Manuscript on paper of Domenico Cavalca OP (c. 1270-1342), Esposizione del Credo.
Description:
Binding: Nineteenth century. Quarter binding, brown paper over cardboard, the spine in brown leather with five raised bands, the second compartment gold-tooled with the title “CAVALCA / ESPOSIZIONE / DEL CREDO”. Marbled endpapers., Parchment stays in the center and at the outer side of the quires; the fold of many bifolios is repaired by means of strips of parchment. The top, outer and lower margins water-stained, the upper outer corners of the leaves defective. Many lower margins repaired by means of strips of paper., Script: Written in many different hands., and Unevenly spread decoration.
Subject (Name):
Cavalca, Domenico,--d. 1342 and Dominicans
Subject (Topic):
Creeds, Italian literature--15th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript, on paper, in a number of hands, containing a variety of religious and devotional texts, many related to the Franciscan order. Contents include lives of Francis of Assisi, Clare of Assisi, and Anthony of Padua; a poem on the day of judgement in ottava rima; lives of Christ and the Virgin Mary in Italian; writings of St. Bridget of Sweden in Italian; an account of the dedication of St. Lawrence's cathedral in Genoa; St. Anselm's Miracles of the Virgin; and two itineraries of visits to the Holy Land.
Description:
Bergendal Collection of Mediaeval Manuscripts (Bergandal 21). Purchased from Bernard Quaritch, Ltd., (Sotheby's sale, 2011 July 5, lot 69) on the T. Kimball Brooker Italian Renaissance Fund, Binding: modern full red leather., and Modern binder's blanks (ii + ii) not digitized.
Subject (Name):
Franciscans--Manuscripts
Subject (Topic):
Devotional literature, Italian, Devotional literature, Latin, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper containing letters by or related to Lapo da Castiglionchio (d. 1381), and his family: 1) Lapo da Castiglionchio, Letter, written in 1377, to his son Bernardo, canon of the cathedral of Florence, then 14 years old, containing an elaborate treatise in three parts dealing with political and historical questions. 2) Bernardo da Castiglionchio (1363-1383), Letter to his father Lapo, in which he thanks him for the education and protection his father has provided and in particular for the extensive letter he has written in reply to his questions. 3) Bernardo da Castiglionchio, Second letter to his father Lapo, of about the same time, in which he resumes the theme of the nobility of the Castiglionchio family and provides a panegyric of his father with details about his career. 4) Francesco da Castiglionchio (second half of the fourteenth century), Letter to his father Alberto, brother of Lapo, written 8 June 1381 or slightly later. Describes the coronation of Charles III, King of Naples and Sicily (1381-1386) by Pope Urban VI in the church of St. Peter in Rome on 2 June 1381, an event in the preparation of which Lapo had an important role. 5) Francesco da Castiglionchio, Second letter to his father Alberto staying at Verona, dated 17 July 1381 and relating the death of Alberto's brother Lapo, which happened in Rome on 27 June of the same year after a short illness, a couple of weeks after the coronation of Charles III, which had been so important for the improvement of the Castiglionchio family. 6) Niccolò Acciaiuoli (1310-1365), Extracts from a letter, dated 26 Dec. 1364, to the Florentine merchant Angelo Soderini (d. 1377) established in Avignon.
Description:
Binding: Seventeenth century (?). Brown leather with artificial cross grain over cardboard. Blind-tooled spine with four raised bands and gold-tooled inscription in the second compartment: “CASTIGLIONCHIO / EPISTOLE”. Below a small oval paper label with the number “7” in red ink. Yellow spine., Headings and explicit formulas in pale red ink; marginal captions and notes in the same colour or in black; paragraph marks in pale red ink. 4-line initials (Capitalis) in blue (missing f. 2v), at the opening of each art. and of the subdivisions of art. 1. On f. 1r 7-line white vinestem initial integrated into left margin border of the same style. In the lower margin, in a wreath, the Volognano-Castiglionchio coat of arms: silver, with four chains azure in saltire and castle azure. Running headlines in pale red Capitalis in art. 1 only., On the author, a Florentine poet, friend of Petrarch, professor of Canon Law, lawyer, diplomat, politician, see Dizionario biografico degli Italiani, v. 22 (1979), pp. 40-44., and Script: Copied by one hand in careful Humanistica Semitextualis Libraria. The first line of each text and some headings are in Capitalis.
Subject (Geographic):
Florence (Italy)--History
Subject (Name):
Castiglionchio, Lapo da,--d. 1381
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian letters, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Nobility--Italy
Plates opposite p. 96 and 98 should be reversed., Elizabethan Club copy: With thirty-two manuscript extracts from Shakespeare's comedies, histories, and tragedies, selected by an unidentified 18th-century English reader and written in the margins, perhaps Herbert Randolph's father? Also several pencil notes have been erased., Engraved title vignette (portrait of Horace); illustrated with full-page copperplate engravings., With quotations descriptive of each plate from Horace and other Latin writers, and verses in Spanish, Dutch, Italian, and French, on verso of preceding plate., Pages numbered on letterpress pages (rectos) only, with an engraved illustration opposite., Nagler and Bryan attribute the engraving of the plates to Gijsbert van Veen., Colophon reads: Typis Dauidis Martinij., and Binding: Late 17th-century calf, spine ruled in gilt, red morocco label; covers rubbed and heavily crazed with mottling fluid; rebacked, preserving most of the original spine.
Publisher:
Prostant apud Philippum Lisaert, auctoris aere & cura
Manuscript on paper of a play in five acts, written for an audience of nuns by a Dominican friar. The only surviving manuscript containing this text.
Description:
Binding: early paper binding., Play (Commedia) in five acts, in verse, about S. Catherine of Alexandria, written for an audience of nuns (see the frequent allusions to Christ as “sposo celeste”) by a Dominican friar whose initials are F.N.F. There are many important changes and additions by a slightly later, rapid hand., and Script: the original text copied by a single hand, writing Humanistica Cursiva. The changes and additions are written in Humanistica Cursiva Currens under Gothic influence.
Subject (Name):
Catherine,--of Alexandria, Saint
Subject (Topic):
Commedia dell’arte, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Titus Maccius Plautus (c. 254-184 B.C.), Stichus, in an Italian adaptation in verse.
Description:
Binding: Loose grey paper cover., No decoration. There are numerous pointing hands with exaggeratedly long forefingers, generally accompanied by the name of a character., Script: Copied by one hand in Humanistica Cursiva., and Written in campo aperto in one narrow column of mostly seven 6-line strophes on the page.
Subject (Name):
Plautus, Titus Maccius
Subject (Topic):
Latin drama, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library