published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 76. Queen Charlotte's collection of Hogarth works. Leaf 52. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State, publisher, and series title from Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", 1 print : etching and engraving on laid paper ; plate mark 38.5 x 32.1 cm, on sheet 59 x 46 cm., and Plate 76 in the album: Queen Charlotte's collection of Hogarth works.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 76. Queen Charlotte's collection of Hogarth works. Leaf 52. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
Description:
Title engraved above image., State, publisher, and series title from Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", 1 print : etching and engraving on laid paper ; plate mark 38.6 x 32.1 cm, on sheet 56 x 45 cm., and Leaf 52 in: Album of William Hogarth prints.
"Piracy of plate IV of Hogarth's Rake's Progress with considerable differences: a scene in St James's Street with the Rake (here named Ramble) emerging from a sedan-chair to be arrested for debt; figures in the foreground include a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, "Nanny" offering a handful of money to reprieve her former lover, and a lamp-lighter carelessly spilling oil on the Rake's coat; in the distance to left, a group of street-boys point to "Taffy", a mannikin, perched on a lamp-post, and beyond the gate of St James's Palace."--British Museum online catalogue
Description:
Title engraved below image., Printmaker and publisher from the Wellcome Collection online catalogue, Wellcome Library no. 38342i., Date of publication from British Museum online catalogue., Sheet trimmed within plate mark., Four columns of verse beneath title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R, Hogarth's graphic works (3rd ed.), page 90., and Window mounted to 29 x 44 cm.
Publisher:
John Bowles
Subject (Geographic):
Saint James Westminster, London, England : Parish),
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Dogs, Debt, Ethnic stereotypes, Lampposts, Law enforcement, Puppets, Rake's progress, Sedan chairs, and Street lights
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., 1 print : etching on laid paper ; plate mark 38.2 x 46.8 cm, on sheet 46 x 59 cm., and Plate 16 in the album: Queen Charlotte's collection of Hogarth works.
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., 1 print : etching on laid paper ; plate mark 38.2 x 46.8 cm, on sheet 46 x 59 cm., and Plate 16 in the album: Queen Charlotte's collection of Hogarth works.
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., Sheet trimmed within plate mark., 1 print : etching on laid paper ; plate mark 38.4 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 16 in: Album of William Hogarth prints.
publish'd according to act of Parliament Sepbr. 30 1747.
Call Number:
Folio 75 H67 747
Image Count:
1
Resource Type:
still image
Abstract:
The apprentice Francis Goodchild leans out the window to pay the leader of a band of drummers; with the band are two butchers playing 'rough music' with bones and cleavers. His bride, his former master's daughter can be seen in the room behind him sipping tea. The sign with a lion rampant announces the elevation of Goodchild from apprentice to partner: West and Goodchild. A poor mother with a child on her back kneels on the step at the front door as a footman dumps the remains of the wedding breakfast into her outstreched aprom. On the left in the street a legless beggar in a tub holds out a ballad sheet with the title "Jesse or the Happy Pair"; a dog sits at his side. In the background the foot of the Monument contains an anti-Roman Catholic inscription: "In rememberance ... of Burning [the] Protestant City by the treachery of the Papist Faction In ... year ... [o]f our ... Lo[r]d 1666." The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice out of his time & married to his master's daughter and Industrious apprentice out of his time and married to his master's daughter
Description:
Title engraved above image., State and publisher from Paulson., "Plate 6"--Below frame., Sixth plate in the series of twelve: Industry and idleness., Caption in decoration in lower edge of frame: Proverbs Chap:XII. Ver: 4. The virtuous woman is a crown to her husband., and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Beggars, Butchers, Charity, Dogs, Drums (Musical instruments), Marriage, Monuments & memorials, Musical instruments, People with disabilities, Servants, Signs (Notices), Street musicians, and Rake's progress
publish'd according to act of Parliament Sepbr. 30 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 49. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The apprentice Francis Goodchild leans out the window to pay the leader of a band of drummers; with the band are two butchers playing 'rough music' with bones and cleavers. His bride, his former master's daughter can be seen in the room behind him sipping tea. The sign with a lion rampant announces the elevation of Goodchild from apprentice to partner: West and Goodchild. A poor mother with a child on her back kneels on the step at the front door as a footman dumps the remains of the wedding breakfast into her outstreched aprom. On the left in the street a legless beggar in a tub holds out a ballad sheet with the title "Jesse or the Happy Pair"; a dog sits at his side. In the background the foot of the Monument contains an anti-Roman Catholic inscription: "In rememberance ... of Burning [the] Protestant City by the treachery of the Papist Faction In ... year ... [o]f our ... Lo[r]d 1666." The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice out of his time & married to his master's daughter and Industrious apprentice out of his time and married to his master's daughter
Description:
Title engraved above image., State and publisher from Paulson., "Plate 6"--Below frame., Sixth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XII. Ver: 4. The virtuous woman is a crown to her husband.", 1 print : etching with engraving on laid paper ; plate mark 26.5 x 34.8 cm, on sheet 28.7 x 43.6 cm., Mounted on leaf 59 x 46 cm., and Plate 49 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Beggars, Butchers, Charity, Dogs, Drums (Musical instruments), Marriage, Monuments & memorials, Musical instruments, People with disabilities, Rake's progress, Servants, Signs (Notices), and Street musicians
publish'd according to act of Parliament Sepbr. 30 1747.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 42. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The apprentice Francis Goodchild leans out the window to pay the leader of a band of drummers; with the band are two butchers playing 'rough music' with bones and cleavers. His bride, his former master's daughter can be seen in the room behind him sipping tea. The sign with a lion rampant announces the elevation of Goodchild from apprentice to partner: West and Goodchild. A poor mother with a child on her back kneels on the step at the front door as a footman dumps the remains of the wedding breakfast into her outstreched aprom. On the left in the street a legless beggar in a tub holds out a ballad sheet with the title "Jesse or the Happy Pair"; a dog sits at his side. In the background the foot of the Monument contains an anti-Roman Catholic inscription: "In rememberance ... of Burning [the] Protestant City by the treachery of the Papist Faction In ... year ... [o]f our ... Lo[r]d 1666." The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice out of his time & married to his master's daughter and Industrious apprentice out of his time and married to his master's daughter
Description:
Title engraved above image., State and publisher from Paulson., "Plate 6"--Below frame., Sixth plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Chap:XII. Ver: 4. The virtuous woman is a crown to her husband.", and Mounted on leaf 42 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Apprentices, Beggars, Butchers, Charity, Dogs, Drums (Musical instruments), Marriage, Monuments & memorials, Musical instruments, People with disabilities, Rake's progress, Servants, Signs (Notices), and Street musicians
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 79. Queen Charlotte's collection of Hogarth works. Leaf 55. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero's body is laid out on a round table in a dissecting theatre. In niches on either side are two skeletons labeled "James Field" and "Macleane" after two recently hanged criminals. Three doctors work on dissecting Tom's body as a dogs feeds on his entrails. The room is filled with doctors reading and discussing, the whole presided over by the chief surgeon in a large chair emblazoned with the arms of the Royal College of Physicians
Description:
Title engraved above image., State, publisher, and series title from Paulson., Final plate in a series of four: The four stages of cruelty., "Price 1s. 6d"--Left corner, below design., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 31.7 cm, on sheet 59 x 46 cm., and Plate 79 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Criminals, Dogs, Dissections, Medical education, Rake's progress, Physicians, and Skeletons