An Ionic column surmounted by an acorn and oak leaves with the title in the label above. A ram's skin stretched against it bears a Latin inscription and from the limbs hang purses inscribed: "Places", "Secret Service", "Pensions", "Bribes", "Commendums", and "Privy Seals." Below the images is inscribed an English translation of the satirical attach on Sir Robert Walpole under the name Thomas Wolsey: "To the perpetual infamy of Thomas Wolsey, who having fraudulently possess'd himself of [the] administration and giveing a loose to his nefarious propensity to publick rapine at the expence of his harass'd country ..."
Description:
Title from text at top of image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., Quote below title: Take away the wicked, from before the King, and his throne shall be establish'd in righteousness. Prov. 25, v. 5., Latin inscription in image: In perpetuam infamiae memoriam Thomae Wolsaei ..., and Mounted to 28 x 27 cm.
"Satire on George II's reluctance to accept an inter-party ("Broad-Bottom") government which included Tories suspected of Jacobite sympathies. The king, in the centre. leans across a table crying out, "Hounsfoot me no Stomach him!" as Thomas Pelham, Duke of Newcastle, and his brother Henry prepare to cram the Tory John Hinde Cotton into his mouth; Newcastle remarks, "His Bottom's dam'd Broad". Six other former opposition members hoping for office, including Lords Cobham (saying "I'll Protest no more") and Lyttelton ("You are right Cuz"),and William Pitt ("We drive a fine Trade"), lie on a shelf ready to be treated in the same way as Cotton, one of them saying, "Burn the Yellow List." The kings breeches are lowered and he is evacuating Lord Hobart. Others who have presumably emerged in the same manner leave the scene to left complaining that they have been turned out of office. They include Sir John Rushout saying, "Rusht-out with a Fizzle", and, kneeling in the foreground, Lord Winchelsea who has dropped his spectacles, complaining, "Bes[hi]t without a Job". In the foreground to right, stand two other gentlemen address the oppositiion members, one saying "Consider Your Oaths", and the other, holding a large key, "Remember The Healths"."--British Museum online catalogue
Description:
Title from caption above image., Printmaker George Bickham the Younger and publication date 1744 from British Museum catalogue., and Mounted to 34 x 49 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Buckinghamshire, John Hobart, Earl of, 1693-1756, Cobham, Richard Temple, Viscount, 1669?-1749, Cotton, John Hynde, Sir, 1686-1752, Lyttelton, George Lyttelton, Baron, 1709-1773, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pelham, Henry, 1695?-1754, Pitt, William, Earl of Chatham, 1708-1778, Rushout, John, Sir, 1684-1775, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Broad-bottom, Politics and government, Defecation, and Politicians
"A ship, apparently bearing 'Aeneas' (George II) is tossed on a stormy sea. On the shore at right, 'Dido' (the figure of Britannia), points and smiles, above the inscription, "She, while [the] outragious winds [the] deep deform, Smiles on [the] tumult, & enjoys [the] storm". In the sea Neptune near the shore looks at the ship in displeasure. Above in the sky are three Winds, as three young boys, one blowing, one farting, the last kicking a hat."--British Museum online catalogue
Description:
Title engraved above image., Formerly attributed to Hogarth, now thought to be by Van der Gucht. See British Museum online catalogue., Questionable attribution in Paulson's 2nd edition., Lettered below image: Tanta haec mulier potuit suadere malorum., Latin motto below image translated: So much evil can a woman induce., Verse etched in lower right of image: She, while [the] outragious winds [the] deep deform, Smiles on [the] tumult, & enjoys [the] storm., Also a note in Steevens's hand discussing the three prints on this page pasted down at top of page., and On page 89 in volume 1.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760., Dido,, Aeneas (Legendary character),, and Neptune (Roman deity),
Subject (Topic):
Politics and government, Britannia (Symbolic character), Sailing ships, and British
In a possible burlesque of West's Death of Wolfe, a "wounded" Fox lies supported by his followers. He is held in the arms of Admiral Keppel, as Burke in monk's habit offers him a glass, and Mary (Perdita) Robinson applies smelling salts. North is to the right, swooning with grief and supported by Portland, while Sheridan kneels to the right in front of John Cavendish. Behind Fox at the far left the Prince of Wales kneels to kiss Perdita's unoccupied hand. A satire on the defeat of Fox's India Bill
Description:
Title from item., Print signed I.B. (i.e. John Boyne) in lower right of image., Probably a later state, with imprint removed, of a plate published by E. Hedges. Cf. No. 6367 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Date of publication based on that of probable earlier state. See British Museum catalogue.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806, Keppel, Augustus Keppel, Viscount, 1725-1786, Robinson, Mary, 1758-1800, Burke, Edmund, 1729-1797, George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, and Cavendish, John, Lord, 1732-1796
"Satire on George II and Robert Walpole, based on a "Visio"n described in "Commonsense, or the Englishman's Journal", 19 March 1737. The king is represented as a satyr, seen from the rear, standing on an altar kicking his left leg and breaking wind; Queen Caroline, as a priestess wearing a bell on her wrist, approaches from the right to administer an enema of "Aurum potabile" (a flavoured brandy); Bishop Hoadly stands behind her followed by men carrying on their heads vessels of gold, several of which have been deposited at the foot of the altar, square pieces of gold having spilled from one. On the left; Robert Walpole dressed as the Chief Magician, dressed in a coat embroidered with dragons and the words "Auri Sacra fames" and carrying a rod, looks up at the satyr; behind him is a procession of couriters with the insignia of the golden rump embroidered on their shoulders; in the foreground Walpole's brother Horatio Walpole holds out a pair of scales, an allusion to his concern to preserve the balance of power in Europe which earned him the nickname, the "Balance Master". A curtain hanging across the top is embroidered with golden rumps."--British Museum online catalogue
Description:
Title engraved above image., Printmaker identified as Gerard Van der Gucht by Mark Hallett in Caricature in the age of Hogarth, see p. 137., Design on which this print is based, was attributed to the Earl of Chesterfield by the curator., "Price 1s."--Lower right corner., and Several subjects identified in a later hand below image.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760, Caroline, Queen, consort of George II, King of Great Britain, 1683-1737, Walpole, Robert, Earl of Orford, 1676-1745, Walpole, Horatio Walpole, Baron, 1678-1757, Hoadly, Benjamin, 1676-1761, Fielding, Henry, 1707-1754, and Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773
Subject (Topic):
Politics and government, Bribery, Corruption, Medical procedures & techniques, and Theaters