In a richly decorated and carpeted interior, an obese clergyman with his equally large, bespectacled wife sit at a dining table with their three children; on the back wall hangs a portrait of the clergyman. He raises a wineglass to his lips as a servant uncorks another bottle of wine
Description:
Title from pencil inscription on verso., Date of production based on date of published mezzotint after this design., The daughter's face has been redrawn on a small piece of paper that has been pasted over the original sheet., and For a mezzotint engraving of this design, see no. 3753 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3.
Plate 10. Queen Charlotte's collection of Hogarth works. Leaf 10. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. The portrait on the wall which in the 2nd state was a faceless Julius Caesar is now a portrait of Pontac
Alternative Title:
O vanity of youthfull blood, so by misuse to poinson good!
Description:
Title, imprint, and state from Paulson., Added title from first lines of verse below image., "Plate 3"--Lower right corner., Description based on imperfect impression; sheet trimmed to image; separate caption and imprint mount below., 1 print : etching with engraving on laid paper ; plate mark 35.5 x 40.9 cm, on sheet 46 x 59 cm., and Plate 10 in the album: Queen Charlotte's collection of Hogarth works.
Plate 8. Queen Charlotte's collection of Hogarth works. Leaf 8. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden as seen in 2nd state, but now removed) to the wall reveals a hiding place for coins which tumble out
Alternative Title:
O vanity of age, untoward, ever spleeny, ever froward ...
Description:
Title, imprint, and state from Paulson., Added title from first lines of caption. Cf. Paulson, Description based on imperfect impression;, 1 print : etching on laid paper ; plate mark 35.6 x 40.8 cm, on sheet 46 x 59 cm., and Plate 8 in the album: Queen Charlotte's collection of Hogarth works.
Plate 8. Queen Charlotte's collection of Hogarth works. Leaf 8. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The Jacobean interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden as seen in 2nd state, but now removed) to the wall reveals a hiding place for coins which tumble out
Alternative Title:
O vanity of age, untoward, ever spleeny, ever froward ...
Description:
Title, imprint, and state from Paulson., Added title from first lines of caption. Cf. Paulson, Description based on imperfect impression;, 1 print : etching on laid paper ; plate mark 35.6 x 40.8 cm, on sheet 46 x 59 cm., and Plate 8 in the album: Queen Charlotte's collection of Hogarth works.
Plate 9. Queen Charlotte's collection of Hogarth works. Leaf 9. Album of William Hogarth prints.
Image Count:
1
Abstract:
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Alternative Title:
Prosperity, (with Horlot's [sic] smiles, most pleasing when she most beguiles) ..., Prosperity, (with Horlot's smiles, most pleasing when she most beguiles) ..., and Prosperity, (with Harlot's smiles, most pleasing when she most beguiles) ...
Description:
Title, state, and imprint from Paulson., Fourth state with 'Horlot' corrected to 'Harlot'; scrolls over the harpsichodist's shoulder are hatched, but the floor and the dancing master's coat are not yet hatched., Caption below image in four columns begins: "Prosperity, (with Harlot's smiles, most pleasing when she most beguiles), how soon, sweet foe, can all they train of false, gay, frantick, loud & vain ...", 1 print : etching and engraving on laid paper ; plate mark 35.5 x 40.7 cm, on sheet 46 x 59 cm., and Plate 9 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults
Page 289. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire; an ugly old woman dressed in richly decorated black clothes, leering at a macaroni wearing a wig with an enormous looped queue, one hand on his shoulder while he lays one hand on his breast and smiles admiringly at her; a black page standing behind the old woman and a couple smiling at them as they pass by, in the background to right."--British Museum online catalogue, description of a later state
Alternative Title:
Pshaw, theres no trusting you macaronies
Description:
Title from later state., Additional title from note below image, written in pencil and brown ink: Pshaw, theres no trusting you macaronies., Printmaker from statement of responsibility on later state: Wilson delt. & fecit., Early state, with scratched-letter publication statement only. For a later state with the title "A real-scene on the parade at Bath" and other lettering in lower margin, see British Museum online catalogue, registration no.: 2010,7081.363., Publisher from imprint on later state: London, Publish'd March 21st, 1772, by J. Parker, No. 82, Cornhill., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Macaronies -- Female costume, 1772 -- Male headdresses., Folded to 30.6 x 24.5 cm; mounted to 32 x 26 cm., and Mounted on page 289 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Henry Parker
Subject (Geographic):
Bath (England),
Subject (Topic):
Blacks, Dandies, British, Wigs, Older people, Courtship, Couples, and Servants
publish'd according to act of Parliament Nov. 5th 1759.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 82. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior of the Cockpit on the south side of St James's Park with two fighting cocks in the pit and forty male spectators ranging from a sow-gelder, a butcher, a black footman, coachmen and a sweep to the blind Lord Albermarle Bertie (in the centre); on the wall to right, a framed picture of a stout woman, lettered "Nan Rawlings", seated with a cock on her lap."--British Museum online catalogue
Alternative Title:
Pit ticket
Description:
Title from Paulson., Title engraved below image, on either side of an image of a rooster wtih the words 'Royal' and 'Sport' etched on either side: Pit ticket., 1 print : etching and engraving on laid paper ; plate mark 31.6 x 38.2 cm, on sheet 42 x 57 cm., and Plate 82 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Bertie, Albemarle, Sir, ca. 1720-1765 and Saint James's Palace (London, England)
Subject (Topic):
Cockfighting, Social life and customs, Blacks, Butchers, Chimney sweeps, Dogs, Gambling, Nobility, Sports spectators, and Servants
Plate 6. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a squalid room Moll Hackabout, wrapped in a sheet, is dying while two doctors (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman reaches out to them in alarm to get their attention for the invalid, while another woman rifles through Moll's portmanteau (with her initials as in Plate 1). A small boy knelling next to Moll's chair scratches his head as he turns a joint of meat roasting in front of the fire while a pot overflows on the grate. An over-turned table with an advertisement "Practical scheme ... 'Anodyne" litters the floor in the foreground
Description:
Title, state, and date from Paulson., "Plate 5. "--Lower left corner., State with black Latin cross below design, "Dr. Rock" on the paper holding the teeth on the right, and various areas of the design darkened with diagonal lines and crosshatching. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 32 x 39 cm, on sheet 46 x 59 cm., and Plate 6 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Misaubin, Jean, 1673-1734. and Rock, Richard, 1690-1777.
Subject (Topic):
Quacks and quackery, Beds, Children, Death, Interiors, Quacks, Prostitutes, Servants, Syphilis, Rake's progress, and Sexually transmitted diseases
Plate 4. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45) and attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are prints of Captain Mackheath (the hero of "The Beggar's Opera") and Dr Sacheverell (the High Anglican clergyman impeached in 1710), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll's feet. A copy of Bishop Gibson's "Pastoral Letter to ..." serves a butter dish. Above the window on the left is a print of after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her
Description:
Title devised by cataloger., Series title, state, publisher, and date from Paulson., State with black Latin cross added in center below design (since state 2) and with many additions to design. See Paulson., 1 print : etching with engraving on laid paper ; plate mark 31.9 x 39 cm, on sheet 46 x 59 cm., and Plate 4 in the album: Queen Charlotte's collection of Hogarth works.