"Copy of a French print. Two fantastically dressed couples dance, but in different manners. One pair (left) dance side by side, the man's right arm on his partner's waist, her left arm on his shoulder. The other couple face each other, the lady leaning outwards, hands on her partner's shoulders, while his left hand touches the back of her shoulder."--British Museum online catalogue
Alternative Title:
Bon genre, 1810
Description:
Title from text above and below image., Printmaker from British Museum catalogue., and Matted to 47 x 62 cm.
Publisher:
Dépose à la Bibliot. Nat., Rue Montmartre, No. 132, et à Londres, chéz H. Humphrey, St. James Street, No. 27
"A lady, young and handsome, stands in profile to the left holding a closed fan in both hands. She wears one garment only, a quasi-classical tunic, its waist immediately below the breasts which are almost bare. It is slit at the side to show a leg with gartered stocking. Her hair is bound with a ribbon and falls loosely on forehead and shoulders. In it are three ostrich feathers. A panelled wall, with a candle-sconce and showing part of a large mirror (left), forms a background. There is a patterned carpet. Perhaps a portrait of Lady C. Campbell."--British Museum online catalogue
Description:
Title etched below image. and Printmaker identified as Gillray in the British Museum catalogue.
Publisher:
Pubd. Jany. 20th, 1796, by H. Humphrey, New Bond Street
"A fashionable crowd, with two card-tables, a round table in the foreground (left) at which four persons play Pope-Joan; the most conspicuous is a pretty young woman directed to the left, her loose semi-transparent draperies revealing her person and leaving her breasts almost uncovered. A leering man stands behind her chair, negligently holding candle-snuffers to a candle on the table, in order to peer down her décolletage. A stout lady in back view, sitting on a stool (identified as Lady Buckinghamshire, but (?) Duchess of Gordon), a little girl, and an elderly man (identified as Dr. Sneyd) complete the table. On the right is another card-table at which three persons are playing. Standing figures freely sketched form a background, the whole design being dominated by the erect feathers of the ladies, usually springing from a turban."--British Museum online catalogue
Alternative Title:
Peeping-Tom spying out Pope-Joan
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. March 12th, 1796, by H. Humphrey, New Bond Street
"Lady Strathmore leans back in an armchair, her legs crossed; in her right hand is a birch-rod, she holds in her left hand the hand of a boy, her (supposed) step-son, whom another woman (right) holds out for chastisement. He is crying, the woman is about to take off his breeches. On the extreme right a dinner-table is partly visible, with a large tureen decorated with coat of arms and coronet. Lady Strathmore's hair is decorated with flowers and feathers, her breasts are much exposed and her appearance is meretricious."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. May 25th, 1786, by W. Holland, No. 66 Drury Lane
Subject (Name):
Strathmore, Mary Eleanor Bowes, Countess of, 1749-1800 and Strathmore, John Bowes, Earl of, 1769-1820
"Fox, as the Devil, has sprung into the air, supported by small feathered wings inscribed 'Honesty' and 'Humility' and by two stout crutches, which rest upon dark clouds. He has a heavy hairy body with cloven hoofs, and wears a bonnet rouge with tricolour cockade and the triple plume of the Prince of Wales. The two crutches have the heads, respectively, of Sidmouth (left) and Grenville. He wears a long narrow cloak with a tricolour collar; it is inscribed 'Loyalty, Independence & Public-Good'. The end of this is clutched by John Bull, a fat 'cit' (resembling John Gilpin, see BMSat 6886, &c), who is drawn up into the air, losing hat and wig. Fox says, looking over his right shoulder with a sinister grin: "Come along Johnny! - take fast hold of my Cloak, & I'll bring you to the land of Milk & Honey!!!" The terrified John answers: " - O yes, I will try to holdfast! - but I'm damnably afraid that your Cloak may slip off before we get there, & I may chance to break my Neck!" Below John's feet and at the base of the design (left), are the roofs of London, including the top of the gateway of St. James's Palace and the dome of St. Paul's. Fox is flying towards the façade of Carlton House, which emerges from clouds; over its roof rises a sun emitting rays, the disk inscribed 'New Constitution'. Above the colonnade is the inscription 'Carolus. II. Redimmus'. Resting on the clouds below Carlton House are three tiny scenes: 'Liberty': two gamblers throwing dice, one Sheridan the other the Prince; men watch them. 'Chastity', the Prince and Mrs. Fitzherbert, indicated by feathers in her hair, embrace on a sofa. 'Temperance', men carouse at a round table; one sprawls on the floor. Fox, as the Devil (cf. BMSat 6383, &c), under the cloak of patriotism, is carried to power by two props, Sidmouth and Grenville, on whose coalition with the Foxites the new Ministry, see BMSat 10531, &c, is. based. This relies not on St. James's but on Carlton House, the secrets of which, as in Le Sage's story, are revealed in three scenes satirizing the life of the Prince. The allegation that the new Ministry was subservient to Carlton House was natural, see BMSat 10252, &c, and recurs, see (e.g.) BMSats 10530, &c, 10543, 10697, but proved unfounded, see G. M. Trevelyan, 'Lord Grey of the Reform Bill', p. 153 f., and cf. BMSat 10526, &c."--British Museum online catalogue
Alternative Title:
Devil upon two sticks conveying John Bull to the land of promise
Description:
Title etched below image., Attribution following title: Vide le Sage., and Mounted to 45 x 31 cm.
Publisher:
Publishd. Feby. 8th, 1806, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Grenville, William Wyndham Grenville, Baron, 1759-1834
"Sir William Pulteney sits directed to the left on the lowest of three large brass-bound treasure-chests. He wears a powdered wig, plain black coat and breeches, and top-boots. On the left side of his coat hangs a gold key, another is in his left hand. His right elbow rests on a chest and he looks through a single glass at a large open book: 'L'Etat de les Finances . . . République'. His hat and gloves are beside him. Behind is a pilastered wall and the corner (left) of a decorated ceiling. ..."--British Museum online catalogue
Description:
Title etched below image., Eleventh plate in the series "French habits." First plate in the series has series title "Habits of new French legislators and other public functionaries.", Sheet trimmed within plate mark., and Temporary local subject terms: French costume: Directory Treasurer.
Publisher:
Pubd. May 21st, 1798, by H. Humphrey, St. James's Street
"The Prince of Würtemberg (right) bends forward, kissing the Princess Royal on the right cheek. Her figure is matronly, his is corpulent. He wears two ribbons, many stars on his coat, while the jewels of orders dangle from his button-holes (cf. BMSat 9007)."--British Museum online catalogue
Description:
Title etched below image., Three lines of quoted verse below title: "Heav'n grant their happiness complete, and may they make both ends to meet, in these hard times., and Sheet trimmed within plate mark.
Publisher:
Pubd. April 15th, 1797, by H. Humphrey, New Bond Street & St. Jamess [sic] Street
Subject (Name):
Frederick I, King of Württemberg, 1754-1816 and Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828
"Tierney (right), directed to the left, stands on a scaffold beside a guillotine, on which his right hand rests. He wears a round hat with a red feather and small tricolour cockade, a black cloak, below which appear his own striped stockings and half-boots. The blade of the guillotine is raised; it drips blood, as does the aperture for the victim's neck. Behind, the heads of a crowd, all wearing the bonnet-rouge, look up at the scaffold. On the right is a house."--British Museum online catalogue
Alternative Title:
Bourreau
Description:
Title etched below image., Sixth plate in the series "French habits." First plate in the series has series title "Habits of new French legislators and other public functionaries.", Sheet trimmed within plate mark., and Temporary local subject terms: French costume: Directory executioner.
Publisher:
Pubd. April 18th, 1798, by H. Humphrey, 27 St. James's Street
"Two enormously fat courtesans sit side by side on a settee which they completely fill; between them and on the knees of both sits the Duke of Norfolk, a wine-glass in his left hand, in his right he holds the hand of one of the women at whom he gazes with a smile. Both women look amorously at him; they are dressed decorously and without extravagance. At the Duke's feet lies his baton as hereditary Earl Marshal. Above the two women is etched: (left) 'The Royal Sovereign, was formerly to be seen by all admirers of Natural Curiosities at Sixpence pr Head, & is reported to weigh near Forty-Stone', (right) 'Nell H--t--n, weighs rather under Thirty Stone; & in the absence of the Great Man, his place is agreeably filled by T------ W-----d, the celebrated collector on the Highway.' After the title is etched: 'Vide. Strand Lane; Temple Barr; &c. &c. &c.' [places frequented by prostitutes]."--British Museum online catalogue
Alternative Title:
Rich pickings for a noble appetite
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Furniture: settees -- Dishes: wine glasses -- Emblems: baton of Hereditary Earl Marshall., and Watermark: Armorial shield with fleur de lis above and monogram W below.
Publisher:
Pubd. May 1792 by H. Humphrey, No. 18 Old Bond Street