Antoninus, Saint, Archbishop of Florence, 1389-1459
Published / Created:
[between 1450 and 1475]
Call Number:
Marston MS 163
Image Count:
522
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of St. Antoninus of Florence, Summa moralis (extracts on sins, virtues and vices arranged thematically).
Description:
29 modern binders blanks at end not digitized. Back flyleaf indicative of binders blanks., Binding: 17th-18th centuries, Northern Italy. Resewn and bound in alum tawed pigskin, blind-tooled. Lower board cut in for the strap. The boards and cover are probably early (15th century) and reworked and reshaped to fit the text block, given the large number of later blank leaves inserted at end of text and the way the text block appears to have been trimmed at the tail and the new endbands added. In addition, the title written twice, 15th century, on upper cover ("Rationale diuinorum offitiorum" of Guilielmus Durandus) does not correspond to the present text. Title, written in ink, on a square paper label on spine mutilated and largely illegible. Strip of liturgical manuscript with musical notation, 15th century?, used as spine lining., Decorative initials, 9- to 5-line, for main text divisions, blue with red penwork designs (red much faded); headings, initials (5- to 3-line), paragraph marks in bright red; initial strokes in yellow., Purchased in 1958 from C. A. Stonehill by Thomas E. Marston., Script: Written by multiple scribes in small informal styles of gothic bookhand with humanistic features, below top line., and Watermarks, buried in tight binding: unidentified flower.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Vices, and Virtues
Manuscript on parchment of Gottofredo da Trani, Summa super titulis Decretalium. With medicinal recipes and a list of Roman emperors.
Description:
5 fine illuminated initials, 30- to 7-line, in blue or pink with white filigree on blue and red grounds framed in blue or red accentuated at the corners by gold dots. Infilled with intertwining or angular vines, some with biting head terminals, mauve or blue with white highlights and gold dots. Ascenders and descenders, red, mauve and blue terminating in spiralling serifs with biting animal heads or grotesques against cusped grounds. Two initials with vines issuing from upper and left corners, blue with white highlights ending in grotesques. 3- and 2-line calligraphic initials, red and blue with blue and red penwork. Plain initials alternating in red and blue. Headings in red; running titles (chapter numbers) alternating red and blue. Instructions to rubricator in lower margins., Binding: Nineteenth century, France. Early sewing on five supports with 19th-century boards covered in parchment. Title on spine: "Gofredo de Trano/ Manuscrit"., and Script: Written in a rounded gothic bookhand, below top line; marginal annotations and finding aids by a contemporary hand in less formal script.
Subject (Topic):
Canon law--Early works to 1800, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholasticism
Manuscript on parchment (poor quality), composed of two distinct parts. Part I: Thomas Aquinas, Super Metaphysicam. Part II: Thomas Aquinas, Super de causis.
Description:
Binding: 14th-15th centuries, Spain. Original sewing on five tawed skin, double supports laced into beech boards. Plain, wound natural color endbands. Single parchment leaf (front) and bifolium (rear), from what appear to be two different Hebrew Bible manuscripts, serve as pastedowns and spine-lining; they have been cut out around the sewing supports. Yellow edges. Covered in what was originally blue tawed skin (now faded) with two fastenings, the catches on the lower board and the straps attached with star-headed nails. Traces of title (?) scratched onto skin of upper board., Part I: One illuminated initial, rubbed, f. 1r: blue with white highlights on dark red ground with white highlights; terminals of ground extend up and down as modest border in blue, dark red and gold. Flourished initials of various sizes, styles and quality: blue with red penwork designs, red with blue, red with purple (ff. 75r-119r) and red and blue divided with penwork in purple (e.g., f. 88v); some flourished initials with border extensions (e.g., f. 110v). Running headlines in red and blue; paragraph marks alternate red and blue. Traces of guide letters for decorator. Part II: Spaces for decorative initials remain unfilled., and Script: Part I (ff. 1-120): Written by a single scribe in small gothic book hand. Part II (ff. 121-132): Written in a less accomplished gothic script than that in Part I.
Subject (Name):
Aristotle and Thomas,--Aquinas, Saint,--1225?-1274
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Philosophy, Ancient, Scholasticism, and Scholia
Manuscript on paper of 1) Life of Terence. 2) Terence, Andria. 3) Terence, Eunuchus. 4) Terence, Heautontimoroumenos. Artt. 5-24: Cicero, Epistolae. 25) Commentary, partly in Italian, on the first letter of Cicero to Lentulus Spinther (some loss due to trimming).
Description:
Binding: Seventeenth century. Limp vellum case with title lettered in ink down the spine., Crude initials mark beginning of each section; rubrics throughout; many letters stroked in red., Script: Written by multiple scribes in various styles of round humanistic and gothic scripts. One hand supplied most of the glosses on Terence and Cicero and the texts on ff. 143r-145v in italic., and Unidentified watermarks buried in gutter include horn, mermaid in a circle; two distinct birds in circles similar to Briquet Oiseau 12203 and 12220.
Subject (Name):
Terence
Subject (Topic):
Latin drama (Comedy), Latin letters, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper and parchment containing 1) Ownership inscription and note on the scribe, followed by a variant form of a Biblical quotation (Lamentations 3:27-28). 2) Legend of St. Jerome in Italian, with special attention for miraculous events, as an introduction to artt. 4-6. Quotes Iohannes Belet (12th century), St. Augustine, Prosper of Aquitaine, Isidore of Seville, Sulpicius Severus. 3) Ps.-Eusebius, Epistula de morte Hieronymi (BHL 3866), Italian translation. 4) Ps. -Augustinus Hipponensis, Epistola de magnificentiis Hieronymi (BHL 3867), Italian translation. 5) Ps.-Cyrillus, Epistola de miraculis Hieronymi (BHL 3868), in Italian translation. 6) History of abbot Daniel living in Thebais and his disobedient servant, to whom he tells the life of a virtuous man they have met, called Eulogius, who eventually became patricius and praefectus praetorio in Constantinople at the time of emperor Justinus I (518-527); due to the loss of one or more quires the major part of the text, containing the intervention of the Virgin, is missing.
Description:
Binding: Quarter binding of bevelled wooden boards (worm-eaten) and brown leather; spine with three raised bands and paper title label with handwritten 17th-century inscription: “Vita / di S. / Girola.” On the boards marks of one clasp attached to the front board and on the front board the ca. 1800 inscription “JO.” written in black ink. Possibly the binding once belonged to another manuscript., Collection of Bernard M. Rosenthal (MS 38). Purchased from him on the Edwin J. Beinecke Fund., Description follow modern foliation which includes two preliminary leaves.., Headings in pale red, often difficult to read. Yellow heightening of the majuscules. Initials, with guide letters written in the space reserved for the initial: (1) flourished initials (3-4 lines) in red with pale red (or brown) penwork or in blue with red penwork, sometimes with marginal penwork extensions; (2) at the beginning of each text a larger initial; the letters following this type of initial are majuscules. F. 3r: 12-line blue initial of the littera duplex type with extensive penwork in red and some blue, with decorative border in the same colours in the inner and lower margin and tendrils in the other margins containing flowers and acorns; the border of the lower margin terminates in a medallion containing a coat of arms; ff. 8r, 41r: 9-line initial of the same type and in the same colours; f. 47v: 6-line, idem; f. 77v: 7-line black initial., Script: Copied by one hand in a peculiar form of Southern Gothica Textualis Libraria under Humanistic influence as visible in the total lack of compression; special features are: the sloping hairline at the top of the second stroke of e, parallelled by the sloping stroke on i; h with exceptionally long curved extension under the baseline; the forked lower ending of f and straight s on or under the baseline and the forked descender of p; and the very fancy majuscules., and The lower margin of f. 62 torn off.
Subject (Name):
Jerome,--Saint,--d. 419 or 20
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Latin letters, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (bad quality) and paper containing 1) Guillelmus Peraldus (Guillaume Peyraud, s. XIII), De professione monachorum. 2) Requirements for the priest who is proceeding to the consecration of the Eucharist. 3) Iohannes Gerson (1363-1429), Opus tripartitum de praeceptis Decalogi, de confessione et de arte moriendi. 4) Anonymous treatise on the seven sacraments. 5) A short treatise on the Canonical Hours, being an annex to art. 5. 6) Henricus de Coesvelt OCarth. (d. 1410), De sacramento eucharistiae. 7) Anonymous treatise on the preparation to mass. 8) Alphonsus Bonihominis OP (d. c. 1353), Historia Ioseph. 9) Thomas de Cantimprato (Thomas of Cantimpré, d. before 1266?), Vita sanctae Christinae Mirabilis (d. c. 1224). 10) Guido Vicentinus OP (d. 1332), Margarita Bibliae (Biblia metrica), without the prologues. 11) Table of contents.
Description:
Binding: ca. 1900. Tan morocco binding over heavy bevelled wooden boards; the covers decorated with a blind-tooled roll, and gold-tooled frames. Five decorated brass bosses with cornerpieces, of an undetermined age (16th century?), on each cover, and two brass clasps, equally much older than the binding, attached to the rear cover. Spine with four raised bands. Six leather tabs., Modern (paper) binder's blanks not digitized., Script: Copied by various scribes in Gothica Semihybrida or Hybrida Libraria; the last section only (art. 11) is copied in a more rapid Gothica Cursiva Libraria/Currens, by Henricus de Benthem., and The decoration differs from section to section. Red heightening of majuscules, red paragraph marks and red underlining. Headings in red or black, sometimes in Textualis. 2-line (rarely 3- or 4-line) plain initials in red. 4-, 5- or 6-line flourished initials in red with black penwork on ff. 2r (art. 2), 50v (littera duplex, art. 4), 72r (littera duplex, art. 5), 146r (littera duplex, art. 8), 178r (art. 9).
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Monasticism and religious orders, and Theology--History--Middle Ages, 600-1500
Manuscript on paper containing 1) Antonius Rampegolus (de Rampigollis) de Ianua (d. after 1423), Compendium morale (Figurae Bibliorum). 2) Comparisons of the Virgin to the sky, the firmament, a mirror, a lily, balsam, thunder, a sword, paradise, water or a river, a garden, a tree, joy, a staff, dew, gold, a door, etc. With quotations from Alanus (de Insulis?), Alcabitius, Algazel, Aristotle, Averroes, Avicenna, Chalcidius, Constantinus Africanus, Galenus, Hermes Trismegistus, Ignatius, Isidore of Seville, Orosius, Philaretus, Plato, Pliny, Sedulius, Simplicius, Solinus, Theophrastus, Tondalus, etc. 3) Ps.-Bernardus Claraevallensis (Pseudo-Bernard of Clairvaux) or Ps.-Beda Venerabilis (Pseudo-Bede), Meditationes passionis Christi per septem diei horas. 4) Planctus beatae Mariae virginis, ascribed to Bernardus Claraevallensis (Bernard of Clairvaux). 5) Note on the torments of Hell, after Ps.-Bernardus Claraevallensis. 6) Note on the delights of Heaven. 7) Henricus Totting de Oyta (d. 1397), Quattuor notabilia (Solutiones quarumdam quaestionum ad dominum Rudolphum). 8) A theological treatise in fourteen questions on indulgence and remission of sins. 9) Short treatise of canon law on qualifications for preaching and theological argument. 10) Bonaventura (1221-1274), De praeparatione ad missam. 11) Honorius Augustodunensis (c. 1090-c. 1150), Inevitabile sive de praedestinatione et libero arbitrio inter magistrum et discipulum dialogus, two extracts, respectively corresponding with the edition PL 172.1198-1199 and 1201 (the latter extract ending incomplete). 12) Rabbi Samuel, De adventu Messiae praeterito, translated from the Arabic by Alphonsus Bonihominis O.P. (d. c. 1353), with an introductory letter by the translator to master Hugh de Vaucemain, general of the Dominican Order, dated 1339. 13) Nicolaus de Dinckelsbühl (c. 1360-1433), Dicta super beatitudines.
Description:
Binding: Original binding: brown leather over rounded wooden boards, with some worm-holes, the outer lower edge of the rear board broken off; both covers blind-tooled with a frame and diamond pattern of double fillets, the diamonds decorated with three different stamps: a large quadrangular stamp with a quatrefoil, a circular stamp with a six-pointed star and a circular stamp with a rosette; in the triangles a small circular stamp containing a trefoil. Hinges broken. Spine with four double raised bands and braided leather headbands. Remnants of two clasps attached to the rear cover. On the lower edge the ca. 1500 title “Figure morales [?]” written in ink close to the spine is faintly visible. Parchment pastedowns. The front pastedown consists of (1) a notarial document in Latin, dated 6 Jan. 1428, written in Gothica Cursiva; (2) a leaf, partly covered by the preceding document, from a Formulary of Canon Law, 14th century, written in Gothica Cursiva Antiquior. The rear pastedown consists of fragments of two bifolios from a 13th-century Latin moral treatise, written in Gothica Textualis Libraria and containing innumerable Biblical quotations., Collection of Bernard M. Rosenthal, Berkeley (MS 175). Purchased from Rosenthal on the Edwin J. Beinecke Fund., ff. 151r-156v, 184r-192v, 231v-241v foliated but otherwise blank, not digitized., In the first section, copied by hand A, heightening of majuscules, underlining, paragraph marks and headings (in larger script), all in red; some headings, in black, are underlined in red and placed in a rhomboid frame in the same colour; 2-3-line plain initials in red, with guide letters; the 3-line initial on f. 1r is framed in red; the initial on f. 169r has rudimentary flourishing in the same colour. The final section, copied by hand B, is undecorated, although spaces for initials were provided., Script: Two contemporary scribes: A copied ff. 1r-204v in Gothica Semihybrida Currens; B copied ff. 206r-231r in Gothica Hybrida Currens., and Some pages badly damaged by the acid ink.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Gazaeus, Aeneas Rufinus, of Aquileia, 345-410 Traversari, Ambrogio, 1386-1439
Published / Created:
[ca. 1450]
Call Number:
Marston MS 1
Image Count:
127
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of 1) Aeneas Gazaeus, Theophrastus, translated into Latin by Ambrogio Traversari. 2) Life of St. Helenus, monk in Egypt. Text is an extract (incomplete) taken from the Latin translation by Rufinus of the Historia monachorum, ch. 11.
Description:
Acquired from C. A. Stonehill in 1949 by Thomas E. Marston., Binding: Fifteenth century, Italy. Vellum stays are adhered in and outside the paper gatherings. Original sewing on three tawed skin, kermes pink, slit straps which go through tunnels in the edges of wooden boards to channels on the outside where they are pegged. The primary endband, sewn on a tawed skin core, is gilt with traces of a red secondary endband. A design is scratched on the gilt edges. Covered in brown sheepskin with corner tongues and blind-tooled with progressively taller concentric frames alternately decorated with five small tools. Five flower-shaped bosses on each board, some wanting, and four fastenings, leaf-shaped catches on the lower board, the upper board cut in for the clasp straps which are attached with star-headed nails. Rebacked., ff. 2r-9v blank (first gathering; foliation begins on preceding flyleaf), One large illuminated initial, 5-line, of modest quality, in gold with black accents on a multicolored ground of red, blue and green with white vine-stem ornament and white dots. One smaller initial (unfinished), parchment color on blue ground with white vine-stem ornament. On f. 1r, in lower border an unidentified coat of arms: vert a chief sable (?), overall a lion (?) rampant gules (or purpre?) on the main field and or in chief and with bend (tincture undetermined) overall; the whole shield overpainted in black. Headings in red., Script: Written in humanistic script by a single scribe, above top line., and Watermarks: Briquet Fleur 6306, and unidentified shrub, ff. i-viii, in gutter; Briquet Tete humaine 15617.
Subject (Name):
Gazaeus, Aeneas
Subject (Topic):
Biography--To 500, Desert Fathers, Dialogues, Greek, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Monks
Manuscript on paper containing 1) Thomas Aquinas (1225-1274), Quaestiones de quolibet. 2) A series of Quaestiones on the soul. 3) Thomas Aquinas (doubtful), De natura generis. 4) Thomas Aquinas (doubtful), De principio individuationis. 5) Thomas Aquinas (doubtful), De natura accidentis. 6) Thomas Aquinas (doubtful), De quattuor oppositis. 7) Treatise on the immortality of the soul, being a shortened version of the beginning of Guillelmus de Alvernia (Guillaume d'Auvergne, c. 1180-1249), De immortalitate animae. 8) Thomas de Sutton (d. in or after 1300), De productione formarum substantialium. 9) Thomas Aquinas, De iudiciis astrorum. 10) Thomas Aquinas, De mixtione elementorum. 11) Thomas Aquinas, De aeternitate mundi. 12) Thomas Aquinas(doubtful), De instantibus. 13) Thomas Aquinas, De occultis operationibus naturae. 14) Thomas Aquinas, De principiis naturae. 15) Thomas Aquinas, De natura materiae et dimensionibus interminatis. 16) Thomas Aquinas, De motu cordis. 17) Anonymous (Ps.-Thomas Aquinas), De universalibus. 18) Anonymous (Ps.-Albertus Magnus), De intellectu et intelligibili. 19) Aegidius Romanus (Giles of Rome, c. 1244-1316), Theoremata de ente et essentia. 20) Anonymous commentary on Boethius (c. 480-c. 524), Quomodo substantiae in eo, quod sint, bonae sint (De hebdomadibus, CPL 892). 21) Albertus Magnus, De intellectu et intelligibili. 22) Albertus Magnus, De natura et origine animae. 23) Heymericus de Campo (Heymeric van de Velde, c. 1390-1460), Problemata inter Albertum Magnum et sanctum Thomam, written 1423-1426, printed Cologne, Iohannes Landensis, 1496 (GKW 12405) and 1517. 24) Franciscus de Mayronis OFM (François de Meyronnes, d. c. 1328), attrib., Vinculum de esse essentiae. 25) Anonymous (Ps.-Albertus Magnus), Quaestiones de esse et essentia. 26) 27. Fragments preserved as sewing guards from a printed indulgence issued by Marinus de Fregeno (d. 1486), who sold indulgences for an expedition against the Turks in the years 1473-1480.
Description:
Binding: Contemporary unbevelled wooden boards covered with dark brown pigskin, simply decorated with fillets. Spine with four raised bands. Five cylindrical brass bosses and corner and side-pieces on each cover. Remnants of two engraved brass clasps attached to the rear cover, the catches with the inscription “Maria”. Yellow edges., Red stroking of majuscules. Red headings only in art. 23. Red plain or slightly decorated initials, 2-9 lines, sometimes taking the shape of a littera duplex or a flourished initial (f. 49v); no initials in artt. 2-3. At the top of the left-hand column of f. 1r there is a blank space (for a small miniature?)., Script: Probably six scribes, all writing highly abbreviated Gothic scripts., and Watermarks: var. Briquet 14871-14872 and 14549?.
Subject (Name):
Thomas,--Aquinas, Saint,--1225?-1274
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholasticism