Title from item., Attributed to Newton by curator based on other works of this artist in the collection., Sheet trimmed within plate mark., Reduced copy of a print published in London on May 26, 1791, by W. Holland., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literature: satire on Paine's The Rights of Man -- Reading -- Readers., and Watermark: name (illegible).
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Wollstonecraft, Mary, 1759-1797, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Jenkinson, Charles, 1727-1808
"Two tiers of single English figures expressing appropriate opinions about the coronation of Napoleon."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in dealer's description. Questionably attributed to Isaac Cruikshank in the British Museum online catalogue, registration no.: 1985,0119.188., Sheet trimmed to plate mark leaving thread margins., "Folios of caracatures [sic] lent out for the evening"--Below image in lower right., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Pubd. July 16th, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
France and Great Britain.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Foreign public opinion, British, Public opinion, Soldiers, French, Sailors, and British
"Two men (half length), one full-face, fat and jolly, wearing a night-cap, and holding his sides with laughter; the other (right), behind, in profile to the right, lean and sour, looking down at his folded hands."--British Museum online catalogue
Alternative Title:
Contrasted sketches of mirth and ennui
Description:
Title from caption below image. and Sheet trimmed within plate mark.
"The undergraduate, cap in hand, stands with bent head facing a table at the opposite end of which stands the Master, obese, drink-blotched, and angry, delivering sentence. Six Fellows stand at the table, three a side, all glaring at the culprit, and much caricatured. A gaiter lies on the table. At the door, and immediately behind the undergraduate, stands a college servant, his hand on the door-handle, holding a long wand (like that held by the butler of Trinity College, Cambridge, in BMSat 7017). The room is bare with a panelled wall, the only furniture the table and a carved armchair behind the Master."--British Museum online catalogue
Alternative Title:
Rake's progress at the university. No. 5
Description:
Title from text within curly brackets below image, following series title., Printmaker from British Museum catalogue., and Fifth of five prints in a series entitled: The rake's progress at the university.
Publisher:
Publish'd October 22d, 1806, by H. Humphrey, 27 St. James's Street, London
Volume 1, page 37. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Ladies and gentlemen seated in a semicircle, while a footman holds a circular tray on which are tea-cups, &c. In the foreground a man sits (centre) his bag-wig hanging over the back of his chair facing the semicircle. On the extreme left a man sits stiffly, hat under his right arm, tea-cup in his left hand; next is an elderly and ugly woman, holding a fan; then a stout man seated uncomfortably on the edge of his chair. Then a lean and ugly old woman sitting very upright, with a fan. In the centre of the circle, full face, holding a tea-cup in both hands and looking downwards, is a lady with enormously wide petticoats, who appears to be the hostess. Next stands the footman, who is glaring with scorn at a French manservant who stands behind the guests on the left holding a plate of bread and butter. The remaining guests are in a group on the right. A stout and ugly man, in profile to the left, stretches out his hand, either in gesticulation, or to take a cup of tea from the tray. Next him is a plainly dressed man with an enormous wig who is laughing and looking through a single eye-glass. These two are the only guests who show the slightest animation, the others sitting rigidly silent. On the extreme right sits a young lady of pleasing appearance, in profile to the left, looking down demurely at her fan. Behind her (right) appears the head of a good-looking young man, whose arm rests on the back of her chair. Two oval pictures are indicated on the back wall the room."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., "No. 14"--Upper right corner., and Mounted on page 37 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Feby. 11th, 1782, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
"Ladies and gentlemen seated in a semicircle, while a footman holds a circular tray on which are tea-cups, &c. In the foreground a man sits (centre) his bag-wig hanging over the back of his chair facing the semicircle. On the extreme left a man sits stiffly, hat under his right arm, tea-cup in his left hand; next is an elderly and ugly woman, holding a fan; then a stout man seated uncomfortably on the edge of his chair. Then a lean and ugly old woman sitting very upright, with a fan. In the centre of the circle, full face, holding a tea-cup in both hands and looking downwards, is a lady with enormously wide petticoats, who appears to be the hostess. Next stands the footman, who is glaring with scorn at a French manservant who stands behind the guests on the left holding a plate of bread and butter. The remaining guests are in a group on the right. A stout and ugly man, in profile to the left, stretches out his hand, either in gesticulation, or to take a cup of tea from the tray. Next him is a plainly dressed man with an enormous wig who is laughing and looking through a single eye-glass. These two are the only guests who show the slightest animation, the others sitting rigidly silent. On the extreme right sits a young lady of pleasing appearance, in profile to the left, looking down demurely at her fan. Behind her (right) appears the head of a good-looking young man, whose arm rests on the back of her chair. Two oval pictures are indicated on the back wall the room."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with different imprint statement, of a print originally published 11 February 1782 by W. Dickinson. Cf. No. 6141 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Sheet trimmed within plate mark on right and left edges., Plate numbered in upper right corner: No. 14., Temporary local subject terms: Tea services -- Male costume, 1782 -- Female costume, 1782 -- Domestic service: Footmen -- French man-servant -- Monocles., Watermark., and Imperfect; plate number partially erased from upper right corner of sheet.
Publisher:
Pub. April 1, 1794, by J. Harris, Sweetings Alley, Cornhill
"Ladies and gentlemen seated in a semicircle, while a footman holds a circular tray on which are tea-cups, &c. In the foreground a man sits (centre) his bag-wig hanging over the back of his chair facing the semicircle. On the extreme left a man sits stiffly, hat under his right arm, tea-cup in his left hand; next is an elderly and ugly woman, holding a fan; then a stout man seated uncomfortably on the edge of his chair. Then a lean and ugly old woman sitting very upright, with a fan. In the centre of the circle, full face, holding a tea-cup in both hands and looking downwards, is a lady with enormously wide petticoats, who appears to be the hostess. Next stands the footman, who is glaring with scorn at a French manservant who stands behind the guests on the left holding a plate of bread and butter. The remaining guests are in a group on the right. A stout and ugly man, in profile to the left, stretches out his hand, either in gesticulation, or to take a cup of tea from the tray. Next him is a plainly dressed man with an enormous wig who is laughing and looking through a single eye-glass. These two are the only guests who show the slightest animation, the others sitting rigidly silent. On the extreme right sits a young lady of pleasing appearance, in profile to the left, looking down demurely at her fan. Behind her (right) appears the head of a good-looking young man, whose arm rests on the back of her chair. Two oval pictures are indicated on the back wall the room."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with different imprint statement, of a print originally published 11 February 1782 by W. Dickinson. Cf. No. 6141 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Sheet trimmed within plate mark on right and left edges., Plate numbered in upper right corner: No. 14., Temporary local subject terms: Tea services -- Male costume, 1782 -- Female costume, 1782 -- Domestic service: Footmen -- French man-servant -- Monocles., 1 print : stipple engraving and etching on laid paper, hand-colored ; sheet 450 x 545 mm., and Watermark.
Publisher:
Pub. April 1, 1794, by J. Harris, Sweetings Alley, Cornhill
A visual pun on the legal profession: The conveyancer is depicted as a pickpocket, the solicitor as a prostitute, and bar practice as a bartender
Description:
Title from text below image., Publication date from unverified data in local card catalog record., and Print numbered in ms. near upper edge of sheet: 264.
Publisher:
Published for the propietor by James Bulcock, 17 Park Place, Chelsea