"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (l.), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of BMSat 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (l.) is a bust of 'Hymen' with a broken nose, and (r.) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue.
Description:
Companion print to: "Harmony before matrimony.", Temporary local subject terms: Firepalce -- Musical Instruments: piano -- Furniture: sofa -- Female Costume: Morning gown -- Children's Nurse -- Toys: rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Thermometers -- Cupid -- Bell-Pulls., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Lord Clare (1749-1802) walks in profile to the left on a pavement. He is erect and alert, inclining slightly forward, holding a slim cane erect. He wears round hat, short unpowdered wig, dark coat, gloves, and spurred top-boots."--British Museum online catalogue.
Description:
Companion print to: "Corporeal stamina." and Title etched above image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clare, John Fitzgibbon,--Earl of,--1748-1802--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
New litter of hungry grunters sucking John Bulls old-sow to death
Description:
A copy of a print by Gillray, with the only changes in the design being the replacement of Walpole'a pig with a pig having a Jewish profile and the addition of a speech bubble originating from that new pig. Cf. No. 10540 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Attributed to Williams in the British Museum catalogue., Statement of responsibility is perhaps an allusion to Gillray's desire for a renewal of his pension. See British Museum catalogue., and Title etched below image.
Subject (Name):
Adair, Robert,--Sir,--1763-1855--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Bedford, John Russell,--Duke of,--1766-1839--Caricatures and cartoons., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Carlisle, Frederick Howard,--Earl of,--1748-1825--Caricatures and cartoons., Courtenay, John,--1738-1816--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Ellenborough, Edward Law,--Baron,--1750-1818--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fitzwilliam, William Wentworth Fitzwilliam,--Earl,--1748-1833--Caricatures and cartoons., Fores, S. W., publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Lauderdale, James Maitland,--Earl of,--1759-1839--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons., St. Vincent, John Jervis,--Viscount,--1735-1823--Caricatures and cartoons., Tierney, George,--1761-1830--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., Vansittart, Nicholas,--1766-1851--Caricatures and cartoons., William--IV,--King of Great Britain,--1765-1837--Caricatures and cartoons., Williams-Wynn, Watkin,--1772-1840--Caricatures and cartoons., Windham, William,--1750-1810--Caricatures and cartoons., Wynn, Charles Watkin Williams,--1775-1850--Caricatures and cartoons., and Wynn, Henry Watkin William,--1783-1856--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"In a small space between the House Commons (left) and a rustic alehouse (right) Lord Temple and Lord Camelford play battledore and shuttlecock with the head (the features as in BMSat 9200) of Horne Tooke. In this are stuck feathers, five inscribed respectively: 'Deceit, Vanity, Jacobinism, New Morality [cf. BMSat 9240], Envy'. From the neck hang (torn) clerical bands. Camelford in back view, 'profil perdu', wears a rakish hat with curved brim (as in BMSat 9699), a naval officer's coat with sailor's striped trousers, and buckled shoes; from his coat pocket issues a paper: 'Effusion of Loyalty'. He says: "There's a Stroke for you, Messmate! and, if you kick him back, I'll return him again, dam'me! - if I should be sent on a cruise to Moorfields [i.e. Bedlam], for it! - go it, Coz:" Temple, a stout country gentleman, scarcely caricatured, wearing a stiff round hat, prepares to return the stroke vigorously, left fist clenched; he says: "Send him back? - yes, I'll send him back Twenty Thousand times, before such a high flying Jacobin-Shuttlecock shall pearch [sic] it here, in his Clerical band." Both play vigorously with legs astride. Through the wide doorway behind him, inscribed 'St Steevens', is seen the Opposition side of the House of Commons densely packed, the Speaker just visible in his chair, the Clerk staring apprehensively. All the (tiny) members wave red caps to cheer their champion, shouting "The Church for Ever, [?] dem[me]". Sheridan and Fox only are characterized. The alehouse is a primitive thatched building with the chequers sign. On it are two placards: 'The Old Sarum Electors', five pigs in a sty eating from a trough. Below: 'The House of Call for Independent Members'. Against the building are a rustic table and bench. On the ground by Camelford is a 'List of Candidates for Old Sarum, J. H. Tooke, Black Dick [it was reported, though denied by Camelford, that he had declared his intention of returning his black servant if Tooke's election should be annulled], Thelwall' [see vol. vii]. In the background between the buildings is seen a small ruinous village, representing Old Sarum, with a bare, decayed tree."--British Museum online catalogue.
Alternative Title:
Old Brentford shuttlecock between Old-Sarum & the Temple of St. Steevens
Description:
Title from text in lower part of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Pitt, Thomas,--Baron Camelford,--1775-1804--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Tooke, John Horne,--1736-1812--Caricatures and cartoons.
"A view of the House of Commons showing only the Ministerial benches immediately beside and behind the Speaker's Chair, and, on the extreme right, the Speaker and the Clerk with part of the Table. Addington, scarcely caricatured, but wearing gloves, is the principal figure. He stands in profile to the right, right hand extended; in his left is the 'Treaty of Peace with ye Democratick ['Democratic' was then used as an equivalent of Jacobin, cf. BMSat 8310.] Powers'; from his pocket issues a paper: 'List of the new Administration'. On the front bench (left) next Addington's seat, marked by his hat, sits Hawkesbury, nervous and deprecating, legs crossed, crouching forward, holding his chin. Next him is a very fat man with gouty legs, his head concealed behind Addington, identified as Dickinson, see BMSat 9854. Just behind are Nicholls, clutching his cane, and Tierney (not caricatured), both gazing intently at Addington's back. Behind Nicholls is Wilberforce, much caricatured. A fat, youngish man, standing full face (right), resembles Lord Temple. Of the other heads gazing fixedly at Addington only Tyrwhitt Jones (see BMSat 9401 and Index) can be identified: according to 'London und Paris', Jekyll and Whitbread are there. The Speaker, Abbot, is dwarfishly too small for the Chair; in front of him sits the Clerk, with a melancholy expression, holding a pen, his hands folded."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Dickinson, William,--1756-1822--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jones, Thomas Tyrwhitt,--Sir,--1765-1811--Caricatures and cartoons., Liverpool, Robert Banks Jenkinson,--Earl of,--1770-1828--Caricatures and cartoons., Nicholls, John,--1745?-1832--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Tierney, George,--1761-1830--Caricatures and cartoons., and Wilberforce, William,--1759-1833--Caricatures and cartoons.
"Three women seated at a round table listen intently to a fourth who reads 'The Monk' by M. G. Lewis, one volume of which lies beside her on the table. One, full face, is old and ugly, the others young and comely; they register excited horror. The reader sits in profile to the left, elbows on the table; from an ornamental clasp at her waist hangs a watch, showing that the time is 12.45; a younger sister, hardly grown up faces her. The room is lit by a single candle on the table; beside it lie smoking snuffers in a tray. Curtains are draped across the window, a fire burns in the grate (right). Heavy shadows are thrown. The ornaments on the chimney-piece (the right of which is cut off by the right margin) are a Gorgon looking down at the women, a skeleton from which snakes emerge, and a dragon. On the fireplace is a carving in relief: Pluto carrying off Persephone in his chariot. There is a picture of a man in armour carrying off a protesting young woman, with rape and slaughter indicated in the background. The room is luxuriously furnished, the women are elaborately dressed."--British Museum online catalogue.
Description:
Dedication etched above image: This attempt to describe the effects of the sublime & wonderful is dedicated to M.G. Lewis Esqr. M.P., Later state, with text added above image. See British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Portrait; half-length almost in profile to left, head turned and glancing towards the viewer, wearing a plain high-collared coat, one button fastened at the chest, a frilled cravat and stock and a powdered queue wig."--British Museum online catalogue, description of an earlier state of similar composition.
Alternative Title:
Right Honorable William Pitt
Description:
"Price 4 sh.", Probably a later state, with the plate substantially reworked, of a print originally issued with the publication line "Pubd. April 9th, 1789, by John Harris, Sweetings Alley, & No. 8 Broad Street." Cf. British Museum online catalogue, registration no.: 1851,0901.1337., and Title etched below image.
"Portrait of William Pitt three-quarter length seated, his head slightly turned to left, his right hand resting on documents on a table; curtain and pillar in the background; coat of arms below."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Gillray, James, 1756-1815, artist., Gillray, James, 1756-1815, publisher., Harvey, Francis--Ownership., and Pitt, William,--1759-1806--Portraits.
"A design in two adjacent circles, with inscriptions above and below the circles on an aquatinted ground. In the manner of genre, not satire. [1] The kitchen of a young English farmer who sits with his arm round a little boy (right) who stands at his knee eating an apple, while his pretty wife (left) holds out a buxom child to kiss him. He holds a sickle. A dog sits at his feet. Behind (right), before a blazing fire, a young woman places a sirloin of beef upon a round table, laid for a meal, with a large pitcher beside it. A pestle and mortar and other brass utensils are neatly ranged on the chimney-piece, beside which is a spit. A ham and string of onions hang on the wall. Through an open door (left) are a hen and chickens, two pigs feeding in a stye, and a haystack. The title continues: 'Prosperity & Domestick-Happiness.' [2] A young farmer lies stabbed to the heart by a bayonet, surrounded by his despairing and terrified wife and three children. Behind (right) is a ruined house. In the background (left) French soldiers are driving off sheep and cattle, and a village (right) is in flames. Behind is the sea with ships of war at anchor. ..."--British Museum online catalogue.
Alternative Title:
"Curs'd be the man who owes his greatness to his country's ruin!!!!!, "Cursed be the man who owes his greatness to his country's ruin!!!!!, and The curses of war.
Description:
Text above images: Such Britain was! Such Flanders, Spain, Holland, now is! From such a sad reverse, O Gracious God, preserve our country!!, Text below title: To the people & the parliament of Great-Britain, this print is dedicated, by the Crown & Anchor Society., and Title from text below images.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.