"The interior of a church (? the Chapel Royal) showing pulpit, side-gallery, and pews beneath the gallery. Wilkes (left) is the preacher, beneath him is his clerk, Pitt. At a right angle to the gallery is the royal pew (right), from which the King looks with earnest attention to the preacher. Queen Charlotte, her fingers to her mouth, also listens attentively. A lady-in-waiting and a courtier with a long wand (Lord Salisbury, the Lord Chamberlain) stand behind. The pew is decorated with the royal arms and has a canopy. In the centre of the gallery sit the Prince of Wales and Mrs. Fitzherbert; he turns away from the preacher, looking at her. Behind him stands George Hanger; behind Mrs. Fitzherbert sits a man looking at Wilkes through a spy-glass. Between him and the royal pew are three men in legal wigs and gowns: Pepper Arden, Dundas, and (?) Kenyon. Between the Prince and the pulpit sit North (asleep) and Burke, looking intently at Wilkes; a lady (? Duchess of Devonshire) attempts to wake North. In the seats under the gallery sit parties of citizens, in general asleep or inattentive. Below the royal pew stands Fox on a low stool as a penitent draped in a sheet; he wears a placard inscribed 'For Playing Cards on the Lord's Day'. A stout lady with an aquiline nose stands near Pitt; with a raised whip she chases a number of dogs out of the church. She has some resemblance to the Duchess of Gordon, a friend of Pitt. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. British Museum Satires No. 7935, &c. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. BMSat 7935, &c."--British Museum online catalogue
Alternative Title:
Wonderful effects of a proclamation
Description:
Title from item., Artist tentatively identified as Henry Wigstead; see British Museum catalogue., Printmaker formerly identified as Rowlandson, but an attribution to F.G. Byron (Andrew Edmunds, February 2021) is noted in the British Museum online catalogue, registration no.: J,4.101., The listed publisher "Paddy Whack" probably stands for William Holland; see British Museum catalogue., Temporary local subject terms: Congregations -- Piety Proclamation, June 1, 1787., and Mounted to 30 x 46 cm.
Publisher:
Pubd. by Paddy Whack, Oxford Street
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Melville, Henry Dundas, Viscount, 1742-1811, Hanger, George, 1751?-1824, Salisbury, James Cecil, Marquess of, 1748-1823, Fitzherbert, Maria Anne, 1756-1837, North, Frederick, Lord, 1732-1792, Wilkes, John, 1725-1797, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Gordon, Jane Gordon, Duchess of, 1748-1812, Fox, Charles James, 1749-1806, and Chapel Royal (Saint James's Palace, London, England),
Subject (Topic):
Interiors, Churches, Religious services, Pulpits, Pews, Dogs, Whips, Signs (Notices), and Windows
Title etched above image., Sheet trimmed within plate mark., One line of twenty-one consecutive numbers run parallel with the lower edge of the design and correspond with figures in the print., Four columns of numbered names and titles correspond with figures in the print. Inscribed below design., and One line of instructive text in lower right corner of print: To face page 218.
Publisher:
publisher not identified
Subject (Name):
Johnson, Samuel, 1709-1784, Harcourt, Simon Harcourt, Earl, 1714-1777, Nash, Richard, 1674-1761, Pitt, William, 1759-1806, Powis, Henry Arthur Herbert, Earl of, 1703-1772, Norfolk, Katharine Howard, Duchess of, d. 1784, Johnson, Elizabeth Jarvis Porter, 1689-1752, Lyttelton, George Lyttelton, Baron, 1709-1773, Richardson, Samuel, 1689-1761, Onslow, Arthur, 1691-1768, Bristol, Elizabeth Chudleigh, Countess of, 1720-1788, Cibber, Colley, 1671-1757, and Garrick, David, 1717-1779
The Duke of Portland (with Pitt in profile behind him) refusing the City Sheriffs entry to St James's Palace on the instruction of the King. Fox, in a Bonnet-Rouge below the steps. An address to the King asking him to dismiss his ministers as a step toward peace with France was voted by the Livery in Common Hall on the 24th March
Description:
Title etched below image. The 'u' in the word courteous is etched below the line, insertion indicated by a caret., Temporary local subject terms: Addresses: address of the Livery Company, 23 March 1797., and Mounted to 35 x 45 cm.
Publisher:
Pub. by S.W. Fores, Piccadilly
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
"Pitt, thickly coated with feathers, stands terrified between Sheridan and Fox. Only his face, hands, and (bare) feet are uncovered. He turns his head in profile to the right towards Fox, clasping his hands. Fox, much caricatured, and grinning broadly, pushes a dripping mop in his face. Its stick is inscribed 'Remonstrance of the People'. He has dipped it in a steaming cauldron (of tar) inscribed 'Rights of the People', under which are blazing papers: 'Sedition Bill', 'Ministerial Influence', and 'Informations'. Round Pitt's neck is a noose, the rope from which hangs over a lamp-bracket. On the lamp is a crown; on the post a placard: 'Fate of the Sedition Bill'. Sheridan (left), with a sinister glare, raises in both hands a huge cap of 'Libertas', from which feathers shower down on Pitt's head. ..."--British Museum online catalogue
Alternative Title:
Retribution, tarring and feathering, or, The patriots revenge, Patriots revenge, and Tarring and feathering
Description:
Title etched below image., Printmaker from British Museum catalogue., One line of quoted text below title: "Nay & you'll stop our mouths, beware your own.", and Sheet trimmed within plate mark.
Publisher:
Pubd. Novr. 26th, 1795, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Association for Preserving Liberty and Property against Republicans and Levellers (London, England)
Subject (Topic):
Tarring & feathering, Lamps, Liberty cap, Petition, Right of.., and Sedition
"A scene in the mouth of a cave with the sea in the background. The smuggler is Melville, in Highland dress, caught by Fox, Sheridan, and Whitbread, revenue officers wearing spurred top-boots. He kneels, with hands clasped, looking up at Whitbread (r.), who stands over him with a raised whip; he screams: "Marcy O' me wha can bear sick a lashing Indeed you shall ha it aw Gentlemen - ee'n to the last Baubee". Whitbread, his heavy lash inscribed 'Whitbreads Intire', answers: "Be quick then and dont trifle with us, we have got some more of your gang to look after!!" Fox (l.) is a spectator with his whip under his arm; he says: "I say lay it on well, remember he is an Old offender, we shall flog something out of him I am ready when you are tire'd." He stands by Sheridan, who holds Melville by the plaid, and raises a whip with a heavy lash inscribed 'Sherrys - Genuine - Stingo.' Sheridan says: "Aye! Aye! Whity and I will do his business, you are not quite active enough my Old friend - Come Sir where have you hid the rest of your Smuggled property?" In his pocket is a paper: 'The Forty Thieves desroy'd [sic] by . . .' On the extreme left., behind Fox, Pitt hastens forward with raised arms and alarmed expression; he exclaims: "O Lord! O Lord! what desperate hands my poor Friend has got into." In the middle distance (r.) Trotter, also in Highland dress, runs off to the right. with a large sack on his shoulders, inscribed 'Peculation Sack 50.000'; guineas fall from a rent in the sack. He looks over his shoulder, saying, "It will come to my turn Next so I'll trot off in time with this Triffle." On the ground (r.), by the rocky wall of the cave which borders the design, are a cask of 'Madeira' and three large sacks inscribed 'Peculation Sa[ck] 100.000'; 'Peculation Sack 50.000'; 'Peculation Sack 30.0 . . .' The uppermost of a bundle of cheque is inscribed 'Pay to m . Order the Sum of. . . '. "--British Museum online catalogue
Description:
Title from item., Printmaker and date from British Museum catalogue., 'Argus' is a pseudonym employed by printmaker Charles Williams., Temporary local subject terms: Scottish dress -- National stereotypes -- Robbers., and Mounted to 31 x 41 cm.
Publisher:
Pubd. by C. Knight, Lambeth and sold at No. 7 Cornhill
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Melville, Henry Dundas, Viscount, 1742-1811, and Whitbread, Samuel, 1764-1815
Title etched at the top of the image., Possibly by W. Dent?, Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Electors as geese -- Allusion to French Revolution -- Money: coins -- Male costume: bonnet rouge -- Music: c̨a ira.
Publisher:
Pub. by W. Dent, Jany. 15, 1793 ; sold by J. Aitken, No. 14 Castle Street, Leicester Square, London
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
"Pitt (caricatured), dressed as Rolla, addresses a group of chieftains (left); the ranks of the Peruvian army with erect spears watch from the background. Below the (printed) title is printed Rolla's patriotic speech from 'Pizarro', II. ii, beginning 'My brave Associates', 'and ... we serve a Monarch whom we love . . .' (see British Museum Satires No. 9436). He stands with both arms outstretched, head turned in profile to the left, pointing rhetorically across the sea to the Spaniards, whom Sheridan (in this speech) equates with French republicans, and who are here represented by the Foxites. The Peruvians wear feathered head-dresses and feather kilts in the manner of Red Indians, except Dundas, who wears tartan and feathered head-dress. Dundas (caricatured) sits on the ground holding bow and shield, and looking with cunning scepticism at Pitt; he is the only one of the ministerial group of five who can be identified, though others may be presumed to be Grenville, Portland, and Windham."--British Museum online catalogue and From the printed British Museum catalogue: "(Description and comment from M. Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VII, 1942) The Foxites, who 'fight for power, for plunder and extended rule', and follow 'an Adventurer whom they fear', all wear or carry bonnets-rouges and have tricolour flags, one inscribed 'Libertas'. They are small comic figures headed by Fox, who urges them towards the water. The others (left to right) are Lauderdale with a flag, Derby with a shield, Bedford wearing a jockey cap, Erskine in wig and gown, Norfolk holding his Earl Marshal's staff, Tierney holding pistols (see BMSat 9218, &c), Burdett, and two unidentified figures. For Pizarro see BMSat 9396, &c. The scene is burlesqued and altered from the play, where it takes place in the Temple of the Sun. The patriotic speech of Rolla (cf. BMSat 9436) made the fortune of the play and was reprinted as a broadside or placard in 1803, see BMSat 9397."
Description:
Title from letterpress text above image., Watermark: 1794., and Matted to 51 x 61 cm.
Publisher:
Pubd. by W. Holland, No. 50 Oxford Street
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809., Grenville, William Wyndham Grenville, Baron, 1759-1834., Windham, William, 1750-1810., Fox, Charles James, 1749-1806., Bedford, Francis Russell, Duke of, 1765-1802, Burdett, Francis, 1770-1844, and Smith-Stanley, Edward, 1752-1834
Subject (Topic):
Public speaking, Armies, Peruvian, Headdresses, Shields, and Spears
"The interior of a bare, poverty-stricken room with a raftered roof. Pitt and Dundas, as watchmen, batter down the upper timbers of a door (right) which has been strongly bolted, locked, and barricaded. Both have long staves, Pitt holds up a lantern. The occupants hide or flee, except Lord Moira, who stands stiffly in profile to the right on the extreme left, his crisped fingers outspread deprecatingly, disassociating himself from his companions (cf. BMSat 9184); he wears regimentals with a cocked hat. A heavy but ragged cloth covers a rectangular table in the middle of the room, on which are ink-pot and papers: a 'Plan of Invasion' with a map of 'France' and 'Ireland'. This lies across a paper signed 'yours O'Conner'. A dark-lantern stands on the open pages of the 'Proceedings of the London Corresponding Society'. An office stool has been overturned. Prone under the table, their heads and shoulders draped by the cloth, are (left to right): Horne Tooke, Nicoll, and Tierney. Fox and Sheridan escape up a ladder to a trap-door in the roof; the latter still has one foot on the floor. Between ladder and wall (left) is an iron-bound chest filled with daggers; more daggers are heaped on the floor: beneath them are two papers: 'The Press' (the organ of the United Irishmen, started by O'Connor, see BMSat 9186) and 'Bloody News from Ireland Bloody News Bloody News'; this lies across a paper signed 'Munchausen' (cf. BMSat 9184). The Duke of Norfolk is timorously waiting his turn to escape by the wide chimney, up which Bedford is disappearing; the latter is identified by a paper hanging from his pocket: 'Bedford Dog Kennel'. A large fire burns in the grate, on the bar of which Bedford puts his foot. Across the chimney is scrawled 'Vive l'Egalite', on either side of a bonnet-rouge. Above it are prints, bust-portraits of 'Buonapart' and 'Robertspier'. On the right is a casement window showing a night sky and the turrets of the White Tower. Below it is hung a broadside headed by a guillotine and the words 'Vive la Guillotin'. In the corner of the room (right) is a pile of bonnets-rouges. In the foreground rats scamper towards a large hole in the ramshackle floor. Beside them are papers: 'Assignats' and 'Plan for raising United Irishmen'."--British Museum online catalogue
Alternative Title:
State-watchmen mistaking honest-men for conspirators
Description:
Title etched below image., Temporary local subject terms: Interiors: cottage -- Fireplaces -- Daggers -- Vermin: rats -- Bonnet rouge: supply of bonnets rouges -- Lighting: lantern -- Emblems: dark lantern of conspiracy -- ladders -- Allusion to the London Corresponding Society -- Allusion to the planned French invasion of Ireland -- Allusion to the French Revolution -- Newspapers: The Press., Watermark: 1794., and Some of the subjects identified below image in contemporary hand.
Publisher:
Pubd. March 20th, 1798, by H. Humphrey, No. 27 St. James's Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Bedford, Francis Russell, Duke of, 1765-1802, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Nicholls, John, 1745?-1832, Tooke, John Horne, 1736-1812, and Tierney, George, 1761-1830
Leaf 22. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"The king, seated on a throne on a dais of two steps, says, "I trust we have got such a House of Commons as we Wanted". On his right is Thurlow (left) with the body of a bird of prey; he is saying "Damn the Commons, the Lords shall Rule". Behind the throne crouches Bute in Highland dress, saying to Thurlow, "Very Gude, Very Gude Damn the Commons". On the king's left is a head in profile to the left supported on an erect serpent's body; probably intended for Pitt (a poor portrait but resembling Pitt in British Museum Satires No. 6664). In the foreground (right) sits Britannia asleep, resting her elbow on her shield. A man wearing a ribbon, perhaps the Prince of Wales, rushes up from the right with outstretched arms, saying, "Thieves! Thieves! Zounds awake Madam or you'll have your Throat Cut"."--British Museum online catalogue
Alternative Title:
Secret influence directing the new Parliament
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 6587 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate originally published 18 May 1784; see Grego., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Letters "th," perhaps the remnants of a former publication line, are etched above Humphrey's name in imprint., Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 140-1., and On leaf 22 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. by W. Humphrey, No. 227 Strand, London [i.e. Field & Tuer] and Field & Tuer
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
"The king, seated on a throne on a dais of two steps, says, "I trust we have got such a House of Commons as we Wanted". On his right is Thurlow (left) with the body of a bird of prey; he is saying "Damn the Commons, the Lords shall Rule". Behind the throne crouches Bute in Highland dress, saying to Thurlow, "Very Gude, Very Gude Damn the Commons". On the king's left is a head in profile to the left supported on an erect serpent's body; probably intended for Pitt (a poor portrait but resembling Pitt in British Museum Satires No. 6664). In the foreground (right) sits Britannia asleep, resting her elbow on her shield. A man wearing a ribbon, perhaps the Prince of Wales, rushes up from the right with outstretched arms, saying, "Thieves! Thieves! Zounds awake Madam or you'll have your Throat Cut"."--British Museum online catalogue
Alternative Title:
Secret influence directing the new Parliament
Description:
Title etched below image., Printmaker and date of publication from Grego., Letters "th," perhaps the remnants of a former publication line, are etched above Humphrey's name in imprint., and Mounted to 32 x 45 cm.
Publisher:
Pubd. by W. Humphrey, No. 227 Strand, London
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806