Caption title., Date based on publisher J. Jennings's activity dates. See: Todd, W.B. Directory of printers and others in allied trades, London & vicinity, 1800-1840, page 107., In one column with a printer's ornament above the title., A slip song., In verse., First line: All is silent and dark - on the night's heavy air ..., and For further information, consult library staff.
Publisher:
Printed and sold by Jennings, No. 13, Water-lane, Fleet-street, London
A satirical broadside, with two vignettes of the "Weaver". On the left the weaver is at his loom his back to his wife who is seated at the hearth warming her hands over the fire. On the right he is shown in the disguise of a Friar receiving his wife for confession as she kneels before him. Two columns of verse below: "A weaver jealous of his wife like many, Still dream't of horns before the Knave had any ... Twas you were the young man the old man & [the] Fryer. Finis."
Alternative Title:
Weaver jealous of his wife like many, Still dream't of horns before the Knave had any ...
Description:
Title from engraved text above image., All engraved., Date from British Book Trade Index., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and With "Pro Patria" watermark.
Publisher:
Printed and sold by Samuel Lyne, map and printseller at the Globe in Newgate Street
Subject (Topic):
Adultery, Weavers, Looms, Fireplaces, Confessions, Costumes, and Monks
Caption title., Single column of text, dated August 8th, 1821 at bottom, within mourning border., In verse., First line: What means this inward, universal moan ..., Lewis Walpole Library copy: Imperfect, sheet trimmed to 37 x 13 cm with loss of imprint statement., and For further information, consult library staff.
Publisher:
Published by Dean & Munday, Thread-needle-street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Caption title., Date based on publisher J. Jennings's activity dates. See: Todd, W.B. Directory of printers and others in allied trades, London & vicinity, 1800-1840, page 107., In one column., A slip song., In verse., First line: Well met, friend, on the highway ..., and For further information, consult library staff.
Publisher:
Printed and sold by Jennings, 13, Water-lane, Fleet-street, London
Caption title., Publisher's advertisement following imprint: -- Cards, bills, &c. cheap and neatly printed., In one column with a woodcut above the title., A slip song., In verse., First line: Ye wives of Britain's Isle resent the suff'rings of our Queen ..., Printed on same sheet with another slip song: A new song. Royal Caroline. Tune, -- Soldiers gratitude., and For further information, consult library staff.
Publisher:
Catnach, printer, 2, Monmouth-Court
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Caption title., Date based on publisher John Pitts's street address. See: Todd, W.B. Directory of printers and others in allied trades, London & vicinity, 1800-1840, page 151., In one column with a woodcut above the title., A slip song., In verse., First line: A sweet country life is both pleasant and charming ..., and For further information, consult library staff.
Publisher:
Printed and sold by J. Pitts, No. 14 Great St. Street, Andrew Seven Dials
"A broadside on Matthew Skeggs, a publican who became famous for miming music-making with a broomstick while making matching vocal sounds; with a round mezzotint after a painting by Thomas King, showing Skeggs facing towards the right, next to the portrait an etched broomstick surmounted by a dancing hog, and a suspended horn; with engraved title and verses of one poem and of one song text by Henry Howard in two columns."--British Museum online catalogue
Alternative Title:
Introduction. Each buck & jolly fellow has heard of Skegginello
Description:
Engraved broadside, in verse in two columns., Printmaker identified as Richard Houston in the British Museum catalogue., Date from British Museum., At head of title: Introduction. Each buck & jolly fellow has heard of Skegginello. The famous Skegginallo that grunts so pretty upon his broomsticado. Such music he has made, O. Twill spoil the fiddling trade, O. And that's a pity. ..., and Mezzotint portrait at head signed, with fictitious signature: "G Pigganinne Fecit". After a portrait by Thomas King.
Publisher:
Printed for John Ryall, at Hogarth's Head, in Fleet Street
Caption title., The poem is signed "Quod J.C." [J.C., i.e. James Catnach?]., A broadside in two columns announcing the death of Queen Caroline, followed by a poem "A lament for Caroline, the rose of England", the whole text surrounded by a black border., and For further information, consult library staff.
Publisher:
Catnach, printer, 2, Monmouth Court
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
"Broadside; the text in five columns: small cuts I-X on the left and right, each with an eight-line verse below it; cuts XI and XII above and below the three centre columns. Cut I. The Queen's arrival in England, and Marriage. The Prince leads her ashore from a small boat. Cut II. Taking farewell of Charlotte [1814]. Mother and daughter weep, turning from each other; the Princess approaches a ship's boat, Cut III. Her Return--Landing at Dover [June 1820]. She is rowed to shore by two sailors. Cut IV. Her Trial in the House of Lords. A simplified but recognizable view. Cut V. Her Acquittal. She drives in an open carriage past Carlton House. Cut VI. Procession to St. Paul's. A similar carriage scene with St. Paul's in the background. Cut VII. The Highlanders' Address. Highlanders in a carriage with banners (cf. British Museum Satires No. 13934). Cut VIII. Refused Admittance into the Abbey. She gestures at the partly closed door between a sentry and the rejecting doorkeeper. Cut IX. Death-Bed of the Queen. The bed surrounded by weeping mourners. Cut X. Embarkation of Her Body at Harwich. The coffin is swung by tackle into a ship's boat. Cut XI. The Queen's Funeral Procession at Brunswick. The coffin, with crown and royal arms, is borne towards a church door (right) where girls scatter flowers. Cut XII. Queen Caroline's Tomb. Britannia weeps, and her Lion registers anger, beside the tomb of Caroline The Injured Queen of England, topped by a large urn on which is her bust portrait. The text includes the funeral prayer, 'A Dirge' and 'An Elegy . . .' (28 11.): 11. 7-10: 'A seperation hardly to be borne, Her only Daughter from her arms was torn! And next discarded--driven from her home, An unprotected Wanderer to roam!' The verses below Cut XII end: 'For the King shall be Judg'd with the poor of the earth, And, perhaps the poor man will be greater than he. Until that great day we leave Caroline's wrongs, Meantime, may, "Repentance" her foes o'ertake; O grant it kind POWER, to whom alone it belongs' AMEN. Here an end of this Hist'ry we make."--British Museum online catalogue
Description:
Caption title., "Quod Jas. C-tn--h, Dec. 10th, 1821."--Bottom of sheet., Woodcuts with accompanying letterpress text, mostly in verse., "Entered at Stationer's Hall."--Below imprint in square brackets., "Price 2d."--Upper right., and For the first edition, see No. 14255 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Printed and sold wholesale and retail by J. Catnatch, 2, Monmouth Court, 7 Dials
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817,, Great Britain. Parliament. House of Lords,, and St. Paul's Cathedral (London, England),
Subject (Topic):
Death and burial, Arrivals & departures, Carriages & coaches, Parades & processions, Deathbeds, Funeral processions, and Tombs & sepulchral monuments
Verse begins: "How fares my dear Leabde? O vouchsafe to speak"., Anonymous. By Humphrey Crouch., Lee was active at this address in 1733., In four columns with the title above the first two and the imprint below the fourth; the columns are not separated by rules., Mounted on leaf 22. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
Printed by G. Lee in Blue-Maid-Alley near the Marshalsea, Southwark