Print shows an ugly and leering elderly man, identified as the London banker Thomas Coutts, embracing the actress Harriet Mellon (later Mrs. Coutts, and subsequently Duchess of St. Albans).
Description:
Title from item.
Publisher:
Pub. 15 May, 1815, by T. Palser, Surry Side Westr. Bridge
Subject (Name):
Coutts, Thomas, 1735-1822 and St. Albans, Harriot Mellon, Duchess of, 1777?-1837
Verse begins: "English blankets and broad cloths,"., Date of publication supplied by cataloger., Between the title and the poem proper, spanning both columns, are four lines of introductory verse: John Malcolm, merchant, on the Green, | I' th' good old town of Aberdeen; | sells the following useful things, | to suit both beggars, lords, and kings.", In two columns, separated by an ornamental rule; signed at the foot of the second column: "John Malcolm, on the Green"; imprint at foot, spanning both columns, below a wavy ornamental rule., Signed below second column: John Malcolm, On the green., Mounted on leaf 17. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
Printed by J. Hammond, (at his office, ) St. Martin's Lane, five doors below the church
Caption title., Anonymous. By Hannah More., This form of imprint was used between May 1795 and January 1796 (Spinney)., Verse begins: Near Lechlade town, in Glostershire ..., This edition has all except the price within a border consisting of intertwined ropes, one of leaf-like ornaments, the other of open ornamental dots; the words "Cheap Repository" interrupt the border in the center at the top; the two columns of text are separated by a vertical double rule., Below imprint: Great allowance will be made to shopkeepers and hawkers. Price below the border: Price an halfpenny, or 2s. 3d. per 100.---1s. 3d. for 50.---9d. for 25., Above imprint and below text, in italics: Entered at Stationers Hall., Entered in the Stationers' Register to Hannah More, 31 August 1795., The woodcut shows a family sitting by a fire at night in a room with a candle., This edition not recorded by G.H. Spinney, 'Cheap Repository tracts: Hazard and Marshall edition.' In Library, 4th series, volume 20 (1939-1940) number 3 (no. 35)., Mounted on leaf 26. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Sold by J. Marshall, printer to the Cheap Repository for Religious and Moral Tracts, at no. 17, Queen-Street, Cheapside, and no. 4, Aldermary Church-Yard; and R. White, Piccadilly, London. By S. Hazard, printer to the Cheap Repository, at Bath; and by all booksellers, newsmen, and hawkers, in town and country
Art of painting and Short account of the most eminent painters both ancient and modern
Description:
Signatures: [pi]² a-h⁴ B-2Y⁴ 2Z²., Translation of: De arte graphica., Added title-page, engraved by S. Gribelin., Title page in red and black., Includes the original poem in Latin; translated from the French version of R. de Piles., 'A short account of the most eminent painters ... ' [by R. Graham] has special title-page., Errata: p. [356], Original panelled calf; it was quite probably a copy kept in the house in town and bequeathed to Lady Waldegrave. Mr. Harris Prior of Geneva, N.Y., also owns a copy of the edition of 1695, in which Horace Walpole's bookplate has been inserted., and Laid in is the lining paper of a copy of this edition in which Horace Walpole's bookplate had been inserted, owned by Harris Prior. No press mark was found. With four architectural sketches in pencil on front flyleaf.
Publisher:
Printed by J. Heptinstall for W. Rogers, at the Sun against St. Dunstan’s Church in Fleetstreet
Caption title., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Verse begins: "There was a rich man, who had treasures great,"., In three columns with the title centered above all three and the imprint below the third column; the columns are not separated by rules., Mounted on leaf 18. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Print shows Priestley walking right to left, diagonally away from the spectator; his face, turned in profile to the left, has a sinister smile. He holds out, as firebrands, two burning papers: 'Political Sermon' and 'Essay on Government'. From his pockets other papers project inscribed: 'Revolution Toasts, Essays on Matlin [sic] Spirit' and 'Gunpowder'. He tramples on books and papers, including an open book: 'Bible explained away.' Cf. British Museum catalogue
Description:
Title engraved below image., Possibly executed by Samuel Collings, who is believed to have employed the pseudonym Annibal Scratch for some of his prints., Questionable attribution to John Nixon from unverified data in local catalog record., Text above image: Attic miscellany. Political portraiture no. 4., and Plate issued as an illustration in: Attic miscellany. London : Printed for Bentley and Co., v. 2, no. 22 (1791), page 369.
Publisher:
Published as the act directs by W. Locke
Subject (Name):
Priestley, Joseph, 1733-1804 and Priestley, Joseph, 1733-1804.
"The interior of a tent. Duroc, in his shirt, lies supported by a soldier on a wooden bed, while Napoleon (right) holds his right hand, turning away (to the right) and covering his face with his left hand. An officer stands solicitously beside the Emperor, supporting his left elbow. Another officer stands (left) behind the head of the low bed. On the extreme left a soldier bends over a table compounding medicaments. Duroc's coat and sword lie on a camp-stool, beside his hat and boots. A glimpse of the distant camp is seen on the extreme right, where a Mameluke stands by the tent holding Napoleon's horse. Duroc is addressing the Emperor, with his left arm extended. Their words are etched below the title: "Duroc, "My whole life has been consecrated to your service, nor do I regret its loss, but for the use it still might have been of to your Buonaparte, "Duroc!" there is a life to come; it is there you are going to wait for me, and where we shall one day meet again!" Duroc, "Yes Sire! but that will not be these thirty years, when you will have triumphed over your enimies [sic], and realised all the hopes of your country, I have lived an honest man: I have nothing to reproach myself with, ah! Sire! go away this sight gives you pain--Be, "Farewell then my friend"."--British Museum online catalogue
Alternative Title:
Dramatic effect, or, The death of General Duroc, Death of Genl. Duroc, and Death of General Duroc
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark on bottom edge., and Watermark: 1809.
Publisher:
Pubd. June 9th, 1813, by Wm. Holland, No. 11 Cockspur Street
Subject (Name):
Duroc, Géraud Christophe Michel, duc de Frioul, 1772-1813 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Death and burial, Generals, French, Military officers, Soldiers, Military camps, Deathbeds, War casualties, Wounds & injuries, and Medicines
Title from caption below image. and Mounted on page 7.
Publisher:
Richard Bentley & Son
Subject (Name):
Du Deffand, Marie de Vichy Chamrond, marquise, 1697-1780,, Choiseul-Daillecourt, Maxime de, 1782 or 1783-1854,, and Strawberry Hill (Twickenham, London, England)