"The interior of a church (? the Chapel Royal) showing pulpit, side-gallery, and pews beneath the gallery. Wilkes (left) is the preacher, beneath him is his clerk, Pitt. At a right angle to the gallery is the royal pew (right), from which the King looks with earnest attention to the preacher. Queen Charlotte, her fingers to her mouth, also listens attentively. A lady-in-waiting and a courtier with a long wand (Lord Salisbury, the Lord Chamberlain) stand behind. The pew is decorated with the royal arms and has a canopy. In the centre of the gallery sit the Prince of Wales and Mrs. Fitzherbert; he turns away from the preacher, looking at her. Behind him stands George Hanger; behind Mrs. Fitzherbert sits a man looking at Wilkes through a spy-glass. Between him and the royal pew are three men in legal wigs and gowns: Pepper Arden, Dundas, and (?) Kenyon. Between the Prince and the pulpit sit North (asleep) and Burke, looking intently at Wilkes; a lady (? Duchess of Devonshire) attempts to wake North. In the seats under the gallery sit parties of citizens, in general asleep or inattentive. Below the royal pew stands Fox on a low stool as a penitent draped in a sheet; he wears a placard inscribed 'For Playing Cards on the Lord's Day'. A stout lady with an aquiline nose stands near Pitt; with a raised whip she chases a number of dogs out of the church. She has some resemblance to the Duchess of Gordon, a friend of Pitt. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. British Museum Satires No. 7935, &c. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. BMSat 7935, &c."--British Museum online catalogue
Alternative Title:
Wonderful effects of a proclamation
Description:
Title from item., Artist tentatively identified as Henry Wigstead; see British Museum catalogue., Printmaker formerly identified as Rowlandson, but an attribution to F.G. Byron (Andrew Edmunds, February 2021) is noted in the British Museum online catalogue, registration no.: J,4.101., The listed publisher "Paddy Whack" probably stands for William Holland; see British Museum catalogue., Temporary local subject terms: Congregations -- Piety Proclamation, June 1, 1787., and Mounted to 30 x 46 cm.
Publisher:
Pubd. by Paddy Whack, Oxford Street
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Melville, Henry Dundas, Viscount, 1742-1811, Hanger, George, 1751?-1824, Salisbury, James Cecil, Marquess of, 1748-1823, Fitzherbert, Maria Anne, 1756-1837, North, Frederick, Lord, 1732-1792, Wilkes, John, 1725-1797, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Gordon, Jane Gordon, Duchess of, 1748-1812, Fox, Charles James, 1749-1806, and Chapel Royal (Saint James's Palace, London, England),
Subject (Topic):
Interiors, Churches, Religious services, Pulpits, Pews, Dogs, Whips, Signs (Notices), and Windows
"A game of marbles (taw, cf. BMSat 7393) for the crown is in progress; the Prince of Wales is dressed as a toddling child in petticoats but is larger in scale than the other figures; he leans towards Fox, Sheridan, and Burke (who are aiming at the crown) but is restrained by Pitt (right) who holds him in leading-strings, saying, "Hold, Not so fast Georgy". The Prince wears one of the cushioned caps ('puddings') then used to protect children's heads; in it are three feathers. The crown is at his feet, surrounded by a ring of marbles. Fox and Sheridan kneel side by side; Fox is about to play, saying, "My Game for a Crown". Sheridan, holding his marble, says, "Knuckle down and dont funck, [To funk = to advance the hand unfairly in playing marbles. Partridge, 'Dict. of Slang', 1937.] Charley". Burke stands behind them, leaning eagerly forward, saying, "My turn next Sherry". He wears a Jesuit's biretta (cf. BMSat 6026). Pitt, 'chapeau-bras', wears court dress. Behind the Prince is a circular stand on wheels for supporting a toddling child."--British museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Clerical hats: Jesuit's biretta -- Hats: Child's cushioned cap or 'pudding' -- Emblems: Prince of Wales's feathers -- Vehicles: go-cart -- Leading-strings -- Games: marbles -- Crowns -- George IV as a toddler -- Regency restrictions -- Regency crisis, 1788 -- Satire on children., and Watermark: fleur-de-lis on crowned shield with initials G R below.
Publisher:
Pubd. by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"One of a set of prints on the marriage of the Prince of Wales, see BMSat 6924, &c. Mrs. Fitzherbert (left) and the Prince of Wales dance; she holds out her apron in her right hand, his left arm is raised as if dancing a Scots reel; he appears about to take her left hand. The musicians are Burke, Weltje, and Hanger: Weltje, wearing a hat, sits (left) on a low stool, beating a pistol upon a warming-pan which he holds between his knees. Burke stands behind him holding a gridiron in the manner of a violin and with a pair of tongs as bow. He says, "Oh Burn the Pan it is not Beautifull". Weltje answers, "Damme but 'tis Sublime" (one of many allusions to Burke's book). George Hanger stands (right) beating the heavy end of his bludgeon on a salt-box; he is stamping and dancing, his hat is on the ground at his feet. Through an aperture in the wall behind his head is seen an ornate bed, decorated with triple ostrich plumes; behind the pillows is a cross. Two pictures, both inscribed 'Hamlet', are on the wall: on the left the Lord Chamberlain with his wand (Lord Salisbury as Polonius) approaches George III, saying, "I will be brief your noble son is mad". On the right Laertes addresses Ophelia, saying: "He may not as inferior persons do carve for himself for on his choice depends the sanity [sic] & health of the whole state." On the floor, in the foreground, lie two books and a paper inscribed respectively, 'Bold Stroke for a Wife' [Mrs. Centlivre]; 'Clandestine Marriage' [Colman and Garrick]; and 'I'll have a Wife of my own'. Beneath the title is engraved, 'As performed at the Theatre Royal, C------n [Carlton] House for the Benifit of the Widow Wadman'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
Follies of a night
Description:
Title from item below image., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Edmund Burke's On the sublime and the beautiful -- Parody of Shakespeare's Hamlet -- Salt-box Pictures amplify subject -- Catholic Church -- Travesties., and Watermark in center of sheet: J. Whatman.
Publisher:
Published 1st April 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Subject (Geographic):
Scotland.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, and Salisbury, James Cecil, Marquess of, 1748-1823
Subject (Topic):
Chandeliers, Cooking utensils, Dance, Firearms, Floor coverings, Marriage, Military uniforms, British, Musical instruments, and Sofas
Title etched below image., Printmaker and artist from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Publisher's advertisement below title: In Holland's Caricature Exhibition Rooms No. 50, Oxford St. may be seen the largest collection of humorous prints and drawings in Europe. Admittance, one shilling ..., Temporary local subject terms: Allusion to Baron Munchauson from literature -- Raspe, Rudolph Erich, 1737-1794, allusion to Baron Munchauson -- Allusion to Newmarket races -- Male costume: riding habit, 1788 -- Paddy Whack -- Medical quacks., Mounted to 33 x 48 cm., and Watermark.
Publisher:
Pubd. by Willm. Holland, No. 50 Oxford Street
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, and Orléans, Louis Philippe Joseph, duc d', 1747-1793
"Fox and his party (three quarter length) surround a Twelfth Night cake which Weltje was about to cut into portions. The cause of a sudden check to this proceeding is indicated by a broad ray of light (which strikes the cake and the bystanders) and by a scroll: 'The King shall enjoy his own again'. Weltje stands on the left, his arms extended towards the scroll, saying, "Den by Got we sail heb no Cake"; he drops his knife. He and Sheridan are the most agitated of the party: Sheridan with a face of despair looks up, saying, '"Now our Ruin is complete" School for Scandal'. (He is Joseph Surface as in British Museum Satires No. 7510, &c; the actual words are "Tis now complete!') Fox stands disconsolately, his hands in his pockets, his back to the ray. Burke (right), his arms folded, scowls up at the ray. Behind these three Stormont, Loughborough, and Sandwich (on the extreme right) regard it with less pronounced despair. Portland stands behind the cake, frowning fixedly. The centre of the cake is ornamented with the Prince of Wales's coronet and feathers (as are Weltje's buttons); on the centre feather is poised a crown. The cake has been marked in sections where it is to be cut, these are inscribed 'Ist Lord Admy' [Sandwich had been considered for the post and also for that of Ambassador to France], 'Secrety State foreign' [Fox], 'Secrety State home' [Stormont], 'Paymar Genl' [Burke], 'Ist Comm Board Control', and 'Treas Navy' (Sheridan's arm extends across this, the place intended for him, pending a transfer to the Chancellorship of the Exchequer, Sir G. Elliot, 'Life and Letters', i. 260-1)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Quotation from Sheridan's School for scandal., and Mounted on page 67 with one other print.
Publisher:
Publ. by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sandwich, John Montagu, Earl of, 1718-1792, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Weltje, Louis, 1745-1810
"Fox and his party (three quarter length) surround a Twelfth Night cake which Weltje was about to cut into portions. The cause of a sudden check to this proceeding is indicated by a broad ray of light (which strikes the cake and the bystanders) and by a scroll: 'The King shall enjoy his own again'. Weltje stands on the left, his arms extended towards the scroll, saying, "Den by Got we sail heb no Cake"; he drops his knife. He and Sheridan are the most agitated of the party: Sheridan with a face of despair looks up, saying, '"Now our Ruin is complete" School for Scandal'. (He is Joseph Surface as in British Museum Satires No. 7510, &c; the actual words are "Tis now complete!') Fox stands disconsolately, his hands in his pockets, his back to the ray. Burke (right), his arms folded, scowls up at the ray. Behind these three Stormont, Loughborough, and Sandwich (on the extreme right) regard it with less pronounced despair. Portland stands behind the cake, frowning fixedly. The centre of the cake is ornamented with the Prince of Wales's coronet and feathers (as are Weltje's buttons); on the centre feather is poised a crown. The cake has been marked in sections where it is to be cut, these are inscribed 'Ist Lord Admy' [Sandwich had been considered for the post and also for that of Ambassador to France], 'Secrety State foreign' [Fox], 'Secrety State home' [Stormont], 'Paymar Genl' [Burke], 'Ist Comm Board Control', and 'Treas Navy' (Sheridan's arm extends across this, the place intended for him, pending a transfer to the Chancellorship of the Exchequer, Sir G. Elliot, 'Life and Letters', i. 260-1)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Quotation from Sheridan's School for scandal., 1 print : etching and aquatint with drypoint on wove paper ; plate mark 25.2 x 32.9 cm, on sheet 27 x 34.3 cm., and Mounted on leaf 50 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publ. by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sandwich, John Montagu, Earl of, 1718-1792, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Weltje, Louis, 1745-1810
"Fox and his party (three quarter length) surround a Twelfth Night cake which Weltje was about to cut into portions. The cause of a sudden check to this proceeding is indicated by a broad ray of light (which strikes the cake and the bystanders) and by a scroll: 'The King shall enjoy his own again'. Weltje stands on the left, his arms extended towards the scroll, saying, "Den by Got we sail heb no Cake"; he drops his knife. He and Sheridan are the most agitated of the party: Sheridan with a face of despair looks up, saying, '"Now our Ruin is complete" School for Scandal'. (He is Joseph Surface as in British Museum Satires No. 7510, &c; the actual words are "Tis now complete!') Fox stands disconsolately, his hands in his pockets, his back to the ray. Burke (right), his arms folded, scowls up at the ray. Behind these three Stormont, Loughborough, and Sandwich (on the extreme right) regard it with less pronounced despair. Portland stands behind the cake, frowning fixedly. The centre of the cake is ornamented with the Prince of Wales's coronet and feathers (as are Weltje's buttons); on the centre feather is poised a crown. The cake has been marked in sections where it is to be cut, these are inscribed 'Ist Lord Admy' [Sandwich had been considered for the post and also for that of Ambassador to France], 'Secrety State foreign' [Fox], 'Secrety State home' [Stormont], 'Paymar Genl' [Burke], 'Ist Comm Board Control', and 'Treas Navy' (Sheridan's arm extends across this, the place intended for him, pending a transfer to the Chancellorship of the Exchequer, Sir G. Elliot, 'Life and Letters', i. 260-1)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Quotation from Sheridan's School for scandal., Identifications of Fox and Sheridan added in contemporary hand below the plate., and Watermark: Initials L V [G], obscured by design.
Publisher:
Publ. by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sandwich, John Montagu, Earl of, 1718-1792, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Weltje, Louis, 1745-1810
Original date in imprint scored through, but visible: statement: Decembr., Imprint statement continues: "where may be had the largest collection of caraccatures [sic].", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Games: tug-of-war -- Crowns -- Whigs -- Tories -- Thrones -- Emblems: Prince of Wales's feathers -- Jesuits -- Judges -- Spectacles., and Mounted to 27 x 26 cm.
Publisher:
Published by J. Aicken Jany. [the] 2nd 1789, Bear Streett [sic] Leicester Squares
Subject (Name):
George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Design in an oval. Thirteen heads arranged in four rows, the first, second, and fourth having three heads, the third four. In the uppermost row the Prince of Wales (left) and the King (right) face each other in profile; the likeness between them is stressed. Between and slightly above them is Queen Charlotte, in profile to the left, her hair inscribed 'Queen of hearts', cf. British Museum Satires No. 6978. In the next row Fox, full-face, is the central head of the design; Mrs. Fitzherbert (left) (unrecognizable) wears a low crown inscribed 'Queen would be', and the feathers of the Prince of Wales; George Hanger, in profile to the left, wears the large cocked hat made familiar by British Museum Satires No. 6924, &c. The next four heads are (left to right): Mrs. Siddons, wearing a low crown inscribed 'Queen Rant', looking wildly over her shoulder to the right; Burke, wearing spectacles and a cap or turban, his back turned to Pitt who is in profile to the right; on the left in profile to the right is the Duchess of Devonshire, wearing a low crown and a collar which are inscribed 'Queen of Fox'. In the lowest row the central figure is the broad back of North wearing his ribbon; on the left is Mrs. Abington, a ribbon in her much-curled hair inscribed 'Queen Scrub' (see British Museum Satires No. 7053); on the right, in profile to the left, is the Duke of Richmond."--British Museum online catalogue
Description:
Title etched below image., Initials "W.M." identified in British Museum catalogue as those of William Mansell., and Characters identified in pencil.
Publisher:
Pub. 26 March 1786 by W. Humphrey, Lancaster Court
Subject (Name):
Charlotte, consort of George III, King of Great Britain, 1744-1818, George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Abington, Mrs., 1737-1815 (Frances Barton),, Burke, Edmund, 1729-1797, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, and Siddons, Sarah, 1755-1831
"A comet traverses the design diagonally and downwards from right to left across an aquatinted background; the head is that of the Prince Wales in a star, the tail contains the heads of his disappointed followers. This broadens as it recedes from the head; immediately after the Prince is the head of Sheridan, with a gloomy expression. Behind him are Fox, with a melancholy smile, and Portland, looking angry. After them comes the wig in back view of Lord Loughborough (see British Museum Satire No. 6796). Next come Stormont and (in 'profil perdu') North. They are followed by the Duke of Queensberry (one of the 'rats') holding up a quizzing-glass and Powys with his habitual melancholy scowl. Behind them are Lord Lothian (another 'rat'), Burke, with an angry frown, and the Duke of Norfolk. Between Norfolk and Queensberry is the 'profil perdu' of Derby. They are followed by Lord Sandwich, Bishop Watson of Llandaff, and Sir Grey Cooper. Next are two clerical wigs in back view identified by Miss Banks as Wilson, Bishop of Bristol, and Warren, Bishop of Bangor, while in the upper left corner of the print is the swarthy profile of Sawbridge. Beneath the title, and on the background which represents the sky, is etched: 'A Return of the Comet which appeared in 1761 [Above the final '1' of the date is a '2'.] is expected this Year and to be within our horizon from the month of Octr 1788 to Augt 1789 but is expected to be most -visible {if it forces itself upon our Notice) in the Winter months Febry & March ------ vide Dr Trusslers Almanack By some of the ancient Astronomers Comets were deemed Meteors kindled in the Air and designed as Presages or unlucky Omens of some disastrous Catastrophe------ The Peripateticks deemed them not permament Bodies but bodies newly produced and in a short Time to perish again, and affirmed that they were made up of Exhalations in the terrestrial Regions------ Sr Isaac Newton asserts That the Tail of a Comet is nothing else than a fine Vapour which the Head of the Comet emits by its heat that Heat the Comet receives from the Sun and the magnitude of the Tail is always proportional to the degree of heat which the Comet receives, and Comets which are nearest to the Sun have the longest Tails------'."--British Museum online catalogue
Description:
Title etched in image., Signed with the monogram of James Sayers., Date precedes publisher's statement in imprint., and Mounted on page 67 with one other print.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Sawbridge, John, 1732?-1795, North, Frederick, Lord, 1732-1792, Buccleuch, Henry Scott, Duke of, 1746-1812, Powys, Thomas, 1737-1809, Burke, Edmund, 1729-1797, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, Watson, Richard, 1737-1816, Cooper, Grey, Sir, ca. 1726-1801, and Lothian, William John Ker, Marquis of, 1737-1815