"Design in an oval. Dr. Johnson, the head in profile to the right, with an owl's body and ass's ears, stands on two books, the lower his 'Dictionary', the upper his 'Lives of the Poets'. The busts of poets stand on brackets (right) above Johnson's head, each is irradiated with a star-shaped halo. They are "Pope", "Milton", a third head wearing a laurel wreath, the inscription concealed by Johnson's head; a fourth halo (left) is visible. These are "the stars" at which Johnson is blinking, but, though screwing up his eyes short-sightedly, he is not looking at them. The back wall, at right angles to the wall on which the busts are placed, is covered with bookshelves, in which folio volumes lean against one another. An open book lying beside the 'Dictionary' is 'Beauties of Johnson'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Temporary local subject terms: Books amplifying subject: Lives of the poets, Johnson's Dictionary, Beauties of Johnson., and Matted to 49 x 36 cm.
Publisher:
Pubd. March 10th, 1782, by W. Rennie
Subject (Name):
Johnson, Samuel, 1709-1784, Pope, Alexander, 1688-1744, and Milton, John, 1608-1674
Title from first line of text., An engraved letter in the form of rebus., The following words within title are represented by a rebus: 'well' in 'Cromwells' by a well, 'peech' in 'speech' by a peach, to by a toe, ass by a donkey, fox by a fox., Twelve lines of 'speech' in rebus below title: Those [men] t[hat] [love] t[hare] king & count[ry] ..., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., Plate numbered '16' in upper right corner of design., and Mounted to 27 x 21 cm.
Publisher:
Publish'd according to act Sept. 24, 1756, by Darly & Edwards at the Acorn facing Hungerford, Strand
Subject (Name):
Holland, Henry Fox, Baron, 1705-1774, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Cromwell, Oliver, 1599-1658
Title from item., Engraved broadside poem illustrated with etching at top of sheet., Eight stanzas of song in two columns below image: Now ghosts are in fashion resolv'd to make one, I'm come sir to tell you that you must have done ..., and Watermark: Strasburg lily with initials L V G below.
Publisher:
[publisher not identified].
Subject (Name):
Cromwell, Oliver, 1599-1658 and Pitt, William, Earl of Chatham, 1708-1778
"Napoleon (right) stands between two Russians; one (left) he strikes on the chin with his fist, saying, "There Sir take that, and tel your Master, I'll thras every one who dares to speak to me I'll thrash all the World D -me I'll, I'll I,'ll be King of the Universe." The injured Russian stares, saying, "Why this is club Law; this is the Argument of force indeed the little Gentleman is Dêrangé." Behind Napoleon (right) an officer in fur cloak and hussar's cap watches with indignation, saying, "The Monarch I represent, will return this insult with becoming dignity." On the left John Bull, jovial and grossly fat, and wearing top-boots, puts his arm across the shoulders of a pugilist, and points to Napoleon, saying, "There my Boy is an Ambassador who will treat with you in your own way, but I say be as gentle with him as you can." The good-looking brawny pugilist, who is stripped to the waist, clenches his fists, saying, "what! is it that little Whipper snapper I am to set too with why I think the first round will settle his hash." [An early use of this phrase which disproves Partridge, 'Slang Dict., tracing it in England to 1825, and in U.S.A. to 1807, suggesting that the English may have learnt it in the war of 1812. It was clearly current in England by 1803] Bonaparte is small and youthful, caricatured chiefly by the disproportionate size of cocked hat and sabre."--British Museum online catalogue
Alternative Title:
John Bull introducing his new ambassador to the Grand Consul
Description:
Title etched below image. and Laid down on modern paper backing and matted to 36 x 46 cm.
Publisher:
Pub. by S.W. Fores, N. 50 Piccadilly, London
Subject (Geographic):
France, Russia., Russia, and France.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, and Markov, Arkady Ivanovich, 1747-1827
Subject (Topic):
Foreign relations, John Bull (Symbolic character), Boxers (Sports), and Insults
"Pitt (right) stands stiffly in profile to the left, holding open a large sack-like wallet inscribed 'Requisition Budget'. He addresses John Bull, the central figure, a stout yokel, who holds out his breeches in his left hand to Pitt, while he touches his hat. The budget and the breeches pockets are full of guineas. Pitt says: "More Money, John! - more Money! to defend you from the Bloody, the Cannibal French - They're a coming! - why they'll Strip you to the very Skin - more Money. John! - They're a coming - They're a coming." Dundas, Grenville, and Burke kneel on the right, bending towards the 'Budget', each with his left hand in an opening in a vertical seam, eagerly grabbing guineas. Behind them is the stone archway of the 'Treasury', with its high spiked gate. Dundas, the most prominent, wears Highland dress and holds a Scots cap full of coins. Grenville wears a peer's robe; Burke is behind. They echo Pitt: Dundas says "Ay! Ay! They're a coming! They're a coming!" Grenville: "Yes! Yes, They're a coming." Burke: "Ay They're a coming." John says: " - a coming? - are they? - nay then, take all I've got, at once, Measter Billy! - vor its much better for I to ge ye all I have in the World to save my Bacon, - than to stay & be Strip'd stark naked by Charley, & the plundering French Invasioners, as you say". His coat and waistcoat are sound, but the pockets hang inside out, empty. His lank hair, knotted kerchief, and wrinkled gaiters denote the small farmer. Behind (left), on the shore, stands Fox looking across the water towards the fortress of 'Brest' flying a tricolour flag. He hails it with upraised arms, shouting: "What! more Money ? - O the Aristocrat Plunderer! - Vite Citoyens! - vite! - vite! depechez vous! - or we shall be too late to come inn for any Snacks of the I'argant! - vite Citoyens! vite! vite!""--British Museum online catalogue
Alternative Title:
John Bull giving his breeches to save his bacon
Description:
Title etched below image., Sheet trimmed to plate mark on left and bottom edges., and Temporary local subject terms: Yokels -- Money: guineas -- Treasury -- Male dress: Highland dress -- Budgets: Pitt's speech, Dec. 7, 1796
Publisher:
Pubd. Novr. 7th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Burke, Edmund, 1729-1797
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
John Bull giving his breeches to save his bacon
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., A reduced copy of a print by Gillray with the same title. Cf. No. 8836 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 50 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Burke, Edmund, 1729-1797
"Three opera dancers, holding a garland of roses, are dressed alike in short transparent petticoats partly covered by a shorter apron. The centre dancer holds out her left leg horizontally . Mme Rose [Parisot] is in back view, her sharp features in profile to the right. On each side of the stage is a column on the plinth of which stands a figure: (left) a satyr holding a mask; (right) a woman wearing a clumsy undergarment, in the attitude of the Venus dei Medici. In front of the stage are the musical instruments of the orchestra, including a violin on which is a cap perhaps intended for a bonnet-rouge. ..."--British Museum online catalogue
Alternative Title:
Dance a l'eveque
Description:
Title etched below image, in lower left., Printmaker from British Museum catalogue., Four lines of verse in two columns below image: 'Tis hard for such new fangled orthodox rules, that our opera-troop should be blam'd ..., Sheet trimmed within plate mark., and Temporary local subject terms: Theatre: stage -- Opera: dancers -- Musical instruments -- Stage lighting -- Devil -- Dancing -- Newspapers: reference to Morning Herald.
Publisher:
Pubd. March 14th, 1798, by H. Humphrey, St. Jamess [sic] Street
"A stage-coach drives (right to left) through water; the four horses have human heads. A signpost on the extreme right points 'To the Slough of Despond'. The driver is Burke; he lashes the horses furiously. On the box under his legs are the (broken) scales and sword of Justice and a laurel wreath. Fox sits on the roof as the guard, holding a blunderbuss. He and Burke watch with alarm the horses who are advancing into deeper water. The heads of the horses are in profile; Derby is the off leader, Sheridan the near wheeler. The near leader may be Windham. The heads of four passengers (members of the Opposition), with anxious or despairing expressions, are visible through the window. The middle of the three facing the horses resembles Portland, the man on his right Stormont. The man on his left is Francis (as in BMSat 7330). Their 'vis-à-vis' may be Lord Carlisle. On the side of the coach, which is 'Licens'd by Act of Parliament', is a crest: a bull (for John Bull) with the motto 'Pro Bono Publico'. The basket at the back is filled with documents inscribed 'Bill of Rights', 'Magna Charta', 'Impeachment of W. Hastings'. Beneath the design is etched: 'O Liberty! O Virtue! O my Country!' Two bats and an owl fly above the horses, showing that night is coming on. Dark clouds obscure the horizon on the left."--British Museum online catalogue
Description:
Title from text below image in lower right., Printmaker from British Museum catalogue., Caption below image: O liberty! O virtue! O my country!, Companion print to "--coaches," also by Gillray and published by Fores on the same day. See no. 7324 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Sheet trimmed within plate mark.
Publisher:
Pubd. May 20th, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Smith-Stanley, Edward, 1752-1834, and Francis, Philip, 1740-1818
"Fox (half length) stands full-face, right arm bent and right fist clenched, looking up and to the left with an accusing frown. He says: "Ruin'd! - undone! - our Commerce destroy'd, our Armies beaten.""--British Museum online catalogue
Description:
Title etched above image., By Gillray using pseudonym 'A.S.' See British Museum catalogue., One of a set of eight satirical portraits, each issued separately., and Two lines of text below image: Ruin'd! Undone! Our commerce destroy'd, our armies beaten.
Publisher:
Pubd. Jany. 6th, 1795, by H. Humphrey, N. 37 New Bond Street