Quarter-length portrait of Henry Seymour Conway after Gainsborough, framed by oval design. Conway is in uniform, turned to the left with head facing and looking to the right
Description:
Title from caption inscribed within image., Date from unverified data from local record., Copy of painting by Thomas Gainsborough., and For further information, consult library staff.
Opposite page 88. Memoires du comte de Grammont ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of the rope dancer Jacob Hall; long half-length, standing to the left; wearing floppy cap, billowing white shirt with bow tie; a comb on table to the left, his right hand raised towards chest; after Jacob van Oost
Description:
Title written below image., Unsigned; artist unidentified., After a painting by Jakob (Jacques) van Oost the Younger., Date based on publication date of the work in which this drawing is bound., and Mounted opposite page 88 in Richard Bull's extra-illustrated, interleaved copy of: Hamilton, A. Memoires du comte de Grammont ... Strawberry Hill, 1772.
Half-length, oval portrait of John Russell, 1st Earl of Bedford, Lord High Admiral. Created in preparation for the engraved portrait print engraved by Jacobus Houbraken and published by John & Paul Knapton in 1739
Description:
Title from inscription on verso of drawing., Portrait is unsigned., and One of ten watercolor portraits and other drawings included in George Vertue's set of engravings: The heads of the most illustrious persons of Great Britain (London : John and Paul Knapton). See all catalog records by searching call number: LWL Folio 724 743 H432 (Oversize).
Subject (Name):
Russell, John, Earl of Bedford, approximately 1485-1555,
Drawing of Francis Place (1647-1728), English draughtsman, printmaker and potter
Description:
Title from inscription in ink in Horace Walpole's hand[?] on mount: Mr. Francis Place of York., Sheet with image mounted on separate sheet with pencil border around sheet with image., Signed in pencil, lower right: G.V., Drawing that was later used as a basis for an engraving of Place in: Catalogue of engravers ... / digested by Mr. Horace Walpole from the mss. of Mr. George Vertue. Strawberry-Hill : Printed in the year MDCCLXIII [1763], opp. p. 87., and George Vertue, English artist, 1684-1756.
Mr. John Henry Johnstone in the character of Sir Lucious O'Trigger stands dressed in a green regimental coat with yellow lapels, white breeches, white gloves, and tall, black boots. He stands leaning on a cane which he holds in his right hand; his left arm is across his chest, and he holds his cocked hat in his left hand
Description:
Title written in black ink below image., Suggested attribution by seller: Richard (Robert?) Dighton., and John Henry Johnstone (1749-1828), Irish actor and singer, was perhaps best known for his role in Richard Cumberland's The West Indian (1785), also portrayed Sir Lucius O'Trigger in Richard Sheridan's the Rivals in 1792.
Subject (Geographic):
England and London
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Johnstone, John Henry, 1749-1828
Subject (Topic):
Portraits, Actors, British, and Theatrical productions
Title from text below image., Place of publication based on sitter's known place of activity., and Date of publication based on year sitter debuted on the London stage as Robin Roughhead in Fortune's frolic; see Oxford Dictionary of national biography, entry for Edward Knight (1774-1826).
Publisher:
publisher not identified
Subject (Name):
Knight, Edward, 1774-1826, and Allingham, John Till, active 1799-1810.
Title from caption below image., Place and date of publication from unverified data from local card catalog record., Six lines of dialogue below title: Stay! stay you infatuated wretches, you know not what ye do, the Doctor is innocent I say he is innocent, touch not a hair of his precious head ..., and Scene from Act 5 of the Hypocrite by Isaac Bickerstaff.
The courtroom scene from Act 4, Scene 1 of Merchant of Venice when Portia reminds Shylock that the bond only allows him a pound of flesh, and makes no allowances for blood. Shylock, standing with a knife in his right hand and scales in his right, registers the disappointment and shock in his expression as he stands before Portia disguised as Balthasar, holding the bond. They are flanked by Antonio and Bassanio. In the background, the judge sits at his bench, his finger to his forehead. Below the title, Portia's lines: Have by some surgeon, Shylock, on your charge to stop his wounds lest he should bleed to death. Followed by Shylock's lines: Is it so nominated in the bond?
Alternative Title:
Mr. Macklin and Mrs. Pope in the characters of Shylock and Portia
Description:
Title from item., Sheet trimmed within plate mark., and Date based on last performance date of Macklin and Pope in the The merchant of Venice.
Publisher:
publisher not identified
Subject (Geographic):
England and London
Subject (Name):
Macklin, Charles, 1697?-1797,, Pope, Elizabeth, approximately 1740-1797,, Shakespeare, William, 1564-1616., and Shylock (Fictitious character)
Subject (Topic):
Actors, British, Courtrooms, Portia (Fictitious character), and Theatrical productions