"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Pasquin No. XCV"; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image from two plates., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Geographic):
England and London.
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and Plate with text lacking; top plate with image only. Sheet 13.4 x 18.2 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
Plate 36. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Pharaoh's daughter (Thermuthis) greets Moses who stands grasping the belt of his birth mother (Jochebed) as a man fills her hand with coins. Behind them in the distance is a sphinx and pseudo-Egyptian buildings. Behind the pharaoh's daugther a black servant whispers into the ear of a female attendant
Alternative Title:
And the child grew, & she brought him unto Pharaoh's daughter, & he became her son. And she called his name Moses
Description:
After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Title from Paulson., Fourth state with Warton's lines omitted; second and third 'and' written as ampersands. See Paulson., Printing date from Paulson., and Text from Warton's lines mostly burnished out, but barely visible.
Publisher:
Wm. Hogarth
Subject (Name):
Moses (Biblical leader) and Thermuthis (Biblical figure)
Subject (Topic):
Biblical events, Blacks, Children, Mothers, and Servants
Plate 36. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Pharaoh's daughter (Thermuthis) greets Moses who stands grasping the belt of his birth mother (Jochebed) as a man fills her hand with coins. Behind them in the distance is a sphinx and pseudo-Egyptian buildings. Behind the pharaoh's daugther a black servant whispers into the ear of a female attendant
Alternative Title:
And the child grew, & she brought him unto Pharaoh's daughter, & he became her son. And she called his name Moses
Description:
After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Title from Paulson., Fourth state with Warton's lines omitted; second and third 'and' written as ampersands. See Paulson., and Printing date from Paulson.
Publisher:
Wm. Hogarth
Subject (Name):
Moses (Biblical leader) and Thermuthis (Biblical figure)
Subject (Topic):
Biblical events, Blacks, Children, Mothers, and Servants
Plate 36. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Pharaoh's daughter (Thermuthis) greets Moses who stands grasping the belt of his birth mother (Jochebed) as a man fills her hand with coins. Behind them in the distance is a sphinx and pseudo-Egyptian buildings. Behind the pharaoh's daugther a black servant whispers into the ear of a female attendant
Alternative Title:
And the child grew, & she brought him unto Pharaoh's daughter, & he became her son. And she called his name Moses
Description:
After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Title from Paulson., Fourth state with Warton's lines omitted; second and third 'and' written as ampersands. See Paulson., Printing date from Paulson., and 1 print on laid paper ; 421 x 524 mm, on sheet 474 x 610 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Moses (Biblical leader) and Thermuthis (Biblical figure)
Subject (Topic):
Biblical events, Blacks, Children, Mothers, and Servants
Plate 36. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Pharaoh's daughter (Thermuthis) greets Moses who stands grasping the belt of his birth mother (Jochebed) as a man fills her hand with coins. Behind them in the distance is a sphinx and pseudo-Egyptian buildings. Behind the pharaoh's daugther a black servant whispers into the ear of a female attendant
Alternative Title:
And the child grew, & she brought him unto Pharaoh's daughter, & he became her son. And she called his name Moses
Description:
After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Title from Paulson., Fourth state with Warton's lines omitted; second and third 'and' written as ampersands. See Paulson., Printing date from Paulson., 1 print : etching and engraving on laid paper ; plate mark 42.2 x 52.4 cm, on sheet 46 x 59 cm., and Plate 36 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Moses (Biblical leader) and Thermuthis (Biblical figure)
Subject (Topic):
Biblical events, Blacks, Children, Mothers, and Servants
Plate 36. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Pharaoh's daughter (Thermuthis) greets Moses who stands grasping the belt of his birth mother (Jochebed) as a man fills her hand with coins. Behind them in the distance is a sphinx and pseudo-Egyptian buildings. Behind the pharaoh's daugther a black servant whispers into the ear of a female attendant
Alternative Title:
And the child grew, & she brought him unto Pharaoh's daughter, & he became her son. And she called his name Moses
Description:
After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Title from Paulson., Fourth state with Warton's lines omitted; second and third 'and' written as ampersands. See Paulson., Printing date from Paulson., 1 print : etching and engraving on laid paper ; plate mark 42.2 x 52.4 cm, on sheet 46 x 59 cm., and Plate 36 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Moses (Biblical leader) and Thermuthis (Biblical figure)
Subject (Topic):
Biblical events, Blacks, Children, Mothers, and Servants
"Paul before Felix, showing St Paul on trial before Felix, governor of Caesarea; Paul to left with arms raised, Felix sitting with his wife Drusilla and two priests on a dais at centre, one sitting uncomfortably with his chin in his hand, two clerks in front of the bench at which St Paul stands; to right, the orator Tertullus holding a scroll and leaning on a lectern; a soldier to left and two figures carrying fascae either side of the dais."--British Museum online catalogue
Alternative Title:
And as he reasoned of righteousness, temperance, and judgment to come, Felix trembled
Description:
Title, publisher and state from Paulson., Added title from caption below image., Quotation from Acts 24-25 engraved below image: And as he reasoned of righteousness, temperance, and Judgment to come, Felix trembled., Text below quotation: From the original painting in Lincoln's Inn Hall, painted by Wm. Hogarth., State 3 distinquished by the presence of a lengthy quotation from Joseph Warton's Essay on the genius and writings of Pope (1756) in bottom corners., Sheet trimmed within plate mark., Ms. note in pencil in Mr. Steevens's hand above print: See Mr. Nichols's book 3d edit, p. 323., and On page 161 in volume 2. Sheet trimmed to: .
Publisher:
Wm. Hogarth
Subject (Geographic):
Israel and Caesarea.
Subject (Name):
Paul, the Apostle, Saint
Subject (Topic):
Biblical events, Courtrooms, Judicial proceedings, Soldiers, Roman, and Parables