"George III and Queen Charlotte stand before the open gate of the Treasury, from which Pitt has just wheeled a barrow laden with money-bags. Pitt, the straps of the barrow round his shoulders, his coat-pocket bulging with guineas, obsequiously hands the king a money-bag. George III stands full-face, legs astride, a money-bag inscribed '£100000' under his right arm, another in his right hand and all his pockets overflowing with guineas. Queen Charlotte (left) stands on his right taking a pinch of snuff, and looking up at him with a smile of greedy and satisfied cunning; in her apron is a heap of guineas. Military officers wearing high cocked hats with feather trimmings (in a French fashion), and long pigtail queues, stand round the King and Queen, in a semicircle, in front of the spiked gates of the Treasury, playing musical instruments: fifes, bassoons, a horn, &c. The pockets of the two in the foreground (left and right) are crammed with guineas, those of the others, presumably equally full, are concealed. They represent the placemen and Ministerialists of the Treasury Bench. The most prominent (right) is probably Lord Sydney. In the foreground (left) an old sailor, armless and with two wooden legs, sits on the ground, his empty hat before him. On the right the Prince of Wales, in rags, hesitates to take a paper inscribed 'Accept £200000 from your Friend Orleans', which a slim and foppish Frenchman, in bag-wig and 'chapeau-bras', standing on the extreme right, offers him, taking his hand. He is very different from the heavily built Due d'Orléans (who succeeded his father in Nov. 1785) who had recently presented his portrait by Reynolds (now at Hampton Court) to the Prince of Wales. He had adopted the English manner of dress and made it fashionable in France ..."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., and Temporary local subject terms: Treasury building entrance -- Civil list -- National debt -- Miserliness -- Wooden legs -- Amputees -- Sailors -- Allusion to prodigal son.
Publisher:
Pubd. April 21, 1786, by Willm. Holland, No. 66 Drury Lane
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Sydney, Thomas Townshend, Viscount, 1733-1800, and Necker, Jacues, 1732-1804
"The King in profile to the right, with the Queen holding his right arm, leans towards a startled yokel who clutches his hat and a bucket. Behind the yokel (right) are pigs sniffing at the bucket and the gable end of buildings. All are caricatured. The King wears riding-dress, with a broad-brimmed hat and a spencer (see BMSat 8192) over his coat. He stands as if knock-kneed, his legs awkwardly splayed out. The Queen is dwarfish, wearing a hood over her hat and a shapeless cloak. In her right hand is a snuff-box. The yokel, wearing smock and gaiters, has the staring eyes, lantern jaws, and gaping mouth characteristic of Gillray's sansculottes. ..."--British Museum online catalogue
Description:
Title etched below image., One line of text below title: Well, friend, where a'you going, hay? What's your name, hay? Where d'ye live, hay? Hay?, Sheet trimmed within plate mark., and Temporary local subject terms: Farmyards -- Yokels -- Male costume: spencer -- Riding habit -- Pigs -- Crops -- Buckets.
Publisher:
Pubd. Feby. 10th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
"The King, Queen, and six Princesses, three quarter length, are seated round a frugal tea-table. The King, in profile to the right, faces his daughters, holding his cup and saucer to his lips, and saying, with a staring eye, "delicious! delicious". The Queen sits in the centre behind the small tea-pot, holding her cup and saucer in bony fingers, and looking with a wide and cunning smile towards the Princesses, saying, "O my dear Creatures, do but Taste it! You can't think how nice it is without Sugar: - and then consider how much Work you'll save the poor Blackeemoors by leaving off the use of it! - and above all, remember how much expence it will save your poor Papa! - O its charming cooling Drink!" The Princess Royal sits at the end of the row, on the extreme right, with four sisters diminishing in age on her right, a sixth just indicated behind the Queen. They hold, but do not drink, cups of tea, with expressions varying from sulky discontent to defiant surprise."--British Museum online catalogue
Alternative Title:
John Bull and his family leaving off the use of sugar
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Dedication etched below title: To the masters & mistresses of families in Great Britain this noble example in oeconomy is respectfully submitted., and Temporary local subject terms: Boycotts: sugar -- Miserliness: George III and Queen Charlotte -- Anti-saccharites -- Silver: tea service -- Dishes: teacups -- Reference to slave trade in West Indies.
Publisher:
Pubd. March 27th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Mary, Duchess of Gloucester, 1776-1857, Sophia, Princess, daughter of George III, King of Great Britain, 1777-1848, and Amelia, Princess, daughter of George III, King of Great Britain, 1783-1810
"The King, Queen, and six Princesses, three quarter length, are seated round a frugal tea-table. The King, in profile to the right, faces his daughters, holding his cup and saucer to his lips, and saying, with a staring eye, "delicious! delicious". The Queen sits in the centre behind the small tea-pot, holding her cup and saucer in bony fingers, and looking with a wide and cunning smile towards the Princesses, saying, "O my dear Creatures, do but Taste it! You can't think how nice it is without Sugar: - and then consider how much Work you'll save the poor Blackeemoors by leaving off the use of it! - and above all, remember how much expence it will save your poor Papa! - O its charming cooling Drink!" The Princess Royal sits at the end of the row, on the extreme right, with four sisters diminishing in age on her right, a sixth just indicated behind the Queen. They hold, but do not drink, cups of tea, with expressions varying from sulky discontent to defiant surprise."--British Museum online catalogue
Alternative Title:
John Bull and his family leaving off the use of sugar
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Dedication etched below title: To the masters & mistresses of families in Great Britain this noble example in oeconomy is respectfully submitted., Temporary local subject terms: Boycotts: sugar -- Miserliness: George III and Queen Charlotte -- Anti-saccharites -- Silver: tea service -- Dishes: teacups -- Reference to slave trade in West Indies., 1 print : etching on wove paper, hand-colored ; plate mark 31.3 x 39.9 cm, on sheet 36.4 x 55.5 cm., and Mounted to 37 x 57 cm.
Publisher:
Pubd. March 27th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Elizabeth, Princess of England, 1770-1840, Mary, Duchess of Gloucester, 1776-1857, Sophia, Princess, daughter of George III, King of Great Britain, 1777-1848, and Amelia, Princess, daughter of George III, King of Great Britain, 1783-1810
George III, dressed as an old woman, the Queen, and the Prince of Wales in a fool's cap decorated with his three feathers, are seated around a basin perched on the laps of the King and Queen, marked "John Bull's Blood" and filled with gold coins. All three eagerly spoon the coins into their mouths. Pouches hanging from their necks like goitres are full, except for that of the Prince of Wales, whose is empty. In the background is a wide open gate to the Treasury
Description:
Title from item., Printmaker from British Museum catalogue., Publication date inferred from watermark., Sheet trimmed within plate mark., Restrike, with aquatinting worn out in some areas. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7166., Temporary local subject terms: Dishes: bowls -- Craws, monstrous -- Cutlery: ladles -- Coins -- Guineas as food -- Fool's cap -- Prince's debts -- Gate of the Treasury building -- Coalition feast -- Reconciliation of Prince George and his parents -- Miserliness of George III and Queen Charlotte -- Reference to John Bull., Watermark on the left side of sheet; fleur-de-lis on the right side., and Mounted.
Publisher:
Pubd May 29th, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and George IV, King of Great Britain, 1762-1830
"The Duke of York (left), in regimentals and wearing a cocked hat, stands in profile to the right, tipsily swaggering; he hands to George III two large keys: 'Keys of Paris'. The King, seated on the throne (right) in hunting-dress, leans eagerly forward. The Duke is followed by soldiers bearing (worthless) trophies of victory; he says: "Th-th-th-there's Paris for you, damme! did not I say I'd take it? -th-thats all! - a-a-and here's all the Plunder of France! and all the Heads of the whole nation of Sans Culottes, damme! - if y-y-you will do me any honor, why do it; - if not, why even take the next Paris yourself, damme! - look 'e I expect to be made either a Cæsar or an Alexander! ------, d-d-d-d-damme!' The King, eagerly goggling, says: "What! what! Keys of Paris! Keys of Paris! give us hold! gads bobs, its nothing but, Veni, with you, lad, hay? Veni, Vidi? - ay, ay! Veni, Vidi, Vici! - ay, ay." A tricolour standard inscribed 'Vive la Liberta' lies at the King's feet. Behind the Duke are French weapons, broken: a sword inscribed 'Vive la Lib . .', a cannon similarly inscribed, cannon-balls, a musket, and a pile of decapitated heads wearing bonnets-rouges, on which tramples the Duke's secretary, who holds out a scroll inscribed: 'Authentic Journal - Issuing Manifesto's - Taking Dunkirk [see BMSat 8341] 1500 Barrels of Gunpowder 32 pieces of Cannon, & killing 5000 Troops, - sending off 10000 to the hospitals in Flanders - marching into the heart of France, & finishing the War without expence. Js Suckfizzle Secretary.' The secretary, who wears regimentals, a pen behind his ear, says, "Here's something like a List of glorious Actions! - well, let them that come after us do as much as we have done, and the Campaign will soon come to a conclusion." Behind him, guardsmen advance carrying bulky burdens: bales of 'Assignats', a large basket of sabots inscribed 'Wooden Shoes of the Poissards', a bundle of 'Breeches of the Sans Coulotte[s]', a pot from which frogs are leaping. Pitt sits on the dais at the King's left hand; he writes on papers which he supports on his up-drawn knees: 'Bricks Rum - Brandy Water Air'; 'new Taxes not to be felt by the Swinish Multitude'; 'loan of Eleven Millions.' Behind the throne (right) sits the Queen in profile to the right, gleefully holding out an apron into which the Devil shovels coins from a sack inscribed 'Two Millions Pr Annm'; only his horns, arms, and a hoof appear on the extreme right. Above the Queen's head are shelves on which are ranged large money-bags, inscribed: 'Spy Money 40000 pr A'; 'for Flatterers & Toad-eaters [cf. BMSat 7548] 10000 pr A'; 10000; 'Pin Money 50000 p Ann'; 'for Private Whim Wham[s] 50000 pr [A]'. At the King's right hand are three large bags inscribed 'for Horses Hound[s] & other Nicknackatories.'"--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark on bottom edge., Temporary local subject terms: Military: British soldiers -- Uniforms: regimentals -- Keys of Paris -- Paris keys to the city -- Male costume: hunting dress -- Flags: flag of liberty -- Tricolored French flag -- Weapons: broken cannon and cannon-balls -- Swords: broken sword -- Guns: muskets -- Decapitation -- Bonnet rouge -- Spoils of war -- Military secretaries -- Devil -- Treasure: bags of money -- Money: coins -- Thrones., and Mounted to 36 x 42 cm.
Publisher:
Pubd. Feby 10th, 1794, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Pitt, William, 1759-1806
"Salisbury, as Lord Chamberlain, holding his wand, walks stiffly before the King and Queen across one of the courts of St. James's Palace, evidently on the way to a Drawing Room. He bends forward from the waist, holding a small three-cornered hat in his left hand; his gold key of office is attached to the flap of his embroidered coat-pocket by a bow of ribbon. The Queen (right), holding a fan, takes the King's left arm; he looks down at her; both are slightly caricatured. They are followed by four princesses, charming girls, slightly sketched, with feathers in their hair, who are on the farther side of an archway through which the King and Queen have just passed. The procession, receding in perspective, advances diagonally from left to right."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Emblems: Lord Chamberlain's gold key and white stick., and Mounted to 29 x 39 cm.
Publisher:
Pubd. May 18th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Salisbury, James Cecil, Marquess of, 1748-1823, George III, King of Great Britain, 1738-1820, and Charlotte, consort of George III, King of Great Britain, 1744-1818
"The King and Queen, seated on the throne (left), receive with astonished horror a deputation from Turkey. An arrogant Turk stands proffering a large rolled document with pendent seals on which are crescents: 'Powers for a new Connexion between the Port, England & France'. Beside him (left) another Turk grovels on the ground. Fox and Sheridan, kneeling with crouching humility, hold up the long cloak of the Turkish emissary; their bonnets-rouges are decorated with crescents. Behind them Priestley bows low (right). Turks with spears and banners stand behind him. To a spear topped with a crescent is attached a tricolour flag inscribed 'Vive la Republique'. Pitt, a naked mannikin, one foot on the royal dais, clutches the King's knee in terror: a chain from his wrist is attached to a royal crown lying on the ground. Behind him, and beside the throne, stands Dundas in Highland dress, tall and impassive, holding a pike. The King and Queen are much caricatured: the King stares, biting his fingers and clutching the Queen; she puts her fan before her face but looks through its sticks (as in BMSat 9528) at the Turks. The three elder princesses (not caricatured) peep from behind the throne on the extreme left."--British Museum online catalogue
Alternative Title:
Final resource of French atheists
Description:
Title etched below image., Temporary local subject terms: Turkish ambassador -- Crowns -- Thrones -- Male costume: bonnet rouge -- Female costume: fans -- Pets: Pitt as a monkey -- Turks -- Royal princesses., and Incomplete images of two prints on verso: The Monster Broke Loose, or, A Peep into the Shakespeare Gallery and The Vulture of the Constitution.
Publisher:
Pubd. Decr. 26th, 1793, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Priestley, Joseph, 1733-1804, and Melville, Henry Dundas, Viscount, 1742-1811