Manuscript on parchment of Caesar, Bellum Gallicum, translated into Italian by Pier Candido Decembrio in 1438. With Dedication of the translation to Filippo Maria Visconti, Duke of Milan.
Description:
Binding: Date? Italy. Vellum case with title in ink on spine: "Cesare Comment". Gilt, gauffered edges and gold and cream silk endbands. Fragments of a printed service book with musical notation partially visible under pastedowns., Elegant illuminated title page (f. 2v) with the title, written in blue over an erasure, in a circular wreath, green with gold flowers, and framed by narrow gold bands with fillets and inkspray issuing from the top and bottom with blue and deep red flowers, green leaves and gold balls. Full border, f. 1r, white vine-stem ornament on blue, green, deep red and gold ground between thin gold frames. In lower border, medallion, blank, framed by wreath, green with yellow highlights and narrow deep red frame. Partial border, f. 3r, white vine-stem ornament on blue, green and deep red ground between narrow gold frames, enlarged to elongated dots at terminals; white vine-stem ornament extends into upper (trimmed) and lower margins, with single gold balls with hair-line strokes. 8 large initials, 11- to 3-line, gold on blue, green, gold and deep red ground with white vine-stem ornament shaded with pale pink. First few words of each book in gold; incipits, explicits and marginalia in red., and Script: Written below top line in a bold round humanistic hand by a single scribe who added extra rulings in outer margins for headings, annotations, etc., in red. Additional annotations in humanistic cursive, in a brighter shade of red.
Subject (Geographic):
Rome--History, Military--265-30 B.C
Subject (Name):
Caesar, Julius
Subject (Topic):
Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of eighty life-size pen-and-ink drawings, tinted with grey, of various styles of horse bridles and bits; apparently intended as a pattern book. Compiled by and/or for Carlo Filippo di Vuelden.
Description:
Acquired from the Sporting Gallery in 1967 with the Beinecke Rare Book Endowment Fund., Cataloged from microfilm by Albert Derolez., Cite as: Delle Imboccature De'i Cavalli. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Eighteenth- to nineteenth-century binding: Vellum case; stubs of two green ties., Manuscript on paper of Eighty life-size pen-and-ink drawings, tinted with grey, of various styles of horse bridles and bits; apparently intended as a pattern book. Followed by Descriptive index for drawings (incomplete). Compiled by and/or for Carlo Filippo di Vuelden whose name appears on f. 1r. Written in small neat italic., and Watermarks: similar in design to Briquet Armoiries - Pomme de pin 2118, but with a majuscule M sitting on the top of left and right upper corners, and with four divisions for the tree base.
Subject (Topic):
Horses--Early works to 1800, Manuscripts, Medieval -- Connecticut -- New Haven, and Pattern books
Manuscript on paper of Jerome, Epistolae, etc., translated into Italian by Ser Nicolaus Berti Martini de Gentiluzis de Sanctogeminiano, a notary in Florence (ca. 1388-1468). With Ps.-Augustine, Epistula ad Cyrillum, concerning the death of St. Jerome.
Description:
Binding: ca. 1500, Florence. Sewn on three tawed skin, slit straps attached to oak boards, with brown and natural color endbands (later additions?) sewn on tawed skin cores laid in grooves on the outside of the boards. Covered in orange/brown sheepskin neatly blind-tooled with rope interlace in concentric frames. Spine: double fillets at head and tail and outlining the supports on the spine; fine diapering with double fillets in the panels. Four flower-shaped catches on the lower board, two wanting. Remains of vellum label (worm eaten) on the spine and pieces of string used as place marks. Off-set impressions of medieval liturgical manuscript on front and back pastedowns. Orange edges. Sticky from excessive oiling., One illuminated initial, f. 4r, 6-line, gold, filled with red and blue penwork in geometric patterns. The penwork extends the whole length of the text column to form a partial border, terminating in the upper and lower margins in a scroll of blue penwork with small flowers, heart-shaped leaves and red dots. Numerous penwork initials of good quality, 5- to 2-line, alternate in red and blue with purple and red penwork respectively, often extending into the margins. Headings in red. Majuscules and display script touched with yellow., Script: Written by a single scribe in a small upright gothic script with both notarial and humanistic influence, above top line., and Watermarks: similar to Piccard Schere III.710, Briquet Chapeau 3387; unidentified eagle.
Subject (Name):
Jerome,--Saint,--d. 419 or 20
Subject (Topic):
Christian legends, Illumination of books and manuscripts, Medieval, Latin letters, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Anonymous biography of Pope Alexander VI (Rodrigo Borgia, 1430-1503). Copied by one hand in rapid Humanistica Cursiva.
Description:
Binding: Eighteenth-century. Half parchment over pasteboard, covered with brown and blue marbled paper. On the spine brownish red leather label with the gold-tooled title VITA D'ALESSAND. VI. / MS. and small paper label with the number of the Phillipps collection., Life of Pope Alexander VI (Rodrigo Borgia). General Collection, Beinecke Rare Book and Manuscript Library, Yale University., and On the front pastedown armorial bookplate of Frederick North, fifth Earl of Guilford (1766-1827). Collection of Thomas Phillipps, no. 7235. Purchased on the Edwin J. Beinecke Fund.
Subject (Topic):
Biography -- 16th century, Italian literature -- 16th century, and Manuscripts, Medieval -- Connecticut -- New Haven
2-line plain initials (Capitalis) in red, with guide-letters. A few flourishes in black at the end of articles., Binding: Sixteenth-century. Italian brown leather over pasteboards, both covers blind-tooled: fillet frames and a border of floral tools, in the centre a fleuron. Marks of two ties. Yellow edges., Cite as: Moral Treatises. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., In Italian and Latin., and Manuscript on parchment of 1) Treatise on Christian love. Several later corrections on f. 10v. 2) On the contemplation of death, final judgment and hellish punishment. 3) Six prescriptions for Christian life given by St. Bonaventure (Bonaventura, 1221-1274) to a young friar. Translated into Italian. 4) The qualities of a perfect monk. Copied by one hand in large calligraphic Humanistica Textualis Formata; line-fillers in the form of crossed i.
Subject (Topic):
Christian literature, Italian, Christian literature, Latin (Medieval and modern), Didactic literature, and Manuscripts, Medieval -- Connecticut -- New Haven