Oval portrait of Henry Fielding; half length, profile to left. Finished state used as the frontispiece to Murphy's edition of 'The Works of Henry Fielding'.
Description:
Title, state, artist, date, and printmaker from Paulson., Sheet trimmed., Ms. note in pencil in Steevens's hand beneath image: Proof given by Basire to Hogarth., Ms. note in pencil in Steevens's above print: See Nichols's book 3d. edit. p. 385., and On page 194 in volume 2.
Title supplied by cataloger., Printmaker, artist, publisher, and publication date from the Catalogue of engraved British portraits., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of text., and "Pl. to Contemporary portraits; pub. Cadell & Davies 1809."--Catalogue of engraved British portraits.
"Portrait, bust in an oval frame directed to right, glancing towards the viewer, wearing robes trimmed with ermine, an ermine cape, lace cravat, collar of the Garter and long white wig; after Kneller."--British Museum online catalogue
Description:
Title, artist and date from similar print in the British Museum online catalogue. See registration no.: 1874,0808.1220., Description based on imperfect impression; sheet trimmed within plate mark with loss of text., and White paper frame: 329 x 268 mm.
Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., and On page 184 in volume 2. Sheet trimmed to: 40 x 34.8 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British
Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson. and After the painting in the National Portrait Gallery, London.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British
Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., and Plate mark 40.3 x 35.3 cm, on sheet 41.2 x 35.8 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British
Title from published state., Printmaker and artist from statement of responsibility on published state: Engraved by Dean, from a miniature in enamel painted by Zincke & preserved in the collection at Strawberry Hill., Proof before letters of a plate from: Letters of Horace Walpole, Earl of Orford, to Sir Horace Mann ... London: R. Bentley, 1833., and Publisher and date from imprint on published state: London, Published 1833 by Richard Bentley, 8 New Burlington Street.
Portrait of Horace Walpole, 4th Earl of Orford, after Reynolds; standing three-quarter length to left and leaning his right elbow on table with books, quill and print showing his Roman eagle, his right hand to his cheek, eyes to front, wearing plain coat and waistcoat, lace collar and cuffs; in an oval, with Walpole's villa at Strawberry Hill below and Walpole coat of arms
Description:
Title, printmaker, and artist from later state in the British Museum. See British Museum online catalogue, registration no.: 1985,1109.129. and Approximate date from imprint on a later proof state with lettering: Published June [...]th, 1796, by J. Barlow, No. 5 St. George's Place, Black-friars Road, Surry. See Lewis Walpole Library: Portraits W218 no. 6.
Publisher:
I. Barlow
Subject (Name):
Strawberry Hill (Twickenham, London, England), and Walpole, Horace, 1717-1797,