Manuscript fragment on parchment of a nearly contemporary copy of an extract from a Coram Rege Roll, involving Iohannes de Burgh, his wife Sibilla, and Nicholas de Burgh; concerns property dispute in West Bagborough (Somerset).
Description:
In Latin., Script: Written in English secretary script., and Badly mutilated with loss of text; stains along left margin suggest it formerly served as a flyleaf.
Subject (Geographic):
Great Britain., Connecticut, New Haven., and Somerset (England)
Subject (Topic):
Common law, Legal documents, and Manuscripts, Medieval
Drawing of Cornelis Poelenburgh (1594 or 1595-1667), Dutch painter and draughtsman, one of the first generation of Dutch italianates. He worked in the Court of Charles 1.
Alternative Title:
Cornelis Poelenburgh and Cornelius Polenburg
Description:
Title in ink below image in Horace Walpole's hand: Corn. Poelenburgh pictor., Signed in pencil, lower right: G.V., George Vertue, English artist, 1684-1756., Engraved portrait by T. Chambars in Anecdotes of painting in England entitled "Cornelius Polenburg" and identifies the work as a self portrait by the artist: ipse pinxit., and Drawing that was used as a basis for an engraving of Poelenburgh in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 103.
Drawing of Cormelius Johnson (1593-1661), English born painter. During the English Civil War, moved to Netherlands in late 1643; believed to have died in Utrecht in 1661
Alternative Title:
Cornelius Janson
Description:
Title from item., Drawing that was used as a basis for an engraving of Johnson in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 4., and George Vertue, English artist, 1684-1756.
Drawing of Daniel Mytens (ca. 1590-1674), painter born in Delft in the northern Netherlands. He moved to London in the mid-1610s where his patrons included many members of the royal court and later King James I and Charles I. He returned to The Hague in 1630 where he worked as an art dealer
Alternative Title:
Daniel Mytens pictor magna Britannia Regis
Description:
Title from item., Signed in pencil, lower right: G.V., Drawing that was used as a basis for an engraving of Mytens in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 7. Artist indentified as: Ant. van Dyck pinxt., and George Vertue, English artist, 1684-1756.
Manuscript fragment, on parchment, of a portion of Seneca, De Beneficiis, Book 4, Chapter 7.
Description:
In Latin., Layout: single column of 27 lines., Script: copied by one hand in Praegothica., Decoration: initial E in red ink with green tendrils., and Page is trimmed slightly at one edge, affecting the text.
Manuscript on parchment (thick, furry) of an anonymous catena of Eucharistic proof texts
Description:
In Latin., Script: Written by several scribes, perhaps at different times, in early gothic bookhand., Plain initials in red or green (spaces left for others), followed by rustic capitals. Heading, in red, on f. 1r. Simple schematic drawings to explicate the text of art. 20 (ff. 21r, 22r)., Some loss of text due to trimming on f. 23v., and Binding: Nineteenth century. Brown goatskin, blind- and gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Eusebius Gallicanus.
Subject (Topic):
Catenae, Fathers of the church, Lord's Supper, Manuscripts, Medieval, Sermons, and Theology, Doctrinal
Manuscript on parchment of 1) Dares Phrygius, De excidio Troiae historia, in the Latin translation ascribed to Cornelius Nepos, followed by the lists of those killed by the heroes on both sides. 2) Geoffrey of Monmouth (Galfredus Monemutensis, d. 1154), Historia regum Britanniae. 3) De origine Normannorum, a short history of Normandy up to Henry I, King of England and Duke of Normandy (d. 1135). The main part of this text derives from Hugh of Saint-Victor (Hugo de Sancto Victore, d. 1141), Excerptiones allegoricae, X, 10 (PL 177.284) and is followed by a short list of Dukes of Normandy. 4) Three unidentified poems on the miracles of St. Benedict, followed by rhymed liturgical prayers to be said in the presence of the relics of the saint, and another poem on St. Benedict. This manuscript, which from the beginning contained all four texts described above, was copied in a Benedictine abbey
Description:
In Latin., Script: Carefully copied by one hand in Northern Gothica Textualis Libraria., Headings and running titles in red, many now poorly legible. Heightening of majuscules in red. Large decorated Romanesque initials, red or green, at the head of artt. 1 and 2; 2- or 3-line plain initials alternately in red and blue and 1-line initials in the same colours in the middle of the text in art. 2; on f. 91r, at the beginning of Book XI, there is a 3-line flourished initial in blue with red penwork, which may be added later. 3-line red plain initial at the beginning of art. 3. 2-line initials in art. 4, of the same kind as in artt. 1-2., and Binding: Eighteenth century. Sprinkled calf over cardboard; the covers have gilt edges.
Subject (Geographic):
Connecticut, New Haven., Great Britain, Normandy (France), and Troy (Extinct city)
Subject (Name):
Dares, Phrygius. and Benedictines.
Subject (Topic):
Devotional literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Literature, Medieval, Manuscripts, Medieval, and History
Manuscript on parchment of portions of Saint Aldhelm, De laude virginitatis, copied probably in Canterbury or Worcester. With glosses in Anglo-Saxon added between 950 and 1000, which may be of Kentish origin
Description:
In Latin and Anglo-Saxon., Script: Written by two scribes, Scribe 1, ff. 1r-9v: a vigorous and well spaced Anglo-Saxon minuscule; preference for minuscule d; strokes of letters often extend well into margin at end of line. Scribe 2, ff. 10r-26v: slightly cramped hand; preference for uncial d. Anglo-Saxon glosses added by several hands either in small upward-leaning Caroline minuscule or in a somewhat larger script that uses insular letter-forms., Decorative initials, 5- to 2-line, in black surrounded by red dots; smaller initials, 2- to 1-line, in red, often with traces of yellow. Letters, stroked with red, many now oxidized; occasional punctuation in red., Folios 8, 9, and 22 have been used as wrappers; mutilated with loss of text. Significant water damage on ff. 19r-20v, 26r; rewritten by later scribe., and Binding: ca. 1850. Olive paper case with "Middle Hill boards," bound by George Bretherton of Gloucester who worked for Sir Thomas Phillipps, 1848-51.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aldhelm, Saint, 640?-709.
Subject (Topic):
Christian literature, Latin (Medieval and modern)., English literature, and Manuscripts, Medieval
Manuscript fragment on parchment bifolium. Conjugate leaves originally from the same manuscript as Beinecke MS 401. Stitching holes in center of bifolium; outer margins trimmed with some loss of text
Description:
In Latin and Anglo-Saxon., For the script see MS 401; MS 401A was written by Scribe 2., and Decorative T on f. 2r, black initial surrounded by red dots.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aldhelm, Saint, 640?-709.
Subject (Topic):
Christian literature, Latin (Medieval and modern)., English literature, and Manuscripts, Medieval