Manuscript on paper of eighty life-size pen-and-ink drawings, tinted with grey, of various styles of horse bridles and bits; apparently intended as a pattern book. Compiled by and/or for Carlo Filippo di Vuelden.
Description:
Acquired from the Sporting Gallery in 1967 with the Beinecke Rare Book Endowment Fund., Cataloged from microfilm by Albert Derolez., Cite as: Delle Imboccature De'i Cavalli. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Eighteenth- to nineteenth-century binding: Vellum case; stubs of two green ties., Manuscript on paper of Eighty life-size pen-and-ink drawings, tinted with grey, of various styles of horse bridles and bits; apparently intended as a pattern book. Followed by Descriptive index for drawings (incomplete). Compiled by and/or for Carlo Filippo di Vuelden whose name appears on f. 1r. Written in small neat italic., and Watermarks: similar in design to Briquet Armoiries - Pomme de pin 2118, but with a majuscule M sitting on the top of left and right upper corners, and with four divisions for the tree base.
Subject (Topic):
Horses--Early works to 1800, Manuscripts, Medieval -- Connecticut -- New Haven, and Pattern books
Manuscript on paper of Minuccio Minucci, 1) Discorso alla santita di Papa Sisto Quinto. 2) Fondamenti chi si hanno inclinatione del duca Augusto Elettore di Sassonia alle religione cattolica.
Subject (Name):
Minucci, Minuccio,--1551-1604 and Sixtus--V,--Pope,--1520-1590
Subject (Topic):
Italian literature--16th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of a treatise in the form of a Prologue to a comedy by an unknown member of a newly founded Tuscan Academy.
Description:
Script: Copied by one hand in late Humanistica Cursiva; the first word of the centered title in Capitalis. and The original foliation shows that the present treatise is only a small part of a codex of unusually large size, the content of which is unknown.
Subject (Topic):
Italian drama (Comedy), Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of 1) Note on the reign of the first Doge of Venice, Pauluccio Anafesto (697-717). 2) History of Venice from its legendary foundation to 695. 3) Alphabetical list of Venetian noble families, with their coats of arms and notes on their history. 4) History of the Doges of Venice up to Francesco Venier, elected 1554, d. 1556, with their coats of arms.
Description:
Binding: Date? Pasteboard., In Italian., Painted coats of arms, those in art. 3 in decorative cartouches. Large decorative painted initials for each family name., Script: Copied by two hands. A (ff.IIr and 1r-84v): Gothica Cursiva Libraria/Currens; B (ff. 85r-170r): Humanistica Cursiva Currens., and The top and the lower corners of the final leaves badly damaged by moist, with loss of some text.
Subject (Geographic):
Venice (Italy)--History
Subject (Topic):
Heraldry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Nobility--Italy
Manuscript on paper of a number of ascetical treatises and prayers, including: 1) Pseudo-Bernard of Clairvaux, Octo versus. 2) Andrea da Pistoia, Epistola a un amico. 3) Aegidius O.S.B. (frate Gillio), Liber virtutum.
Description:
Binding: unbound., Manuscript on paper of a number of ascetical treatises and prayers, including: 1) Pseudo-Bernard of Clairvaux, Octo versus. 2) Aegidius O.S.B. (frate Gillio), De aedificatione animae, or Liber virtutum, translated from Latin into Venetian and from Venetian into Tuscan. 3) Andrea da Pistoia O.P., Epistola a un amico. (Perhaps the author is to be identified with Andreas Franchi de Pistorio (1335-1401)). 4) Prayers ascribed to St. Augustine. 5) The Apostles' Creed as supposed to be jointly composed by the twelve Apostles; the Seven Sacraments; the Seven Gifts of the Holy Spirit; the Seven Virtues; the Seven Mortal Sins; the Ten Commandments; the Works of Charity; the Ten Impediments of Penance; the Fifteen Signs announcing the Last Judgment. 6) Prayer to the Virgin., and Script: the main section (articles 2-5) is copied by a single hand writing Southern Gothica Textualis Libraria; the headings in Southern Gothica Semitextualis Libraria. Article 6 is in Semitextualis under Hybrida influence; the two final Latin quotations in a large decorative impure Textualis Formata. Article 1 in small rapid Italian Hybrida, the Latin Psalm verses in a larger and more formal form of the same script, with large opening majuscules. In the main section headings and stroking of majuscules in red; 1- and 2-line plain red initials half inserted, with large guide letters in the margin; a 3-line similar initial on f. 2r. Article 1 opens with an outline initial in black, art. 6 with a large initial with interior reserved space, placed in the margin.
Subject (Name):
Andrea da Pistoia
Subject (Topic):
Italian letters, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Virtue--Early works to 1800
Manuscript on paper of Christophorus Columbus (Christopher C.,1451-1506), Epistola de insulis de novo repertis. Relation of his first voyage to America (1492-1493), addressed to Raphael Sanchez and translated into Latin by Leander de Cosco, dated 14 March 1493. Probably copied from the edition Paris, [Guy Marchant, after 29 April 1493], GKW 7175, variant (a). With Bartholomaeus Columbus (Bartholomew C., c. 1460-1514), Descrizione della navigazione nel Mondo Nuovo. The text is in the wrong order, being probably copied from an exemplar in four pages, of which pages 2 and 3 were inverted. The manuscript should be read in the following order: (1) p. 1, lines 1 to 20 asai; (2) p. 2, lines 6 lavorate to 28 vidono di; (3) p. 1, line 20 dismontar to p. 2, line 6 corazze; (4) p. 2, line 29 bambaso to the end. Copied by one hand in Gothica Hybrida Formata verging to the Semitextualis, with a typographic outlook (but totally different from the printing type used in the presumed exemplar).
Description:
At the top of the first page the autograph ownership inscription of Sigismondo Pandolfo de Malatesta (1498-1543?), son of Pandolfo Malatesta. From the Gritti family archives., Cite as: Christopher Columbus, Epistola de Insulis de Novo Repertis. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., In Latin and Italian., Paragraph marks, flourished initials (5 ll. f. 1r, 3 ll. f. 5r) and Columbus coat of arms all in the same brown ink as the text. The arms closely resemble those found in the Genoa codex of his Book of Privileges., Unbound. Placed in a boardpaper portfolio and leather-backed boardpaper slip-case., and Watermark: cardinal's hat, var. Briquet 3409 ... (1519-1527?).
Subject (Geographic):
North America -- Description and travel--Early works to 1800
Subject (Name):
Columbus, Christopher and Cosco, Leandro di
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature -- 16th century, Manuscripts, Medieval -- Connecticut -- New Haven, and Navigation
Manuscript on paper of Jerome, Epistolae, etc., translated into Italian by Ser Nicolaus Berti Martini de Gentiluzis de Sanctogeminiano, a notary in Florence (ca. 1388-1468). With Ps.-Augustine, Epistula ad Cyrillum, concerning the death of St. Jerome.
Description:
Binding: ca. 1500, Florence. Sewn on three tawed skin, slit straps attached to oak boards, with brown and natural color endbands (later additions?) sewn on tawed skin cores laid in grooves on the outside of the boards. Covered in orange/brown sheepskin neatly blind-tooled with rope interlace in concentric frames. Spine: double fillets at head and tail and outlining the supports on the spine; fine diapering with double fillets in the panels. Four flower-shaped catches on the lower board, two wanting. Remains of vellum label (worm eaten) on the spine and pieces of string used as place marks. Off-set impressions of medieval liturgical manuscript on front and back pastedowns. Orange edges. Sticky from excessive oiling., One illuminated initial, f. 4r, 6-line, gold, filled with red and blue penwork in geometric patterns. The penwork extends the whole length of the text column to form a partial border, terminating in the upper and lower margins in a scroll of blue penwork with small flowers, heart-shaped leaves and red dots. Numerous penwork initials of good quality, 5- to 2-line, alternate in red and blue with purple and red penwork respectively, often extending into the margins. Headings in red. Majuscules and display script touched with yellow., Script: Written by a single scribe in a small upright gothic script with both notarial and humanistic influence, above top line., and Watermarks: similar to Piccard Schere III.710, Briquet Chapeau 3387; unidentified eagle.
Subject (Name):
Jerome,--Saint,--d. 419 or 20
Subject (Topic):
Christian legends, Illumination of books and manuscripts, Medieval, Latin letters, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (palimpsest: written over an unidentified canon law text, 1250-75) of Epitome of Aristotle's Ethics translated into Italian by Taddeo d'Alderotto (ca. 1235-1295).
Description:
Binding: ca. 1900, England or U.S.A. (?). Quarter bound in orange goatskin with a gold-tooled label on spine ("Aristotle. Ethica, in Italian. XIVth Century") and marbled paper sides. Edges gilt., Script: Written in a calligraphic notarial hand with tall ascenders and strongly looped forms of letters d and b, above top line., and Spaces left for decorative initials remain unfilled.
Subject (Name):
Alderotti, Taddeo, 1223-1295 and Aristotle
Subject (Topic):
Ethics, Italian literature--To 1400, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library