Hudibras and Ralpho encounter a mob armed with sticks; in the foreground, a one-legged fiddler, a butcher and a dancing bear with his leader. On the left, a woman reaches out her arms
Alternative Title:
Hudibras's first adventure
Description:
Title engraved above image., After Hogarth., From a series of twelve prints issued by Robert Sayer., Date of publication based on publisher's name and address in imprint statement. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered '3' in upper left corner; "Part 1 Canto 1 l. 1." in upper right corner above image., Verse in three columns below image: "The Catalogue and Character of th' enemies best men of war Whom in a bold Harangue the Knight Defies and challenges to fight; H' encounters Talgol routs the bear, And takes the fidler prisoner; Conveys him to enchanted castle There shuts him fast in wooden bastile.", Copy of no. 506 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 84., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Printed & sold by Robt. Sayer, map & printseller at No. 53 in Fleet Street
Subject (Geographic):
Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Bears, Crowds, Butchers, Musicians, People with disabilities, Puritans, Riots, and Trained animals
A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered '11' in upper left corner., Eighteen lines of verse in three columns, below image: That beastly rabble, that came down From all the garrets in the town, ... Made up of rags to personate Respective officers of state., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, volume 1, number 514., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), number 92., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Robert Sayer
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680. and Temple Bar (London, England)
Subject (Topic):
Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
Volume 4, after page 232. Memoirs of Horace Walpole and his contemporaries.
Image Count:
1
Resource Type:
still image
Abstract:
Full-length portrait of English historian Edward Gibbon in right profile
Alternative Title:
E. Gibbon
Description:
Title etched at bottom of plate., Facsimile of Gibbon's signature etched above title., Plate from: Dyer, C. Biographical sketches of the lives and characters of illustrious and eminent men. London : C.G. Dyer and H. Setchel and Son, 1819., Imperfect; sheet trimmed within plate mark with loss of title from bottom edge. Missing text supplied from impression in The Morgan Library & Museum, accession no.: MA 10252., Window mounted to 22 x 14 cm., and Bound in after page 232 in volume 4 of an extra-illustrated copy of: Williams, R.F. Memoirs of Horace Walpole and his contemporaries. London : Colburn & Co., 1852.
Publisher:
Pubd. by C. Dyer, Compton Street
Subject (Name):
Gibbon, Edward, 1737-1794, and Gibbon, Edward, 1737-1794.
Head-and-shoulders portrait of English poet Lord Byron, in left profile and "Portrait of George Gordon Noel Byron, 6th Baron Byron, bust-length, directed very slightly to left, with head nearly in profile, looking down; wearing coat over waistcoat, fastened with two buttons, and high collar."--British Museum online catalogue
Description:
Title etched below image., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., and Bound in opposite page 684 (leaf numbered '125' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Jany. 30, 1816, by T. Cadell & W. Davies, Strand, London
Subject (Geographic):
Great Britain.
Subject (Name):
Byron, George Gordon Byron, Baron, 1788-1824, and Byron, George Gordon Byron, Baron, 1788-1824.
Print shows a building at Harrow with four figures in the foreground and five in the distance
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: The history of the colleges of Winchester, Eton, and Westminster. London : Printed for and published by R. Ackermann ..., MDCCCXVI [1816]., Joseph Constantine Stadler was a German painter and engraver who worked in London., Window mounted to 36 x 51 cm., Mounted opposite page 3 (leaf numbered '31' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and Imperfect; imprint statement partially worn away from sheet.
Publisher:
Pubd. June 1, 1816, at 101 Strand, for R. Ackermann's History of Harrow School
Hudibras with his hat in hand approaches a lawyer who sits in an elaborately carved chair on a rise. In front of the lawyer are his two clerks at a low table, at his side, shelves of books and papers. On the right in the foreground is a carved figure of Justice holding scales. In the background on the left two women stand in the doorway. In the left foreground are two dogs, one of whom watches the action attentively while the other lies with its head turned away
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered '12' in upper left corner., Eighteen lines of verse in three columns, below image: To this brave man the Knight repairs For counsel in this law affairs; ... As heart can wish, and need not shame The proudest man alive to claim., Copy of no. 515 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 93., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Robert Sayer
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Clerks, Dogs, Justice, Law offices, Lawyers, and Women
Hudibras confronts the astrologer Sidrophel in an apothecary's laboratory; on his desk is a globe, an ink well with quill pen, a book and sheets of paper with a horoscope; from the ceiling and wall hang a stuffed crocodile (from which hangs a shell-shaped lantern with a high flame), swordfish, turtle, a bat, frogs, a snake, and other creatures; to left, a cupboard door is open to reveal a skeleton with an owl on its shoulder; on the floor, are a glass jar containing a homunculus or foetus, another globe decorated with the signs of the Zodiac, various scientific instruments including a telescope, a quadrant and plumb line, and a cat and a mouse-trap. Sidrophel has an amulet around his neck, "Homo sacarus museo Cheru[...]."
Alternative Title:
Hudibras and Sidrophel
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "8" in upper left corner., Fifteen lines of verse in three columns, below image: Then Hudibras, with face and hand, Made signs for silence which obtained, ... O'th sudden clapp'd his flaming cudgel Like Linstock to the horse's touch-hole., Copy of no. 511 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 89., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Robert Sayer
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Amulets, Astrologers, Cats, Dead animals, Fighting, Globes, Mousetraps, Owls, Pharmacists, Scientific equipment, and Skeletons
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "9" in upper left corner., Eighteen lines of verse in three columns, below image: No sooner was the come t' himslef But on his neck a sturdy elf ... And that which was proved true before Prove false again? Two hundred more., Copy of no. 512 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 90., and From a set of twelve prints, all with two sewing holes along left edge.
A riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbors, cuckold's horns and a petticoat are held aloft while "rough music" is played; Hudibras rides into the crowd to protest at what he describes as a Devil's Procession
Alternative Title:
Hudibras and the Skimmington
Description:
Title engraved above image., Title from Paulson: Hudibras and the Skimmington., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "7" in upper left corner., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1, no. 510., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 88., Eighteen lines of verse in three columns, below image: Then Hudibras, with face and hand, Made signs for silence which obtained, ... O'th sudden clapp'd his flaming cudgel Like Linstock to the horse's touch-hole., and From a set of twelve prints, all with two sewing holes along left edge.