V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon bursts out of a terrestrial globe on which a map is freely sketched. One leg is still below the surface; he puts the other on the 'East-Indies' close to 'Bengal'. He is astounded to find himself face to face with John Bull (right) who also emerges from the globe, a half length figure with a huge cudgel in his right. hand. From John's coat-pocket project papers: 'Secret Intelligence'. Napoleon in his dismay drops his sword and a 'Plan of Operations in the Eas [sic] Indies'. He says: "Begar Monsieur Jean Bull again! Vat - you know I was come here!" John answers: "To be sure I did - for all your Humbug deceptions I smoked your intentions and have brought my Oak Twig with me, so now you may go back again." Napoleon wears an enormous feathered bicorne. On the lower part of the design 'France' and 'The Tight Little Island' are shown."--British Museum online catalogue, description of a variant state
Alternative Title:
Unexpected meeting
Description:
Title etched below image., Printmaker from description of variant state in the British Museum catalogue., Plate numbered "283" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., For a variant (earlier?) state numbered "48" in upper right corner, see no. 10995 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Watermark: 1817., and Leaf 93 in volume 4.
Publisher:
Pubd. July 9th, 1808, by Thos. Tegg, 111 Cheapside
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Atlas (right), bearded and muscular, nude except for swirling drapery, kneels on one knee, supporting with both hands a terrestrial globe which he pushes towards Napoleon on whom it is about to fall. The Emperor staggers back, dropping his sword, his left arm and right leg are raised high, to ward off the impact. He looks up, terrified, and says: "France be mine! Holland be mine! Italy be mine! Spain & Poland be mine! Russ, Prussia Turky, de whole World vil be mine!!! Monsr Atlas hold up dont let it fall on me." Atlas, with a menacing frown, answers: "When the Friends of Freedom and Peace have stop'd your shakeing it on my shoulders [and] got their own again, I'll bear it, till then you may carry it yourself Master Boney!" Close behind Napoleon (left) two French marshals or generals flee to the left, looking back at the globe One (left) says: "By Gar tis true tis fall on your Head! votre Serviteur! we no stop to be crush vid you"; the other: "Votre Serviteur Monsr Boney." Napoleon's head is scarcely caricatured, the generals are grotesques in the manner of Gillray, e.g. in British Museum Satires No. 9403, 'French Generals retiring, on account of their Health . . .' The globe is patterned with continents and islands regardless of geography."--British Museum online catalogue
Alternative Title:
Grasp all, lose all, Atlas enraged, and Punishment of unqualified ambition
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text, from Spenser's The faerie queene, following title: "Most wretched wight, whom nothing might suffice, "whose greedy lust, did lack in greatest store ..., Plate numbered "254" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shilling cold."--Following imprint., Watermark: 1817., and Leaf 35 in volume 4.
Publisher:
Pubd. Decr. 1st, 1813, by Thos. Tegg, 111 Cheapside
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Lord Chancellor (Eldon), preceded by his mace-bearer holding a sword, is about to alight on the pavement outside Westminster Hall (left), having flown diagonally down from the right; next him is (?) the Vice-Chancellor Plumer, close behind are eight other judges followed by a closely packed swarm of barristers who recede in perspective. All are in wig and gown. Behind the barristers are their clerks, wearing top-hats and carrying (green) brief-bags over their shoulders. Three men stand outside the door of Westminster Hall waiting obsequiously to receive the Chancellor and his swarm; one is a constable holding his staff, the others wear black gowns, the foremost having cloven hoofs. In the street below (right) a few terrified pedestrians look up at the monstrous flight."--British Museum online catalogue
Alternative Title:
No. 1. Blessings of Britain, or, A flight of lawyers, Blessings of Brittain, or, A flight of lawyers, Blessings of Britain, or, A flight of lawyers, Flight of lawyers, and First day of term
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state; plate number has been altered and beginning of imprint statement has been removed from plate., Date of publication based on complete imprint on earlier state: Pubd. Jany. 1817 by T. Tegg, 111 Cheapside. See British Museum catalogue., One line of quoted text following title: "A darksome cloud of locusts swarming down." Milton., Plate numbered "200" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed to plate mark leaving thread margins., and Watermark.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Lord Chancellor (Eldon), preceded by his mace-bearer holding a sword, is about to alight on the pavement outside Westminster Hall (left), having flown diagonally down from the right; next him is (?) the Vice-Chancellor Plumer, close behind are eight other judges followed by a closely packed swarm of barristers who recede in perspective. All are in wig and gown. Behind the barristers are their clerks, wearing top-hats and carrying (green) brief-bags over their shoulders. Three men stand outside the door of Westminster Hall waiting obsequiously to receive the Chancellor and his swarm; one is a constable holding his staff, the others wear black gowns, the foremost having cloven hoofs. In the street below (right) a few terrified pedestrians look up at the monstrous flight."--British Museum online catalogue
Alternative Title:
No. 1. Blessings of Britain, or, A flight of lawyers, Blessings of Brittain, or, A flight of lawyers, Blessings of Britain, or, A flight of lawyers, Flight of lawyers, and First day of term
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state; plate number has been altered and beginning of imprint statement has been removed from plate., Date of publication based on complete imprint on earlier state: Pubd. Jany. 1817 by T. Tegg, 111 Cheapside. See British Museum catalogue., One line of quoted text following title: "A darksome cloud of locusts swarming down." Milton., Plate numbered "200" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed to plate mark leaving thread margins., 1 print : etching on wove paper, hand-colored ; plate mark 25 x 35 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 54 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"British households are represented by large straw bee-hives; these are assailed by tax-collectors and their satellites who run through the air in a swarm. One hive is in the foreground (right), the two next are in the middle distance, with a line of little hives in the distance, curving to the left margin. John Bull, ragged but chubby, stands defiantly on the step of his hive, defending it with a stake shaped like a rough pitchfork and inscribed 'Prop of Reform'; with this he prods the foremost collector, who drops book and pen in dismay. Behind him in the doorway is his wife, brandishing a poker, while three ragged and terrified small children cluster round the door. Other tax-gatherers assail the upper part of the hive; one has made a hole in the straw and puts in his hand; he has already seized honey. Another man departs with chunks of honeycomb, but his coat-tails are clutched by a man who leans from a hole in the hive. Another collector runs through the air, laden with spoil. More of the swarm are still advancing, holding pen and book or paper. One, holding up a constable's staff, holds out a 'Warrant [of] Distress . . John Bull' [scarcely legible]; another has a huge book inscribed 'Poor's Rate'. Other books are inscribed 'Kings Tax' and 'Assess'd Taxes'. One man holds out a paper inscribed 'Snatch Broker & Sworn Appraiser'. The men recede in perspective towards the upper left corner of the design, from which the swarm is descending upon the hives. A tax-gatherer enters the door of the second hive, while another stands on the upper part nailing on it a placard: 'Kings Taxes'. In the foreground (right) beside the hive a broken cord drops from a clothes-prop weighted down with tattered garments. On the left is a smoking manure-heap inscribed 'Ministrial Dung-hill'; on this lies a paper, 'Prope[rty] Tax' [now removed, see British Museum Satires No. 12750, &c.], and from it grow toadstools inscribed 'Place, Pension', and 'Sinecure'."--British Museum online catalogue
Alternative Title:
No. II. Blessings of Britain, or, Swarm of tax-gatherers, Blessings of Britain, or, Swarm of tax-gatherers, Swarm of tax-gatherers, and Quarter day
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state; plate number has been altered and imprint has been removed from plate., Publication information inferred from earlier state with the imprint: Pubd. Jany. 1817 by T. Tegg, 111 Cheapside. See British Museum catalogue., Two lines of quoted text following title: "All with united force combine to drive," the lazy drones from the laborious hive." Virgil., Plate numbered "195" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 50 in volume 3.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull, a 'cit' wearing (unfastened) shirt and breeches, stands in a bare room near a miserable truckle bed, furiously waving wig and a night-cap inscribed 'Patent', towards objects representing malt, tea, tobacco, and coffee. He has flung at them his hat, coat, waistcoat, and shoes, and they totter backwards under the impact (right). All are demanding "More Wages," except malt, which asks for "More Profit." John shouts: "More Wages, you Scoundrels! will you never be satisfied! have'nt I given you House and increased your wages at different Tunes for Years past, and now you want more! But I'll dispense with ye all, so out of my House, ye pampered Knaves! you have pretty near stript me, theres my wig among ye! I'll put on this patent Narcotic Night cap and sleep till you have come to your senses again, so take yourself off to your advisers! Off with you! off!!!" The objects are constructed of utensils, &c., as in British Museum Satires No. 11822, &c.; they are closely grouped and delicately poised; they totter towards the open door (right). Tea is built up on sugar-tongs for legs, supporting two cups and saucers on which is a tea-caddy; on this rests a large kettle, spouting steam, and itself supporting a pile of sugar-bowl, tea-pot (from which spouts liquid inscribed 'More Wages'), cream-jug, and spoons. A solid cask of 'Home Brewed' is supported on long-stemmed glasses for legs; on it is a tankard of 'No Mans Entire' from which issues froth inscribed 'More Profit'. This is flanked by two bunches of barley. Two long tobacco-pipes, one broken, are legs supporting a canister of 'Best Virginia'; on this is a triangular spittoon, supporting a guttering candle-end in a flat candle-stick; the smoke from this is inscribed 'More Wages'. Nearest the door (right) two spoons support two coffee-cups and saucers on which is a coffee-mill, supporting a milk-jug from which a coffee-pot is falling, spouting 'More Wages'. On the bare floor (left) near a pitcher of 'Water' is an open book, 'The Life of Comoro', with a portrait head."--British Museum online catalogue
Alternative Title:
John Bull routing his rapacious servants
Description:
Title etched below image., Printmaker and month of publication from British Museum catalogue., Plate numbered "359" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Temporary local subject terms: Furniture: Trunkle bed -- Kitchen utensils., Watermark: 1817., and Leaf 71 in volume 5.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The three members of the Royal family who had recently been given the Freedom of the City as members of the Fishmongers' Company are represented as Billingsgate porters, carrying baskets of fish on their heads, and being kissed by Billingsgate women. All wear flat round hats and aprons. Prince Leopold has a German sausage (cf. British Museum Catalogue No. 12759) projecting from his coat-pocket, and another is in his basket. A comely woman puts her arms round his neck, saying, "My dear Boy you are Welcome to Billinsgate, come give us a buss!! Charlotte wont be angry." He answers: "Stop my Dear I lay down my Sole, and give you bit de german saucage." Two women (left) hurry up from the left, eagerly wiping their mouths on their aprons. They say: "By Goles he's a nice fellow Come do make haste Poll," and "That's right Bet! if you dont look sharp we shant get a taste." The Duke of Sussex, fat and good-natured, is beset by two women, one, an Irishwoman, kisses his mouth. He says: "You Hussey you'll upset my Cod!" She answers: "By the Powers if I care about that my Jewel! I'll have a taste of your Jowl, and a rare Jolly one it is!!" A paper projects from his pocket: 'Freedom of the City of London'. In the middle distance (right) stands the Duke of Gloucester, silent between three women who say: "Now let me have the first an I'll carry your fish; Give me the first and I'll carry you and fish too my heart I'll have such a smack," and "You have a smack indeed I'm the girl for smacking & know the true Gloucester go." A woman sitting by her basket (right) drinking gin says: "you may smack there I'll smack here! so God Bless the Royal Fishmongers." Behind are masts and sails with (right) the colonnade of Billingsgate Market on the quay-side."--British Museum online catalogue
Alternative Title:
Royal fishmongers, or, A welcome to Billingsgate, Welcome to Billinsgate, and Welcome to Billingsgate
Description:
Title etched below image., Printmaker from initials present on earlier state: C.W. [Charles Williams]., Later state; printmaker's initials and imprint statement have been completely burnished from plate., Publication information inferred from earlier state with the imprint: Pub. Novemr. 1816 by Thos. Tegg, 111 Cheapside. Cf. No. 12815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Three lines of quoted text following title: "They printed melting kisses, "balmy as Burnetts gin, chaste as Drurys maids, "and keen as longing mothers., Plate numbered "203" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 58 in volume 3.
Publisher:
Thomas Tegg
Subject (Name):
Léopold I, King of the Belgians, 1790-1865, Augustus Frederick, Prince, Duke of Sussex, 1773-1843, and William Frederick, Duke of Gloucester, 1776-1834
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Six scenes, arranged in two rows, each with an inscription above the design. The figures are realistic, not 'Lilliputian', as in British Museum Satires No. 11134, &c. [1] 'Lilliput is situated a considerable distance from the Island of Great Britain, and the Natives have many singular manners and customs, one in particular is swearing to give a vote according to conscience with one hand, and receiving a bribe with the other--what a happy thing it is that nothing of the kind ever occured in England.' A scene at the hustings, showing one of the posts inscribed 'St M . . .' indicating the polling-place for one of the Westminster parishes, cf. British Museum Satires No. 10619, &c. An elector takes a book (Testament) from a poll-clerk, while a man slips coins into the hand which he holds behind his back. There are spectators (or voters) outside and inside the hustings; a woman sells a ballad. [2] 'They have a litte [sic] man in Lilliput call'd John Bull, we suppose in humble imitation of that Gentleman so named in our Country but the comparison can never hold good, the Lilliputian John Bull though overburthened with Taxes is continually visited by the collector for more--we well know that is not the case in England!!' John Bull, a fat 'cit', is seated in an arm-chair wearing a hat, with a tankard and pipe on a table beside him. He looks up angrily at a lean tax-collector who stoops towards him, holding an open book. On the wall is a (damaged) picture, 'Liberty', holding her cap on a staff. [3] 'There we frequently see Merit in distress, and Ignorance, rolling in affluence, if such facts were mention'd in England, they would not be believed!! their manners are so different.' A street scene. A small thin man (left), his eyes on the ground, and a fat, vulgar, arrogant fellow walk towards each other on the pavement. The former has his hand in his coat-pocket in which is a pamphlet: 'Poem[s] on var ....' They are identified by two bills on the wall: 'By Permission of the Lord Chamberlain--for the Benefit of Peter Prose authour of several Pieces' and (headed by the Royal Arms) 'Slushbuckett Nightman to his Majesty'. [4] 'In Lilliput it is well known that a Female throug [sic] certain influence has disposed of situations in the Army and Church, what would our John Bull say to that!!' Mrs. Clarke receives her clients seated at a small round table; she holds out her hand to take a money-bag from a parson (O'Meara, see British Museum Satires No. 11258, &c.). Behind, an officer advances, sweeping the ground deferentially with his cocked hat, a money-bag in his hand. The head of a third applicant is on the extreme right. A window and a folding screen form a background. The Duke of York inconspicuously watches from behind the screen. See British Museum Satires No. 11216, &c. [5] 'A certain Nobleman in Lilliput is said to have become a jobber and disposed of a seat in Parliament; a pretty Parliament that must be!! O John Bull you are a happy man!' Castlereagh and another well-dressed man sit facing each other across a small round table. Castlereagh hands over a document, the other a money-bag. [6] 'In Lilliput it is common for a boy of fifteen through interest, to leap over the shoulders of a vetran Hero!--Ay John Bull you may well be suprized--but such things are practiced there we assure you.' A boyish officer poised on the bent back of an elderly one, is about to leap over his head; he wears a fashionable crescent-shaped cocked hat; the elder man's old-fashioned tricorne falls to the ground. In front of them is an open door set in a stone arch, probably that of the Horse Guards. John Bull, a fat 'cit', stands in profile to the right, gazing in astonishment. This long-standing abuse came into notice over the proceedings against the Duke of York, see British Museum Satires No. 11281."--British Museum online catalogue
Alternative Title:
Sketches of Fairyland, or, A comparison between England & Lilliput. Pl. 1, Comparison between England & Lilliput, and Comparison between England and Lilliput
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state, with beginning of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Decr. 1810 by Thos. Tegg, 111 Cheapside. See British Museum catalogue., Plate numbered "201" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 56 in volume 3.
Publisher:
By Thos. Tegg, 111 Cheapside
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Castlereagh, Robert Stewart, Viscount, 1769-1822
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Birmingham brass-founders have cast a large brazen head, representing Sir Charles Wolseley, and are about to place it upon a full-dressed effigy without a head, which two men hold erect under a tripod. Two workmen carry the head from a furnace (left) towards the tripod; a third who stands behind says: "Say what they will of our Member they can't say he wants Head!!" One of the pair, who strain under the weight, answers: "No or that he is light headed!" The other adds: "Faith they'll soon find that out if they should come to logerheads." The (normal-sized) body is under the tripod from which hang ropes by which the head is to be hoisted into position. One of the men holding the ropes looks round to ask: "Have you put Brass enough in the [head] he'll soon be put out of countenance if you have 'nt." Two of the others say: "We are the Body and shanks when they are wanted you know!" and "Now Lads up with it! never mind a little mistake in proportion--it's a Head we want!" Behind them (left) is a furnace. From the right workmen hurry forward, one carrying two large cans of beer; one of them shouts: "Here is the liquor and the Parson, so make haste that we may Christen him." On the left lie the moulds in which the head and limbs have been cast. Tools and tankards are also on the ground. Through an opening in the wall behind the men are seen smoking kilns."--British Museum online catalogue
Alternative Title:
Birmingham new member, A man of mettle, or, A match for ministers, Man of metal, Man of mettle, and Match for ministers
Description:
Title etched below image; the final letters "tle" in "mettle" have been scored through and the letters "al" added, forming the word "metal.", Printmaker and month of publication from British Museum catalogue., Plate numbered "360" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Temporary local subject terms: Birmingham brass-founders -- Tools -- Tankards., Watermark: 1817., and Leaf 72 in volume 5.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of seven designs of unequal size, divided by lines and arranged in two rows, four above and three below. The inscriptions parody 'The House that Jack built', cf. (e.g.) British Museum Satires No. 11414. [1] This is the City of Lisbon. A view of Lisbon with the Tagus in the foreground. [2] This is the Gold, that lay in the City of Lisbon. Four sacks heaped with coins, church plate, rosaries, &c. [3] These are the French who took the Gold, [. . . &c.]. Two French officers standing together, registering sly satisfaction. [4] This is Sir Arthur (whose Valour and skill, began so well, but ended so ill) who beat the French, [. . . &c.]. Wellesley stands in the foreground with drawn sword directing the battle; British soldiers pursue French troops. [5] This is the Convention that Nobody owns, that saved old Junots Baggage and Bones, altho' Sir Arthur [. . . &c.]. Junot sits complacently (right) while Wellesley signs the Convention, and Dalrymple and Burrard (not characterized) wait their turn. [6] These are the Ships that carried the spoil, that the French had plundered with so much toil, after the Convention which nobody [.. . &c.]. British men-of-war in full sail. [7] This is John Bull, in great dismay, at the sight of the Ships, which carried away, the gold and silver and all the spoil, the French [. . . &c.]. John, a fat 'cit', in profile to the left in his arm-chair, scowls with protruding underlip."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Printmaker from description of variant state in the British Museum catalogue., Plate numbered "270" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., For a variant state lacking plate number, see no. 11215 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Watermark: 1817., and Leaf 49 in volume 4.
Publisher:
Pubd. Feby. 3d, 1809, by Thos. Tegg, 111 Cheapside
Subject (Name):
Junot, Jean Andoche, duc d'Abrantès, 1771-1813, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Dalrymple, Hew Whiteford, Sir, 1750-1830