Manuscript fragment on parchment bifolium of an unidentified text that discusses the nature of man's hereditas (christus est hereditas nostra) and the distinction between serui boni and serui mali (perhaps referring to Luke 12:42?); text appears to be continuous
Description:
In Latin., Script: Written in upright Visigothic minuscule., Traces of small, 2-line, decorative initial and rubric on f. 1r. Otherwise, text on this folio virtually illegible., and Removed from a binding: ff. 1r and 2v much damaged with loss of text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Catenae, Manuscripts, Medieval, and Theology, Doctrinal
Manuscript bifolia, on parchment, from an unidentified theological work. Subjects include prayer, the Trinity, creation, and Revelations 6:21.
Description:
In Latin., Bottom of sheets trimmed with loss of margin and at least one line. One column of each bifolium largely cut away., Recovered from a binding., Script: small cursive gothic hand., Decoration: rubricated., and Layout: 20 columns, originally 50 lines each?, now 49 lines.
Manuscript on parchment (trimmed) of Book of Hours with Full calendar, in French
Description:
In Latin., Script: Written in batarde script., Miniatures and an extensive cycle of border vignettes by Jean and Jacquelin Montlucon who were active in Bourges between 1477 and 1492. The calendar pages are framed by gilt columns and entablatures in the antique manner with the occupations of the month and signs of the zodiac in the outer margin and a Creation cycle in the lower margin. Eleven half-page miniatures framed in magenta and gold with cusping at the top; fanciful architectural bases, surrounded by simulated grey-black marble with joined wings and foliage branches in gold. Twenty-three miniatures, 8-lines in height, in magenta and gold frames, each with a full border of flowers and acanthus, birds and grotesques on compartmented gold and white grounds. Text pages with full borders: columns in inner margin; panels with masks, shields, garlands, and wings in upper margin; flowers and acanthus, as above, in outer margin; and, in the lower margin, one of the fullest known cycles devoted to the wild man (sometimes extended to include outer margin as well). Other manuscripts from the same shop, the Monypenny Hours and Grenoble Bibliotheque Municipale MS 1011, also contain extensive cycles of wild-man imagery; the artists Jean and Jacquelin de Montlucon lived in Bourges in a house "at the sign of the Wild Man.", 5- and 4-line initials with leafy branches, gold with fruits, flowers, profile heads on pink or mauve grounds. 2- and 1-line initials, line-endings, and KL monograms in the same style. Rubrics in red. Calendar entries alternate red and blue. F. i verso added in 16th century: the arms of Gian Francesco di Montegnacco in a frame closely modelled on the decoration of the calendar pages., and Binding: Nineteenth century. Tan goatskin, gold-tooled with concentric frames, the central panel daubed with green and red. Red label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of a Ducale issued in the name of Leonardo Loredan, doge of Venice (1438-1521), giving instructions to Andrea Marcello as Governor of Dulcigno (now Ulcinj, Yugoslavia). The document is dated 8 August 1513, and signed by "Victor Blanchus Secretarius," the same individual who signed Beinecke MS 104, a Venetian ducale dated 1515. On ff. 12v-13r is a directive from the Venetian Council of the X, signed by Rafael Iordannis, regarding Andrea Marcello, captain of Dulcingo, and the payment of custom duties; followed by a yearly and quarterly outline of salaries owed, in a different but contemporary hand, signed Zune (Giovanni) Spineli [?].
Description:
In Latin and Italian., Script: Written in elegant italic., One full border (f. 1r), flowers and swirling leaves extending from a vase in lower right corner, gold on a dark purple ground, executed in a style related to Benedetto Bordone; two inset panels at top of folio (framed by thick gold bands), the upper containing the lion of St. Mark stepping out of water and holding an open book, dolphins, and a castle on a cliff in the background, the lower an inscription in gold majuscules on blue ground. In lower margin the Marcello arms (azure a bend wavy or) against a landscape., 2-line initials, on f. 1r only, gold on green and on red grounds respectively. 1-line initials, red, for ff. 1v-10r., and Binding: 19th-20th centuries. Rigid vellum gold-tooled.
Subject (Geographic):
Connecticut, New Haven., and Venice (Italy)
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Politics and government
Manuscript fragment on parchment of the Verba Seniorum, which comprises chapters 5-7 of the Vitae Patrum, a collection of Saint's Lives
Description:
In Latin., Script: written in rounded early gothic script (littera textualis)., and Decoration: 2- and 3-line initials are in red with red and blue penwork; 1-line initials are in brown uncials; punctuated with the punctus, punctus elevatus, and colon; accents and hyphenation in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Manuscripts, Medieval, Saints, and Lives and legends
Manuscript on parchment of an outline map of Europe, Africa, Asia, the surrounding seas and the islands including Iceland, Greenland, and "Vinland," which resembles the coastline of northern North America, with identifying legends. Known as the "Vinland Map," at the time it was acquired by Yale it was considered to be the earliest European map of any portion of the Western Hemisphere. The authenticity of the map was the subject of considerable debate for decades. Extensive scientific testing sponsored by Yale University in 2021, conclusively demonstrated that the map is a modern forgery and Originally the Vinland Map, Speculum historiale (Beinecke MS 350), and Hystoria Tartarorum (Beinecke MS 350A.1) were bound together in that order in a single volume, as is indicated by the patterns of the wormholes
Manuscript on parchment of Jacopo Zeno, Vita Caroli Zeni. With a dedicatory preface to Pope Pius II. This manuscript is of special importance because it contains the complete work
Description:
In Latin., Script: Written in humanistic script by Franciscus de Tianis of Pistoia., On f. 1r, a foliage border which includes hares, stork, vase, and arms of the Piccolomini family (argent, a cross azur with 5 crescents or; surmounted by keys in saltire argent and a papal tiara; supported by a pair of angels). Eleven elaborate initials, 11- to 7-line, in gold, red, blue, and green entwined with foliage. The style of decoration is decidedly Roman., and Binding: Eighteenth century. Brownish-red goatskin, gold-tooled; pale green and gold, Dutch gilt paper boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Zeno, Carlo, 1334-1418. and Zeno, Jacopo, 1417-1481.
Subject (Topic):
Biography, Crusades, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper of Iacobus Zeno (d. 1481), De vita et moribus Nicolai Albergati
Description:
Niccolo Albergati (1375-1443) became bishop of Bologna in 1417 and cardinal in 1426. See about him Dizionario biografico degli Italiani, v. 1 (Rome, 1960), pp. 619-621., In Latin., Script: Copied by one hand in late Humanistica Cursiva Libraria., Undecorated., Several margins and folds strengthened by means of strips of paper pasted on them., and Binding: Half blue marbled paper, the covers of white cardboard. On the front cover a large paper label with engraved flowery cartouche and 18th-century handwritten title: "Vita B. Nicolai Albergati a Iacobo Zeno descripta. Ms.". At the top an oval label with the number "33" (19th century).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Albergati, Nicolò, 1375-1443. and Zeno, Jacopo, 1417-1481.
Subject (Topic):
Biography, Latin literature, Medieval and modern, and Manuscripts, Medieval