Plate 42. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a country town with two newly-elected members of parliament (one a representation of George Bubb Doddington, the other visible only as a shadow on a distant wall) carried shoulder-high along the street, led by a blind and ragged fiddler and surrounded by a chaotic and disreputable crowd; two chimney boys sit on the church wall, a dancing-bear interferes with a donkey's load and is about to be clubbed by the driver, the one-legged bear-leader (dressed in sailor's clothes) is engaged in a fight with a man swinging a flail, a rifle slung over a monkey's shoulder discharges to the horror of a black serving woman, a sow and her piglets up-end a woman as they charge across the street, a soldier stripped to the waist for a boxing bout is taking tobacco from a wrapper; to right, dishes of food are being carried into an elegant house where victory is being celebrated."--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., State with the word "NDINTUR" added to the paper hanging from the upper window on the right. with other design enhancements. See Paulson., Fourth and final print in a series: Four prints of an election., and Dedication etched below image: To the Honble. George Hay, one of the Lords Commissioners of the Admiralty, &c,&c. This plate is most humbly inscrib'd by his most obedient, humble servant, Willm. Hogarth.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Bears, Black people, Chimney sweeps, Donkeys, Fighting, Monkeys, Peg legs, Political elections, Riots, Servants, Street musicians, and Swine
Plate 42. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a country town with two newly-elected members of parliament (one a representation of George Bubb Doddington, the other visible only as a shadow on a distant wall) carried shoulder-high along the street, led by a blind and ragged fiddler and surrounded by a chaotic and disreputable crowd; two chimney boys sit on the church wall, a dancing-bear interferes with a donkey's load and is about to be clubbed by the driver, the one-legged bear-leader (dressed in sailor's clothes) is engaged in a fight with a man swinging a flail, a rifle slung over a monkey's shoulder discharges to the horror of a black serving woman, a sow and her piglets up-end a woman as they charge across the street, a soldier stripped to the waist for a boxing bout is taking tobacco from a wrapper; to right, dishes of food are being carried into an elegant house where victory is being celebrated."--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., State with the word "NDINTUR" added to the paper hanging from the upper window on the right. with other design enhancements. See Paulson., Fourth and final print in a series: Four prints of an election., Dedication etched below image: To the Honble. George Hay, one of the Lords Commissioners of the Admiralty, &c,&c. This plate is most humbly inscrib'd by his most obedient, humble servant, Willm. Hogarth., and Sheet trimmed to plate mark: 431 x 555 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Bears, Black people, Chimney sweeps, Donkeys, Fighting, Monkeys, Peg legs, Political elections, Riots, Servants, Street musicians, and Swine
"Hastings (right) shrinks in terror at the apparition of Chait Singh (left) who emerges from clouds, a rope round his neck, his left hand raised threateningly. His turban is inscribed 'Cheyt Sing.' They stand on opposite sides of a rectangular table covered with a fringed cloth, behind which sits a lady reading a book which lies on the table: 'The State of India'. Her dress and large feathered hat are heavily decked with jewels. Hastings, who wears oriental dress with a jewelled turban, has overturned his chair; on its back are the initials 'W H.' Two Indian servants (right) stand behind Hastings. In the centre of the wall, behind the lady, are shelves on which are money-bags, some inscribed 'Rupees' and 'Pagod[as]', jewels, and a large turban inscribed 'Cheyt Syng.'"--British Museum online catalogue
Alternative Title:
Chait Singh
Description:
Title etched below image., Variant state of no. 7315 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires v. 6. The 'y' in May is partly visible under 'r' engraved over it., and Sheet trimmed leaving thread margins.
Publisher:
Pub'd Mar. 9 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India and India.
Subject (Name):
Hastings, Warren, 1732-1818, Chait, Singh, rajah of Benares, fl. 1775-1781, and Nandakumara, Mahārāja, -1775
Subject (Topic):
Impeachment, Politics and government, Ghosts, Gems, Jewelry, Servants, Tablecloths, Turbans, Men, and Clothing & dress
Depicts Burke wearing spectacles and wig, but in monastic habit as an Irish Jesuit. He is seated on a stool peeling a potato, at a table on which is a chamber pot full of steaming potatoes, and at the other end a keg of whisky supporting a broken crucifix. Beneath the table dance 3 demons. A reference to Burke's resignation after the death of Rockingham, and to his support of the Catholic Relief Act
Description:
Title from item., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Augt. 23d, 1782, by Eh. D'Achery, St. James's Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Burke, Edmund, 1729-1797 and Catholic Church
Subject (Topic):
Politics and government, Monks, Demons, Chamber pots, Potatoes, Tableware, Fireplaces, Interiors, and Anti-Catholicism
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 83 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 31.5 x 24.5 cm, on sheet 34.4 x 26.4 cm., Mounted on leaf 63 of James Sayers's Folio album of 144 caricatures., and Watermark: 1805.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 45 x 35 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and 1 print : etching, on wove paper ; plate mark 312 x 241 mm, on sheet 46 x 28 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"North and Fox as supporters of the Coalition Arms (cf. BMSat 6369 (5)), which rest on the prostrate body of the king, on whom North rests his left foot and Fox his right. North stands (left) dexter, holding in his right hand a flag on which are two demons and the word 'Coalition'; the staff is surmounted with a skull; in his left is a small flag with thirteen oblique stripes, an allusion to the loss of the Colonies, which forms part of the first quarter of the arms. Fox holds a ragged cap of Liberty on its staff; his right hand, resting on the escutcheon, holds a small axe which forms part of the second quarter of the arms. The crest is formed of the heads of North and Fox back to back, in profile, right; from their mouths comes a ribbon with the word 'Faction'. The motto which supports the figures of Fox, North, and I the king, is 'Neck or Nothing'. Beneath the plate is a printed explanation of the Coalition Arms: 'Lately granted by a new College of Arms to two Illustrious Persons for their numerous and distinguished Virtus "Go and do thou likewise". They are thus emblazoned: First Quarter. A Standard with the Thirteen Stripes of the American States; Base, Edmund St Omer's [Burke], like a skilful Dentist, drawing the Teeth of a Lion. Second. Quarterly, First and Fourth, Implements of Gambling; Sinister Chief, a declining Axe; Dexter base, the head of Charles, Martyr; Fesse Point Arms of H--ll--d [Holland, the arms of Fox, cf. BMSat 6423]. Third. A Gallows, Two Halters charged Proper. Fourth. Britannia Renversed. Crest. Janus, with the motto Faction. Supporters. Dexter, the Promoter of Independence with the Flag of Coalition. Sinister; the Man of the People, with a Liberty Cap worn Threadbare; both Supporters trampling on an injured------[King] who is extricating Himself from their Oppression.' The arms are as described: Burke (half length) applies a pair of forceps to the teeth of a lion, seated passively. Above them is a paper inscribed 'Reform Bill' (cf. BMSat 5645, &c). The implements of gambling are dice-box, dice, and cards. From the gallows hang a fox (left) and North (right). Britannia, seated head downwards, holds out an olive-branch, emblematical of the peace and the loss of America."--British Museum online catalogue
Description:
Title from item., Original issue of no. 6441 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires; with the printmaker's initials and date intact., The printed explanation of the arms below the plate begins: "Key to the coalition arms," and ends with: "These arms were given from the Herald's Office to the two men, for their many and distinguished virtues. 'Go and do thou likewise.'", and Mounted to 38 x 27 cm.
Publisher:
Published by M. Smith, March 8, 1784, and sold at No. 46 in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., and North, Frederick, Lord, 1732-1792.
Subject (Topic):
Britannia (Symbolic character), Politics and government, Coats of arms, Liberty cap, Foxes, Lions, Gambling, Gallows, and Clothing & dress