"The King and Queen, seated on the throne (left), receive with astonished horror a deputation from Turkey. An arrogant Turk stands proffering a large rolled document with pendent seals on which are crescents: 'Powers for a new Connexion between the Port, England & France'. Beside him (left) another Turk grovels on the ground. Fox and Sheridan, kneeling with crouching humility, hold up the long cloak of the Turkish emissary; their bonnets-rouges are decorated with crescents. Behind them Priestley bows low (right). Turks with spears and banners stand behind him. To a spear topped with a crescent is attached a tricolour flag inscribed 'Vive la Republique'. Pitt, a naked mannikin, one foot on the royal dais, clutches the King's knee in terror: a chain from his wrist is attached to a royal crown lying on the ground. Behind him, and beside the throne, stands Dundas in Highland dress, tall and impassive, holding a pike. The King and Queen are much caricatured: the King stares, biting his fingers and clutching the Queen; she puts her fan before her face but looks through its sticks (as in BMSat 9528) at the Turks. The three elder princesses (not caricatured) peep from behind the throne on the extreme left."--British Museum online catalogue
Alternative Title:
Final resource of French atheists
Description:
Title etched below image., Temporary local subject terms: Turkish ambassador -- Crowns -- Thrones -- Male costume: bonnet rouge -- Female costume: fans -- Pets: Pitt as a monkey -- Turks -- Royal princesses., and Incomplete images of two prints on verso: The Monster Broke Loose, or, A Peep into the Shakespeare Gallery and The Vulture of the Constitution.
Publisher:
Pubd. Decr. 26th, 1793, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Priestley, Joseph, 1733-1804, and Melville, Henry Dundas, Viscount, 1742-1811
"The interior of a church (? the Chapel Royal) showing pulpit, side-gallery, and pews beneath the gallery. Wilkes (left) is the preacher, beneath him is his clerk, Pitt. At a right angle to the gallery is the royal pew (right), from which the King looks with earnest attention to the preacher. Queen Charlotte, her fingers to her mouth, also listens attentively. A lady-in-waiting and a courtier with a long wand (Lord Salisbury, the Lord Chamberlain) stand behind. The pew is decorated with the royal arms and has a canopy. In the centre of the gallery sit the Prince of Wales and Mrs. Fitzherbert; he turns away from the preacher, looking at her. Behind him stands George Hanger; behind Mrs. Fitzherbert sits a man looking at Wilkes through a spy-glass. Between him and the royal pew are three men in legal wigs and gowns: Pepper Arden, Dundas, and (?) Kenyon. Between the Prince and the pulpit sit North (asleep) and Burke, looking intently at Wilkes; a lady (? Duchess of Devonshire) attempts to wake North. In the seats under the gallery sit parties of citizens, in general asleep or inattentive. Below the royal pew stands Fox on a low stool as a penitent draped in a sheet; he wears a placard inscribed 'For Playing Cards on the Lord's Day'. A stout lady with an aquiline nose stands near Pitt; with a raised whip she chases a number of dogs out of the church. She has some resemblance to the Duchess of Gordon, a friend of Pitt. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. British Museum Satires No. 7935, &c. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. BMSat 7935, &c."--British Museum online catalogue
Alternative Title:
Wonderful effects of a proclamation
Description:
Title from item., Artist tentatively identified as Henry Wigstead; see British Museum catalogue., Printmaker formerly identified as Rowlandson, but an attribution to F.G. Byron (Andrew Edmunds, February 2021) is noted in the British Museum online catalogue, registration no.: J,4.101., The listed publisher "Paddy Whack" probably stands for William Holland; see British Museum catalogue., Temporary local subject terms: Congregations -- Piety Proclamation, June 1, 1787., and Mounted to 30 x 46 cm.
Publisher:
Pubd. by Paddy Whack, Oxford Street
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Melville, Henry Dundas, Viscount, 1742-1811, Hanger, George, 1751?-1824, Salisbury, James Cecil, Marquess of, 1748-1823, Fitzherbert, Maria Anne, 1756-1837, North, Frederick, Lord, 1732-1792, Wilkes, John, 1725-1797, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Gordon, Jane Gordon, Duchess of, 1748-1812, Fox, Charles James, 1749-1806, and Chapel Royal (Saint James's Palace, London, England),
Subject (Topic):
Interiors, Churches, Religious services, Pulpits, Pews, Dogs, Whips, Signs (Notices), and Windows
Title from item., Two columns of verse below image: Hitherto .... I have perform'd. Not without wonder ... Samson Agonistes., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 1 (1767), p. 201., Temporary local subject terms: Buildings: Westminster Hall -- Britannia (Symbolic character) -- Personifications: Liberty -- Emblems: cap of liberty -- Emblems: anchor -- Reference to Magna Charta -- Reference to the Glorious Revolution -- Reference to the accession of the House of Brunswick -- Musical instruments: lyre -- Emblems: thunderbolts -- Bible: Samson destroying a temple -- Literature: quotation from Samson Agonistes by John Milton, 1608-1674, lines 1640-1659., and Mounted to 37 x 24 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Camden, Charles Pratt, Earl, 1714-1794, Charlotte, consort of George III, King of Great Britain, 1744-1818, George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Granby, John Manners, Marquis of, 1721-1770, Hawke, Edward Hawke, Baron, 1705-1781, Pitt, William, Earl of Chatham, 1708-1778, and Secker, Thomas, 1693-1768
"The heads and shoulders of the King and Queen (left) and of Dundas (right) face each other; Dundas holds a letter with a broken seal postmarked Bristol; he leans forward with a satisfied and cunning smile, saying, "Seringapatam is taken! Tippo is wounded! & Millions of Pagodas secured." He wears a plaid across his shoulders and a legal wig. The King and Queen, much caricatured, have expressions of surprised delight; George III, who wears a hunting-cap, raises his hands, saying, "Tally ho! ho! ho! ho!" Queen Charlotte, beside and behind him, says, "O the dear, sweet Pagodas"."--British Museum online catalogue, description of an earlier state of the same composition
Alternative Title:
Nincumpoop in high glee
Description:
Title from text in image., Printmaker from description of an earlier state in the British Museum catalogue., Later state of a print originally published with the imprint: Pubd. May 23d, 1792, by J. Aitken, Castle Street, Leicester Fields. Cf. No. 8094 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Allusion to the fall of Seringapatam -- Allusion to Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799 -- Allusion to the 3rd Mysore War, 1790-1792 -- Windsor uniforms.
Publisher:
Pubd. May 23d, 1792, by H. Humphrey
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Melville, Henry Dundas, Viscount, 1742-1811
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. Beneath the title is etched : '"Who wrought such wonders as might make "Egyptian sorcerers forsake "Their baffled mockeries, & own ''The palm of magick our's alone.'' Churchll'."--British Museum online catalogue
Description:
Title from item., Printmaker identifiedin British Museum catalogue as Gillray who disguised his identity by signing the work with Sayers's initials., Sheet trimmed on one side within plate mark, with loss of design., Cf. No. 7320 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Numbered '39' in upper right corner of plate., and Quotations from Charles Churchill, 1731-1764.
Publisher:
Pubd. May 16th 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Bridport, Alexander Hood, Viscount, 1726-1814
Subject (Topic):
Chimney sweeps, Fishmongers, Jugglers, and Seesaws
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. ..."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Four lines of verse below title: "Who wrought such wonders as might make, Egyptian sorcerers forsake ..." Churchll., Temporary local subject terms: Literature: quotations: Charles Churchill, 1731-1764 -- Jugglers -- See-saws -- Naval logs -- Allusion to Mother Shipton -- Gate of St. James's Palace -- Fishwives -- Punch -- Coins -- Chimney sweeps -- Trials: Warren Hastings's trial -- Alexander Hood, Viscount Bridport, 1727-1814., 1 print : etching on laid paper ; plate mark 34.8 x 24.8 cm, on sheet 40.5 x 27.3 cm., and Mounted to 43 x 30 cm.
Publisher:
Pubd. May 16th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Saint James's Palace (London, England),
"The King and Queen, much caricatured, sit side by side in a latrine, above which is part of the royal arms, the lion looking down apprehensively and excreting. They look in horror towards Pitt, who rushes in, terrified, from a door (right), holding out a paper inscribed 'News from Sweden', and saying, "Another Monarch done over!" He is grotesquely thin. The King rises slightly, holding his stomach, and saying, "What ? Shot ? What ? what ? what ? Shot! shot! shot!" He wears a nightcap tied with a ribbon inscribed 'Honi Soit qui M . . . '. The Queen is a shrunken and huddled figure; both have grotesquely agitated expressions."--British Museum online catalogue
Alternative Title:
News of shooting the King of Sweden
Description:
Title from item., Printmaker from British Museum catalogue., Date of printing based on that of Bohn's suppressed plates., Sheet trimmed to and within plate mark., Reissue, probably from Bohn, ii, suppressed plates. Cf. No. 8080 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Interiors: latrine -- Male costume: royal night cap -- Emblems: burlesqued royal arms -- Allusion to assassination of Gustavus III.
Publisher:
Pubd. April 11th 1792 by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
"The King sits in an armchair in profile to the left, bending forward to eat a boiled egg, holding the egg-cup in his left hand. Opposite him, and partly concealed by the left margin, sits the Queen, avidly stuffing salad into her mouth. On the small round table are a bowl of salad and two jugs or oil and vinegar. Everything in the room denotes miserliness: the King has tucked the end of the table-cloth into his collar to protect his dress; his breeches are patched; his chair is swathed in protective coverings, his feet rest on a mat which protects the carpet. A richly chased flagon, decorated with the royal arms, which stands on the ground beside him, is inscribed 'Aqua Regis'. The handle of the bell-pull is covered by a bag. Behind the King's back, and on the extreme right, is a fire-place; in the grate is a vase containing snowdrops, holly, and mistletoe, to show that although it is winter there is no fire (cf. BMSat 7322). A grotesque figure in relief squats above the oval grate, his hands in a muff. On the chimney-piece stand a small pair of scales such as were then used for weighing guineas; see BMSat 5128, &c, resembling those held by the Queen in BMSat 8081; a candelabra formed of a woman's figure, 'Munificence', holding two empty cornucopias; one candle is intact, the other has burned low and is covered by an extinguisher surmounted by a crown. Above the chimney-piece is a picture: 'The fall of Manna', in which the Bible story is realistically depicted: round cakes (? or coins) descend from Heaven and are caught in sacks by Jews wearing contemporary dress; behind are tents and a mountain. Above the King's head hangs an empty picture frame inscribed 'The Triumph of Benevolence'. Below it hangs an oval miniature of the King in profile to the right, inscribed 'The Man of Ross' (John Kyrle (1637-1724), noted for frugality and charity, see 'D.N.B.'), and above it is the lower arc of another empty frame inscribed 'Epicurus'. In the foreground (right) behind the King is an iron-bound and padlocked chest on and beside which are three books: 'Life of Old Elwes' (the miser, a popular work by Topham), 'Dr Cheyne on the benefits of a Spare Diet', and 'Essay on the dearness of Provisions' (cf. BMSat 6993). Behind the Queen is the heavily bolted door of a strong-room; on it hangs a placard: 'Table of Interest, 5 pr Cent. 5 Million . . . 250,000' (&c, the total interest forming a colossal but scarcely legible amount). Above the door is the lower part of an empty frame: 'Parting of the Loaves & Fishes.'"--British Museum online catalogue
Description:
Title engraved below image., Companion print to: "A voluptuary under the horrors of digestion.", Sheet trimmed to plate mark., and Temporary local subject terms: Interiors: breakfast room -- Doors: door locks -- Dishes: gold service -- Cutlery -- Table settings -- Food: salad -- Food: boiled eggs -- Fireplaces -- Buddhas -- Flower arrangements -- Flagons -- Dishes: cruets -- Muffs -- Placards -- Crowned candle-snuffers -- Chests: iron-bound and padlocked chest -- Furnishings: bell pulls -- Allusion to Epicurus -- Pictures amplifying subject -- Scales -- Bible: Matthew, 15.36 - allusion to loaves and fishes -- Bible: Numbers, 11.9, 'The fall of manna' -- Glasses: crystal glasses -- Literature: George Cheyne, 1671-1743, Works -- Literature: Edward Topham, 1751-1820, Life of Old Elwes -- Allusion to John Kyrle, 1637-1724 -- Furniture: chairs -- Furnishings: bell pull -- Furnishings: slip cover -- Miserliness -- Misers -- Lighting: candelabra.
Publisher:
Pubd. July 28th, 1792, by H. Humphrey, Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
Needs must when the de'el drive and Needs must when the devil drive
Description:
Title etched below image., Publication date from British Museum catalogue., First published by J. Williams in Sept. 1762. Cf. No. 3898 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark., Temporary local subject terms: Dismemberment of the British Empire., and Mounted to 34 x 47 cm.
Publisher:
Sold by W. Hannell, printseller under the Royal Exchange
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Mansfield, William Murray, Earl of, 1705-1793, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Subject (Topic):
Britannia (Symbolic character) and Carriages & coaches
A group of four persons-- the Princess of Wales, Earl of Bute, the Queen, and the King-- stand up and dance before five courtiers who sit, three along the wall on the left, two along the wall on the right. A bagpiper on the left plays, with the words in a bubble: "up stairs, down stairs in my Ladys Bed Chamber". The five courtiers, including a Scotchman, each have speech bubbles commenting on the scene with references to the Irish, the Scotch jig, Italian masters
Alternative Title:
Windsor minuet 1762
Description:
Title etched above image., Printmaker's name ficticious, an allusion to William Hogarth., Cf. No. 3981 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted to 31 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, and Hogarth, William, 1697-1764.