Elevation of a Cottage for the Honorable Horace Walpole, near Strawberry Hill
Description:
Title at top of sheet, scale drawn in below image., Artist's name inscribed by Horace Walpole, recto lower left corner: Robt Adam Architect 1766., Formerly shelved as part of the SH Views collection., and Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: (London Sale, Lot 1248): Ditto [drawings] Views of Strawberry Hill and of the Villa of Lady Diana Beauclerc at Twickenham, by J. Barrow, 1789, and 4 designs for a Cottage, etc. at Strawberry Hill, by Robert Adams, architect, 1767, etc."
Inscription on verso, in ink: "Entrance of the villa at Strawberry Hill. E.E. 1781.", Signed and dated lower right corner of image: "E.E. 1781"., Numbered in pencil on verso: "No. J"., Note in pencil in unknown hand: "The print of this in the Description, 1784 has slight differences: pot with shrub missing, includes more at right, + top. This is surely Edward's original watercolor for the famous print however.", Formerly shelved as part of the SH Views collection., Edward Edwards (1738-1806), English artist, associate and teacher of perspective in the Royal Academy, London., and Not in Manuscript Catalogue of 1763.
Title from pencil annotation on verso of matte, perhaps in the artist's hand; note is signed "S. Owen" below., Signed and dated by the artist in lower left corner of drawing; final digits of date are mostly illegible, but a similar drawing by Owen in the same volume is clearly dated "1822"., and Laid in volume 2 of Anne Damer's Scrapbooks.
Title from pencil annotation on verso of matte, perhaps in the artist's hand; note is signed "S. Owen" below., Signed and dated by the artist in lower right corner of drawing., and Laid in volume 2 of Anne Damer's Scrapbooks.
Watercolor of the view from the Library at Horace Walpole's home, Strawberry Hill in Twickenham, with horse and carriage in the distance
Description:
Inscription in ink, in lower right corner of image: "from the library window at Strawberry hill 1783." The hand that wrote the title is the same hand that wrote the title for "Armour of Francis I". G. Harding?, On the verso of the drawing in pencil: "Drawn by Mr. Edwards, mentioned in one of his letters.", Formerly shelved as part of the SH Views collection., and Edwards, Edward (1738-1806), British painter.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Description:
Titles from notes in artist's hand below images., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., Design consists of two images side by side, each with an individual caption written in ink below., and Mounted on page 12 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Elevation of flank of seven bays of pointed arches divided by thin buttresses, and elevation of end. This is probably the design for the cloister linking Bateman's house to this Gothic Octagon designed by Muntz. In a letter written to George Montagu on 24 September 1762, Horace Walpole refers to Bentley's design for Bateman's cloister; also associated with Walpole's Strawberry Hill. See Harris
Alternative Title:
Gothic cloister designed by Mr. Bentley
Description:
Title from Horace Walpole's ms. note in ink on verso., Signed by the artist in the lower right corner below design., Date based on correspondence between Montague and Walpole in which this design is discussed., and Watermark: [...] C. Blauw.
Subject (Name):
Bateman, Richard, approximately 1705-1773, and Strawberry Hill (Twickenham, London, England)
A collection of sixty-four prints (mostly engravings and etchings) showing views of London and its vicinity, including views of Chelsea with Ranelagh, Hampstead, Highgate from Upper Halloway, Old Bedham with the gardens in front, Whitehall with the gatehouse, Grosvenor Square, St. Mary's Church on the Strand with old Somerset House, The Royale Mews in Charing Cross, St. James's Square with the Round Pond, Covent Gardent, Royal Gardens of Somerset, Hampstead, and scarce views of Barnes and Richmond as well as views of Twickenham, and many other scenes in and around London in the later half of the 18th century
Subject (Geographic):
England, London., Thames River (England), Saint James's Park (London, England), Twickenham (London, England), and London (England)
Title written on verso in contemporary, unidentified hand, partially loss of text. "No. C"., Signed and dated in image, bottom left: "WI.B D 1780"., Formerly shelved as part of the SH Views collection., Unidentified artist., and Not in Manuscript Catalogue of 1763.
Watercolor drawing depicting the gallery at Horace Walpole's house, Strawberry Hill, with view of the Holbein Room through an open door on the right. Light shines through a stained glass at the end of the gallery
Description:
Title from inscription in Thomas Kirgate's hand, in pencil at bottom of sheet., Date based on the fact that the stained glass window was replaced in 1772 by a door into the newly built Great Room bed chamber. Attributed to Carter by previous owner., Formerly shelved as part of the SH Views collection., and John Carter (1748-1817), British draughtsman and antiquary.