"Pitt and Dundas are tipsily carousing at a rectangular table from which the cloth has been removed. Pitt, wearing spurred top-boots, sits on the corner of the table in profile to the left, his chair behind him at the head of the table. Dundas (left), wearing a plaid across his shoulders, sits full-face, turning his head in profile to the right, and waving a tobacco-pipe towards Pitt. They touch glasses, each holding his glass in the left hand; Pitt tries to fill them, but with the bottle reversed, spilling its contents. On the table is a decanter of 'Brandy', a bottle on its side, a clutter of empty bottles, glasses, Pitt's broken pipe, and a plate of food. In the foreground are bottles in a wine-cooler, and under the table is a chamber-pot on which is a figure of Britannia. Above the heads of the topers: '"Send us Victorious, "Happy and Glorious, "Long to Reign. - go it my Boy! "Billy my Boy, all my Joy, - God save the King!'"--British Museum online catalogue
Alternative Title:
Evening scene three times a week at Wimbleton
Description:
Title etched at bottom of image., Sheet trimmed within plate mark on the sides., and Mounted to 27 x 37 cm.
Publisher:
Pubd. May 27th, 1795, by H. Humphrey, No. 37 New Bond Str
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Subject (Topic):
Britannia (Symbolic character), Bottles, Chamber pots, Glassware, Intoxication, Pipes (Smoking), and Wine
"A design in two compartments; between the two titles is etched: ['Fatal Effects of the French Defeat']. On the left Fox hangs himself in a ramshackle garret. His neck is in a noose which hangs from a beam, his right foot rests on a low stool, his left hand holds the rope. He leans back with an expression of terror, dropping an 'Account of the Republican Overthrow'. On the wall (left) is a half length portrait of 'Pichegru' holding a sabre. The poverty of the room is indicated by peeling plaster showing patches of bricks, by the raftered roof, and a small casement window (right). On the right Pitt and Dundas drown themselves in wine. Both are on the floor; they have overturned a round table behind them from which the sliding bottles pour their contents over Pitt, who holds up a brimming glass in his left hand. He leans against an overturned chair holding a paper: 'News of the Victory over the Carmagnols'; he looks up smiling. Dundas sits behind and on the right, in profile to the right, more serious and more intent. He drinks with concentration, spilling his wine and waving his wig above his head. He wears a plaid over his coat. On the wall is an oval bust portrait of 'George IIId', the head cut off by the upper edge of the design."--British Museum online catalogue
Alternative Title:
Drowning and Fatal effects of the French defeat
Description:
Title etched at bottom of images., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., and Temporary local subject terms: Suicides -- Interiors: garrets -- Furniture: footstools -- Drunkenness -- Pictures amplifying subject: portrait of Gen. Pichegru -- Pictures amplifying subject: portrait of George III.
Publisher:
Pubd. Novr. 9th, 1795, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, and Pichegru, Charles, 1761-1804
"John Bull, blind, maimed, and ragged, walks (right to left) near a chasm, the edge of which stretches across the foreground of the design. His wooden right arm terminates in a hook to which is attached a cord from the collar of a lean greyhound with the head of Pitt (as in BMSat 8794). Pitt drags him forward and slightly towards the gulf; in his mouth is a large bare bone, his collar is inscribed 'Licenc'd to Lead'. In John Bull's left hand is a staff, on his back a burden inscribed 'Loans'. He has a wooden leg, which a dog with the head of Sheridan and a collar inscribed 'Licenc'd to Bite' is biting savagely. Behind and on the extreme right is a dog with the head of Grey, and a collar inscribed 'Grey Hound'; he bites John Bull's coat. Fox, a mastiff with a fox's brush, stands behind Pitt, glaring fiercely, on his collar is 'Licenc'd to Bark'. Behind is grass and a tree (left) and in the distance the roofs and spires of London, showing St. Paul's."--British Museum online catalogue
Alternative Title:
John Bull and his dog Faithful
Description:
Title etched below image., Printmaker from British Museum catalogue., A satire on a Dog Tax, April 1796., and Mounted to 31 x 46 cm.
Publisher:
Pubd. April 20th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Grey, Charles Grey, Earl, 1764-1845, and St. Paul's Cathedral (London, England),
Subject (Topic):
John Bull (Symbolic character), Taxation of personal property, Artificial limbs, Blindness, Debt, Dogs, and People with disabilities
"Pitt stands, in profile to the right, on a fortified tower, or platform, in the crenellations of which are cannon; he looks through a spy-glass, his knees bending with fear, and clutches by the arm a stout John Bull (left), a yokel (as in British Museum Satires No. 7889), who stands full face, almost equally terrified. He is watching a flight of geese advancing from the right, and says, "There, John! - there! there they are! - I see them - get your Arms ready, John! - they're Rising & coming upon us from all parts; - there! - theres Ten Thousand sans-Culottes now on their passage! - & there! look on the other side, the Scotch have caught the Itch too; and the Wild-Irish have begun to pull off their Breeches! - what will become of us John? - & see, there's Five Hundred Disputing-Clubs, with bloody Mouths; - & Twenty Thousand Bill-stickers with Ca ira pasted on the front of their Red-Caps ! - where's the Lord Mayor John ? - are the Lions safe ? - down with the Book-stalls! - blow up the Gin-shops! - cut off the Printers Ears! - O Lord John! - O Lord! - we're all ruined! - they'l Murder us, and make us into Aristocrat Pyes!" John Bull answers: "Aristocrat Pyes ? - Lord defend us! - Wounds, Measter, you frighten a poor honest simple Fellow out of his wits! - Gin-Shops & Printers-Ears! - & Bloody-Clubs & Lord Mayors! - and Wild-Irishmen without Breeches, & Sans-Culottes! Lord have mercy upon our Wives & Daughters! - And yet, I'll be shot, if I can see any thing myself, but a few Geese, gabbling together - But Lord help my silly head, how should, such a Clod-pole as I, be able to see any thing Right ? - I dont know what occasion for I to see at all, for that matter; - why Measter does all that for I, - my business is only to Fire when & where Measter orders, & to pay for the Gunpowder; - but Measter o' mine, (if I may speak a word,) where's the use of Firing now? - what can us two do against all them Hundreds of Thousands of Millions of Monsters ? - Lord, Measter, had not we better try if they won't shake hands with us, & be Friends ? - for if we should go to fighting with them, & They should Lather Us, what will become of you & I, then, Measter!!!" John Bull, frightened and bemused, holds a musket with a broken bayonet, his left hand is in his coat-pocket, and he wears very wrinkled gaiters. In his hat are two favours, one 'Vive la Liberte', the other 'God save the King'. A pamphlet projects from each waistcoat-pocket: one, Paine's 'Rights of Man' (see British Museum Satires No. 7867, &c), the other 'Pennyworth of Truth'. This is the pamphlet 'One Pennyworth of Truth, from Thomas Bull to his Brother John' denounced by Grey (17 Dec.) as a libel. 'Parl. Hist.' xxx. 138 ff. It attacked Price and Priestley and was by the Rev. William Jones. 'Hist. MSS. Comm., Kenyon MSS.', p. 536. Pitt's hair rises on his head, and his face is blotched with drink."--British Museum online catalogue, description of an earlier state
Alternative Title:
Geese alarming the Capitol and John Bull bothered
Description:
Title etched below image., Later state, with price changed, of no. 8141 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Two lines of text following title: Thus on the rock, heroic Manlius stood, spy'd out the geese, & prov'd Rome's guardian god., Sheet trimmed within plate mark., In upper right corner of plate: Price 4 shills., the engraving not having been paid for by the Associations for vending two-penny scurrilities., Temporary local subject terms: Spyglasses -- Allusion to Thomas Paine's The Rights of Man -- Weapons: muskets with bayonettes -- Threat of the French invasion -- Favors: label 'God save the King' -- Favors: French tricolor cockade., and Mounted to 36 x 46 cm.
Publisher:
Pubd. Decr. 19th 1792 by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Fortifications, and Cannons
"John Bull's head and shoulders emerge from a gigantic coffee-mill. He is being ground by Pitt into guineas which pour from the spout of the machine into the inverted coronet of the Prince of Wales, held out by the Prince (left). John Bull, his hands clasped, shrieks "Murder! Murder!" Pitt (right), both hands on the handle, is working hard, stripped to his shirt. His coat lies across an enormous heap of guineas on which he rests his left knee. He says: "God save great George our Ki . . ." Behind him, and in the upper right corner of the design, is the crown, the centre of a sun whose rays extend behind Pitt's head, with the words: "Grind away! grind away grind away Billy! never mind his bawling! grind away." Other words from the crown are directed towards the victim: "What! - What! - what! Murder hay? why, you poor Stupe, is it not for the good of your Country? hay? hay". Between Pitt and the post of the mill Dundas and Burke are grovelling for guineas: Burke, frowning, uses both hands; Dundas, who wears a plaid, fills his Scots cap. Behind the post Loughborough grovels, his elongated judge's wig turned in back view (cf. BMSat 6796). The Prince (right) wearing a Garter ribbon, with the letters 'G.P' on the jewel, kneels on one knee, his head turned in back view; he points out his harvest of coins to a row of creditors. These stand in a row on the left: a jockey, probably Chifney (given a pension by the Prince, see BMSat 7918), holds out a paper: 'Debts of Honor'. Next, a bearded Jew holds out a paper headed 'Money Lent at £500 pr Cent'. Next is Mrs. Fitzherbert (caricatured) and another woman (? Mrs. Crouch); others are indicated. Behind this group is part of the colonnade and façade of Carlton House."--British Museum online catalogue
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., Temporary local subject terms: Coffee-mills -- Taxation -- Debts: Prince of Wales's debts -- Buildings: Carlton House -- Creditors -- Jews -- Pensions: pension for Samuel Chifney, the jockey -- George III as sun -- Crowns -- Emblems: Prince of Wales's feathers., and Mounted to 34 x 48 cm.
Publisher:
Pubd. June 1st, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Burke, Edmund, 1729-1797, and Fitzherbert, Maria Anne, 1756-1837
"A bull, chained, muzzled, and blindfolded, his horns tipped, but snorting fire, is baited by dogs urged on by Pitt who runs forward (right), holding heavy chains labelled 'New Excise Fetters for John Bull'. Pitt points at the bull, shouting, "At him! at him! Tally-ho, ho, ho." From his pocket hangs a paper inscribed 'New Excises intended upon Cyder, Flour, Hardware, Linnens, Woolens, Coals, Butchers Bakers Cheese-mo[ngers] Fish, Water'. Pitt and his dogs are hurrying from the Treasury, over the gate of which the word Treasury has been scored through by Rose, who stands on a ladder on the extreme right, painting the word 'Excise-Office' in large letters. A rose takes the place of his head; in his left hand is his paint-pot inscribed 'Kings' Yellow'. The bull's legs are chained to a post inscribed 'Excise'; he is snorting "Liberty! Liberty! and no Excise! Huzza!" The dogs have human heads and inscribed collars. The two foremost are 'Billy Grenv[ille]', with a pen behind his ear, and 'Dundas'. The Duke of Richmond ('Ordnance') is on the bull's back, biting his ear. Behind are 'Jenky' (Lord Hawkesbury), 'Sir Pepper' (Arden), 'Sydney, Cam' (Camden), and a dog perhaps intended for Carmarthen. In the foreground, lying on a heap of Tobacco which has fallen from a cask so inscribed (which he befouls), is Thurlow, a dog with the head and wig of Thurlow, his collar inscribed 'Snap Dragon', fiercely gnawing a large bone inscribed 'Opposition' at one end and 'Ministry' at the other, while he glares up at Pitt."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Bull baiting -- Chains -- Muzzles -- Blindfolds -- Treasury building -- Dogs -- Bones -- Barrels -- Ladders -- Allusion to excises -- John Bull (Symboiic character).
Publisher:
Pubd. April 9th, 1790, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Melville, Henry Dundas, Viscount, 1742-1811, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Jenkinson, Charles, 1727-1808, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Sydney, Thomas Townshend, Viscount, 1733-1800, Camden, Charles Pratt, Earl, 1714-1794, Thurlow, Edward Thurlow, Baron, 1731-1806, and Rose, George, 1744-1818
Shelburne on the left, is seated in a chariot drawn by 2 boney donkeys with the heads of Dunning and General Conway. Before them runs Col. Barré with Mercury's wings on his hat and shoes, while behind the chair stands Pitt, holding a hornbook
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Pubd. Septr. 11, 1782, by E. D'Achery, St. James's Street
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Barré, Isaac, 1726-1802, Dunning, John, Baron Ashburton, 1731-1783, Conway, Henry Seymour, 1721-1795, and Pitt, William, 1759-1806
"Pitt as, a Roman charioteer, wearing a laurel wreath, is seated in an ornate chariot drawn (left to right) by the British Lion and the White Horse of Hanover (cf. BMSat 8691). He holds the reins, but scarcely controls the galloping pair. One foot rests on a shield bearing a fanged serpent, and wreathed with serpents, inscribed: 'Exit Python Republicanus'. Behind him is a book decorated with a lyre inscribed 'Magna Charta'. Ornate projections from the back of the chariot support the disk of the 'Sun of the Constitution': the Hebrew letters for Jehovah are surrounded by the words COMMONS . KING . LORDS; this is irradiated, the royal arms being etched partly on the sun, partly on its rays, and immediately behind Pitt. Two cherubs fly behind the chariot and on the extreme left; one holds up a 'Bible', the other a family tree of the 'Brunswick Succession': from the base, inscribed 'Ge III', rises 'G IV', from whose circle sprout five stems; beneath is inscribed: 'And future Kings, and Monarchs yet unborn'. A fringed cloth on the back of the horse is covered by the royal arms; one on the lion has Britannia, seated as on coins, but holding up a dagger in one hand, a birch-rod in the other. Both animals dash furiously forward in pursuit of the Opposition. The horse snorts fire; from his forehead thunderbolts dart towards the fugitives. The chariot is on an ascending slope of smooth cloud, lit by the 'Sun of the Constitution' (cf. BMSat 8287, &c.) and strewn with roses which fall from the draperies of Justice, who floats before the chariot, leading it on, her head surrounded by a scroll inscribed 'Honorable Peace, or Everlasting War'. In her left hand she holds up her balanced scales, in her right she grasps a flag-staff on which the British flag floats above a tattered tricolour pennant, inscribed 'Republic'. From under the dark and turbulent edges of the cloud-path the Opposition flee into the void. On the extreme left is the half length figure of a monstrous hag, her hair composed of serpents spitting fire, with a fillet inscribed 'The Whig Club'. In her right hand she holds one of the serpents which issue from her pendent breasts, in the left is an almost extinguished firebrand. She glares up in impotent rage. Beneath the horse and lion (right) are the heads and shoulders of (left to right) Sheridan, Fox, and Stanhope, their hair streaming behind them; each drops a dagger from his raised right hand. Sheridan and Fox have expressions of gloomy terror, Stanhope is melancholy but composed. In the abyss beneath the clouds are three small winged creatures: an owl (left) with the head of Lansdowne, two bats, one with the head of M. A. Taylor, the other (right) with that of Erskine. In their flight they have left behind them on the path of cloud three papers: 'Plan for inflaming the Dissenters in Scotland'; 'A scheme for raising the Catholicks in Ireland' (cf. BMSat 8632); 'Jacobin Prophecies for breeding Sedition in England' (an allusion to Brothers, see BMSat 8627, &c). A second group flees upwards away from the thunderbolts of the Hanoverian horse; from the head of each falls a bonnet-rouge whose peak terminates in a (fool's) bell (cf. BMSat 9374). They are Lauderdale, with clasped hands, the Duke of Norfolk looking round apprehensively, above him the Duke of Grafton, and above again Lord Derby. [Lord Holland gives alternative identifications: Stanhope is Francis, and Grafton is Stanhope. These two, however, closely resemble other heads by Gillray of Stanhope and Grafton.] Above their heads and among the clouds are fleeing serpents, a bonnet-rouge, a book: 'Irruption of the Goths and Vandals. 2d Edition', and a scroll whose ragged edges merge in cloud: 'Patriotick Propositions. Peace, Peace on any Terms. Fraternisation Unconditional Submission No Law, no King, No God.' Another branch of cloud diverges to the left behind Justice. Its upper part is covered with wrecked ships and tiny fleeing figures. These are little sansculottes, all with large bonnets-rouges, one naked, others barelegged except for boots or sabots. They drop their swords."--British Museum online catalogue
Alternative Title:
Sun of the Constitution rising superior to the clouds of Opposition
Description:
Title etched below image., Sheet trimmed leaving thread margins., and Temporary local subject terms: Vehicles: Roman chariot -- Emblems : British Lion -- Emblems: the Horse of Hanover -- Symbols: figure of Justice -- Flags: British flag -- French republican flag -- Symbols: bonnet rouge -- Reference to Magna Charta -- Reference to George III and George IV -- Britannia -- Royal arms -- Reference to the Brunswick succession -- Reference to Bible -- Whig Club -- Monsters -- Sansculottes -- Reference to Jacobins -- Weapons: daggers -- Cherubs -- Sun of the Constitution -- Reference to the Parliament.
Publisher:
Pubd. April 30th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Lansdowne, William Petty, Marquis of, 1737-1805, Smith-Stanley, Edward, 1752-1834, Taylor, Michael Angelo, 1757-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Norfolk, Charles Howard, Duke of, 1746-1815
"A carriage (right) drives at a gallop towards the gateway of St. James's Palace; Lord Lansdowne, in peer's robes, puts his head out of the window to call to the coachman, who is lashing the pair of horses: "Drive you dog! drive! - now, or never! - aha the Coast is clearing!------drive! drive! you dog!" He has a sly smile. The carriage is decorated with coronets, and on the door is the beehive crest of Lord Lansdowne and the motto 'Ut Ap[es] Geometriam'. The coachman and three footmen who stand behind have enormous feather-trimmed cocked hats in the French fashion, with bag-wigs. Running behind the carriage with outstretched arms are: Fox, saying, "Stop! stop! - & take me in, - Stop!"; Sheridan saying, "And me too! stop", and (very small) M. A. Taylor, saying, "And me". In the background a similar carriage is driving yet more rapidly out of the Palace gateway; the tiny figures are recognizable: Dundas, the coachman, has dropped the reins, the horses are running away; Pitt, terror-stricken, puts his arms through the windows. Both look up at a dove with an olive-branch which flies over their heads towards the gateway. In the background are part of the Palace and the houses at the SW. corner of St. James's Street."--British Museum online catalogue
Description:
Title from item., Year of publication from British Museum catalogue., Temporary local subject terms: Vehicles: coaches -- London: St. James's Palace -- Domestic service: footmen -- Coachmen -- Pavement -- Symbols: dove with an olive-branch -- Nicknames: Shelburne as Malagrida -- Allusion to Gabriel Malagrida, 1689-1761., Mounted to 33 x 47 cm., and Watermark.
Publisher:
Pub. March 16th by H. Humphrey, Bond Street
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Taylor, Michael Angelo, 1757-1834