A dinner party given by the rich and vulgar 'cit'. Liston, seated full-face, is beset by three children, one of whom shows him a print of Paul Pry. The hostess, laughing, points out the impassive Liston to a little boy who stands beside her. A fat nurse holds up an infant in long clothes to see the celebrity, at whom all the company are staring. A laughing footman drops a glass from a salver. Over the laden table hangs an elaborate cut-glass chandelier with many gas-globes. Liston, incensed at being expected to amuse his host's 'uncultivated cubs', retires, ostensibily to arrange his dress for a performance, actually to depart. See British Museum catalogue
Alternative Title:
Citizen's dinner party
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15202 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Page 66, Vol. 2.
Publisher:
Sherwood, Jones & Co.
Subject (Topic):
Dinner parties, Chandeliers, Couples, Families, and Servants
Smith, John Raphael, 1752-1812, printmaker, publisher
Published / Created:
[20 July 1781]
Call Number:
Bunbury 781.07.20.01 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"A short man riding (right to left) after a coach, the back of which only appears in the print, with a footman standing behind it. The rider's head is turned to his right concealing his profile. His legs are thrust forward on each side of the horse's neck. On a building (right) is a placard, "Angel Fetter Lane Derby Diligence continues flying daily as usual. Inside [the poster is torn at this point] Outsides & Children on the Lap half price, perform'd (if God permit by Bull & Co." Beneath the design is etched: "When I follow'd a lass that was froward & shy Oh I stuck to her stuff but she would not comply"."--British Museum online catalogue
Alternative Title:
When I followd. a lass that was froward & shy ..., When I followed a lass that was froward & shy ..., and Derby Diligence
Description:
Title and artist from British Museum catalogue., Printmaker identified as J.R. Smith in the British Museum online catalogue, registration no.: 1868,0808.4766., Watermark, mostly trimmed., and Figure identified by ms. note in a contemporary hand below plate: Lord Derby.
Publisher:
Publishd. July 20th, 1781, by J.R. Smith, No. 83 Oxford Street, nearly oposite [sic] the Pantheon
Subject (Name):
Smith-Stanley, Edward, 1752-1834 and Farren, Elizabeth, 1762-1829.
Subject (Topic):
Carriages & coaches, Horseback riding, Servants, and Signs (Notices)
Wash drawing depicting Laurence Shirley, Earl of Ferrers in the act of shooting his steward Mr. Johnson. The Earl is standing in profile facing the right aiming a pistol at his kneeling steward who has his hands clasped in front begging for mercy
Description:
Title devised by cataloger., Artist from local card catalog record., Date based on print engraved from the drawing., and Design for an engraving published in The Tyburn chronicle, or Villainy display'd in all its brances ... [1868]. Print titled: Laurence Earl Ferrers, in the act of shooting Mr. Johnson his steward.
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., and Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., and On page 59 in volume 1. With a ms. note in Steevens hand above print: 2nd Impression. Plate trimmed to: 31 x 37.8 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 46 x 59 cm., and Plate 3 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 46 x 59 cm., and Plate 3 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Plate 36. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Pharaoh's daughter (Thermuthis) greets Moses who stands grasping the belt of his birth mother (Jochebed) as a man fills her hand with coins. Behind them in the distance is a sphinx and pseudo-Egyptian buildings. Behind the pharaoh's daugther a black servant whispers into the ear of a female attendant
Alternative Title:
And the child grew, & she brought him unto Pharaoh's daughter, & he became her son. And she called his name Moses
Description:
After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Title from Paulson., Fourth state with Warton's lines omitted; second and third 'and' written as ampersands. See Paulson., Printing date from Paulson., and Text from Warton's lines mostly burnished out, but barely visible.
Publisher:
Wm. Hogarth
Subject (Name):
Moses (Biblical leader) and Thermuthis (Biblical figure)
Subject (Topic):
Biblical events, Blacks, Children, Mothers, and Servants