Leaf 45. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
Two macaronies in military uniforms stand under a huge parasol; the very tall soldier towers over the other, an officer
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 2" in upper left corner and "23" in upper right corner., Second of two plates on leaf 45., and 1 print : etching on laid paper ; plate mark 24.8 x 17.7 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. by MDarly, 39 Strand
Subject (Topic):
Dandies, British, Military officers, Military uniforms, Umbrellas, and Wigs
Leaf 45. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
Two macaronies in military uniforms stand under a huge parasol; the very tall soldier towers over the other, an officer
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 2" in upper left corner and "23" in upper right corner., and Watermark: Strasburg bend with initials L V G below.
Publisher:
Pubd. by MDarly, 39 Strand
Subject (Topic):
Dandies, British, Military officers, Military uniforms, Umbrellas, and Wigs
Leaf 3. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A tall, thin gentleman in a military uniform walks across a mountainous landscape carrying on his back an obese parson with a "Tithes" basket full of chickens and a sucking-pig under his left arm and a scourge with three lashes in his right hand. Behind them and in front of his sheaved harvest stands a farmer dressed in a smock, with a branch in his right hand and his hat in the left. He says, "We Farmers have our Bodys Eat up, for the good of our Souls."
Alternative Title:
Majesty of the people
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower left corner. For original issue of the plate, see no. 6209 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Text following title: The Lord open'd the mouth of the ass, &c., Temporary local subject terms: Balaam -- Parsons -- Scourges -- Military uniforms: Militia, colonel., and On leaf 3 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 10th, 1783, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England
Subject (Topic):
Tithes, Clergy, Farmers, Military officers, British, Clothing & dress, Whips, and Obesity
A tall, thin gentleman in a military uniform walks accross a mountainous landscape carrying on his back an obese parson with a "Tithes" basket full of chickens and a sucking-pig under his left arm and a scourge with three lashes in his right hand. Behind them and in front of his sheaved harvest stands a farmer dressed in a smock, with a branch in his right hand and his hat in the left. He says, "We Farmers have our Bodys Eat up, for the good of our Souls."
Alternative Title:
Majesty of the people
Description:
Title etched below image., Printmaker from British Museum catalogue., Text following title: The Lord open'd the mouth of the ass, &c., and Mounted to 31 x 45 cm.
Publisher:
Pubd. April 10th, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Topic):
Tithes, Clergy, Farmers, Military officers, British, Clothing & dress, Whips, and Obesity
Volume 2, opposite page 198. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Alternative Title:
John Bannister (as Whiskerandos in 'The critic')
Description:
Title written in pencil in lower right corner. Alternative title from note in ink on mounting sheet: John Bannister (as Whiskerandos in 'The Critic')., Signed and dated by the artist in pencil., Possibly the original design for an engraving by R. Smith that was published by John Cawthorn in 1806; see British Museum online catalogue, registration no.: 1933,1014.421. See also: Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 1, page 116. For a brief mention of De Wilde's portrait of Bannister as Whiskerandos, and the engraving after it by Smith, see: A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1600-1800, v.1, pages 272-3., and Mounted opposite page 198 (leaf numbered '9' in pencil) in volume 2 of an extra-illustrated copy of Thomas Moore's Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Bannister, John, 1760-1836,
Outside a country tavern, a recruiting officer with a sword in his right hand holds up a purse in his left, facing right before 4 grotesquely drawn long-haired yokels who grin foolishly at the prospect. Behind the officer stands a drummer wearing a grenadier's cap on which is inscribed the words "War for ever".
Description:
Title from item., Place of publication suggested by engraver's name, possibly identifiable with Graham Stewart the wood-engraver who died in 1786 (cf. Strickland, A Dictionary of Irish artists)., Date based on that suggested for no. 5796 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Title in the British Museum catalogue: Beating up for recruits, originally designed by Robert Dighton.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Recruiting & enlistment, Military uniforms, British, Hats, and Drums
Outside a country tavern, a recruiting officer with a sword in his right hand holds up a purse in his left, facing right before 4 grotesquely drawn long-haired yokels who grin foolishly at the prospect. Behind the officer stands a drummer wearing a grenadier's cap. In the far distance is a horse-drawn covered wagon
Description:
Title from item. and Date from British Museum online catalogue.
Publisher:
Printed for Robert Sayer, No. 53, Fleet Street
Subject (Geographic):
England
Subject (Topic):
Recruiting & enlistment, Military uniforms, British, Hats, Drums, and Taverns (Inns)
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., Mounted on page 162 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching on wove paper ; sheet 14.6 x 22 cm., Sheet trimmed within plate mark., and Annotated by Horace Walpole in pencil in lower right corner: Some of the figures in the boxes are different from those in Mr. Walpole's picture.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., and On page 235 in volume 3. Sheet trimmed to: plate mark 14.5 x 21.9 cm, on sheet 15.4 x 22.7 cm.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions