Manuscript on paper of a common-place book. The main texts of the manuscript, which are primarily devotional in nature, were written in East Anglia by an unidentified scribe toward the end of the 15th century; a second individual, identified as Robert Melton of Stuston in Suffolk, added numerous accounts and notes at the end of the 15th and beginning of the 16th century
Description:
Robert Melton was the co-executor of the estate of John Cornwallis (d. 1506), Lord of the Manors of Brome, Stuston, Okley, and Thranston, whose family possessed Brome Hall from early in the 15th to the 19th century., In Middle English., Watermarks: similar to Briquet Armoiries 1038 for part of quire I and all of II; similar to Briquet Main 11399 for remainder of quire I, all of quires III and IV, part of V; similar to Briquet Navire 11971 on ff. 68, 79 only; similar to Briquet Lettre P 8586 on ff. 72, 75; similar to Briquet Main 11152 on ff. 73, 74; unidentified watermark on f. 81., Script: Written primarily by two persons: Scribe 1) ff. 1r-26v, 28r-44r, 68r-77r, 79v, 80v-81r. Written in small, well formed Anglicana script with first line of each text in formal bookhand. Scribe 2: ff. 27r-v, 45r-60r, 62v-67v, 77v-78v, 80r, 81v. Written in a large sprawling script; no ornamentation. A third person added art. 17 at a later time., Only scribe 1 included decoration. Initials in red, 4- to 2-line, with penwork flourishes in brown; initial strokes in red. Portions of text underlined in red; rhyming verses often bracketed, in red, at end of lines. On f. 14v, a fine half-page drawing in red and brown of the monogram IHS which incorporates both a heart pierced by a lance and vine patterns and tendrils. Art. 4 is illustrated with drawings of dice, in red, in outer margins., First leaves heavily stained; lower right corner waterstained ff. 1-43., and Binding: Between 1490 and 1500. Original sewing with long stitches through a thick rectangular piece of leather on the outside of a vellum wrapper. Contemporary scroll design added to upper cover with unidentified inscription, in red, mostly illegible.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Melton, Robert.
Subject (Topic):
Devotional literature, English (Middle)., English poetry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment of a book of hours with an office for the dead
Description:
In Latin., Script: Copied by one hand writing in Gothica Cursiva Formata (Bastarda)., and Decoration: Purplish red rubrics. Yellow highlighting of the majuscules. 1-line versals and 2- or 3-line initials, all in liquid gold on purplish red or blue square background decorated with foliage or flowers in liquid gold. Initials in red, blue, and gold. On f. 1v, there is a rectangular picture, framed in black and gold and treated as an initial 11 lines high, of God the Father with tiara, sitting, one hand on the globe, the other hand blessing rows of Seraphim and Cherubim before him. Elsewhere yellow-colored fleur-de-lys, animals, archers and a giant insects.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Book of Hours printed in Paris, Thielman Kerver for Guillaume Eustace, 20 June 1500. The illuminated leaves, from a Book of Hours for the use of Rouen, between 1475 and 1500, were inserted into the printed Book of Hours before the present-day binding was made (ca. 1600).
Description:
In Latin., Script: Copied by one hand in Northern Gothica Textualis Formata., Decoration: Headings in red. Heightening of majuscules in yellow. Rectangular line-fillers decorated with red, blue and gold; 1-line dentelle initials; 2-line foliate initials; 4-5 line historiated initials (artt. 3 and 14); arch-topped miniatures (described above) above 3-4 lines of text, accompanied by 3- or 4-line foliate initials. The pages containing miniatures or historiated initials have full flower and acanthus borders, which may contain additional scenes or grotesques (see artt. 2, 4, 5, 11, 12). The woodcuts are coloured by hand throughout the book. Text pages containing a 2-line foliate initial have outer-margin or inner- and outer-margin borders (the latter on ff. 42 bis r and 64r)., and Binding: Red morocco similar to that of Beinecke MS 662.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin with some Dutch headings., Script: Copied by one Northern scribe writing Southern Textualis Formata (Rotunda) with some Humanistic features (Capital A, straight d alternating with Gothic d)., Headings in red. Lavish decoration in Ghent-Bruges style. Rectangular line-fillers in red, blue, green and gold. Trompe-l'oeil initials (1 line, 2 lines, 3 lines (rarely), 5 lines) consist of twisted branches in mat gold projecting shadow on a square background in red, blue or green. Full-page miniatures are painted on the verso of inserted singletons and are framed by four-margin borders which have their counterpart on the facing text page. Text miniatures (height: 7-8 lines) are painted in regular quires and are accompanied by four-margins, mostly floral borders., and Binding: Partly original binding in blind-tooled brown calf by the Bruges binder Ludovicus Bloc (1484-1529). The original binding is inset in brown morocco by F. Bedford (?) On each cover a panel with eight animals in tendrils, surrounded by the inscription in Roman Capitals "Ob laudem Christi librum hunc recte ligavi Ludovicus Bloc", is stamped four times; between the upper and the lower panel imprints is a five-compartment frieze containing animals. On the modern blind-tooled spine gold-tooled modern inscriptions "HORAE / B.V.M. / TORNACENSIS" and "MS./ BRUGES / C. 1520". Gilt and gauffered edges. White parchment endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (thick and furry) of Sir Gilbert Dethick, Book of Arms. Illustrations of coats of arms, in color, one per folio recto or verso; above each except the first, the name of the bearer, as given below. No mottoes given. Dedicated to Queen Elizabeth I of England (1558-1603).
Description:
In English., Script: Introduction and labels of illustrations in cursive with loops, by one scribe., Each shield enclosed in shaded pink border designed to look like worked metal, and surmounted by a jousting helm in profile, mantling gules doubled argent with gold tassels; wreath in colors from shield. Only shields (in up to 17 quarters) and crests vary. Slight variations from this scheme on f. 2r (royal arms) and f. 3r (mantling sable doubled argent). Fair quality of workmanship., Bookblock detached from the binding. Illustration badly smeared on f. 11r, slightly smeared f. 28r., and Binding: ca. 1873. Gold-stamped red goatskin case.
Subject (Geographic):
Great Britain., Connecticut, and New Haven.
Subject (Name):
Dethick, Gilbert, Sir. and Elizabeth I, Queen of England, 1533-1603.
Subject (Topic):
Devices (Heraldry), Heraldry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (thick) of 1) Notes on the baronial Clare family of Gloucester, in chart format, from a manuscript contemporary with or slightly earlier than the main text (art. 3). Name of the appropriate King of England appears on the left in a red circle [concludes with King Edward IV, 1327-77], and a short history of certain members of the Clare family are added on the right. 2) Genealogical tree, added between 1450 and 1500, establishing the claims of King Edward IV (1461-83) to the kingdoms of England, France, Castile and Leon. 3) Brut Chronicle, up to 1419, but the final leaf of text has been torn out
Description:
In Middle English., Script: Written by a single scribe in neat Anglicana formata. Running titles and marginal notes added by later hands., Illuminated initial, 6-line, on f. 1r, pink on gold ground, with blue, green, and pink acanthus leaves, and white highlights; full bar-border with swirling acanthus leaves in same colors as for initial; black hair-spray in outer margins. Heading and chapter numbers in red. Small initials, 2-line, blue with red flourishes, for most chapters. Paragraph marks alternate red and blue., Parchment is well thumbed and worn, especially f. 1r; some loss of text., and Binding: 17th-18th centuries. Covered in brown calf, blind-tooled, with a brick-colored, gold-tooled label, probably a later addition.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Clare family. and Edward IV, King of England, 1442-1483.
Subject (Topic):
English literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Manuscript on paper (trimmed) of 1) Alphabetical index. 2) Extract from Petrarca, Africa, VI, 885-918. 3) Petrarca, Canzoniere. 366 poems. 4) Transcription of a note on the front flyleaf of the Virgil manuscript copied by Petrarch, Milan, Biblioteca Ambrosiana, MS S.P. Arm. 10, scaf. 27. 5) Petrarca, Trionfi
Description:
In Italian., Script: Copied by one hand writing an unusual and upright form of Humanistica Cursiva Libraria, marked by a conspicuous shape of r; a second hand copied the replacement leaves 108 and 109, and a third hand copied f. 149r-v; both using the same type of script., Pale red headings (the one on f. 9r in Capitalis), subscriptions and plain initials (Capitalis). On f. 9r (beginning of art. 3) splendid 5-line trompe-l'oeil initial in Veneto-Paduan style in the shape of a square purple stone slab showing the letter V and plants in relief, slightly damaged., A section in the middle of ff. 85 and 86 is missing and has been replaced by pieces of paper written by a contemporary hand, and Binding: Seventeenth century. Limp parchment with two modern leather ties. On the spine the inscription in ink: "Petrar** Manuss***".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, and Manuscripts, Medieval
Manuscript on parchment of 1) The author, Quintus Aemilianus Cimbriacus (1449-1499) of Vicenza, speaking to his book of poetry, 6 lines. 2) 28-line encomium dedicated to Niccolo Donati, Patriarch of Aquileia, 1493-97. 3) Rhapsodia I. 4-7) Rhapsodia I-V. 8) De mysteriis christianis. 9-10) Poems to Angelus Padavinus.
Description:
Binding: Date?, Italy. Tacketed to a limp vellum wrapper made from a parchment document: Agostino Barbarigo, doge of Venice (1486-1501), writes on behalf of the secretary Joannes B[remainder of name missing due to hole in parchment], dated Venice, 5 May 14[8?]8. Filing notes on upper cover. Title in majuscules on upper cover: "Quintii Haemiliani Cimbriaci Vti [for Vincentinus?]"., Half-page coat of arms (argent [oxidized], a chief with 3 roses gules above 2 bars gules; crest: bishop's mitre surmounted by gold cross) enclosed by a wreath with flowers and fruit and four ribbons, f. 1v. Plain gold majuscules outlined in black, 4- to 2-line, mark beginning of arts. 2-8; headings for each poem in black epigraphic square capitals., and Script: Written in a well-formed upright humanistic bookhand.
Subject (Name):
Quintus Aemilianus Cimbriacus
Subject (Topic):
Christian poetry, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Carta Ejecutoria, or letter of nobility, issued in the names of Lope Goncalez de Valdes and Pedro Goncalez de Valdes, by the authority of Charles V, Emperor of the Holy Roman Empire, dated 12 September 1550 in Granada. Seal missing
Description:
In Spanish., Script: Written in round gothic by one scribe who added decorative designs in upper and lower margins. Addition on ff. 52v-53v by Don Antonio Larrillo is in a similar hand., The ornamentation of the codex is poorly executed. Folio 1v: miniatures representing the crowning of the Virgin (upper left) and the arms of the Goncalez de Valdes family; f. 2r: miniature of Justice, with scales (lower half of page). Both folios have elaborate decorative borders in gold and colors that are badly rubbed. Folios 4v and 52r have historiated initials with portraits of a seated king (Rey Don Iohan?). Twenty-five small painted initials, 7- to 5-line; gold letters with black pen designs on white-decorated blue and dark red backgrounds., and Binding: Bookblock laid in a contemporary vellum wrapper with an envelope flap.
Subject (Geographic):
Connecticut, New Haven., Spain., and Granada (Spain)
Subject (Name):
Charles V, Holy Roman Emperor, 1500-1558.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Nobility