Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Wash drawing depicting an ornate vase apparently owned by Horace Walpole at Strawberry Hill
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 31 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Title from ms. note added to mount., Date of publication from unverified data from local card catalog record., Artist's attribution trimmed with loss of text., Sheet trimmed within design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to24 x 33 cm. Ms. title on mount: Tartini's dream.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Wash drawing depicting a teapot with Chinese figures on the sides and a lion on the lid, formerly part of Horace Walpole's collection at Strawberry Hill
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 37 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Ebony veneer with gilding, oak and mahogonay, composition ornaments, gilt metal mounts, inset with drawings by Lady Diana Beauclerk with numerous inlays of stone, wedgwood, and enamel; reverse painted glass decorations. Formerly in the Great North bedchamber, Strawberry Hill
Description:
Title devised by cataloger., Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: A beautiful ebony and gold cabinet, enriched with 17 rare original drawings by Lady Diana Beauclerc[sic], and medallions studded with precious stones, lapis lazuli, cornelian, agates, &c., and with strawberries, and Mr. Walpole's arms and crest, on gothic stand with gilt border. The cabinet was designed by Mr. E. Edwards expressly for Mr. Walpole, in 1783., and Also available as a digital reproduction.
A scene from the Beggar’s Opera as performed and perhaps witnessed by Hogarth. The scene (Act III, Scene II) is the last. Set in Newgate prison. At center stage, is the highwayman Macheath, chained (played by Thomas Walker) wearing red. Two women who believe they are married to him plead for his life as he is sentenced to the gallows. To his left, Lucy Lockit with her back to the audience (played by Mrs. Egleton) is dressed in blue. She pleads with her father the prison warden (John Hall). On his right Polly Peachum (played by Lavinia Fenton) dressed in white with a pink sash, pleads with her father, a dishonest lawyer and informant (played by John Hippisley). The actors are flanked by an audience members privileged to sit in boxes on the stage. Among these is John Rich the impresario of the play. Cf. Einberg
Alternative Title:
Horace Walpole’s Copy of A Beggar’s Opera
Description:
Title from 2005 Christie's appraisal., Artist unidentified., Formerly attributed to William Hogarth. See R. Paulson, Hogarth: his life, art and times, pp. 26-7, pl. 45., In a contemporary gilt Rococo frame., Label on verso in Horace Walpole's with a note in his hand: "Sketch of the Beggar’s opera as first performed: Macheath, in red, by Walker. Polly kneeling, in white, by Miss Fenton, afterwards Duches of Bolton: Lucy in green, her face turned away, by Mrs. Eggleton; Peacham, in black by Hippisley; Lockit, by Hall. Amongst the audience, on the left hand, Sir Thomas Robinson of Rokeby, a tall gentleman with a long lean face; on the right, Sir Robert Faggs, profile, a fat man with short grey hair, much known at Newmarket. Painted by Hogarth. H.W.", Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: The original sketch of The Beggar's Opera, representing Walker as Macheath; Miss Fenton, afterwards Duchess of Bolton, as Polly, Hippisley, as Peach'em; Hall as Lockit; on one side in a box are Sir Thomas Robinson, very tall and lean, and Sir Robert Flagg, a famous Horse racer, fat, with short grey hair, by Hogarth. This highly interesting and curious picture was purchased at the sale of John Rich, the celebrated Harlequin and Master of the Theatres in Lincoln's-Inn-Fields and Covent Garden, for whom the picture was painted - it is in its pure and genuine state, and presents one of the most remarkable efforts of this original master., Text from the 1774 edition of Horace Walpole's Description of the villa of Mr. Horace Walpole, at Strawberry Hill: The original sketch of the Beggar's Opera: Walker as Macheath; miss Fenton, afterwards duchess of Bolton, as Polly; Hippisley, as Peach'em; Hall as Lockit: on one side in a box, sir Thomas Robinson, very tall and lean; sir Robert Fagg, a famous horse-racer, fat, with short grey hair: by Hogarth. Bought at the sale of John Rich, the well known harlequin, and master of the theatres in Lincoln's-inn-fields and Covent-garden, for whom the picture was painted. Formerly hung in the Great North Bedchamber, Strawberry Hill., and Title devised by curator.
Title supplied by curator., Place of publication derived from language of text., In lower margin: Book 2, pag. 54; Luc. 2; No. 13., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Jesus Christ
Subject (Topic):
Circumcision, Saints, Mothers, Infants, Priests, Knives, and Candles
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a bronze statue of a boar, in a seated position facing right, in the Tribune at Strawberry Hill
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 170 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Drawing in a circle, from an antique gem, showing the three Horatii walking together, the one at right carrying a shield and the one at left a dagger, the middle one supported with his arms around the shoulders of the other two. Based on the original intaglia image on cornelian, possibly part of a ring, housed in the Tribune at Strawberry Hill
Description:
Title devised by cataloger., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 163 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Art collections, Horatii (Legendary characters), Warriors, and Jewelry
Harding, G. P. (George Perfect), 1780-1853, associated name
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Wash drawing after a painting by Sir Joshua Reynolds that hung in the Great Parlour (Refectory) at Strawberry Hill, a group portrait of the three Waldegrave sisters, shown three-quarter length and seated beside one another at small work-table, with Lady Anna Horatia at the right embroidering, Lady Charlotte Maria on the left, her head turned towards front, winding silk from skein which Lady Elizabeth Laura, center, is holding. There is a pillar to the left and behind with a curtain between and trees beyond. After Reynolds (Mannings 1810).
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 21 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Waldegrave, Elizabeth Laura Waldegrave, Countess, 1760-1816, Euston, Charlotte Maria Waldegrave, Lady, 1761-1808,, Seymour, Anne Horatia Waldegrave, Lady, 1762-1801,, and Strawberry Hill (Twickenham, London, England)
A scene in a tavern with a pair of inebriated men sitting on a bench in front of fireplace, smoking pipes and drinking from tankards, a dog at their feet. Another man from the next booth leans over the wall to engage them in conversation which they seem not to enjoy. In the next booth (right) a group of four men play cards while a fifth looks on.
Description:
Title and date from dealer's description., Unsigned; attributed to Rowlandson., and With color tests on verso (not visible).