All sorts of figures and ornaments in plaister of Paris, made & sold by David Crashlay, figure maker, at Sr. Jsaac [sic] Newton's Head in Longacre, London
Description:
Title from item., Imperfect; sheet multilated along bottom edge with loss of lower portion of design and partial loss of printmaker's signature., and On leaf 126 of an album with spine title: Trade tokens and bookplates.
To William Davison, chemist, druggist, & apothecary
Description:
Date from manuscript annotation on Lewis Walpole Library copy., Engraved invoice for the pharmacist, stationer, and printer William Davison of Alnwick., and Invoice completed in manuscript to "Major Frankland, West Glanton"; numbered "231" in upper right and dated "1821 October 17" in lower left. For further information, consult library staff.
BEIN USA160: From the Cary Collection of Playing Cards., Title devised by cataloger., Suit system: Liberty bells, British lions, American arms, British crowns., Each card contains a brief note on an American or British military or political leaders in the period of the American Revolution., and Composition of deck: 48 [1-12 in each suit.]
"Broadside; the text in five columns: small cuts I-X on the left and right, each with an eight-line verse below it; cuts XI and XII above and below the three centre columns. Cut I. The Queen's arrival in England, and Marriage. The Prince leads her ashore from a small boat. Cut II. Taking farewell of Charlotte [1814]. Mother and daughter weep, turning from each other; the Princess approaches a ship's boat, Cut III. Her Return--Landing at Dover [June 1820]. She is rowed to shore by two sailors. Cut IV. Her Trial in the House of Lords. A simplified but recognizable view. Cut V. Her Acquittal. She drives in an open carriage past Carlton House. Cut VI. Procession to St. Paul's. A similar carriage scene with St. Paul's in the background. Cut VII. The Highlanders' Address. Highlanders in a carriage with banners (cf. British Museum Satires No. 13934). Cut VIII. Refused Admittance into the Abbey. She gestures at the partly closed door between a sentry and the rejecting doorkeeper. Cut IX. Death-Bed of the Queen. The bed surrounded by weeping mourners. Cut X. Embarkation of Her Body at Harwich. The coffin is swung by tackle into a ship's boat. Cut XI. The Queen's Funeral Procession at Brunswick. The coffin, with crown and royal arms, is borne towards a church door (right) where girls scatter flowers. Cut XII. Queen Caroline's Tomb. Britannia weeps, and her Lion registers anger, beside the tomb of Caroline The Injured Queen of England, topped by a large urn on which is her bust portrait. The text includes the funeral prayer, 'A Dirge' and 'An Elegy . . .' (28 11.): 11. 7-10: 'A seperation hardly to be borne, Her only Daughter from her arms was torn! And next discarded--driven from her home, An unprotected Wanderer to roam!' The verses below Cut XII end: 'For the King shall be Judg'd with the poor of the earth, And, perhaps the poor man will be greater than he. Until that great day we leave Caroline's wrongs, Meantime, may, "Repentance" her foes o'ertake; O grant it kind POWER, to whom alone it belongs' AMEN. Here an end of this Hist'ry we make."--British Museum online catalogue
Description:
Caption title., "Quod Jas. C-tn--h, Dec. 10th, 1821."--Bottom of sheet., Woodcuts with accompanying letterpress text, mostly in verse., "Entered at Stationer's Hall."--Below imprint in square brackets., "Price 2d."--Upper right., and For the first edition, see No. 14255 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Printed and sold wholesale and retail by J. Catnatch, 2, Monmouth Court, 7 Dials
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817,, Great Britain. Parliament. House of Lords,, and St. Paul's Cathedral (London, England),
Subject (Topic):
Death and burial, Arrivals & departures, Carriages & coaches, Parades & processions, Deathbeds, Funeral processions, and Tombs & sepulchral monuments
Illustrated memorial published after the death of Charlotte Augusta, Princess of Wales, who died after giving birth to a stillborn child in 1817. One of many similar memorials using the same illustration (an urn beneath a weeping willow) but with different verses
Description:
Title from item., Letterpress text with engraved illustration above; within a mourning border., First line of verse beneath title: Trembling I touch the plaintive chord, to speak our England’s grief ..., and "Maria" written in a contemporary hand in lower right corner. For further information, consult library staff.
Publisher:
Published by the authoress, and sold by T. Gardiner and Son, 20, Princes-street, Cavendish-square; and at No. 209, Piccadilly
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
A broadside on London Bridge and its partial destruction by fire on 11 April 1758, with an account on the history of bridges on the site and an engraving of the view of London and the River Thames, with the remains of London Bridge in the centre above; engraved title above and letterpress title and text in two columns below
Alternative Title:
Chronological and historical account from the first building a bridge across the River Thames from London to Southwark ...
Description:
Title from etched text above the design., Letterpress caption title below image and above the two columns of text: A chronological and historical account from the first building a bridge across the River Thames from London to Southwark, 'till the late conflagration of the temporary bridge, the 11th of April, 1758., Titled 'An exact View of London Bridge since the conflagration of the late temporary Bridge, 11th of April, 1758: with an historical account of ditto, sold by W. Herbert' in the Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc, London, 1829., "Price one shilling plain. Colour'd eighteen pence.", Plate mark: 22 x 35 cm., Imperfect; sheet trimmed with loss of price statement from bottom edge., and Mounted to: 57 x 38 cm.
Publisher:
Sold by William Herbert, under the Piazzas, on the remains of London-Bridge
Subject (Geographic):
Thames River (England), England, London, London., and London (England)
BEIN FRA158: From the Cary Collection of Playing Cards., Title from slip case., Latin/Italian suit system., Type: Marseille tarot., Composition of deck: 78 [A, K, Q, C, J, 10-2, trumps I-XXI, Fool]., CourtCards: Courts: B. P. GRIMAUD. PARIS., Pip cards: 2 of Diamonds: 1748 / B. P. GRIMAUD / 1930., Trumps: Single figure trumps: B. P. GRIMAUD. PARIS., Color lithography, surface polished., and Slip case, brown: [label] B. P. GRIMAUD / ANCIEN TAROT / DE MARSEILLE / PARIS.
Title from item., Title continues: Sells all sorts of woollen drapery, & mens mercery goods, viz. superfine second livery & drab cloths, forrest cloths Bath coatings, German serges, marble cloths & lincys, rutteens & duffills, sergedenims & everlastings, thicksetts & fustains, Manchester velvets, hair & worsted shags, shalloons & rattenetts, paduas & mill'd serges, double & single allopeens, fine says, tamies & callimancos, sattins & corded padusoys, serge dusoys, princes stuff & prunellas, Turky burdetts & cherry derrys, fine dimothys, with sundry other drapery & mercery goods, at the lowest prices, for ready money., Sheet trimmed within plate mark., and On leaf 32 of an album of trade cards and invitations.
BEIN GER37: From the Cary Collection of Playing Cards., Title devised by cataloger., French suit system., Composition of deck: 78 [A, K, Q, C, J, 10-2, trumps I-XXI, Fool]., CourtCards: Abundant fleurs-de-lis; KS with harp and sceptre; QS in left profile, holds flower; JS with leaping dog; KH holds orb and sword; heraldic device of Saxony at feet; KD in left profile: LEIPZIG; JC with space for inscription., and Trumps: Single figure trumps; VI with man and camel; VII, unicorn; X, lion; XIII, man rides trunk of elephant; Fool holds violin and bow.