Two politicians out of office sit shivering in a garret with very downcast expressions. The man on the left writes on a paper entitled 'Abusing Administration', with other similar papers scattered at his feet and those of his partner. Their landlady presents a unpaid bill for their lodging; a tattered print pinned to the wall behind, depicting an anchor inscribed 'Hope'. Both men are much thinner than in the companion print celebrating their corrupt practices: "In place. En emploi." A tattered curtain partially obscures the diamond-paned windows. On the right shelves hold dishes and a broken candle stuck in a bottle as a lamp; below the shelves is a chair and a nearby chamber pot
Alternative Title:
Hors d'emploi
Description:
Title from caption below image, in English and French., Numbered "540" in lower left corner., Companion print numbered "539" in lower left corner: In place. En emploi., Artist from Sotheby's catalog: Watercolours by Robert Dighton, 23 February 1978, lot 32., For an earlier version of this print see Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, pt. II, no. 3773., and Also included in the design is a list of ways of obtaining places.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London. Published as the act directs
Subject (Topic):
Poverty, Chamber pots, Costumes, Prices, Interiors, Furniture, and Emblems
"Interior of the Pantheon on Oxford Street, during a masquerade; the hall crowded with figures in costume dancing and making merry; a band plays on the stage; other figures on balconies to left and right."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 60., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 215.
Publisher:
Pub. 1st March 1809 at R. Ackermann's Repository of Arts, 101 Strand
Drawing showing the interior of the Great Parlour or Refectory at Strawberry Hill. The chimney-piece is visible at left, above which hang the portraits of Sir Horace and Galfridus Mann flanking a painting by Reynolds. On the right, the large painting of the Ladies Waldegrave hangs above a bureau on which a clock with a bronze figure of a reading woman sits. On the far wall is a window with some painted glass at top, on either side of which hangs a pier glass. Against the left wall are two sofas upholstered in red and white; black chairs of Gothic design are against the opposite wall on the right. Two other chairs, small tables, vases, and additional paintings complete the visible furnishings of the room. An ornate border lines the tops of the walls
Description:
Title written in ink below image., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 35 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Parlors, Interiors, Chimneypieces, Chairs, Sofas, Clocks, and Windows
"Scene inside the pass-room of Bridewell Prison, the room used for miserable women; beds constructed from piles of hay with wooden planks lining room, many women poorly clothed lie in beds, some with young children."--British Museum online catalogue
Description:
Title etched below image., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 92., and Plate numbered in upper right, above image: Plate 12.
Publisher:
Pub. 1 March 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), Great Britain., England, and London.
Subject (Name):
Bridewell Royal Hospital.
Subject (Topic):
Hospitals, Prisons, Workhouses, Poverty, Interiors, Charitable organizations, Poor persons, and Children
"Scene inside the pass-room of Bridewell Prison, the room used for miserable women; beds constructed from piles of hay with wooden planks lining room, many women poorly clothed lie in beds, some with young children."--British Museum online catalogue
Description:
Title etched below image., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 92., Plate numbered in upper right, above image: Plate 12., and 1 print : aquatint and etching, hand-colored ; plate mark 23.5 x 28.5 cm.
Publisher:
Pub. 1 March 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), Great Britain., England, and London.
Subject (Name):
Bridewell Royal Hospital.
Subject (Topic):
Hospitals, Prisons, Workhouses, Poverty, Interiors, Charitable organizations, Poor persons, and Children
Illustration to verses printed in two columns. An elderly parson, holding his pipe, his back to the fire, makes gestures of rage towards his servant (right) who hurries terrified from the room as he drops a jug. His wife (left) holds his coat to restrain him, dropping a book from her lap as she sits in a chair with a slipcover. The verses in letterpress below the image relate that after a sermon on the misfortunes of Job, the parson told his wife that his 'patience and strength of mind' were equal to Job's, though she (like other women) was incapable of such restraint. His servant enters to tell him that the contents of a cask of ale had been spilt. His wife reproaches him for his violent abuse: "Job was not half so vext ..."; he says: "Answer me this, I say- Did Job e'er lose a barrel of such ale?" On the wall behing is a picture of Job suffering by the road as described in the Bible. See British Museum catalogue
Alternative Title:
Bad job
Description:
Titie from letterpress printed below the image. On this impression part of the title is printed below plate., Printmaker identified from the original drawing in the Huntington Library., Text of the tale in letterpress printed in two columns below title: Twas at some country place, a parson preaching, The virtue of long sufferance was teaching ..., One of the series of Laurie & Whittle drolls., and Watermark: E & P 1796.
Publisher:
Published 20th November 1798 by Laurie & Whittle, 53 Fleet Street, London
Subject (Name):
Job (Biblical figure)
Subject (Topic):
Biblical events, Chairs, Clergy, Fireplaces, Interiors, Pipes (Smoking), Pitchers, Religious dwellings, Servants, and Spouses
Title from text below image., Title above image: Attic Miscellany., Illustration to verses on Convention with Spain, from the Attic miscellany, v. ii, p. 101., Temporary local subject terms: Treaties: convention with Spain, 28 October 1790 -- Reference to the Nootka Crisis, 1790 -- Wall maps -- Newspapers: Gazetteer -- Newspapers: The Times -- Naval uniforms: officers' uniforms -- Military uniforms: officers' uniforms -- Urination -- Pictures amplifying subject: playbill for Much Ado About Nothing and Provocation -- Pictures amplifying subjects: torn portrait of William Pitt., and Mounted to 22 x 31 cm.
"Interior of the chapel, in Bermondsey; a priest delivering a sermon from pulpit in foreground."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 61., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 222.
Publisher:
Pub. 1st April 1809 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Philanthropic Society (London, England)
Subject (Topic):
Chapels, Religious services, Interiors, and Pulpits
"Sheridan, fat and grotesque, dressed as Pizarro, strides to the front of the royal box, followed by the King and Queen in Court dress. He holds out a guttering candle in each hand and shouts towards the stage: "Stand by there, move that Stone out of the Way hollo Music there play God Save the King d'ye hear take care Sire mind that Step, louder there Music make room for the best of Kings & wisest of Sovereigns! Encore." The King says to the bejewelled Queen: "No! no! no Jacobins here all Loyal all Loyal, Charming Man the Author eh! charming Man, never saw him in such a good light before." Three princesses follow; one says: "bless me I never saw that General at Court". Behind are two princes in uniform with gorgets, evidently the Dukes of York and Cumberland. On the floor by Sheridan are two papers: 'Maidstone Loyalty' [see British Museum Satires No. 9245, &c], and '[Tomorr]ow Evening performed a new play called the Loyal Author to which will be added a Peep behind the Curtain Vivan[t] Rex et Regina'. The curtain is down; on the proscenium, replacing the usual 'Veluti in Speculum', is 'Anti Jacobin House'. Two men stand in the pit, waving their hats towards the royal box; one is Fox."--British Museum online catalogue
Alternative Title:
Pizarro a new play, or, The Drury-Lane masquerade and Drury-Lane masquerade
Description:
Title etched below image; the letter "N" in "New" is etched backwards., Tentative attribution to Ansell from the British Museum catalogue., Attributed to Charles Williams in local card catalog record., Sheet trimmed within plate mark., Printseller's announcement in lower right: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Theatrical costume: Spanish don -- Gorgets -- Songs: God Save the King -- Anti-Jacobin House -- Queen Charlotte's jewels -- Female dress: Queen Charlotte's dress., Watermark: Strasburg lily., and Mounted to 28 x 42 cm.
Publisher:
Pubd. June 11th, 1799, by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Jacobins, Theaters, Interiors, Costumes, Stages (Platforms), Candles, Jewelry, and Military uniforms
Two ladies and two gentlemen play at cards in a richly furnished room while another lady and a gentleman look on. In the background on the left a serving maid prepares tea with the help of a black boy in livery
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Publisher inferred from another print in the series: The king and miller of Mansfied., One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Temporary local subject terms: Furniture: card table -- Furnishing: carpet -- Domestic service: serving maid -- Black child -- Card playing: quadrille -- Reference to Vauxhall Gardens.
Publisher:
Robert Sayer
Subject (Topic):
Interiors, Card games, Tea tables (Tables), Floor coverings, Tea services, Servants, and Women domestics