Title devised by curator., Horace Walpole's note beneath image: Wyke., Note on verso: "Kaye Dowland 1872.", Note on verso, in unknown hand, "No. 219.", Illegible text in image., Formerly mounted and hinged, with residual glue and paper on four corners of the recto., and For further information, consult library staff.
A volume of drawings mostly by Vertue in various medium and some engravings, with the drawings mounted or laid in, including twenty-two portraits; eighteen other drawings of allegorical figures, scenes from mythology, and a scene from Richard Steele's Spectator (1711), in which Yarico is drawn as a Native American Indian maiden. Some of the drawings are copies of engravings including those by Pierre Berchet, Claude Lorrain, and other unidentified sources. A few portraits are unidentified but most have been annotated with the name of the subject, some with additional annotations in Horace Walpole's hand: Sr. R. Walpole from Wotton; W. Caxton, printer; Sr. Is. Watts; Coverd[?]; Henry Howard Earl of Surrey; Junus; Dr. Clarke; Dr. Swift; Milton; Joseph Bowles, with a note indicating that the sketch took 55 minutes; Scarpu(?); T. Hearne; Tho. Tristram, dated 20 April 1723; Mich. Bergers; Chr. Mazard(?); Dr. Tudway, with a portrait of the Earl of Oxenford on verso; unidentified portrait with a portrait of Vertue on the verso; unidentified scholar, dated July 1729 Cambridge. Also tipped in are: an engraved portrait of Darcy Wentworth by Willem de Passe; an engraved portrait of William Parsons by Simon Gribelin, after Pierre Berchet; an engraved portrait of Robert Dudley, Earl of Leicester, by Goltzius; Hatchard, a gentleman of Berkshire who "was so very fat that he could not get into a hackney coach", S.G. sculp. Also included is a drawing of a pearl said to have been "taken out of the ear of my grandfather after his head was cutt off and given to the princess Royal. This the attestation of Queen Mary .. now in the possession of the Duke of Portland ... trans. by G. June 1735", later used for his engraving 1749? Also included is a portrait sketch identified as "Grimaldi" on wove paper and laid in (at a later date?) a sketch of a man on a sleigh pulled by a horse, also on wove paper
Alternative Title:
Drawings by Vertue
Description:
In English, some Latin., Title from Hazen., Leaves 14, 15 lacking images?, Binding: red morocco, now rebacked., Note on first blank in Horace Walpole's hand: "This was Mr. Vertue's, & most of the Drawings are by Him." Followed by a note in another hand: "Knowley Inner Library B.e. S.4. No. 21.", On front pastedown: Horace Walpole's bookplate (BP1)., Also on front pastedown: Armorial bookplate of Lord Derby on front pastedown, with his shelf mark "3.B"., and Red morocco, now rebacked. Bookplate 1. Not in Manuscript Catalogue of 1763.
Subject (Name):
Burgers, Michael, -1726,, Bowles, Joseph, 1692 or 1693-1729,, Caxton, William, approximately 1422-1491 or 1492,, Clarke, Alured, 1696-1742,, Hearne, Thomas, 1678-1735,, Junius, Franciscus, 1589-1677,, Milton, John, 1608-1674,, Oxford, Edward De Vere, Earl of, 1550-1604,, Parsons, William, 1658-1725?,, Surrey, Henry Howard, Earl of, 1517?-1547,, Swift, Jonathan, 1667-1745,, Tristram, Thomas,, Tudway, Thomas, 1655 or 1656-1726,, Walpole, Robert, Earl of Orford, 1676-1745,, Watts, Isaac, 1674-1748,, and Wentworth, Darcy, 1592-1667,
Drawing of a jug-like bottle with a handle that was owned by Horace Walpole at Strawberry Hill. This type of bottle was sold by apothecaries, and this particular example was from the collection of Mrs. Kennon, the virtuosa midwife
Description:
Title devised by curator., Unsigned; artist not identified., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 45 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Drawing of a Gothic entrance of three bays, with a rose window above the center bay, with numbers below pillars. On verso, light pencil sketch of a building?
Description:
Title devised by curator., Signed in lower right below image: Rd. Bentley. Also signed with Bentley's monogram in lower left corner of image: RB., Date based on creation date of album., and Formerly mounted on leaf 16 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [circa 1760].
Ink and wash architectural drawing of an elevation of a room with a gothic chimneypiece that includes an ornate mirror with cartouche frame over the mantel. Copious notes in pencil are dispersed throughout the plan and include construction materials and corrections
Alternative Title:
Interior elevation and plan of a room with gothic chimneypiece surrounded by a mirror
Description:
Title devised by cataloger. and One of four drawings in a folder.
Subject (Topic):
Chimneypieces, Cornices, Architectural mirrors, and Floor plans
Frederic in search of Hippolita enters her oratory only to recoil in horror at the sight of a specter wrapped in a hermit's cowl. The specter rests its hand on a book laid open on the altar above which hangs a crucifix. Behind them, two shelves built into the wall are filled with books and an ink well with two feather pens
Description:
Title devised by curator. and Date based on Horace Walpole's letter (dated 22 February 1796) to Bertie Greatheed's father in which he admires his son's four drawings that were inspired by his reading of The Castle of Otranto. All four drawings are bound in Horace Walpole's extra-illustrated copy of The Castle of Otranto (Lewis Walpole Library 49 3729).
Drawing of Hendrick Cornelisz Vroom (1566-1640), Flemish born painter who worked briefly in England. Best known for his marine painting and designs for tapestries illlustating the great English naval victories of 1588 over the Spanish Armada
Alternative Title:
Hendrick Cornelius Vroom
Description:
Title and artist from engraving based on this drawing, in Anecdotes of painting in England. Engraving by T. Chambars identifies artist as: Is. Oliver pinxt., Slight corrects in brown ink., Drawing that was used as a basis for an engraving of Vroom in: Anecdotes of painting in England / by Mr. Horace Walpole. Strawberry-Hill : Printed in the year MDCCLXIII, [1763], v. 1, opp. p. 144., and George Vertue, English artist, 1684-1756.
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the characters Isabella and Manfred depicted full-length at center, both facing left. Isabella, who is being chased by Manfred, looks back over her shoulder at him with a worried expression, her arms out in front of her. Manfred, who has just seen the portrait of his grandfather move off the wall behind him, is arched backwards and shielding himself with his right arm, a startled expression on his face as he looks up at the painting that is partially off the wall. A window at left and two chairs behind the characters complete the furnishing of the room
Description:
Title devised by cataloger., Signed by the artist in ink in lower left corner of sheet., Date of production from local catalog card., Page reference written in ink in upper right corner: Page 19., For another version of this scene, drawn by Anthony Highmore, see Lewis Walpole Library call no.: LWL Mss Vol. 170., and Mounted opposite title page in an extra-illustrated copy of: Walpole, H. The castle of Otranto. London : Printed for Tho. Lownds in Fleet-Street, MDCCLXV [1765].