A design by Bentley of a landscape with upright hills on the right and left and in the middle distance, with a line of trees on the ridge in the middle distance and on the path through the hills in the foreground
Alternative Title:
Landscape with upright rocks
Description:
Title, artist, and date from Horace Walpole's ms. note in ink on verso. and Formerly mounted on the upper half of leaf 5 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [approximately 1760].
A servant (butcher?) with his hands on his hips looks suspicously at a fashionably dressed man as the latter crosses one arm in front of his chest completing an apologetic bow and uses the other to secretly slide a package behind his back to a thrid unidentified individual penciled in outline. The inscribed caption reads: Permit me good sir to solicit your countenance. You be damned!
Description:
Title penciled in below image. and For further information, consult library staff.
Subject (Topic):
Corruption, Bribes, Servants, Dandies, and British
Drawing of part of the wall decoration, possibly a frieze or wallpaper, of the Round Tower at Strawberry Hill. An image of a cherub placing a vase upon a pedestal is present within an oval at the bottom of the design
Description:
Title from note on verso in an unidentified hand., Unsigned; artist unidentified., Date of production based on Horace Walpole's death date., and Formerly laid in at page 103 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England),
Subject (Topic):
Homes and haunts, Friezes (Ornamental bands), Wallpapers, and Putti
A drawing of the Holbein Chamber at Horace Walpole's home, Strawberry Hill in Twickenham. An arched passageway is seen near the center of the image, thorough which a canopy bed and a chair are visible. On either side of the passageway are pierced arches forming a screen, the design for which was taken from the gates of the choir of Rouen. Wooden furniture lines the wall of the room at left, above which framed works of art hang. Across the room on the right is the chimneypiece designed after the tomb of Archbishop Warham at Canterbury; an embroidered firescreen and two blue vases sit in front of the fireplace. The ornate ceiling, taken from the Queen's dressing-room at Windsor, dominates the top half of the image; a large, colorful rug sits on the floor in the center of the room
Alternative Title:
Holbien Chamber
Description:
Titled in ink below image: Holbien chamber., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 117 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Geographic):
England and Twickenham.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Dwellings, Interiors, Chimneypieces, Furniture, Vases, and Rugs
A bust length, three-quarter profile turned to the sitter’s proper left against a plain dark background. He wears a red jacket with buttons and a lace trimmed white cravat. A powered wig is tied in dark blue at the back of his neck
Alternative Title:
Portrait of Sir Horace Mann and Portrait of Horace Mann
Description:
Title from 2005 Christie's appraisal: Portrait of Sir Horace Mann, half-length., In a contemporary gilt Italian frame as displayed at Strawberry Hill., and Signed and dated on verso: Horace Mann. Resident of Florence. By Astley. 1751.
Oval portrait of John Milton as a young man, bust in frontal view, wearing a ruff and buttoned jacket
Description:
Title devised by curator, based on published print after this drawing., Artist unknown., After a painting owned by Arthur Onslow at the time of creation., and One of ten portraits in oil and other drawings included in George Vertue's set of engravings: The heads of the most illustrious persons of Great Britain (London : John and Paul Knapton). See all catalog records by searching call number: LWL Folio 724 743 H432 (Oversize).
Drawing of the effigies of Rene of Anjou and his wife on their tombs
Alternative Title:
René of Anjou and his wife
Description:
Artist unknown., With a collection of tracings by an unidentified artist from drawings by John Rous. Horace Walpole had the drawings traced and then engraved for his Historic doubts on the life and reign of Richard III. See London edition, 1768 and Strawberry Hill edition 1770., and Title from ms. note on verso in Horace Walpole's hand: "René of Anjou & his wife, parents of Margaret, Queen of Henry 6th.
Subject (Name):
René I, King of Naples and Jerusalem, 1409-1480. and Isabelle, Queen, consort of René I, King of Naples and Jerusalem, -1453.
Portrait drawing of Sir Charles Hanbury Williams; half-length, shoulders nearly in profile to the left, head turned back and looking at viewer; his right hand grasping the top of a walking stick, the index finger of his left hand extended and pointing to the left; wearing a loose coat, a cravat, and a long curled wig that extends down his back
Description:
Title from note in ink in Richard Bull's hand, below image on mounting page., Unsigned; artist not identifed., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this bookplate appears. See Hazen., Mounted on page 87 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
"Satire on the popularity of the Beggar's Opera in the form of a medley print. At top left a print shows two oval portraits, Lavinia Fenton as Polly Peachum on the left and Thomas Walker as Macheath on the right, two short columns of verse beneath. In the centre lies a print depicting a debased Parnassus: in the foreground muses drink from a barrel, one vomiting; a woman wearing a hat hands a basket to a muse sitting in a dust-cart drawn by a Pegasus; a cornucopia lies upended on the ground: in the background, is a boxing match surrounded on two sides with a temporary stand from which flies the flag of St George and to the right of which a bull and a bear are preceded by Apollo playing a fiddle; beneath are four lines of verse describing the scene. Behind the Parnassus print another shows the ghost of Jeremy Collier rising from his grave holding the pamphlet in which he had condemned "The Immoratlities of the English Stage", four lines of verse beneath. This print is overlaid by a smaller oblong print with four verses and portraits of Caleb D'Anvers (Nicholas Amhurst) Jonathan Swift, Alexander Pope and Lavinia Fenton (as Polly Peachum). On the left is a print in which Democritus and Heraclitus examine a globe together, eight lines of verse beneath. In the centre is an engraved address 'To Polly Peachum' quoted, according to the earlier state from The Daily Journal, April 19, 1728. At lower left is a print with a stage where a Apollo descends on a cloud to judge between rival singers (Faustina and Cuzzoni) to whom a group of gentlemen with asses' ears listen without judgement, two columns of verse beneath explain the scene. On the right, a scene by a river where a balance has been set up in which the Beggar's Opera outweighs Shakespeare, Ben Jonson, Addison, Nicholas Rowe and Thomas Otway; the personification of trade collapses in the arms of George II, assisted by Queen Caroline; verses beneath claim that the popularity of the Beggar's Opera is indicative of the sorry state of the country. At bottom right is a scene in Newgate with men and women sitting round a table on which is a punch bowl and pipes; they are toasting a laureated John Gay who sits at the centre, saying 'The Beggers Opera for yr', 'G(a)y for ever', 'Let's vote him King of the Beggers' and he responds, 'Yov'e done me too great an honour but I'll -'; a small child stands beside the table; two columns of verse beneath."-- British Museum online catalogue
Description:
Title from text engraved above image., "Poet G-" refers to John Gay., Later state, lacking references to 'Daily Journal April 19th. 1728' below the verses "to the Tune of the Soldier and ye Sailor" and to 'Daily Journal April 10 1798' below those "To Polly Peacham". Cf. Compare no. 1806 in v. 2 of Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark., and Mounted to 45 x 34 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Gay, John, 1685-1732, Gay, John, 1685-1732., Fenton, Lavinia, 1708-1760, Walker, Thomas, 1698-1744, Collier, Jeremy, 1650-1726, Bordoni, Faustina, 1697-1781., Amhurst, N. 1697-1742. (Nicholas),, George II, King of Great Britain, 1683-1760., Caroline, Queen, consort of George II, King of Great Britain, 1683-1737., Swift, Jonathan, 1667-1745., Pope, Alexander, 1688-1744., Heraclitus, of Ephesus., Democritus, approximately 460 B.C.-approximately 370 B.C., and Cuzzoni, Francesca, 1696-1778.
Subject (Topic):
Social life and customs, Anecdotes, facetiae, satire, etc, Pegasus (Greek mythology), Apollo, Muses (Greek deities), Parnassus, Mount (Greece), Prints, Prisons, and Theaters