"Mrs. Abington stands facing three quarters to the right dressed as Scrub in Farquhar's 'Beaux' Stratagem', with her hair in tightly curled ringlets (resembling the wig worn by Weston in the part). Her hand is in the pocket of a long, old-fashioned coat worn over an apron. On the wall behind her head is a bust of Farquhar, scowling down at her, disgusted to see a woman play the part. On each side is a picture: on the left the head and shoulders of a man calling "Murder Murder", the frame is inscribed, "Mr Weston in ye part of Scrub". On the right a woman emerges from the funnel of a bottle, as the Bottle Imp. She is of meretricious appearance, holds up a purse in her right hand, a mask in the left; the frame is inscribed, 'For the Benefit of Thalia For this Night only The Pit laid into the Boxes."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Sheet trimmed within plate mark on right and left sides., 1 print : etching with engraving and stipple on wove paper ; plate mark 27.8 x 20.2 cm, on sheet 29.4 x 21.2 cm., and Mounted on leaf 33 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 15th Febry. 1786 by Thos. Cornell, Bruton Street
Subject (Name):
Abington, Mrs., 1737-1815 (Frances Barton), and Farquhar, George, 1677?-1707.
"Mrs. Abington stands facing three quarters to the right dressed as Scrub in Farquhar's 'Beaux' Stratagem', with her hair in tightly curled ringlets (resembling the wig worn by Weston in the part). Her hand is in the pocket of a long, old-fashioned coat worn over an apron. On the wall behind her head is a bust of Farquhar, scowling down at her, disgusted to see a woman play the part. On each side is a picture: on the left the head and shoulders of a man calling "Murder Murder", the frame is inscribed, "Mr Weston in ye part of Scrub". On the right a woman emerges from the funnel of a bottle, as the Bottle Imp. She is of meretricious appearance, holds up a purse in her right hand, a mask in the left; the frame is inscribed, 'For the Benefit of Thalia For this Night only The Pit laid into the Boxes."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Sheet trimmed within plate mark on right and left sides.
Publisher:
Publd. 15th Febry. 1786 by Thos. Cornell, Bruton Street
Subject (Name):
Abington, Mrs., 1737-1815 (Frances Barton), and Farquhar, George, 1677?-1707.
"Johnson and Boswell, attended by Ritter, depart from Boswell's house on foot; Mrs. Boswell stands in the doorway weeping and holding up a handkerchief. Johnson, his stick in his right hand, pulls Boswell by the right arm; Boswell, turning to look at his wife, weeps unrestrainedly. He holds his handkerchief to his eyes; 'Ogden' (see BMSat 7031) and the 'Journal' are under his right arm. He wears the feathered Scots cap, the pen, and barrister's wig as in BMSat 7031. His ink-bottle hangs from a buttonhole. Between Boswell and his wife stands the moustachioed Ritter wearing a wide cocked hat and holding a long stick in both hands; a large pack is on his back."--British Museum online catalogue
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue, v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the First. [London] : [E. Jackson], [1786], Four lines of verse below title: "Wednesday 18th August, on this day we set out from Edinburgh, attended by my man Joseph Ritter, a Bohemian, a fine stately fellow above 6 feet high ..." Vide Journal p. 47., Sheet trimmed within plate mark., Temporary local subject terms: Ogden -- Joseph Ritter -- Man servant -- Bohemian., and In mss. in lower left corner: E-150.
Publisher:
Publish'd 30 May 1786, by E. Jackson Mary-le-bone Street Golden Square
Subject (Name):
Johnson, Samuel, 1709-1784, Boswell, James, 1740-1795, Boswell, Margaret Montgomerie, d. 1789, and Boswell, James, 1740-1795.
"A confused design: in the centre the kings of England (left) and Prussia (right) sit together under a canopy; they turn their heads in profile, gazing intently at each other. Behind George III's chair a British sailor lounges, behind Frederick's a Prussian grenadier with a musket stands erect. Frederick holds the ends of two chains attached to the necks of the Habsburg eagle beneath the feet of the two kings; the two beaks of the bird hold a scroll inscribed 'Universal Monarchy'; with its claws it strikes fiercely at the prostrate bodies of a man and woman, evidently intended for inhabitants of the United Provinces. Beneath the bird is the word 'Austria'. On the sides of the canopy under which the kings sit are shields, one (left) inscribed 'Hanover Brunswick Hesse', the other (right), 'Saxony Deux Pont Mayence &c', representing German States under the control or influence of England and of Prussia. On the left and right of the two kings, as if supporters to an escutcheon, are whole length figures on a large scale of military officers; each holds the hilt of his sword, saying, "Whilst you agree I am ready". One (left) is the 'Reigg Duke of Brunswick', the other 'Prince Ferdinand of Brunswick'. In the lower right corner of the design a Frenchman wearing a bag-wig milks a cow inscribed 'Holland'; a dog barks at him angrily. Next the cow a man seated on the ground, probably intended for the Stadtholder, holds up his hands imploringly to the two kings, saying, "Pray protect me". Isolated figures round the two sides and upper edge of the design represent the other Powers of Europe: a crowned bear (left) inscribed 'Russia', couchant, looks greedily towards a much smaller bear inscribed 'Poland'. Russia says, "Tortur'd by Ambition - back'd by Brother Joseph"; Poland answers, "I am not muzzled". The bust of an oriental wearing a turban (Turkey) looks over its shoulder (across Poland) towards Russia, saying, "By the great Prophet thou art but a Woman". A crowned monkey with a sceptre and shield, representing Louis XVI, is seated on a globe inscribed 'Holland', saying, "Mundus vult decipi". Down the right side of the print are three crowned busts looking towards the two kings: Sardinia says, "You shall not Settle without me"; Spain says, "Oh. give me the Rock" (cf. BMSat 6025, &c), Portugal says, "Oh! buy my Wine" (an allusion to the preference to Portuguese wines, given by the Methuen treaty and threatened by the pending commercial treaty with France). On the left side Sweden says, "I am in the pay of France"; Denmark says, "I lay by at present"."--British museum online catalogue
Description:
Title etched below image., Printmaker from Grego and British Museum Catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Feby. 10th 1786 by S. Hedges No. 91 Cornhill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick II, King of Prussia, 1712-1786, Ferdinand, Duke of Brunswick-Lüneburg, 1721-1792, Carl Wilhelm Ferdinand, Duke of Brunswick and Lüneburg, 1735-1806, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, Victor Amadeus II, King of Sardinia, 1726-1796, Maria I, Queen of Portugal, 1734-1816, Gustav III, King of Sweden, 1746-1792, Christian VII, King of Denmark and Norway, 1749-1808, Catherine II, Empress of Russia, 1729-1796, and Abdülhamid I, Sultan of the Turks, 1725-1789
Leaf 27. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A confused design: in the centre the kings of England (left) and Prussia (right) sit together under a canopy; they turn their heads in profile, gazing intently at each other. Behind George III's chair a British sailor lounges, behind Frederick's a Prussian grenadier with a musket stands erect. Frederick holds the ends of two chains attached to the necks of the Habsburg eagle beneath the feet of the two kings; the two beaks of the bird hold a scroll inscribed 'Universal Monarchy'; with its claws it strikes fiercely at the prostrate bodies of a man and woman, evidently intended for inhabitants of the United Provinces. Beneath the bird is the word 'Austria'. On the sides of the canopy under which the kings sit are shields, one (left) inscribed 'Hanover Brunswick Hesse', the other (right), 'Saxony Deux Pont Mayence &c', representing German States under the control or influence of England and of Prussia. On the left and right of the two kings, as if supporters to an escutcheon, are whole length figures on a large scale of military officers; each holds the hilt of his sword, saying, "Whilst you agree I am ready". One (left) is the 'Reigg Duke of Brunswick', the other 'Prince Ferdinand of Brunswick'. In the lower right corner of the design a Frenchman wearing a bag-wig milks a cow inscribed 'Holland'; a dog barks at him angrily. Next the cow a man seated on the ground, probably intended for the Stadtholder, holds up his hands imploringly to the two kings, saying, "Pray protect me". Isolated figures round the two sides and upper edge of the design represent the other Powers of Europe: a crowned bear (left) inscribed 'Russia', couchant, looks greedily towards a much smaller bear inscribed 'Poland'. Russia says, "Tortur'd by Ambition - back'd by Brother Joseph"; Poland answers, "I am not muzzled". The bust of an oriental wearing a turban (Turkey) looks over its shoulder (across Poland) towards Russia, saying, "By the great Prophet thou art but a Woman". A crowned monkey with a sceptre and shield, representing Louis XVI, is seated on a globe inscribed 'Holland', saying, "Mundus vult decipi". Down the right side of the print are three crowned busts looking towards the two kings: Sardinia says, "You shall not Settle without me"; Spain says, "Oh. give me the Rock" (cf. British Museum Satires No. 6025, &c), Portugal says, "Oh! buy my Wine" (an allusion to the preference to Portuguese wines, given by the Methuen treaty and threatened by the pending commercial treaty with France). On the left side Sweden says, "I am in the pay of France"; Denmark says, "I lay by at present"."--British museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 6917 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 182-3., and On leaf 27 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Feby. 10th, 1786, by S. Hedges No. 91 Cornhill and Field & Tuer
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick II, King of Prussia, 1712-1786, Ferdinand, Duke of Brunswick-Lüneburg, 1721-1792, Carl Wilhelm Ferdinand, Duke of Brunswick and Lüneburg, 1735-1806, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, Victor Amadeus II, King of Sardinia, 1726-1796, Maria I, Queen of Portugal, 1734-1816, Gustav III, King of Sweden, 1746-1792, Christian VII, King of Denmark and Norway, 1749-1808, Catherine II, Empress of Russia, 1729-1796, and Abdülhamid I, Sultan of the Turks, 1725-1789
"Mrs. Boswell (left) and Johnson (right) sit on opposite sides of a small square tea-table; Boswell sits between them on the farther side of the table, with a complacent expression, his right hand on his breast, his left held towards Johnson, as if displaying his friend. Johnson, with an expression of reflective melancholy, takes sugar with a pair of tongs, his tea-cup in his left hand. Mrs. Boswell clasps her hands ecstatically and smiles admiringly at Johnson. A foot-boy stands behind Johnson and Boswell holding a salver; he yawns violently, scratching his tousled head. A wall-clock shows that it is 12.10. A single candle in a sconce (left) lights the room."--British Museum online catalogue
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the First. [London] : [E. Jackson], [1786], Four lines of verse below title: "My wife had tea ready for him which it is well known he delighted to drink at all hours, particularly when sitting up late ..." Vide Journal p. 14., Sheet trimmed within plate mark., and In mss. in lower left corner: E-146.
Publisher:
Publish'd May 15th 1786, by E. Jackson No. 14, Mary-le-bone Street Golden Square
Subject (Name):
Johnson, Samuel, 1709-1784, Boswell, James, 1740-1795, Boswell, Margaret Montgomerie, -1789, and Boswell, James, 1740-1795.
"A companion print to British Museum Satires no. 6949. Design in a circle. The Prince of Wales (left) and Mrs. Fitzherbert (right) sit side by side on two upright chairs; she holds on her knee an infant in long clothes, which the Prince watches paternally. Behind her (right) is a cradle decorated with ostrich feathers."--British Museum online catalogue
Alternative Title:
Prince's nursery, or, Nine months after marriage and Nine months after marriage
Description:
Title etched below image; alternative title with filled-in blanks from British Museum catalogue. and Companion print to: An extravaganza, or, Young Solomon besieging Fitzhubbub.
Publisher:
Published 9th May 1786 by S.W. Fores at the Caracature Ware-house, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
"One of a set of prints on the marriage of the Prince of Wales, see BMSat 6924, &c. Mrs. Fitzherbert (left) and the Prince of Wales dance; she holds out her apron in her right hand, his left arm is raised as if dancing a Scots reel; he appears about to take her left hand. The musicians are Burke, Weltje, and Hanger: Weltje, wearing a hat, sits (left) on a low stool, beating a pistol upon a warming-pan which he holds between his knees. Burke stands behind him holding a gridiron in the manner of a violin and with a pair of tongs as bow. He says, "Oh Burn the Pan it is not Beautifull". Weltje answers, "Damme but 'tis Sublime" (one of many allusions to Burke's book). George Hanger stands (right) beating the heavy end of his bludgeon on a salt-box; he is stamping and dancing, his hat is on the ground at his feet. Through an aperture in the wall behind his head is seen an ornate bed, decorated with triple ostrich plumes; behind the pillows is a cross. Two pictures, both inscribed 'Hamlet', are on the wall: on the left the Lord Chamberlain with his wand (Lord Salisbury as Polonius) approaches George III, saying, "I will be brief your noble son is mad". On the right Laertes addresses Ophelia, saying: "He may not as inferior persons do carve for himself for on his choice depends the sanity [sic] & health of the whole state." On the floor, in the foreground, lie two books and a paper inscribed respectively, 'Bold Stroke for a Wife' [Mrs. Centlivre]; 'Clandestine Marriage' [Colman and Garrick]; and 'I'll have a Wife of my own'. Beneath the title is engraved, 'As performed at the Theatre Royal, C------n [Carlton] House for the Benifit of the Widow Wadman'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
Follies of a night
Description:
Title from item below image., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Edmund Burke's On the sublime and the beautiful -- Parody of Shakespeare's Hamlet -- Salt-box Pictures amplify subject -- Catholic Church -- Travesties., and Watermark in center of sheet: J. Whatman.
Publisher:
Published 1st April 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Subject (Geographic):
Scotland.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, and Salisbury, James Cecil, Marquess of, 1748-1823
Subject (Topic):
Chandeliers, Cooking utensils, Dance, Firearms, Floor coverings, Marriage, Military uniforms, British, Musical instruments, and Sofas
"The Prince's stud, consisting of five asses with human faces, proceeds (left to right) past a signpost (right) pointing 'To Brighthlmstone'. The Prince, the central figure, rides an ass with the head of Mrs. Fitzherbert; he wears very long spurs. He is preceded by three animals, the foremost being George Hanger led by a groom (Captain Morris); on his saddle-cloth are the Prince's feathers, as if to show his privileged position. Next is Fox, his mouth wide open as if braying, next Weltje. Behind (left), apparently doubtful whether to proceed or not, is Lord Derby (or perhaps Lord North). Geese in the foreground (right) hiss at the procession."--British Museum online catalogue
Description:
Title etched below image. and On verso in pencil: George Townly Stubbs.
Publisher:
Pubd. July 20th 1786 by W.S. [sic] Fores at the Caracature Ware-house, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, Weltje, Louis, 1745-1810, Fox, Charles James, 1749-1806, and Smith-Stanley, Edward, 1752-1834