"Ministers recline on a large low platform, representing a magnificent state bed, which is completely covered with roses. It recedes in perspective from left to right. On the left is Fox, looking sourly over his left shoulder at his neighbour, Sheridan, to say: "This is the most uncomfortable bed I was ever on in my Life and not the least like a bed of Roses - Zound!! what a thorn is running into me - Oh that Bramble - Sherry my Dear how do you find it - ". Sheridan answers: "My dear Charley, I have not had a wink since I have been on it, - curse that Castle man what did he mean by his bed of roses - I am as sore from the tip of my Nose, to the tip of my Toe - as if I had been roling on a quick set-hedge - or stung to death by a swarm of bees at a Hampshire Farmers [an allusion to Cobbett's pen]". Behind Fox, and in profile to the left, Moira, in uniform, with cocked hat and jack-boots, sits up, very erect; he says: "What are Cannons or Bombs or clashing of swords, compared to the pain I endure." Windham, next Sheridan, registering melancholy, says: "I feel more uneasy than if the whole Volunteer force was upon me." Ellenborough, behind Sheridan and Windham, ill-temperedly puts his hand to his wig. Erskine, also in wig and gown, reclines as if exhausted, his eyes closed, his attitude characteristic of his notorious fainting in court (see British Museum Satires No. 7956). He and Grey (Lord Howick from 11 Apr.), who sits behind him, are in profile to the right; the latter says: "It is just such a bed, as I expected the late bungling bed makers would leave us." On the extreme right little Lord Henry Petty (wearing his Chancellor of the Exchequer's gown) sits up, angrily holding above his head two handfuls of thorn-branches. He says: "I shall never have done clearing the brambles and Nettles from this Bed, my Budget would not hold one half of them." The low frame of the bed is carved and has a valance of fringed and festooned draperies. At the head are the Royal Arms; looped curtains are suspended above it."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Mounted on linen and formerly sewn in an album with only the holes remaining on left edge.
Publisher:
Pubd. April 1806 by Walker, 7 Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Ellenborough, Edward Law, Baron, 1750-1818, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Castlereagh, Robert Stewart, Viscount, 1769-1822., and Cobbett, William, 1763-1835.
Subject (Topic):
Politics and government, Beds, Roses, and Draperies
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull, a 'cit' wearing (unfastened) shirt and breeches, stands in a bare room near a miserable truckle bed, furiously waving wig and a night-cap inscribed 'Patent', towards objects representing malt, tea, tobacco, and coffee. He has flung at them his hat, coat, waistcoat, and shoes, and they totter backwards under the impact (right). All are demanding "More Wages," except malt, which asks for "More Profit." John shouts: "More Wages, you Scoundrels! will you never be satisfied! have'nt I given you House and increased your wages at different Tunes for Years past, and now you want more! But I'll dispense with ye all, so out of my House, ye pampered Knaves! you have pretty near stript me, theres my wig among ye! I'll put on this patent Narcotic Night cap and sleep till you have come to your senses again, so take yourself off to your advisers! Off with you! off!!!" The objects are constructed of utensils, &c., as in British Museum Satires No. 11822, &c.; they are closely grouped and delicately poised; they totter towards the open door (right). Tea is built up on sugar-tongs for legs, supporting two cups and saucers on which is a tea-caddy; on this rests a large kettle, spouting steam, and itself supporting a pile of sugar-bowl, tea-pot (from which spouts liquid inscribed 'More Wages'), cream-jug, and spoons. A solid cask of 'Home Brewed' is supported on long-stemmed glasses for legs; on it is a tankard of 'No Mans Entire' from which issues froth inscribed 'More Profit'. This is flanked by two bunches of barley. Two long tobacco-pipes, one broken, are legs supporting a canister of 'Best Virginia'; on this is a triangular spittoon, supporting a guttering candle-end in a flat candle-stick; the smoke from this is inscribed 'More Wages'. Nearest the door (right) two spoons support two coffee-cups and saucers on which is a coffee-mill, supporting a milk-jug from which a coffee-pot is falling, spouting 'More Wages'. On the bare floor (left) near a pitcher of 'Water' is an open book, 'The Life of Comoro', with a portrait head."--British Museum online catalogue
Alternative Title:
John Bull routing his rapacious servants
Description:
Title etched below image., Printmaker and month of publication from British Museum catalogue., Plate numbered "359" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Temporary local subject terms: Furniture: Trunkle bed -- Kitchen utensils., Watermark: 1817., and Leaf 71 in volume 5.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The three members of the Royal family who had recently been given the Freedom of the City as members of the Fishmongers' Company are represented as Billingsgate porters, carrying baskets of fish on their heads, and being kissed by Billingsgate women. All wear flat round hats and aprons. Prince Leopold has a German sausage (cf. British Museum Catalogue No. 12759) projecting from his coat-pocket, and another is in his basket. A comely woman puts her arms round his neck, saying, "My dear Boy you are Welcome to Billinsgate, come give us a buss!! Charlotte wont be angry." He answers: "Stop my Dear I lay down my Sole, and give you bit de german saucage." Two women (left) hurry up from the left, eagerly wiping their mouths on their aprons. They say: "By Goles he's a nice fellow Come do make haste Poll," and "That's right Bet! if you dont look sharp we shant get a taste." The Duke of Sussex, fat and good-natured, is beset by two women, one, an Irishwoman, kisses his mouth. He says: "You Hussey you'll upset my Cod!" She answers: "By the Powers if I care about that my Jewel! I'll have a taste of your Jowl, and a rare Jolly one it is!!" A paper projects from his pocket: 'Freedom of the City of London'. In the middle distance (right) stands the Duke of Gloucester, silent between three women who say: "Now let me have the first an I'll carry your fish; Give me the first and I'll carry you and fish too my heart I'll have such a smack," and "You have a smack indeed I'm the girl for smacking & know the true Gloucester go." A woman sitting by her basket (right) drinking gin says: "you may smack there I'll smack here! so God Bless the Royal Fishmongers." Behind are masts and sails with (right) the colonnade of Billingsgate Market on the quay-side."--British Museum online catalogue
Alternative Title:
Royal fishmongers, or, A welcome to Billingsgate, Welcome to Billinsgate, and Welcome to Billingsgate
Description:
Title etched below image., Printmaker from initials present on earlier state: C.W. [Charles Williams]., Later state; printmaker's initials and imprint statement have been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pub. Novemr. 1816 by Thos. Tegg, 111 Cheapside. Cf. No. 12815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Three lines of quoted text following title: "They printed melting kisses, "balmy as Burnetts gin, chaste as Drurys maids, "and keen as longing mothers., Plate numbered "203" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 58 in volume 3.
Publisher:
Thomas Tegg
Subject (Name):
Léopold I, King of the Belgians, 1790-1865, Augustus Frederick, Prince, Duke of Sussex, 1773-1843, and William Frederick, Duke of Gloucester, 1776-1834
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Six scenes, arranged in two rows, each with an inscription above the design. The figures are realistic, not 'Lilliputian', as in British Museum Satires No. 11134, &c. [1] 'Lilliput is situated a considerable distance from the Island of Great Britain, and the Natives have many singular manners and customs, one in particular is swearing to give a vote according to conscience with one hand, and receiving a bribe with the other--what a happy thing it is that nothing of the kind ever occured in England.' A scene at the hustings, showing one of the posts inscribed 'St M . . .' indicating the polling-place for one of the Westminster parishes, cf. British Museum Satires No. 10619, &c. An elector takes a book (Testament) from a poll-clerk, while a man slips coins into the hand which he holds behind his back. There are spectators (or voters) outside and inside the hustings; a woman sells a ballad. [2] 'They have a litte [sic] man in Lilliput call'd John Bull, we suppose in humble imitation of that Gentleman so named in our Country but the comparison can never hold good, the Lilliputian John Bull though overburthened with Taxes is continually visited by the collector for more--we well know that is not the case in England!!' John Bull, a fat 'cit', is seated in an arm-chair wearing a hat, with a tankard and pipe on a table beside him. He looks up angrily at a lean tax-collector who stoops towards him, holding an open book. On the wall is a (damaged) picture, 'Liberty', holding her cap on a staff. [3] 'There we frequently see Merit in distress, and Ignorance, rolling in affluence, if such facts were mention'd in England, they would not be believed!! their manners are so different.' A street scene. A small thin man (left), his eyes on the ground, and a fat, vulgar, arrogant fellow walk towards each other on the pavement. The former has his hand in his coat-pocket in which is a pamphlet: 'Poem[s] on var ....' They are identified by two bills on the wall: 'By Permission of the Lord Chamberlain--for the Benefit of Peter Prose authour of several Pieces' and (headed by the Royal Arms) 'Slushbuckett Nightman to his Majesty'. [4] 'In Lilliput it is well known that a Female throug [sic] certain influence has disposed of situations in the Army and Church, what would our John Bull say to that!!' Mrs. Clarke receives her clients seated at a small round table; she holds out her hand to take a money-bag from a parson (O'Meara, see British Museum Satires No. 11258, &c.). Behind, an officer advances, sweeping the ground deferentially with his cocked hat, a money-bag in his hand. The head of a third applicant is on the extreme right. A window and a folding screen form a background. The Duke of York inconspicuously watches from behind the screen. See British Museum Satires No. 11216, &c. [5] 'A certain Nobleman in Lilliput is said to have become a jobber and disposed of a seat in Parliament; a pretty Parliament that must be!! O John Bull you are a happy man!' Castlereagh and another well-dressed man sit facing each other across a small round table. Castlereagh hands over a document, the other a money-bag. [6] 'In Lilliput it is common for a boy of fifteen through interest, to leap over the shoulders of a vetran Hero!--Ay John Bull you may well be suprized--but such things are practiced there we assure you.' A boyish officer poised on the bent back of an elderly one, is about to leap over his head; he wears a fashionable crescent-shaped cocked hat; the elder man's old-fashioned tricorne falls to the ground. In front of them is an open door set in a stone arch, probably that of the Horse Guards. John Bull, a fat 'cit', stands in profile to the right, gazing in astonishment. This long-standing abuse came into notice over the proceedings against the Duke of York, see British Museum Satires No. 11281."--British Museum online catalogue
Alternative Title:
Sketches of Fairyland, or, A comparison between England & Lilliput. Pl. 1, Comparison between England & Lilliput, and Comparison between England and Lilliput
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state, with beginning of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Decr. 1810 by Thos. Tegg, 111 Cheapside. See British Museum catalogue., Plate numbered "201" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 56 in volume 3.
Publisher:
By Thos. Tegg, 111 Cheapside
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Castlereagh, Robert Stewart, Viscount, 1769-1822
"John Bull, a fat 'cit', is seated beside a writing-table (right) holding up a large book. On the left hand page is inscribed 'Vote of Thanks respecting the Expedition to Copenhagen'; John's pen rests on the last word, but he turns in horror to gaze at the ghosts of (left to right) Fox, Pitt, and Burke. These wear shrouds and stand on clouds; all point a menacing forefinger. Fox says: "Erase those lines from your Journal"; Pitt and Burke say "Erase". Burke wears spectacles and a Jesuit's biretta (cf. British Museum Satires No. 6026), and holds a large book inscribed 'Sublime & Beautiful' [cf., e.g., British Museum Satires No. 6361]. John wears glasses, his hair rises on his head, pushing up his ill-fitting wig. He says: "Why dont you come then and transact the business yourselves? - it is impossible I can please every body. - it is come to such a pitch now that I have no peace either with the living or the dead!!!""--British Museum online catalogue
Alternative Title:
Spectres visiting John Bull
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed to plate mark leaving thread margins.
Publisher:
Pubd. Feby. 23, 1808, by Walker, No. 7 Cornhill
Subject (Geographic):
Great Britain and Denmark.
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Burke, Edmund, 1729-1797
Subject (Topic):
Napoleonic Wars, 1800-1815, Foreign relations, John Bull (Symbolic character), Ghosts, and Writing materials
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 10763, representing Ministerial and Opposition leaders on platforms in front of their booths. On the extreme left. is Sheridan addressing the crowd below: 'Walk in Gentlemen and Ladies - here is no deception. Just going to begin.' He points to his back-cloth which hangs from a flagstaff: under a bottle and glass is the inscription 'Prime Sherry Gratis - The Comedy of A New Way to Pay Old Debts [Massinger] - with the Publicans Friend.' Harlequin, masked, with a blackened face, postures behind him. The flag is inscribed 'In vino Veritas'. On the adjacent booth Castlereagh stands with upraised arms, holding a tali long-bow with two strings. Beside him a pierrot bangs a salt-box. His back-cloth is inscribed 'The Genuine Booth - Two Strings to your Bow [a popular farce by R. Jephson, 1791] and a Trip to Down [see British Museum Satires No. 10715]'. His flag is inscribed 'Down Down Hey Derry Down.' The centre booth has a tattered back-cloth inscribed 'The Old Broad Bottomd Booth rather out of repair But Excellent Entertainment.' Its flag, also tattered, is 'Catholic Emancipation'. On the platform Grenville bows very low, hat in hand. Beside him is a pierrot holding up a steaming bowl and a placard: 'Treasury Soup Hot at all Hours'. The next booth is 'The Only True Constitutional Booth Persevere & Company' the flag is 'No Popery'. On this Perceval, his back to Grenville, bows, saying, "Dont mind what the Broad Bottoms say good people - mine is the only treue constitutional Booth." He has two attendants, one holding 'Magna Charta' besides a man blowing a trumpet to which is attached a banner with the royal arms. On the extreme right., a little apart from Perceval's booth, is that of Canning. The back-cloth is inscribed: 'A Collection of Sky Rockets Just arrived from Denmark very Curious.' Rockets rising from behind the cloth descend in golden streams on the crowd below. Canning is in full armour and holds a tilting-lance; he says: "Don't be afraid they won't hurt you." His pennant is 'Necessity has no Law.' A man in the crowd, looking up at the rockets, says: "To tell you the truth I don't admire Sky." On the ground-level are side-shows under two of the platforms. That of Grenville is the roof of a square stone building; its door is placarded 'Portland Stone moveable Kitchen, a great Curiosity' [cf. British Museum Satires No. 10718]. No ladder ascends to the top, as with all the other booths, so that Grenville can descend only by stepping on to an adjacent platform. Beneath Perceval's platform is inscribed: 'Underneath to be seen the Bed of Roses' [see British Museum Satires No. 10558, &c.]. Among the crowd of gaping spectators are men crying their wares. They hold out broadsides. One (left) shouts: "Who buys my rotten Burrows if I'd as much money as I could tell I never would cry rotten Burrows to sell." A yokel in a smock asks him: "What do you ax Master for a good snug thing in your way." A man cries: "Who wants to buy any New Taxes"; a fat farmer says: "Dang it we have got enough of that Article". A Highlander in a kilt cries "Places and Pensions at half Price". A man offers a similar Highlander: "Snug Sinecures Dirt Cheap." A corpulent parson addresses a stout woman whose arm a much shorter man is holding: "Any more Church livings than you make use of I'll buy them of you." On the extreme right a quack doctor offers money-bags: 'Delicate Consciences effectively cured - no cure no Pay'."--British Museum online catalogue
Alternative Title:
Saint Stephens fair
Description:
Title etched below image., Later state, with former plate number "39" removed and a new number added. See British Museum catalogue., Text following title: O don't you think it a wonderful fair." Holcroft., Companion print to: A political fair., Plate numbered "255" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shilling colored.", Temporary local subject terms: Harlequins -- Weapons: Long bow -- Clowns: Pierrot -- Salt boxes -- Reference to Magna Charta -- Royal Arms -- Male costume: Armor -- Tilting lance -- Fairs -- Farmers -- Male costume: Kilt -- Scots -- Parsons -- Female costume, 1808 -- Physicians -- Quacks., and Leaf 39 in volume 4.
Publisher:
Pubd. Feby. 8th, 1808, by Thos. Tegg, 111 Cheapside, London
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Castlereagh, Robert Stewart, Viscount, 1769-1822, Grenville, William Wyndham Grenville, Baron, 1759-1834, Perceval, Spencer, 1762-1812, and Canning, George, 1770-1827
Title from caption below image., Sheet trimmed within plate mark., Quotation following title: O don't you think it a wonderful fair. Holcroft., Printseller's announcement below design: Price one shilling colored., Plate numbered "39" in upper right corner., Temporary local subject terms: Harlequins -- Weapons: Long bow -- Clowns: pierrot -- Salt boxes -- Reference to Magna Charta -- Royal Arms -- Costume: Male armor -- Tilting lance -- Fairs -- Farmers -- Male costume: Kilt -- Scots -- Parsons -- Female costume: 1808 -- Physicians -- Quacks., and Plate numbered '82' in ms. along top margin of sheet. Numbering corresponds to plate position within previous collection.
Publisher:
Pubd. Feby. 8th, 1808 by Thos. Tegg, 111 Cheapside, London
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Castlereagh, Robert Stewart, Viscount, 1769-1822, Grenville, William Wyndham Grenville, Baron, 1759-1834, Perceval, Spencer, 1762-1812, and Canning, George, 1770-1827
Title from item., Sheet trimmed within plate mark., Quotation following title: O don't you think it a wonderful fair. Holcroft., Printseller's announcement below design: Price one shilling colored., Concluding digit in the publication year erased from print leaving worn paper., Later reissued with series number. Cf. no. 10966, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Temporary local subject terms: Harlequins -- Weapons: Long bow -- Clowns: pierrot -- Salt boxes -- Reference to Magna Charta -- Royal Arms -- Costume: Male armor -- Ttilting lance -- Fairs -- Farmers -- Male costume: Kilt -- Scots -- Parsons -- Female costume: 1808 -- Physicians -- Quacks., and Mounted to 30 x 43 cm.
Publisher:
Pubd. Feby. 8th, 1808 by Thos. Tegg, 111 Cheapside, London
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Castlereagh, Robert Stewart, Viscount, 1769-1822, Grenville, William Wyndham Grenville, Baron, 1759-1834, Perceval, Spencer, 1762-1812, and Canning, George, 1770-1827
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Judges and barristers, variously mounted, and bunched together, are galloping towards Hell, where flames rise from a pit (right). They are led by the Devil, black and naked, with webbed wings, who rides the skeleton of a horse and grasps a sceptre inscribed 'P'. In front two demons, dressed as postilions, act as outriders riding together on a smaller horse's skeleton. The foremost flourishes two rolled documents: 'B[ill] of Indictment' and 'Exparte Information', and shouts: "D--n your lazy bones make haste, do'nt you see what company we have got." The other has a document inscribed 'Declaration' and cries: "Come Gentlemen do'nt be chop fallen tho' we have no juries you will have justice done ye--!" Nearest the spectator is Ellenborough mounted on a tiger, his head concealed, but identified by his wig and gown, his bulk, and his words (to the Devil): "You infernal Imp what are you grining at an be d--d to you!!" [cf. No. 12808]. Next him is the Chancellor, Eldon, on a horse; he says: "Throw it into Chancery, and I'll warrant it will lay there long enough." Beside these two are two barristers (perhaps the Attorney-General and the Solicitor-General, Shepherd and Gifford); one holds his nose, saying, "Curse it what a smell of Brimstone, one would think we were all going to Hell." The other, who rides a (?) fox, leans forward, to address the Devil: "I say Friend do you think we can put off the trial till next term." The Devil answers: "Indeed Friend Botherem we have no put off's in our court, Justice and Dispatch is the Law that guides us." A third barrister (left) sits facing his horse's tail, addressing a miserably emaciated and ragged man who is at the back of the procession on a wretched horse; he holds a 'Writ of Error' and says: "Egad I am afraid I shall not be up to the practice of this court, but with your assistance we shall have time to breathe a little." The other, who personifies the 'Long Vac[ation]', the name being on a scarf round his hat, answers: "Yes! yes! the long Vaccation has given many a poor fellow time to breathe, and brought their Tormentors to their last gasp!" In the background (left) a crowd of pedestrians advances with a banner inscribed 'Supaena' [sic]; above them hovers a demon."--British Museum online catalogue
Alternative Title:
Road to retribution
Description:
Title etched below image., Printmaker from British Museum catalogue., Eight lines of verse below image, four on each side of title: These are the realms of unrelenting fate, and awfull Radamanthus rules the state ... Drydens Virgl., Plate numbered "183" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed to plate mark on top edge., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., and Leaf 36 in volume 3.
Publisher:
Pubd. 1818 by T. Tegg, 111 Cheapside
Subject (Name):
Ellenborough, Edward Law, Baron, 1750-1818, Eldon, John Scott, Earl of, 1751-1838, Shepherd, Samuel, Sir, 1760-1840, and Gifford, Robert Gifford, Baron, 1779-1826