W.', Paul Whitehead, deputy wardrobe keeper to the king, standing beside a coat on a stand"--British Museum onlne catalogue
Description:
Title engraved above image., Lettered with captions above title: Satire's a harmless quiet thing - 'Tis application makes the sting., Lettered at lower edge of image: 'A friend at Court is better than a penny in a purse'., and With extensive annotations in Bowditch's hand on mount, identifying the figures depicted; mounted on a sheet 33.5 x 45.4 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Whitehead, Paul, 1710-1774, Hogarth, William, 1697-1764, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Smollett, T. 1721-1771 (Tobias),, and Murphy, Arthur, 1727-1805
publish'd according to act of Parliament, August 1, 1763.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 2
Collection Title:
Plate 73. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A re-working of Hogarth's self-portrait of 1749 (Paulson 181); the artist has been replaced by a bear representing Charles Churchill wearing preaching bands and holding a tankard of beer in one paw and a knotty club in the other; the knots in the club are labelled 'Lye 1, Lye 2, Lye 3 ... Fallacy, Lye 10 ... ". The oval canvas rests on two books, on top is 'Great George Street : a list of the subscribers to the North Britons' and below 'A new way to pay old debts, a comedy by Massenger.' The dog Trump is urinating on a copy of Churchill's "Epistle to Hogarth". Leaning on the palette is a framed satirical print showing Hogarth himself (in a white hat) whipping a dancing bear (Churchill) and a monkey (John Wilkes) in front of a projected tomb for William Pitt from which a cannon fires at the dove of peace."--British Museum onlne catalogue
Description:
Title engraved below image., State and publisher from Paulson., Caption below title: But he had a Club this Dragon to Drub, or he had ne'er don't I warrant ye., "Price 1s. 6d."--Following Hogarth's name., Imperfect impression; price erased from this impression. Sheet trimmed within plate mark., Formerly on page 198 in volume 2. Removed in 2012 by LWL conservator., and Sheet trimmed to: 37.3 x 27.2 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Wilkes, John, 1725-1797.
publish'd according to act of Parliament, August 1, 1763.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
A re-working of Hogarth's self-portrait of 1749 (Paulson 181); the artist has been replaced by a bear representing Charles Churchill wearing preaching bands and holding a tankard of beer in one paw and a knotty club in the other; the knots in the club are labelled 'Lye 1, Fallacy (Infamous preceding the word in this state), Lye 3 ... ". The oval canvas rests on two books, on top is 'Great George Street : a list of the subscribers to the North Britons' and below 'A new way to pay old debts, a comedy by Massenger.' The dog Trump is urinating on a copy of Churchill's "Epistle to Hogarth". Leaning on the palette is a framed satirical print showing Hogarth himself (in this state in a black hat) whipping a dancing bear (Churchill) and a monkey (John Wilkes) in front of a projected tomb for William Pitt from which a cannon fires at the dove of peace"--British Museum onlne catalogue
Description:
Title engraved below image., State and publisher from Paulson., Caption below title: "But he had a Club this Dragon to Drub, or he had ne'er don't I warrant ye: Dragon of Wantley.", "Price 1s. 6d."--Following Hogarth's name., and On page 198 in volume 2. Sheet trimmed to: 37.3 x 27 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Wilkes, John, 1725-1797.