"Diogenes stands in the House of Commons between the two front benches; both arms are thrown out towards Burdett with a dramatic gesture; in one hand is his lantern, illuminating the patriot at close range; small clouds at his feet indicate that he is a ghost. He turns his head to look steadily at three members on the front Ministerial bench (left), saying: "An Honest Man is the noblest work of God" [Pope, 'Essay on Man', quoted by Burns, cf. British Museum Satires No. 11562]. The three culprits (unrecognizable) register shame and terror, their hair standing on end. Burdett stands by the front bench (right) on which is his hat, displaying to the frightened Ministers (one intended for Perceval) a document headed 'Magna Charta--Pro Rege, lege, grege' [see British Museum Satires No. 11547]. Except for one member on the front bench, those behind Burdett stand, five being depicted, three of whom wave their hats. All the occupants of the gallery wave still more emphatically. In the background and on the left is the Speaker's Chair; the diminutive Abbot, author of the famous Warrant, see British Museum Satires No. 11545, &c., holds up a hand in astonished alarm. Burdett was in the Tower during May, see British Museum Satires No. 11558. 'Hair on end' is an allusion to Lethbridge, see British Museum Satires No. 11538."--British Museum online catalogue
Alternative Title:
Ghost of Diogenes, more hair on end
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Lettered above image: Tegg's Caricatures, No. 111 Cheapside, no. 13. Price one shillg. colod., and Text below title: Diogenes being observed looking about with a lanthorn alight a noon day, was asked what he was hunting after when he replied, for an honest man.
Publisher:
Pubd. May 1810 by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Diogenes, -approximately 323 B.C., Burdett, Francis, 1770-1844, Perceval, Spencer, 1762-1812, Abbot, Charles, Baron Colchester, 1757-1829, Lethbridge, Thomas Buckler, 1778-1849., and Great Britain. Parliament. House of Commons,
A satire: The breech of the Thames Tunnel and its subsequent flooding in May 1827. The visitors to this popular site are shown fleeing in panic as disaster strikes. Water pours into the tunnel from the top left while workers watch in horror and shout warnings. Engineer Marc Brunel, whose tunnelling shield technology was used in the construction of the tunnel, stands on a ladder next to the cascade and exclaims "My hypothesis is gone to the devil". Well-dressed ladies and gentlemen trip over themselves while racing towards the right, with one visitor remarking "If I can get home before this transpires I'll sell my shares immediately", a reference to the South Sea Bubble that is also referenced in the title. Above the speech bubbles of the frantic crowd is a sign on the wall of the tunnel proclaiming "The tunnel being perfectly dry and safe the public are invited to visit it every day Sunday excepted. Admittance one shilling".
Alternative Title:
Another bubble burst!
Description:
Title etched below image., Attribution to Charles Williams from dealer's description., Sheet trimmed within plate mark., Four columns of verse, with two additional lines centered below, etched below title: Old father Thames someday ago, thinkining [sic] he heard a noise below ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on modern white card stock.
Publisher:
Pubd. May 1827 by S. Knights, Sweetings Alley, Royal Exchange
Subject (Geographic):
Thames Tunnel (London, England), England, and London.
Subject (Name):
Brunel, Marc Isambard, 1769-1849
Subject (Topic):
Construction workers, Sightseers, Disasters, Tunnels, and Crowds
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of eight scenes, arranged in two rows, each with an inscription below it. They represent a day spent by the Tsar while in London. [1] Alexander stands by a combined wash-stand and dressing-table (left) in a simply furnished bedroom. A valet helps him to put on his coat. ... [2] The Tsar walks rapidly (left to right), looking toward his sister the Grand Duchess of Oldenburg who takes his right arm. Her head is concealed by her bonnet. He holds the right hand of a little boy. He wears plain riding dress with cocked hat. Behind are trees and grass, with a low circular railing. ... [3] He stands under a tree writing in a notebook beside his sister who is talking to her son. In the middle distance soldiers are being drilled. ... [4] The Tsar and his sister stand together in a plainly furnished breakfast parlour. She unties her bonnet-strings, he takes off a glove. On a round table is a tray with coffee-pot, &c. ... [5] The pair, dressed as before, except that she holds a (closed) parasol, walk arm-in-arm (right to left) with the stern of a large ship in the dock immediately behind them. The bows of another ship are on the extreme left. They are accompanied or followed by a naval officer and two other men; a third addresses them, hat in hand. ... [6] Well-dressed spectators in the foreground cheer a departing carriage in which is the tiny figure of the Tsar, bowing hat in hand to a cheering crowd. Next him his sister's bonnet appears over the lowered roof of the carriage. Two officers sit on the back seat. There are no footmen. ... [7] The Tsar sits at a plain round table, writing. An open door shows an adjacent room where the Grand Duchess, reading some letter or document, sits beside a round table, laid for a meal. ... [8] The Tsar sits in a plain arm-chair beside a simple curtained bed (left); an attendant wearing a ribbon and holding a lighted candle is about to leave the small room. He wears uniform with ribbon and stars."--British Museum online catalogue
Alternative Title:
Two journals. Journal 1, Two journals. Joul. I, and Two journals. Journal I
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "335" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 42 in volume 5.
Publisher:
Pubd. July 1814 by Thos. Tegg, 111 Cheapside
Subject (Name):
Alexander I, Emperor of Russia, 1777-1825 and Ekaterina Pavlovna, Velikai︠a︡ kni︠a︡gini︠a︡, 1788-1819
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of eight scenes, arranged in two rows, each with an inscription below it. [1] The Regent lies in bed under fringed draperies; he supports his head on his hand; the bed-clothes are disordered. ... [2] The Regent lies uneasily asleep, clutching the bed-clothes. The Princess of Wales, with her back to the bed, puts out her arms to ward off a demon who is rising among clouds from the floor; the apparition clutches a serpent, and has hair composed of serpents. ... [3] The Regent, wearing a dressing-gown, sits in an arm-chair facing a tall mirror, surrounded by four foreign valets, three of whom are at work on his hair or wig. He holds an open book: 'Memoirs of modern Lais-Ban'. ... [4] The Regent sits in an arm-chair with a small table at his elbow on which is a tray with coffee-pot, &c.; McMahon (right) holds the back of his chair and looks over his shoulder at a sheet of patterns which he is inspecting. A man points to this sheet, a second stands by with more packets of patterns. ... [5] The Regent, in back view and chapeau-bras, runs on tiptoe towards a door in a garden wall that McMahon furtively holds open. Outside a fat man stands behind the back wheels of a carriage. Beside the Regent run Lord Yarmouth and another courtier. ... [6] The Regent's coach and pair drives at a gallop towards the gateway in the screen of Carlton House, the coachman lashing the horses; two footmen stand behind. In the foreground well-dressed spectators watch with amusement. ... [7] The Regent sits at a writing-table, looking round to the left. On a stool near him is a pair of stays; on a high wig-block (left) is his curled wig (cf. British Museum Satires No. 12184). On the wall is a large mirror, and against the wall stands a sofa. ... [8] The Regent's empty chair (left) stands at a dinner-table on which are decanters and glasses, some overturned or broken. Three guests lie under the table. The Prince, staggering tipsily, is being conducted from the room by McMahon and Yarmouth."--British Museum online catalogue
Alternative Title:
Two journals. Journal II
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "336" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 43 in volume 5.
Publisher:
Pubd. July 1814 by Thos. Tegg, 111 Cheapside
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, McMahon, John, approximately 1754-1817, and Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842
"Mrs. Billington, enormously fat, sits in an arm-chair, her arms flung over its arms, opening her mouth for a spoonful of guineas, administered by W. T. Lewis (right), who bends over her. On her other side stands Sheridan, round-shouldered, stooping, and agitated. He holds out a money-bag, saying, "O Dear O Dear - if the dear Creature has lost her Notes - what will become of us - my dear friend spare no Cost to make up the deficiency, give her another spoonfull, I have plenty more in the bag - all the true Pizarro-coinage." Lewis, smiling, answers: "Dont be alarmed she takes the Boluses very kindly - and I have every reason to hope a speedy recovery." Mrs. Billington is dressed as Clara, in quasi-Spanish costume, almost as in British Museum Satires No. 9914; a checked scarf lies across her lap. On the right are two amoretti; one stands looking up at the other, who flies above his head holding out a scroll; both hold handkerchiefs to their eyes; the one below has butterfly wings and a wreath of roses, the other has feathered wings. The scroll: 'Mourn Cherubims and Seraphims Clara's Notes are Stopp'd - Copy of a Letter - Dear Sir, It grieves me to the heart that I am not able to play this evening - my Throat being so closed as not to leave me a single Note in my Voice" [see British Museum Satires No. 9970]."--British Museum online catalogue
Description:
Title etched at bottom of image., Attributed to Charles Williams in the British Museum catalogue., Printseller's announcement in lower right: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Furniture: Armchair -- Money: Guineas -- Medical Procedures: administering medicine -- Literature Allusion: Richard Brinsley Sheridan, 1756-1816, 'The Duenna'., Figures identified by ms. note in contemporary hand at bottom of sheet: Sheridan ; Mrs. Billington ; Lewis., Printseller's identification stamp located in lower right corner of print: S·W·F., and Mounted to 30 x 47 cm.
Publisher:
Pubd. Jany. 16th, 1802, by S.W. Fores, 50 Piccadilly
Subject (Name):
Billington, Elizabeth, 1765-1818, Lewis, William Thomas, 1746?-1812, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Obesity, Opera singers, Chairs, Coins, Physicians, and Putti
"Mrs. Billington, enormously fat, sits in an arm-chair, her arms flung over its arms, opening her mouth for a spoonful of guineas, administered by W. T. Lewis (right), who bends over her. On her other side stands Sheridan, round-shouldered, stooping, and agitated. He holds out a money-bag, saying, "O Dear O Dear - if the dear Creature has lost her Notes - what will become of us - my dear friend spare no Cost to make up the deficiency, give her another spoonfull, I have plenty more in the bag - all the true Pizarro-coinage." Lewis, smiling, answers: "Dont be alarmed she takes the Boluses very kindly - and I have every reason to hope a speedy recovery." Mrs. Billington is dressed as Clara, in quasi-Spanish costume, almost as in British Museum Satires No. 9914; a checked scarf lies across her lap. On the right are two amoretti; one stands looking up at the other, who flies above his head holding out a scroll; both hold handkerchiefs to their eyes; the one below has butterfly wings and a wreath of roses, the other has feathered wings. The scroll: 'Mourn Cherubims and Seraphims Clara's Notes are Stopp'd - Copy of a Letter - Dear Sir, It grieves me to the heart that I am not able to play this evening - my Throat being so closed as not to leave me a single Note in my Voice" [see British Museum Satires No. 9970]."--British Museum online catalogue
Description:
Title etched at bottom of image., Attributed to Charles Williams in the British Museum catalogue., Printseller's announcement in lower right: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Furniture: Armchair -- Money: Guineas -- Medical Procedures: administering medicine -- Literature Allusion: Richard Brinsley Sheridan, 1756-1816, 'The Duenna'., 1 print : etching on wove paper, hand-colored ; plate mark 23.9 x 35.6 cm, on sheet 25.6 x 38.3 cm., Window mounted to 36 x 51 cm., and Mounted opposite page 436 (leaf numbered '50' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. Jany. 16th, 1802, by S.W. Fores, 50 Piccadilly
Subject (Name):
Billington, Elizabeth, 1765-1818, Lewis, William Thomas, 1746?-1812, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Obesity, Opera singers, Chairs, Coins, Physicians, and Putti
"Mrs. Clarke (left) stands on one of a pair of scales which is held down by Wardle and almost rests on the ground, while three lawyers in wigs and gowns (evidently Sir W. Grant, Gibbs, and Plomer) stand on the other (right) which General Clavering tries desperately to pull down. The beam is inscribed England expects every Man to do his Duty, and is supported on a mitre (see British Museum Satires No. 11227) worn by the Duke of York, who stands on William Adam's back, which is inscribed Rock of Adam ant. Adam, who lies prone, puffs a blast inscribed Gratuisously [sic] against Mrs. Clarke. Under his hand is an Anonymous Letter. Wardle, in civilian dress, holds out towards the Duke a paper headed [Ch]arges. Perceval, in his Chancellor of the Exchequer's gown, leans towards the right scale, holding out two papers: 199 Majority and 82 Majority, another, 241 Majority, lies on the scale. Where this scale is attached to the beam there is a purse labelled Light Crown Pieces. The Duke wears regimentals with gorget and star, and holds a paper: the Honor of a . . . [Prince]. He holds his drawn sword across Perceval, as if protecting him. Clavering sits on the ground, straining at the ropes. He sits on a paper inscribed [G]enl Claver[ing], and has a paper: Prevaricating Evidence [see British Museum Satires No. 11247]. Beside him is a fragment of paper inscribed Sic donec. Beside the principal performers, and between Mrs. Clarke and the Duke, stands John Bull, a short fat 'cit', holding a large weight inscribed Vox Populi --Sterling. He says: If I dont throw in my weight, our dearest sweetest Love will get the worst of it after all. (Her scale, however, rests on the ground with Wardle's help only.) She turns to him, saying, O Mr Bull! Pray give a pull! At her feet are Letters [see British Museum Satires No. 11228, &c.]."--British Museum online catalogue
Description:
Title etched below image. and Attributed to Charles Williams in the British Museum catalogue.
Publisher:
Pubd. March 1809 by Walker, No. 7 Cornhill
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Wardle, Gwyllym Lloyd, 1762?-1833, Grant, William, Sir, 1752-1832, Gibbs, Vicary, Sir, 1751-1820, Plumer, Thomas, Sir, 1753-1824, Clavering, Henry Mordaunt, Adam, William, 1751-1839, and Perceval, Spencer, 1762-1812.
Subject (Topic):
Military officers, British, Mistresses, Lawyers, Miters, and Scales
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Wellington, handsome and youthful, stands beside his white charger; he wears a star (K.G., 4 Mar. 1813) and a star dangles from his horse's head. A young officer runs up to him from the left hat in hand, proffering a field marshal's baton; he says: "General I greet you with the tydeings of complete Victory the Usurper and his Field Marshal have fled, and left all their Cannon, Amunition, Baggage, Military Chest, provision, and I here present you with Marshall Jourdans Baton of command!" Wellington says: "May this Trophy prove--our hope of future victory, and England once more restore Spain to her lawful Soveriegn!" Between and behind them stands a third officer, looking at Wellington with both arms raised ecstatically. On the extreme right and almost in back view an officer looks through a telescope saying, "There goes King Joey!" He looks towards tiny figures on a bluff (left) near the towers of Vittoria. They stand on raised ground in the foreground. Behind (left) English infantry run forward with fixed bayonets; bodies lie on the ground."--British Museum online catalogue
Alternative Title:
Wellington and glory, or, The victory of Vitoria, Victory of Vittoria, and Victory of Vitoria
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered "206" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Sheet trimmed within plate mark on bottom edge., and Leaf 63 in volume 3.
Publisher:
Thomas Tegg
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Joseph Bonaparte, King of Spain, 1768-1844.
Chatham sits in an arm-chair attended by doctors; he wears a night-cap, and over his uniform and boots a patterned dressing-gown and holds a copy of 'The Times' in his right hand. He looks up at a hideous doctor (left), who feels his pulse, holding a watch. The doctor says: "Your Pulse is going with uncommon Expedition indeed my Lord, you have too much Blood in you. you must lose a few Ounces". Chatham: "Don't mention that word [Expedition] again Doctor, it brings an [sic] a Flushing in my face, and sets me in a palpitation". On his other side stands Sir William Curtis proffering a steaming bowl of soup on a salver; in his pocket is a 'Plan for a Jollyfication on the 25 Octr 1809'. He says: "You'll find my Soup, is the best thing in the world for palpitations, it always cures me speedily and soon. I hope you'll be well enough to come to our Jollyfication on the 25th. On the extreme right stands a stout John Bull, a 'cit' holding his hat; he looks across at the doctor on the left, saying contemptuously, "Pho Pho! Doctor your wrong! its only a Flushing in the face. for D-----e if I think he has a bit of Blood in him". Behind Chatham is a 'Camp Convenience' or travelling commode under which lie his cocked hat and sword; on it is a book of 'Military Tactics'. On the wall is a 'Map of Walch[eren]', showing 'Flush[ing]' and one of 'Quiberon Bay', both partly obscured by steam from Curtis's soup. On the ground are two books: 'Jack the Giant Killer' and 'The Seven Sleepers'. The doctor's cocked hat, gloves, gold-headed cane, and a large volume, 'Pharma-copiæ' are on a chair (left), behind which are a small writing-table and curtained bed. After the title: 'In one thing only, thats the Fee, Doctors you'll find will er'e agree'.
Alternative Title:
Regular and quack opinions on the flushing fever
Description:
Title from caption below image., Two lines of verse follow title: In one thing only, thats the fee doctors you'll find will erè agree., and For further information, consult library staff.
Publisher:
Pubd. Septr. 1809 by Walker, No. 7 Cornhill
Subject (Name):
Chatham, John Pitt, Earl of, 1756-1835 and Curtis, William, Sir, 1752-1829
Subject (Topic):
John Bull (Symbolic character) and Walcheren Expedition, 1809
"Mrs. Clarke stands before a large doorway inscribed Clark and Company. She wears a white short-sleeved dress with plumed cocked hat, gorget, and military sash, sword-belt and scabbard. The sword she holds over her head, saying, Now Gentlemen you had better be quick I have a few bargains to dispose of. as the partnership is disolving. She holds out a paper: List of Prices at Clark and Co's Warehouse--Majority--£900. Company --7oo. Lieutenancy 400. Through the doorway behind her are seen great stacks of papers in her 'warehouse'. These are labelled: Captains Commissions 500 each, Half-pay Commissions 200 each, Lieutenant, Colonel, Major, Cornet. On the wall is a notice: NB a sum wanted by way o Loan, terms to be seen within. On the right stands a man playing a fiddle, and saying with a sly smile, If you want de commission, you must give me de Note den I go play de Fiddle to de white petticoat. From his coat-pockets hang papers: Pay Sigr Cor[ri] for [word illegible] 200; and a piece of music: The Petticoat [see British Museum Satires No. 11220]. Beside him lies a large Note Book. Above his head hangs upside down a portrait: The Dukes Head; the upper part only of the Duke of York's profile is visible, defaced by a black mark, the rest of the picture being cut off by the upper margin of the design. On the left two military bandsmen play a drum and fife. One asks: What tune shall we play now Jack the Duke of Yorks Marck [sic]? Answer: No No lets play she's off with another."--British Museum online catalogue
Alternative Title:
Commission warehouse
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Imperfect; the word "York" at beginning of title has been erased from sheet.
Publisher:
Pubd. February 1809 by Walker, No. 7 Cornhill
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827.
Subject (Topic):
Daggers & swords, Musicians, Violins, Drums (Musical instruments), Military bands, Military uniforms, British, Price lists, Warehouses, and Portraits